Nina Halton-Hernandez (University of Southampton): Imagining and imaging coastal change - communicating the climate crisis through documentary style

Kseniia Bespalova (University of Amsterdam): Caucasian Encounters: The Planetary Consciousness in Balagov’s Closeness

Yue Su (University of Warwick & Nagoya University): The Thermal Spaces of Kinship in Shoplifters (Kore-eda Hirokazu, 2018)

Lucy Cargill (King’s College London): “The only natural resource that the world has too much of - girls”: Black Widow and the fatal complacency of #NotAllMen

Miriam Kent (University of Leeds): From Elektra to Captain Marvel: Contextualising Marvel’s Pre- and Post-MCU Superheroines

Christopher Holliday (King’s College London): Marvel’s Recessionary Superheroes and the Unruly Women 2.0

Polina Zelmanova (University of Warwick): Queering cinema’s visual politics through musicology: the queer potential of music in Vita and Virginia and Portrait of a Lady on Fire

AJ Bravo (University of Kent): “Bonding” vs “CAM”: The co-opting of sex working narratives across non-pornographic media

Temmuz Süreyya Gürbüz (National University of Ireland, Galway): Cross-media Interactions in Punk Aesthetics on Screen

Sue Harris (Queen Mary University of London): The logistics of set building at Joinville studios during wartime occupation: Nous les Gosses (Louis Daquin, 1941)

Carla Mereu Keating (University of Bristol): ’Wizards of illusion’ in times of realism: Spectacular sets and costumes in post-war Italy

Sarah Street (University of Bristol): Collaborative Ingenuity: Sets in British Studios in the 1940s

Rossella Schillaci (University of Manchester): Animation and VR documentary: grafts of imaginary on (virtual) reality

Valentina Bonifacio (Ca' Foscari University, Venice): Crafting images: a collaboration between an artist and an anthropologist

Alexandra D’Onofrio (University of Manchester): Animating the possible as part of collaborative ethnographic documentaries on migration

Kate Dangerfield & Pablo Romero Fresco (University of Roehampton, London & Universidade di Vigo, Spain): ‘From the Universal to the Self in Media Accessibility: Accessibility as a Conversation’

Shweta Ghosh & Priyanka Pal (University of Reading): We Make Film: Accessibility and Inclusion in Film Practice Research Projects

Victoria Mullins (University of Cambridge): Cat Flu and Mousekeeping: The symbiotic abjection and sanitization of Escape from Tomorrow (2013)

Jay Bamber (University of Roehampton): Unmother Lands: The Evil Queen and Her Villainous (Not Quite) Daughters

Catherine Lester (University of Birmingham): The Kids Are All White?: race, identity and privilege in children’s horror cinema

Wendy Russell (British Film Institute)

Gil Toffell (British Universities Film and Video Council)

Toby Haggith (Imperial War Museum)

Georgina Orgill (Stanley Kubrick Archive, University of the Arts London)

Bernhard Fuchs (University of Vienna): Swiss Bollywood

Györgyi Vajdovich (Eötvös Loránd University, Hungary): Hungary created through the fantasies of Bollywood

Dorottya Fejes-Jancsó (Eötvös Loránd University, Hungary): Hungary Goes to Bollywood – Cross-cultural references of Liza, the Fox Fairy (2015) and Aafat-e-Ishq (2021)

Jenna Ng (University of York): The Post-Screen

Nick Jones (University of York): Screen Mirroring: The Intermedial Graphic User Interface

Karim Townsend (University of Cambridge): “The revolution starts here”: HBO’s Enlightened and ecological realignment in the age of social media

Louise Coopey (University of Birmingham): Collaborative direction in complex TV: Interrogating Game of Thrones’ (2011-2019) multiple director model

Freyja McCreery (University of York): The Genderfication of the MCU

Damien Pollard (University of Cambridge): Hybridising Voices: 1980s Italian Horror Films, American Television and Formal Cross-Pollination

Andrés Buesa (University of Zaragoza, Spain): Children Film Themselves: Agency, Mobility, and Inequality in A Dramatic Film (2019)

Jane Batkin (University of Lincoln): Childhood and its Cross-Pollination in Cinema: Animated Actualities in Elsewhere Worlds

Rebecca Rowe & Madeleine Hunter (University of Texas Rio Grande Valley & University of Cambridge): “Only [Adults] in Theatres”: Redefining the Place of Family and Kidult Films During the Pandemic

Douglas Morrey (University of Warwick): Stars and Acting in Claire Denis’s Films since 2010

Elif Sendur (Rutgers University): Claire Denis, Corporeality and New Weird

Peter Sloane (University of Lincoln): ‘A lover's hand? A breath, An abyss’: Tindersticks and The Sound of Loneliness in Claire Denis

Aida Vallejo (University of Edinburgh & University of the Basque Country): Institutes of the documentary film: networking and collaborative practices in the creative industries

Alexandra Colta (University of Glasgow): Film Festivals: Between activitism and cinephilia

Andrew Moore (University of Edinburgh): The fruits of the in-between: Creativity, Cross-polination and institutional critique in the Sensory Ethnography Lab's Expedition Content (2020)

Llewella Chapman (University of East Anglia): The Mistress of Bond: Eileen Sullivan and cutting the cloth of James Bond’s wardrobe

James Chapman (University of Leicester): The Invisible Bond Girl: Nikki Van Der Zyl

Claire Hines (University of East Anglia): Bond Beauties: Gender, Agency and the Role of Women in the Publicity and Promotion of the 1980s Bond films