Research and Creation

Journal articles

• Cajilig, P., & Maranan, D. S. (2014). Anthropology Of, For, And With Design: A Philippine Perspective. AghamTao, 23, 95–110. https://doi.org/10.5281/zenodo.1172837
• Maranan, D. S. (2015). Speculative somatics. Technoetic Arts, 13(3), 291–300. https://doi.org/10.1386/tear.13.3.291_1
• Kristensen, M. S., Loesche, F., & Maranan, D. S. (2017). Navigating Cognitive Innovation. AVANT. Trends in Interdisciplinary Studies, Special issue: Collaborative Approaches in Cognitive Innovation. ISSN: 2082-6710. https://doi.org/10.26913/80s02017.0111.0005
• Oztop, P., Maranan, D. S., Loesche, F., Francis, K., Tyagi, V., & Torre, I. (2017). (Not so) Dangerous Liaisons: A Framework for Evaluating Collaborative Research Projects. AVANT. Trends in Interdisciplinary Studies,Special issue: Collaborative Approaches in Cognitive Innovation. ISSN: 2082-6710. https://doi.org/10.26913/80s02017.0111.0016

Conference papers (published in proceedings)

• Mandryk, R. L., & Maranan, D. S. (2002). False prophets: exploring hybrid board/video games. In CHI ’02 extended abstracts on Human factors in computing systems (pp. 640–641). New York, NY, USA: ACM. https://doi.org/10.1145/506443.506523
• Subyen, P., Maranan, D., Schiphorst, T., Pasquier, P., & Bartram, L. (2011). EMVIZ: the poetics of movement quality visualization. In Proc. Int. Symp. Computational Aesthetics in Graphics, Visualization, and Imaging(pp. 121–128). New York, NY, USA: ACM. https://doi.org/10.1145/2030441.2030467
• Maranan, D. S., Schiphorst, T., Bartram, L., & Hwang, A. (2013). Expressing technological metaphors in dance using structural illusion from embodied motion. In Proceedings of the 9th ACM Conference on Creativity & Cognition (pp. 165–174). New York, NY, USA: ACM. https://doi.org/10.1145/2466627.2466654
• Subyen, P., Carlson, K., Maranan, D. S., & Schiphorst, T. (2013). Recognizing Movement Qualities: Mapping LMA Effort Factors to Visualization of Movement. Presented at the Beautiful Dance Moves: Mapping Movement, Technology & Computation Workshop: 9th ACM Conference on Creativity and Cognition, Sydney, Australia. https://doi.org/10.13140/RG.2.1.3238.9282
• Maranan, D. S., Fdili Alaoui, S., Schiphorst, T., Pasquier, P., Subyen, P., & Bartram, L. (2014). Designing for Movement: Evaluating Computational Models Using LMA Effort Qualities. In Proceedings of the 32Nd Annual ACM Conference on Human Factors in Computing Systems (pp. 991–1000). New York, NY, USA: ACM. https://doi.org/10.1145/2556288.2557251
• Maranan, D. S., & Librero, A. F. D. (2014). Biomodd: Exploring Relationships Between Biological, Electronic, And Social Systems Through New Media Art. In ICERI2014 Proceedings (pp. 249–256). Seville, Spain. https://doi.org/http://hdl.handle.net/10026.1/5078
• Maranan, D. S., Loesche, F., & Denham, S. L. (2015). CogNovo: Cognitive Innovation for Technological, Artistic, and Social Domains. In Proceedings of the 21st International Symposium on Electronic Art. Vancouver, Canada. http://hdl.handle.net/10026.1/5076
• Maranan, D. S., & Vermeulen, A. (2015). When Ideas Migrate: A Postcolonial Perspective on Biomodd [LBA2]. In Proceedings of the 21st International Symposium on Electronic Art. Vancouver, Canada. http://hdl.handle.net/10026.1/5077

