There was an Old Person of Leeds,
Whose head was infested with beads;
She sat on a stool
And ate gooseberry-fool,
Which agreed with that Person of Leeds.
Everybody made their own illustrations of an elderly woman eating a desert with a stool in front of her and having beads grow out of her head. Our comprehension of the poem deepened, and we began to concentrate more on the section about the infestation. From there, we created a drawing. With layers of beads covering the mass, we attempted to depict the infestation's growth in size and weight as well as its takeover of the entire body—there is no body, it's just a massive, bulky infestation of beads with layers and depths. After that, we made an effort to include the idea of deformity into our design.
Our initial plan was to use paper in a more ornamental manner, but it finally dawned on us to make it structural by adding convex bulges. Whether it is caused by weathering books or living beings invading, deformation is the basic feature of all infestations, producing symptoms like boils, sours, textures, etc. This structure is special since it simply consists of one component: metal wire. We made the decision right away to build a basic foundation out of thicker wire that could withstand its curvature and produce a grid that ran the entire length of the pillar erect.The next step was to put weaves on the larger pieces, which effectively showed infinite movement. As a result, what had once been a stiff, upright column became misshapen, uneven, and extremely uncomfortable to feel and see—almost like a body afflicted.