⚫️⚪️⚫️An Oh-So Satisfying Commercial⚫️⚪️⚫️
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I started my recording session by doing the voice over section which is the first track in the multitrack composition. I maintained the same setup as the one I posted in Assignment 1a, recording in my room later in the day to avoid as much background noise as possible. As a result of the studio visit, I've realized that my room is a pretty decent recording environment due to its spatial inequality; although only a medium-sized room, the uneven walls and furniture minimize the amount of reflections.
I also made the conscious decision of turning off the built-in noise reduction on my soundcard, forcing me to prime my environment for recording rather than relying on automated aid. This only really meant closing all the doors and turning of my electric fan, but my initial takes still had a noticeable amount of room tone. However, I was confident that fixing it in post would yield a better result than that of simply using the live noise reduction feature.
For the Foley, which makes up the entirety of the second track in the multitrack composition. Similar to the vocal track, I chose to keep the noise reduction turned off in order to retain as much captured sound as possible from the different mediums. As another key difference, I removed the windscreen from the mic itself, this was to ensure that I could get the microphone close enough to the objects. Most of the recording was playing around with the positioning of the mic and the materials for the optimal audio quality.
Keeping in mind the Foley discussion in the Studio Visit, I wanted to maintain a level of intentionality for each of the recordings. This means not just opening the packaging and calling it a day, or just breaking the cookie in half, I had to make every second of the action feature a distinct and noticeable sound.
This was certainly more difficult for certain objects, particularly for the milk pouring into the cup, since I couldn't really control it; I had thought about using an alternative liquid but I didn't really have any that could match the viscosity of milk. I did my best with what I had, but I can admit it could definitely be better.
I recorded in Audacity, and so I decided to proceed with my initial round of editing in the same software. I focused on cleaning up and improving the quality of my voice through the various effects.
I began with noise reduction, I made sure to leave some space at the start and at the end of the recording to capture the room tone of my environment. This proved helpful since I was aware that the noise reduction effect within Audacity requires a noise profile. Aside from that, I kept the default settings within actual filter options.
The rest of the effects were to balance the increase of my vocals through the Filter Curve. I used three presets, Bass Boosts, Treble Boosts, and Low Rolloff for Speech which all combine to mitigate any unwanted frequencies from my recording. In process, making my delivery sound fuller.
Proceeding with this line of thought, I also applied a compressor to limit the dynamic range of the audio, increasing the volume in the process. I maintained the default settings since they were sufficient for my needs.
The previous effects were mainly for the vocal track, as for the Foley recordings, aside from noise reduction, I applied heavy amplification. This was done to bring out more of the audio within the recordings, since, particularly for the cookie breaking, it isn't noticeable at the original dB levels.
After finishing the edits within Audacity, I finalized the multitracking in Adobe Premiere Pro. I find the track system within Premiere to be more user friendly when compared to Audacity, especially the slicing tool, allowing me to rearrange the Foley and cut specific parts I need.
I also used the audio tools within the software to mix, master and balance the audio. Controlling the gain on each of the tracks to ensure that (1) none of them overpower each other and (2) the Foley is heard despite the speech and the music. I also added some reverb to the Foley to add some texture.
I got the audio through Adobe Stock, it is a track titled The Thief in Marrakesh; It serves as the third track of the multitrack composition. I didn't do very much editing to the music, at most I lowered the gain on the audio itself, and balanced the track in the mixer.