Conference poster presentations

• Maranan, D. S., Schiphorst, T., DiPaola, S., Antle, A. N., Subyen, P., & Bartram, L. (2011). Revealing Somatic Experiences in Dance Performance. Poster presented at the 6th Annual IRMACS Day, Simon Fraser University, Canada. http://summit.sfu.ca/item/16730
• Maranan, D. S. (2014, June). Expressing technological metaphors in urban dance. Poster presented at the MINDFIELD: 6th Annual Plymouth University School of Psychology Conference, Plymouth, UK. http://hdl.handle.net/10026.1/3607
• Maranan, D. S. (2016, July). Haplós: Designing Technologies for Exploring Somaesthetic Experiences. Poster presented at the Cognition Institute Conference 2016, Plymouth University, UK. http://hdl.handle.net/10026.1/5086
• Maranan, D. S., Haines, A., Fletcher, J., & Clarke, S. (2016, July). Bisensorial: A brain-computer interface hack using tactile and auditory stimuli. Exhibit presented at the Cognition Institute Conference 2016, Plymouth University, UK. http://hdl.handle.net/10026.1/5085
• Loesche, F., Torre, I., Maranan, D. S., & Denham, S. (2017, May). CogNovo – A Case Study for Cognitive Innovation. Poster presented at the Psychology of Creativity: Building Impact, Skills, & Collaborations, Edinburgh Napier University, UK. http://hdl.handle.net/10026.1/9600
• Maranan, D. S. (2017). Sensing yourself by sensing the ground: getting intimate with the environment through vibrotactile stimulation. Poster presented at the Expo’ 17: Ecologies Annual Event, Plymouth University, UK. https://doi.org/10.5281/zenodo.1039377
• Cajilig, P., Maranan, D. S., Sy, A., Salva, O., & Vermeulen, A. (2017, August). Multispecies Roundtable for Climate Impact: A Speculative Proposal. Poster presented at the Balance-Unbalance 2017, Plymouth University, UK. https://doi.org/10.5281/zenodo.909098

Book chapters

• Torre, I., Łucznik, K., Francis, K. B., Maranan, D. S., Loesche, F., Jr, R. B. F., … Zaksaite, T. (In preparation). Building a Col-Laboratoire: invention, legacy and reproducibility of an interdisciplinary summer school. In Ecologies of open: Inclusion, intersections, and interstices in education. International Review of Open and Distributed Learning.
• Vermeulen, A., & Maranan, D. (2010). Biomodd as Paradox. In S. Engelen & M. Wynants (Eds.), We Can Change the Weather: 100 Cases in Energy Efficacy to Start Doing So (pp. 22–23). Brussels: Asp / Vubpress / Upa.

Conference presentations (unpublished)

• Subyen, P., Maranan, D. S., Schiphorst, T., & Pasquier, P. (2010, September). Mapping, Meaning and Motion: Designing Abstract Visualization of Movement Qualities. Conference presentation presented at the Digital Resources for the Humanities & Arts 2010: Sensual Technologies – Collaborative Practices of Interdisciplinarity, Brunel University, UK. http://doi.org/10.13140/RG.2.1.4287.5047
• Maranan, D. S. (2011b, November). Illusion Styles Dance. Talk presented at the Fete dela Wsk! International Festival for Post-Music and Digital Culture, Ayala Museum, Manila, Philippines.
• Maranan, D. S. (2013, October). Structural Illusion From Embodied Motion: Perceiving Technological Metaphors in Dance Movement. Talk presented at the 4th Congress of the ASEAN Union of Psychological Societies (ARUPS) and the 50th Annual Convention of the Psychological Association of the Philippines, Miriam College, Quezon City, Philippines.
• Cajilig, P., & Maranan, D. S. (2013, October). Negotiating Misalignments at the Intersection of Design and Anthropology in Social Innovation Research. Presented at the Rethinking and Remaking Forms of Knowledge: The Critical Work of Anthropology, Ateneo de Davao University.
• Manalo, J., Figueroa, R., & Maranan, D. S. (2014, May). MOOCathon Codefest: Crowdsourced Planning and Development of a MOOC Platform. Presented at the eLearning Forum Asia 2014, National Cheng Kung University, Taiwan.
• Maranan, D. S. (2015, July). From Within to Between. Talk presented at the The Undivided Mind, Plymouth University, UK. http://hdl.handle.net/10026.1/3661
• Cajilig, P., & Maranan, D. S. (2015, September). Divergent Thinking In Disaster: Examples from Typhoon Haiyan Survivors. Talk presented at the Off the Lip, Plymouth University, UK. http://hdl.handle.net/10026.1/8584
• Maranan, D. S., Haines, A., & Clarke, S. (2017, September). RE/ME. Pitch presented at the Art, Science, and Technology Collaborations in Europe, BOZAR, Brussels, Belgium. https://doi.org/10.5281/zenodo.893626

