I was inactive from the beginning of the pandemic in early 2021 until March 2026. During that time, I had to stop everything: it was impossible to continue with music. I looked for other ways to make a living and ended up selling my instruments. It was a difficult period, one I don’t like to revisit.

I’m bringing my work back, but not as a character. This return isn’t about creating something new; it’s about preserving what has already been made. My work now becomes a living archive, a digital catalog, a closed chapter that deserves to remain available.

This isn’t a traditional artistic comeback. It’s a reopening of the archive: videos, recordings, and performances are being reviewed, organized, and presented consistently, maintaining their original visual identity and reinforcing authorship. Each piece preserves its historical context and aesthetic, without alterations that compromise authenticity.

For me, this catalog functions as a digital time capsule, a record of my trajectory, songs, performances, and interpretations, preserving the memory of each creation. It’s not about competing with new works, but about honoring what already exists, allowing anyone to access the complete legacy exactly as it was produced.

By bringing everything to a website and digital platforms, I ensure the integrity of the files, highlight proper credits, and make sure each work is recognized as my creation, including interpretations of others’ compositions.

This is an act of preservation and organization, free from creative pressure and expectations of performance. My work returns to the digital world as a definitive archive, a solid and continuous presence, ready to be explored, appreciated, and referenced as a legacy that remains alive, not for what is to come, but for what already exists.

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