Portrait

Analysis:

The photograph was taken by a man called Rehahn, the image itself is called 'Hidden Smile' which is fairly obvious due to her squinted eyes. Her skin is very detailed and textured to the lighting and the focus of the camera.  The background is blurred to ensure she is the main focus in the photograph, using the rule of thirds also helps make her the main subject as she is in the center of the image.  The pose chosen helps bring the viewers attention to the hands and eyes. I believe the message of the photograph is that happiness isnt always expressive, and that we can be happy without showing it. I think this because the title being 'Hidden Smile' and she is staring directly into the camera which helps her look calm.

This photo was taken by Steve McCurry in 1985, the subject of the photo is a girl from Afghan which was for the National Geographic. The greenish background and her eyes contrast the red clothes she is wearing, bringing more attention to her eyes and the darker green tear in the clothes. The intense stare of the subject and the compelling colour of the eyes helps the viewer visualize a snake. 

Comparing the Difference:

Without Studio Lighting

With Studio Lighting

The picture without studio lighting makes me very bored as nothing stands out, it doesn't make me feel anything as it is a very boring picture. It doesn't compliment the subject as well as the picture with studio lighting as her skin is more textured and dull. However, the photograph with studio lighting is much more positive, I feel happier looking at it and the lighting compliments her features well by making her skin look smooth and softer by warming it up. The subjects hair also looks brighter in the second image as the lighting makes her hair look a chocolaty brown whilst the duller lighting makes the top of her hair looks greenish and more frayed. 

Analyzing an Artist:

John Thomson (Scottish, 1837-1921)

The “Crawlers” – Portrait of a destitute woman with an infant,1877

A  website that inspired me was the Exhibition: ‘Victorian London in Photographs 1839 to 1901’ at the London Metropolitan Archives. It has many great photographs which capture a similar essence to the one i have edited. This specific photograph was the one that caught my attention the most. The photographer was John Thomson, who was a pioneering Scottish photographer, geographer and traveler. He is known for his work for street photography,  and his instance of social documentary laid the foundations for photojournalism.

John Thomson has used the Woodburytype process, which is a type of photo mechanical reproduction using pigmented gelatin, usually of a rich purple-brown colour. The pigment and the woman's dirty surroundings create a dark mood to the image, for example hopelessness. It brings to mind homelessness, which is also suggested from the cup next to her as it could be used to collect money, and the photographs name containing the word 'destitute' which means to be penniless . The image is also in Thomson's project 'Street Life in London' so his message could be to raise awareness to homelessness in London, which would of been a large rate as it was one of the largest cities in the world, and to also capture the beauty of not needing money to see the simple things, like a mothers love for her child. The contrast between the infant, who looks peaceful, and the woman, who appears to be in a state of despair, makes us sympathies with them as the woman has gone through things the baby has not. Because of their unhygienic environment and the woman's sorrowful expression, we can assume that the life they are living isn't a happy one, creating even more sympathy.  The pinkish pigment gives an aged look to the photograph, which goes correspondingly to the year it was created.

My Plan:

My plan for this project is to create images that are similar to John Thomson's project 'Street Life in London' by editing the photograph using Adobe Photoshop to make it appear fuzzy and aged. I will achieve this by liquifying the subject which will also give off a paranormal effect, which was commomly associated to the Victorian era. The dark background will help the subject to appear brighter which will help when, once edited, it will be more dark so it will make the subject appear clearer.

My Photograph:

Old Victorian Family- 1860s

My inspiration for my photo shopping style were old photographs, especially in movies where they are shown to be dusty and untouched. I noticed the background was always fuzzy in the photos, and i wanted to create that in my image by making liquefying the subjects face and making the background slightly distorted. The lighting was either going to be a light orange (like the photos on the right) or a light pink, i thought the orange wouldn't give the same effect that i wanted because of the bright tie. That is my reason for picking the pink over the orange, it makes the photo look older and depending on how you view it, can give an unsettling vibe to the viewer.

An 1875 portrait of the author Lewis Carroll, often incorrectly described as a post-mortem photograph.