Invited talks at academic and research institutions

• Maranan, D. S. (2011a, March). Biomodd: an interactive and collaborative art project that integrates nature and technology. Talk presented at the School of Interactive Arts and Technology Graduate Research Colloquium, Simon Fraser University, Canada.
• Maranan, Diego S. (2017, September). Haplós: Transdisciplinary Research In Art + Humanities + Science + Technology For Well-Being and Play. Talk presented at the (RE)PRODUCING THE SELF: Body, Text, Memory and Technology, University of the Philippines Diliman. https://doi.org/10.5281/zenodo.1039708
• Maranan, Diego S. (2017, July). Haplós: Vibrating Clothing for Well-being. Talk presented at the UPOU Research Conversations Series, University of the Philippines Open University, Los Baños, Philippines.

Exhibits

• Osborne, J. (2007). Drive. Dance film shown in multiple international film festivals.
• Biomodd [LBA2] Team (acted as project co-lead). (2009). Biomodd [LBA2]. Exhibit/Interactive installation, University of the Philippines Los Banos, Philippines. www.biomodd.net
• Biomodd [LBA2] Team (acted as project co-lead), & Diego Maranan. (2009). Biomodd [LBA2]. Exhibit/Interactive installation, Museum of Contemporary Art and Design, Manila, Philippines. www.biomodd.net
• Subyen, P., Maranan, D. S., Schiphorst, T., & Pasquier, P. (2010, October). Paint With Your Efforts. Exhibit/Interactive installation presented at the E-mixer 2010, Surrey Arts Centre, Surrey, BC, Canada. http://www.diegomaranan.com/?portfolio=paint-with-your-efforts-2010
• Biomodd [MRBw] Team (acted as project co-lead). (2010, November). Biomodd [MRBw]. Exhibit/Interactive installation presented at the KIBLIX Art Festival and International Computer Arts Festival, Maribor, Slovenia.
• Biomodd [NYC4] Team (acted as project participant). (2012). Biomodd [NYC4]. Exhibit/Interactive installation presented at the ReGeneration at the New York Hall of Science, New York, USA. http://www.diegomaranan.com/?portfolio=biomodd-nyc4
• Barnes, S. K., Castellanos, C., Fox, T., He, Y., & Maranan, D. (2012, June). Proof-of-Process. Exhibit/Interactive installation, Gallery Gachet, Vancouver, Canada. http://dprime.org/projects/proof-of-process/gallery_gachet/
• Maranan, D. S. (2015). Grau. Plymouth City Museum and Art Gallery, Plymouth, UK. http://hdl.handle.net/10026.1/5106
• Biomodd [LDNw] Team (acted as project co-lead). (2015, July). Biomodd [LDNw]. Exhibit/Interactive installation presented at the Create Space London, London, UK. http://hdl.handle.net/10026.1/8344
• Łucnik, K., Maranan, D., Knight, J., & Melidis, C. (2016). Ekosi Eksi. Dance film shown in multiple international dance festivals. Preview on https://vimeo.com/193890281/f80a18762f
• Biomodd [MEC10] Team (acted as project co-lead). (2017, October). Biomodd [MEC10]. Exhibit/Interactive installation presented at the Dodonaeus Digital Arts Festival, Mechelen, Belgium.

