I completed 2 film festivals in the year 2024. My first was for a class called the "Festival Experience", and my second film festival was a part of my graduation final project. Both of these experiences, although they were very similar in structure, were completely different in outcome. I learnt so much about different opportunities about the safety net of a classroom compared to the self-sustaining "real world", and it was something that to this day I carry with me.
The first festival is the "and SCENE Festival" and the second is "Curtain Call Festival"
In 2024, I decided to enrol in "The Festival Experience" class. At first, I didn't know what I was getting myself into, but it quickly turned into my favourite class of my entire degree.
The class not only guided us into creating such an incredible festival, but our tutor, Cerise Howard, also encouraged us to look deeper into what made the guest experience of the festival truly exceptional, and how to brand the festival. Since we were creating a festival for the 12 other media studio classes, we needed to ensure that all forms of media were properly showcased, including audio, film, written, live, and a combination of different themes, such as fiction, documentary, AI, broadcast, and scripted.
I nominated myself as one of two festival directors, as I wanted to test myself as a producer and believed I could manage and juggle the responsibilities required to create a festival.
Now I can't take all the credit, I worked with a bunch of incredibly talented individuals who helped me shape this experience, we had a team for every side, we had a Finance team, Documentary Team, Hospitality Team, Marketing/Design Team, Liaison Team, Fundraiser, Publicity, Programming and Social Media.
Being festival director, I collaborated with almost every single team within our classroom, and worked on a lot more of the "Admin" work to get into the nooks and crannies of the festival, which meant a lot of sponsorship, finance, programming schedules, setting deadlines, managing the team and setting meetings, all of which I surprisingly really enjoyed. All those small tasks truly helped me gain so many necessary skills that make the difference between a producer and a leader, skills that I later took with me when I started to produce short films. I also decided to MC the night to make things a little more interesting, and it was less scary than I thought. When you have the stage light blaring in your eyes, you can't really see the audience.
Opening night was a crazy day, an early morning start to a late night finish. We sold a total of 400 tickets for our opening night ceremony. That day was jam-packed. We had a few complications with screening the films, but after I had redownloaded all the films and placed them into the appropriate software, and with much help from the techs at the theatre, the rest was smooth sailing.
Final note, if you made it this far, make sure to swipe through the full 52-page (yes, 52) program, which tells you almost every piece of work we showed throughout our 3-day festival, or you can skip to see the schedule at the end, or have a short light read about our festival at the start.
Dad and I at the Opening Ceremony
Full Festival Program
and SCENE Documentary
Fundraiser Poster
Festival Poster
T-shirt Merchandise
The team on the day of opening night at The Capitol Theatre
Curtain Call festival was a big difference from the previous festival. Instead of the festival being associated with a class of 20+ students, it was a team of fewer than 10 students. As part of our degree, each student needed to complete a project, a project on whatever form of media they wanted they wanted to do to showcase their work and discover their niche.
Ryan (other festival director for and scene) and I decided we wanted to create another film festival apart of our final assignment, this time to showcase and screen all the students (who wanted to take part in) graduation projects. We noticed how proud students became when they brought their friends and family to see their project on the big screen from the previous festival, so we wanted to do that again for students who weren't a part of the studios previously or who wanted another go at having their work screened.
This festival, we were no longer mentored by the brilliant Cerise Howard and her expertise when it comes to producing a festival; however, we did learn and utilise the valuable steps and building blocks to create this new experience. We didn't have the bells and whistles like the beautiful Capitol Theatre, but this festival was more sentimental, a farewell to the graduating students, closing the curtains of this chapter of their lives.
Before the Opening Ceremony -RMIT University
Entrance to the Festival -RMIT University
Invitation sent to all participating students to forward to friends and family