Evaluating Potential Primary Sources
In Context...
Welcome to spring quarter everyone! We have finally reached the final quarter of Humanities Core, cue the celebratory music! But don't celebrate just yet because fortunately and unfortunately, we still have a research paper to conduct. In an attempt to do this year's theme of worldbuilding justice, going ahead we will be exploring and researching the worlds built within selected art mediums as primary sources and the impacts of differing aspects within each—such as films, literature, and much more.
As evident through my clearly heavily Ghibli-themed digital archive website, it would be an absolute shame for me to not consider multiple Studio Ghibli films in my quest in exploring potential primary sources. So without further ado, let us commence on the grueling research journey ahead by first considering our potential primary sources!
Princess Mononoke / Mononoke Hime / もののけ姫 (1997)
Miyazaki, Hayao. Studio Ghibli Princess Mononoke Exclusive Poster. July 12, 1997. Academy Museum Store.
Miyazaki, Hayao. Princess Mononoke 1999. October 29, 1999. film/art Gallery.
Released in Japan in July of 1997, Princess Mononoke—otherwise known as Mononoke Hime (もののけ姫)—is an animated film about a prince, Ashitaka, who is cursed by an ailing forest god and embarks on a journey to heal himself and find the source of the ill forest. On his treacherous journey, he is subjected to an internal conflict between what he owes to those who assist him on the journey, the iron clan and San—who he gradully develops a deeper relationship with—and what he owes to the forest he inhabits. As the forest itself and the spiritual beings that live within it succumb to the impact of expanding human civilization, Ashitaka is forced to fight on all facets of the war between humans and nature.
Directed by the infamous and prolific Hayao Miyazaki and produced by Studio Ghibli, a large part of the commentary that the film makes is on climate change, overurbanization, loss of natural habitats, and the human footprint. The most significant aspect of the film that I am interested in focusing on my research paper is the human footprint and how that intersects with today's struggles with AI and its unsustainability.
Perhaps Miyazaki was aware of the future of art and the natural world, but much of the film is a thinly veiled hint at the threat and consequences of human activity's impact on the natural world. His innate hatred for AI—artificial intelligence—alongside influence by the historical context of Japan's attempt to rectify the human hand in climate change through the 1997 Kyoto Protocol, the film having a deeper message to send to today's audience and the impact of how that message has transcended 28 years after its initial release is what I am highly invested in exploring.
Howl's Moving Castle / ハウルの動く城 (2004)
Miyazaki, Hayao. Studio Ghibli Howl's Moving Castle Exclusive Poster. November 20, 2004. Academy Museum Store.
Miyazaki, Hayao. Howl's Moving Castle [DVD]. March 7, 2006. Amazon.com
Released in November of 2004, Howl's Moving Castle is another animated film directed by director Hayao Miyazaki under Studio Ghibli production. The film encompasses the journey of Sophie Hatter, a young woman cursed by the Witch of the Waste in envy of Wizard Howl Pendragon's romantic attention for her, and the relationships she forms along the way in search of reversing her curse. Including themes of feminism, major life changes, romance, loss, and war, the film is said to be Miyazaki's camouflaged commentary on anti-war values.
Prominent throughout many of Miyazaki's Studio Ghibli films, Howl's Moving Castle contains many war elements that reflect Miyazaki's personal stance on the Iraq War that was ongoing on during 2004 and his personal experience with World War II. The most significant aspect of the film that I am interested in honing in on is the human response and ways of coping during times of war, specifically through art mediums such as films.
As we continue to face times of war currently and inevitably in the future, understanding how Miyazaki reflects his stance on war through this film can allow us to deeper realize how humans themselves find ways to cope with or understand war. Using film analysis techniques learned through previous Humanities Core units, I hope to utilize my knowledge of elements such as sound, mise-en-scene, and many other film elements in order to understand the stage that Miyazaki sets in this film.
In Conclusion...
