In which way 20th century design, edition, and intellectual networks affected the convergences, contrasts and conflicts between modernisms and local traditions in visual design culture? [more]
How visual design education evolved in Iberoamerican countries in the 20th century, and how this affected the professional field of design? [more]
With what principles and methods has visual design history been approached in Iberoamerican countries in the 20th century? [more]
To what extend, and how, lettering styles found in the work of mid 20th century Iberoamerican designers, such as Ricard Giralt Miracle, Vicente di Grado and Eugenio Hirsch, reflect convergences, contrasts and conflicts between modernisms and local traditions in visual design culture? [more]
Do the terms that we use for talking about design and modernism in Iberoamerican countries stand for the same phenomena? [more]
In which way record cover design [and in particular 1980's rock covers] expresses the convergences, contrasts and conflicts between modernisms and local traditions in Iberoamerican visual culture? [more]
To what extend, and how, the typefaces produced in the 20th century by Iberoamerican type founders [and in particular by Neufville-Bauer in Spain and Funtimod in Brazil] reflect convergences, contrasts and conflicts between modernisms and local traditions in visual design culture? [more]