Performance and Choreographic Works

Short works

• Turner, J., & Maranan, D. (2010). Invisible Minority Report. Performance intervention in conjunction with 8th Shanghai Bienalle presented at the The Gate, Second Life.
• Maranan, D. (2011). I’m Sorry Because It’s Useful. Performance presented at the The Interplay Projects: Interdisciplinary and Contemporary Dance Performance Series, MACC Studio Theatre, Vancouver, Canada. www.diegomaranan.com/sorry
• Subyen, P., Maranan, D. S., Carlson, K., Schiphorst, T., & Pasquier, P. (2011, May). Flow: Expressing Movement Quality. Performance presented at the The User in Flux Workshop Exhibition of CHI 2011, Vancouver, Canada.
• v2.0 (2009). Performed by Airdance Dance Company. 4th WiFi Body International Contemporary Dance Festival, Cultural Center of the Philippines. Choreography. http://www.diegomaranan.com/?p=1259
• Reckless Acts (2008). Donna Miranda, Diego Maranan, Regina Lasam. Green Papaya Art Projects, Quezon City, Philippines. Choreography, performance. http://www.diegomaranan.com/?p=1253
• Drive (2007) (Dance for film). Jane Osborne, Diego Maranan, Vanessa Mayrand. Screenings in Hungary, Brazil, Canada, Philippines. Performance. http://www.diegomaranan.com/?p=1251
• bOdy bOUnD: Showing (2007). Jennifer Clarke, Diego Maranan, Sara Coffin, Phil Thompson. The Dance Centre, Vancouver, Canada. Performance.
• Rio (2006). Diego Maranan, Deanna Peters, Jocelyn Wong. Ayden Gallery, Vancouver, Canada. Choreography.
• second law (2005). Diego Maranan, Lori Macdonald, Vanessa Mayrand, Jocelyn Wong, Benjamin Carson, Stina Hanson, Daniel Anderson. In 12 Minutes Max. Firehall Arts Centre, Vancouver, Canada. Choreography.
• The Boot Danube (2005). Choregraphy by Kathryn Ricketts. Roundhouse Community Theatre, Vancouver, Canada. Performance.
• Prelude. Fugue. (2005). Diego Maranan, Maryanne Wong. Simon Fraser University, Burnaby, Canada. Choreography.
• Teklado (1994). (Film) Direction by Raymond Red. Manila, Philippines. Performer.

Evening-length

• Promises are Made to be Broken (2009). Donna Miranda, Diego Maranan, Lena Cobangbang, Angelo Suarez, Mia Cabalfin. Green Papaya Art Projects, Quezon City, Philippines. Performance, direction. http://www.diegomaranan.com/?p=1310
• Promises Are Made to be Broken (2006). Mae Bayot, Jay Cruz, Tess Jamias, Regina Lasam, Diego Maranan, Donna Miranda. Lumiere Gallery, Manila, Philippines. Performance. http://www.diegomaranan.com/?p=1249
• The Spell Remains (2005). Choreography by Martha Carter/marta marta HoP. Vancouver East Cultural Centre, Vancouver, Canada. Performance.
• EARTH=Home (2005). Choreography by Judith Marcuse. EARTH = Home Festival, Vancouver, Canada. Performance.

Artist residencies

• Artist in Resident, Green Papaya Art Projects (October-November, 2008).
• Associate artist in residence, DanceLab, Scotiabank Dance Centre, Vancouver, Canada. (2007)
• Visiting artist/researcher, DPrime Research, Vancouver, Canada. (2012)

Other publications

• Maranan, D. S. (2012). Dance Illusioning the Cyborg: Technological Themes in the Movement Practices and Audience Perception of Three Urban Dance Styles (MA Thesis). School of Interactive Arts and Technology, Simon Fraser University, Surrey, Canada. https://theses.lib.sfu.ca/thesis/etd7483
• Maranan, D. S. (2017). Haplós: Towards Technologies for and Applications of Somaesthetics (Ph.D. Thesis). Plymouth University, UK. http://hdl.handle.net/10026.1/10170
• Maranan, D. S. (2017). Response to “Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies.” Avant, 8(Special Issue (Off the Lip: Collaborative Approaches in Cognitive Innovation)), 282–283. https://doi.org/10.26913/80s02017.0111.0025
• Maranan, D. S. (2017). Response to “Academic Carelessness, Bootstrapping, and the Cybernetic Investigator.” Avant, 2017(Special Issue (Off the Lip: Collaborative Approaches in Cognitive Innovation)), 43. https://doi.org/10.26913/80s02017.0111.0004