March/2026

I’m bringing my work back, but not as a character. This return isn’t about creating something new; it’s about preserving what has already been made. My work now becomes a living archive, a digital catalog, a closed chapter that deserves to remain available.

This isn’t a traditional artistic comeback. It’s a reopening of the archive: videos, recordings, and performances are being reviewed, organized, and presented consistently, keeping their original visual identity and reinforcing authorship. Each piece preserves its historical context and aesthetic of the time, without alterations that compromise authenticity.

For me, this catalog acts as a digital time capsule: a record of my trajectory, songs, performances, and interpretations, preserving the memory of each creation. It’s not about competing with new works, but about honoring what already exists, allowing anyone to access the complete legacy exactly as it was produced.

By bringing everything to the website and digital platforms, I ensure the integrity of the files, highlight correct credits, and make sure each work is recognized as my creation, including interpretations of others’ compositions.

This is my act of preservation and organization—without creative pressure, without expectations of performance. My work returns to the digital world as a definitive archive, a solid and continuous presence, ready to be explored, appreciated, and referenced. A legacy that remains alive, not for what is to come, but for what already exists.

I want to thank everyone who listened, shared, and supported my work over the years. Your attention and care gave life to these recordings, and it’s because of you that this archive exists.