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To what extend, and how, lettering styles found in the work of mid 20th century Iberoamerican designers, such as Ricard Giralt Miracle, Vicente di Grado and Eugenio Hirsch, reflect convergences, contrasts and conflicts between modernisms and local traditions in visual design culture?
To what extend, and how, lettering styles found in the work of mid 20th century Iberoamerican designers, such as Ricard Giralt Miracle, Vicente di Grado and Eugenio Hirsch, reflect convergences, contrasts and conflicts between modernisms and local traditions in visual design culture?
Enric Tormo (UB)
Enric Tormo (UB)
Marcos da Costa Braga (USP)
Marcos da Costa Braga (USP)
Priscila Farias (USP)
Priscila Farias (USP)
Marina Garone (UNAM)
Marina Garone (UNAM)
Results
Results
MORET Viñals, Oriol 2022. Flora tipográfica catalana, 1930-1960. RChD: Creación Y Pensamiento, 7(13): 29–42.
TORMO, Enric & GONZALES-MARDONES, Sheila 2022. Tecnología gráfica y modernidad. Una propuesta de relectura para el siglo XX. RChD: Creación Y Pensamiento, 7(13): 94–103.
References
References
Ricard Giralt Miracle <https://es.wikipedia.org/wiki/Ricard_Giralt_Miracle> <http://mdc.csuc.cat/cdm/landingpage/collection/RGM>
Vicente di Grado <https://pt.wikipedia.org/wiki/Vicente_Di_Grado>
Eugenio Hirsch <https://pt.wikipedia.org/wiki/Eugenio_Hirsch>
Ricard Giralt-Miracle, Filograf, 1952
Vicente Di Grado, O Segredo, 1966
Eugênio Hirsch, Antonio Chimango, 1961
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