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Cal Humanistic Cursive Font Free Download
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Calligrapher Humanistic Cursive is one of the calligraphic group of fonts called 21 alphabets for Calligraphers. All graphemes are taken from calligraphic pages written on traditional cursive calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin and specially-created Cyrillic glyphs.
Humanist minuscule is a handwriting or style of script that was invented in secular circles in Italy, at the beginning of the fifteenth century.[1] "Few periods in Western history have produced writing of such great beauty", observes the art historian Millard Meiss.[2] The new hand was based on Carolingian minuscule, which Renaissance humanists, obsessed with the revival of antiquity and their role as its inheritors, took to be ancient Roman:
[W]hen they handled manuscript books copied by eleventh- and twelfth-century scribes, Quattrocento literati thought they were looking at texts that came right out of the bookshops of ancient Rome".[3]
The humanistic term litterae antiquae (the "ancient letters") applied to this hand was an inheritance from the fourteenth century, where the phrase had been opposed to litterae modernae ("modern letters"), or Blackletter.[4]
The humanist minuscule was connected to the humanistic content of the texts for which it was the appropriate vehicle. By contrast, fifteenth-century texts of professional interest in the fields of law, medicine, and traditional Thomistic philosophy still being taught in the universities were circulated in blackletter, whereas vernacular literature had its own, separate, distinctive traditions. "A humanist manuscript was intended to suggest its contents by its look," Martin Davies has noted: "old wine in new bottles, or the very latest vintage in stylish new dress".[5] With the diffusion of humanist manuscripts produced in the highly organized commercial scriptoria of Quattrocento Italy, the Italian humanist script reached the rest of Europe, a very important aspect which has not yet been fully explored.[6]
In Petrarch's compact book hand, the wider leading and reduced compression and round curves are early manifestations of the reaction against the crabbed Gothic secretarial minuscule we know today as "blackletter". Petrarch was one of the few medieval authors to have written at any length on the handwriting of his time; in his essay on the subject, La scrittura,[7] he criticized the current scholastic hand, with its laboured strokes (artificiosis litterarum tractibus) and exuberant (luxurians) letter-forms amusing the eye from a distance, but fatiguing on closer exposure, as if written for another purpose than to be read. For Petrarch the gothic hand violated three principles: writing, he said, should be simple (castigata), clear (clara), and orthographically correct.[8] Boccaccio was a great admirer of Petrarch; from Boccaccio's immediate circle this post-Petrarchan "semi-gothic" revised hand spread to literati in Florence, Lombardy,[9] and the Veneto.[10]
The neat, sloping, humanist cursive invented by the Florentine humanist Niccol de' Niccoli in the 1420s and disseminated through his numerous scholars is usually characterized as essentially a rapid version of the same script. Rhiannon Daniels writes, however, that "[t]his was not humanistic bookhand written cursively, but a running script written with a very fine pen; a modification of contemporary gothic chancery script influenced by humanistic bookhand; hence it is sometimes known as cancelleresca all'antica".[14] In the late fifteenth century this "chancery script in the Antique manner" was further developed by humanists in Rome. Calligraphic forms of this "chancery italic" were popularized by the famous Roman writing master Ludovico Arrighi in the early sixteenth century.[15]
In the history of Western typography humanist minuscule gained prominence as a model for the typesetter's roman typeface, as it was standardized by Aldus Manutius, who introduced his revolutionary italic typeface based on the chancery hand in Venice, 1501, and was practised by designer-printers Nicolas Jenson and Francesco Griffo; roman type has helped establish the remarkable resistance to change of the modern Latin alphabet.[16]
I have duly searched the forums and the internet in general, looked in a few books, and I cannot figure out if there is an established Humanist set of capital letters. A lot of the photos on the posts I got as a result of my search are no longer available, so that hindered my search a bit.
For how to actually write the capitals, track down David Harris' The Art of Calligraphy (I downloaded it from someplace as a .pdf). There's a chapter on "Italian and Humanist Scripts" and it has instructions for Rotunda, Rotunda capitals, Humanist minuscule, Italic, Humanist and Italic capitals, and Italic Swash Capitals.
Thank you both! I was able to find that PDF, Ruth, so I'll be studying it I'm working on improving my everyday writing hand and experimenting with different styles (and making sort of style combination letters along the way). My handwriting is legible but it's a mishmash of upper- and lower-case letters in cursive and print in the same words and sentences There's definitely room for improvement!
In a calligraphy course I took part in last Summer, we based our humanist writing (majuscules and minuscules) on the work of Bartolomeo Sanvito. There are images of his work available online. There are similarities with Roman caps but they are different enough. Sanvito has particularly sloping As and Vs that set his work apart.
Now that my project is over and done with I have time to look at tangent stuff. Like that, and what to do with all the bamboo that has escaped from my neighbor's yard, and of course that Coronation Roll of Edward's....
Oooo ... Bamboo! Last weekend, I had a two day-long lesson in making pens from bamboo by Sumner Stone (head of Typography at Adobe Systems, when selling fonts was a big part of their business). How big around is the bamboo you want to get rid of?
Thanks for the link, Mark. I've looked at the lovely manuscript. The majuscules are definitely Roman, although not of outstanding quality. This document is hand written, of course, probably with a quill. The most familiar examples of Roman capitals are on monuments. According to Fr. Edward Catich, they were painted with a broad brush and then cut with chisel and mallet.
Sanvito's "humanist cursive" is very nice. I think we would call it "formal italic" today. The letter forms are really italic - basically oblong or oval rather than round - and are not cursive, in that there are no joins. If you want to see a "real" Humanist script, look for documents written by Poggio Bracciolini.
Unfortunately, I think it's sufficiently big in diameter that it would be way too big for a pen (even if you were making a pen for Andre the Giant...). I haven't gone out back and checked (my allergies have mostly kept me out of the yard, but I suspect a lot of it is more than an inch across the stem. It's certainly big enough around that last summer my husband couldn't whack it back with the regular hedge trimmer (the electric one) and was considering getting out the chainsaw (which he doesn't like using unless someone is out there with him in case of emergencies...).
I just checked with him and he said some of it is 2-2/12" in diameter (and as high as 15 FEET). I'm actually thinking about reading up on learning to make paper with it. Papermaking is something I've always wanted to try (and not the "papermaking" as art class I took in college, where we were basically recycling old paper and mixing up the torn paper and water slurry in a household blender.... 152ee80cbc
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