I have decided to work with the primary source, Princess Mononoke! Although I hold both primary sources near and dear to my heart, contrary to the advice of Dr. Walsh—my seminar lecturer-to avoid researching an artifact I am personally attached to, I have chosen Princess Mononoke for a multitude of reasons with some influenced by personal bias. First and foremost, as environmental and technological advances diminish or further, I am interested in exploring how Miyazaki's unconscious message to humanity has changed throughout time alongside these changing issues.
With the epidemic of artificial intelligence use within academic settings such as UC Irvine, discussing the pros and cons of using artificial intelligence is now more important than ever. With abuse of A.I. use becoming more prevalent in academia, exploring how the advance of human technology affects critical thinking and our understanding of the world around us is required and understanding why people turn to A.I. and how to safely prevent abused of it is something that I am interested in exploring.
As we face climate change, it is also important to explore how a trending human technology is affecting the natural world we inhabit. Artificial intelligence, known for making life easier, is slowly affecting us in the background of its positive impact. In order to ensure that this aspect of A.I. is explored in its human impact, we must acknowledge the effects running in the background and ensure they are understood by a general audience, even if it is just me or a few people coming to the realization the negative impact of A.I. on our environment and translating Miyazaki's message through Princess Mononoke.
Header Image
Miyazaki, Hayao. Howl's Moving Castle Review | Movie - Empire. November 20, 2004. Empire Online, https://www.empireonline.com/movies/reviews/howl-moving-castle-review/.
Text Separator
Miyazaki Hayao. Flower Field Howl's Moving Castle Live Wallpaper - MoeWalls. November 20, 2004. MoeWalls, https://moewalls.com/anime/flower-field-howls-moving-castle-live-wallpaper/.
Primary Source #1 Image Carousel
Miyazaki, Hayao. Princess Mononoke: 5 Thoughts — SHIMAGUNI LANGUAGE SCHOOL. July 12, 1997. Shimaguni Language School, https://shimaguni.co.uk/blog/princess-mononoke-5-thoughts.
Miyazaki, Hayao. san and lady eboshi are the two best written studio ghibli characters in my opinion. July 12, 1997. Reddit, https://www.reddit.com/r/ghibli/comments/yna4lh/san_and_lady_eboshi_are_the_two_best_written/.
Miyazaki, Hayao. Princess Mononoke - Movies on Google Play. July 12, 1997. Google Play, https://play.google.com/store/movies/details/Princess_Mononoke?id=1d3U0VaubpU.P&hl=en_NZ&pli=1.
Miyazaki, Hayao. Best Characters in Princess Mononoke, Ranked. July 12, 1997. CBR, https://www.cbr.com/best-princess-mononoke-characters/.
Miyazaki Hayao. Prince Ashitaka's Curse in Princess Mononoke, Explained. July 12, 1997. CBR, https://www.cbr.com/princess-mononoke-prince-ashitaka-curse-explained/.
Primary Source #2 Image Carousel
Miyazaki, Hayao. Howl’s Moving Caslte: a film for adults. November 20, 2004. openDemocracy, https://www.opendemocracy.net/en/miyazaki_2864jsp/.
Miyazaki, Hayao. Creations of Chaos: Howl's Moving Castle. November 20, 2004. Biff Bam Pop!, https://biffbampop.com/2016/11/10/creations-of-chaos-howls-moving-castle/.
Miyazaki, Hayao. 1 HOUR + RAIN Merry Go Round of Death - Howls Moving Castle OST [Dark Ghibli Piano]. November 20, 2004. Youtube, https://www.youtube.com/watch?v=t0vWwVWXNoU&ab_channel=FreddyChopinMusic.
Miyazaki, Hayao. Sophie & Heen. November 20, 2004. Pinterest, https://www.pinterest.com/pin/622270873532086183/.
Miyazaki, Hayao. madam sullivan. November 20, 2004. Pinterest, https://in.pinterest.com/pin/114419646754864958/.
Miyazaki, Hayao. The Witch of the Wastes, Grandma Sophie, Markl, and Heen the dog eating breakfast together - "Howl's Moving Castle" (2004). November 20, 2004. Pinterest, https://www.pinterest.com/pin/398990848242849499/.