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To what extend, and how, the typefaces produced in the 20th century by Iberoamerican type founders [and in particular by Neufville-Bauer in Spain and Funtimod in Brazil] reflect convergences, contrasts and conflicts between modernisms and local traditions in visual design culture?
To what extend, and how, the typefaces produced in the 20th century by Iberoamerican type founders [and in particular by Neufville-Bauer in Spain and Funtimod in Brazil] reflect convergences, contrasts and conflicts between modernisms and local traditions in visual design culture?
Oriol Moret (UB)
Oriol Moret (UB)
Enric Tormo (UB)
Enric Tormo (UB)
Marina Garone (UNAM)
Marina Garone (UNAM)
Priscila Farias (USP)
Priscila Farias (USP)
References
References
BAUER-NEUFVILLE
Fondo Bauer-Neufville (Oriol Moret) http://www.ub.edu/cursusductus/
FUNTIMOD
Isabella R. ARAGÃO 2016 - Tipos móveis de metal da Funtimod: contribuições para a história tipográfica brasileira (PhD Thesis) https://teses.usp.br/teses/disponiveis/16/16134/tde-01092016-154117/pt-br.php
FARIAS & ARAGÃO 2017 - Identificando tipos móveis: metodologia para o estabelecimento da origem do design das faces tipográficas da Funtimod https://estudosemdesign.emnuvens.com.br/design/article/view/488
FUNTIMOD-tipos comuns e de fantasia.pdfPage updated
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