Characters

The characters as written are on the binary and are written with he/him or she/her pronouns, which you will see in the descriptions. But however limiting the descriptions are, our casting seeks to be as inclusive as possible, and we invite all who are interested to audition for the roles they most identify with. Please let us know if you have any questions, concerns, or if there are any accommodations we can provide.

A Note About Accents

Accents listed are not expected at auditions and will be worked on throughout the rehearsal process. 

That said, if you’re comfortable performing any of these accents, we encourage the use at auditions- but also please let us know on your audition form.

Sweeney Todd

Escaped from prison after being wrongfully accused and jailed for fifteen years. Formerly a proud barber, a loving husband and a happy father, Sweeney is now consumed by loss and revenge. He has returned to London to right the wrongs committed against him, his wife, and his daughter. Sweeney is charming but hot-tempered, ferocious yet vulnerable.

Vocal Range: Strong baritone/bass who can whistle. 

Accent: Speaks with an Estuary or London dialect.

Mrs. Lovett

An entrepreneurial meat pie shop owner who will do whatever it takes to survive. She is in love with Todd and hopes that he’ll forget the past and build a new life with her. At first, shocked by Sweeney’s bursts of violence, Lovett turns his desire for revenge into a profitable business venture. She is resourceful, ambitious, charismatic, and has great comedic timing.

Vocal Range: Mezzo with belt. 

Accent: Speaks with a Cockney accent.

Anthony Hope

A youthful sailor who helps Sweeney return to London and unexpectedly falls in love with Johanna. He is idealistic, romantic and a little reckless. His passions sometimes get the better of his reason, and his enthusiasm sometimes makes him unintentionally comedic. Over the course of the show, he awakens to the horrors around him and becomes disillusioned with London.

Vocal Range: Tenor. 

Accent: Speaks with a standard British accent (RP).

Tobias Ragg

A poor youngster apprenticed first to Pirelli and then to Mrs Lovett. He is industrious and eager to please, with a good sense of humor. Uneducated, but innately clever and observant, Tobias responds quickly to the kindness of Lovett but grows increasingly suspicious of Sweeney. After a betrayal, Toby experiences the violence and terror of this world and snaps. Or maybe he just becomes like everyone else.

Vocal Range: Tenor. 

Accent: Speaks with a Cockney accent.

Johanna

Todd's long-lost daughter and Judge Turpin's young ward. Homeschooled and largely homebound. She has a rebellious, subversive and romantic streak and longs to escape her confinement. Johanna is aware that Judge Turpin isn’t her real father and suspects that he might be a predator. Like her father, she has experienced trauma and possesses a buried capacity for violence. Although described as “pale” and “yellow haired,” we are not taking this literally.

Vocal Range: Soprano. 

Accent: Speaks with a standard British accent (RP). 

Judge Turpin

A lecherous public official who portrays himself as a sanctimonious authoritarian. He takes advantage of his position to imprison Todd, assault Lucy, and take Johanna in as his ward. He is aware that what he wants and what he’s done is wrong yet chooses to ignore or push against his conscience. Embodies Puritanical hypocrisy: he lusts after Johanna, even as he professes to keep her innocent.

Vocal Range: Bass/baritone. 

Accent: Speaks with a standard British accent (RP).

Beadle Bamford

A pompous public official who is responsible for the health and safety of London. He possesses a dry, deadpan sense of humor and enjoys wielding his power. He is not a sniveling civil servant. He is deeply loyal to Turpin, though in his heart of hearts he believes he’s better than the judge. The Beadle loves singing children’s nursery rhymes, which remind him of his youth.

Vocal Range: Tenor with a strong falsetto. 

Accent: Speaks with a standard British accent (RP).

Aldolfo Pirelli

An Irish former employee of Sweeney’s who has since developed a public persona as a flamboyant and flashy world-famous Italian barber. A charlatan who sells fake medicine and challenges other barbers to shaving contests. Pirelli is charming, calculating, and over-the-top comedic. Possess some anti-English sentiments and does not take lightly to being publicly embarrassed by Sweeney.

Vocal Range: High tenor. 

Accents: Speaks in both an Italian and Irish accent.

Beggar Woman

An eerie, poor soul living on the streets of London. She supports herself by begging and prostituting herself to sailors. The Beggar Woman is Sweeney’s wife, Lucy, who lost her mind after being assaulted by Turpin and taking poison. She has occasional flashes of lucidity and distrusts Mrs. Lovett. Like the oracle Cassandra, she is the only one who sees what’s happening, but no one will listen to her.

Vocal Range: Mezzo. 

Accent: Speaks with a Cockney or Estuary accent.

Jonas Fogg

The owner of Fogg's Asylum. Fogg sells the hair of inmates to wigmakers. Considers the inmates “children” and takes pleasure in showing them off to visitors. Chooses to ignore the human rights of his patients in the name of scientific progress. An authoritarian who is really a coward at heart. 

Speaking role who sings with the ensemble.

Accent: Speaks with an Estuary dialect.

Ensemble

Acts as a Greek Chorus, commenting on the action and participating in the tale. They are the show’s chief storytellers, taking on the roles of customers, townspeople, police, inmates at the insane asylum, Sweeney’s thoughts, and Sweeney’s victims. They stand in for us and there is a feeling of them always being nearby, watching. The ensemble gets ample opportunities for vocal challenges and is showcased with solos and harmonies throughout the show.

Sopranos - Altos - Tenors - Baritones - Basses.