RESIDENCY HHARTSPACES, GOA , 2018
The circular symbol known as The Three Hares — which shows three hares chasing each other in a circle, with each ear shared by two hares, so that only three ears are shown — has been found in Buddhist, Christian, Islamic, Jewish and Hindu contexts in the medieval world. The symbol can be seen in numerous sacred sites from the Middle East, to the Far East, to historical synagogues across Europe, and inside the churches of Devon, England.
Its earliest appearance has connections to Buddhism, and “Occurrences appear to be in cave temples in China, dated to the Sui dynasty (6th to 7th centuries) The hares have been said to be a hieroglyph of ‘to be’. In other contexts the metaphor has been given different meaning. For example, Guan Youhui, a retired researcher from the Dunhuang Academy, who spent 50 years studying the decorative patterns in the Mogao Caves, believes the three rabbits — ‘like many images in Chinese folk art that carry auspicious symbolism — represent peace and tranquility.’ The Three Hares appear on 13th century Mongol metalwork, and on a copper coin, found in Iran, dated to 1281. Another appears on an ancient Islamic-made reliquary from southern Russia. Another 13th or early 14th century box, later used as a reliquary, was made in Iran under Mongol rule, and is preserved in the treasury of the Cathedral of Trier in Germany. On its base, the casket has Islamic designs, and originally featured two images of the three hares.”
The Three Hares - A Curiosity Worth RegardingTom Greeves, Sue Andrew and Chris ChapmanPresented through wall drawings the myth of the 3 rabbits that originated in the Sui Dynasty. This myth acts a the connecting feature through various points in time, while being inter-placed with different geographical points and their attributes.
The work tries to recreate the passage of time through a form of propaganda of ideas such as :-
1. Sui Dynasty
2. Birth and death of new religious such as Buddhism and its religious followers and their beliefs systems
3. Political conquest of the Middle east (Umayyad Caliphate)
4. Representation of Palmyra adjacent to ruins (destruction of heri- tage through military conquest, compounded by religion and eco- nomics)
5. The mother & fertility, abundance with soldiers.
The goal of the project was put forth a open representation and to let an overwhelming sense of information take over the viewer. The presentation came together with a sound piece improvisation with Mauricio Carrasaco, an experimental classical guitarist .
The murals of Research for rabies Rabbit, uses this myth as a common thread that connects all of these locations.
It represents this myth in the locations from east to west across various timelines. They are drawn one on top of the other as they merge into one and other. Their past and present super imposed onto the wall.