And it may have made you a bit skeptical or uncomfortable because it was different from what you expected. But you probably still understood the title, or were able to make some sort of meaning out of it. That's because the words are familiar, but they are slightly off. The words noncents and modrn are not real words defined in the English dictionary, but you were still able to make sense out of this set of characters that has no established meaning. This deviation from the world as we know and expect, as well as finding meaning out of what seems to be nonsense, are central aspects of Surrealism.
The Surrealist movement seeks to bring out new perspectives of the world that are rooted in the imagination, the irrational, and the unconscious. One way that is achieved is through assemblages, or taking ordinary things and rearranging/pairing them in unexpected ways, which often produces uncanny feelings and discomfort. At first glance, assemblages appear familiar but also nonsensical because they deviate from established expectations, like the misspelled title. However, while these unexpected pairings have no established meaning, they present the world in a new way though which viewers can derive their own meanings and interpretations.
For example, Dora Maar's pairing of a shell with a human hand combines a hermit crab's shell with painted artificial human hand that creates an uncomfortable juxtaposition between the natural world and the manufactured human world. Similarly, Oppenheim combines eating utensils with animal fur, creating an unsettling feeling that connects the objects we use to eat with the part of the animal that we don't eat, pointing out that the food we eat comes from live animals and reminding us of the delicate boundary between what we eat and what we don't eat.
Maar, Dora. Untitled (Shell hand). 1934. Photocollage, 40 × 29 cm.
Oppenheim, Meret. Object. 1936. Museum of Modern Art, New York.
At the time of creating my assemblage, I didn't know what meaning I was trying to convey. It seemed like I was just putting different but similar objects together, possibly guided by unconscious associations. I was able to come up with interpretations of my creation as I was putting it together, but ultimately, the creation guided me rather than the other way around. By piecing together random objects in my room, I found new meaning in stuff I normally would not have looked twice at. I tried to encapsulate the process of creating art as described by the famous Surrealist painter, Salvador Dalí:
Looking around my desk, I saw a bottle of hand sanitizer and thought it would be interesting to invert the dispenser, with the pump pointed inside the bottle and the tube sticking out. I then looked around some more in my room and found a travel size lotion bottle, which I decided could be the source for the hand sanitizer pump. I then added a moisturizing lip balm because I noticed that all three of the products (the hand sanitizer, the lotion, and the lip balm) had the word "moisturizing" on the labels. I put the cap of lotion bottle onto the lip balm to add to the abnormality. Lastly, inspired by the concept of the boundary crossing between the edible and inedible as explored in Meret Oppenheim's assemblage, I decided to add a Pepsi cup and straw to connect the hand sanitizer (something inedible but used to clean our hands before eating/drinking) with a cup for drinking. And with that, I present my very own Surrealist assemblage titled...
One possible interpretation of this assemblage is a criticism of modern commercialization. Humans have developed a reliance on so many different products, many of them claiming to moisturize or hydrate. By relying on these products, we deviate from the natural world and the most natural source of hydration - water.
The assemblage could also be criticizing Pepsi/fountain drinks and the way they are advertised as being refreshing, but are in reality filled with an unhealthy amount of sugar, which in a way, almost seems toxic and unnatural, as emphasized by the straw drawing from the inedible hand sanitizer.
Other interesting lenses/observations to consider are the juxtaposition between the moisturizing products with the Pepsi cup, the increase in size of the products from left to right, the red and blue colors, the cup/bottle caps under the lip balm/lotion, and the way the objects are connected.
Looking at the assemblage, you may come up with a completely different interpretation from mine (or it may be similar), but hopefully, it inspires you to view the world differently and find new meaning out of the ordinary.
Dalí, Salvador. The Art Story. https://www.theartstory.org/artist/dali-salvador/
Dalí, Salvador. The Persistence of Memory. 1931, Museum of Modern Art, New York. (cover image)
Maar, Dora. Untitled (Shell hand). 1934. Photocollage, 40 × 29 cm.
Oppenheim, Meret. Object. 1936. Museum of Modern Art, New York.