‘I AM’
3-MIN FILM Portfolio PROJECT
OBJECTIVES
The objective is to create a study that explores the essence of a single character. The film should begin with the words "I Am..." and focus on revealing the depth and complexity of the protagonist's identity, emotions, and experiences.
Roles
Director - Focus the portfolio on directing the actor
Screenwriter - Work with the group to create a three page script
Sound Design - Create the soundscape and/or score for the short film
Cinematographer - Create a shortlist, lined script, or storyboard
GUIDELINES
Character: The film must feature one central character, whose journey serves as the focal point of the narrative.
Group Collaboration: Students will work collaboratively in groups of 3-4 people to conceptualize, plan, and execute the film project. Your portfolio will be about your role but you must work on all aspects of the assignment as a group.
Location: The film must be confined to a single location to emphasize the intimacy and introspection of the character study.
Narrative Structure: The film should begin with the words "I Am..." and unfold as a character study, gradually revealing layers of the protagonist's personality and backstory.
Incorporation of Other Characters: While only one character will be physically present, the film can include the presence of other characters through phone calls, messages, or off-screen sounds to enrich the narrative.
Duration: The film should be 3 minutes in length.
EVALUATION CRITERIA
Cinematography must:
adhere to widely-accepted composition rules such as the rule of thirds and the 180-degree axis).
always be in focus with proper exposure.
consistently use clean motivated lighting.
include a variety of shot angles and sizes that contribute to the viewer’s cinematic experience and add meaning to the film.
have a movement that is smooth and consistent with a visual style (if there is camera movement).
contain insert and close-up shots where helpful to the action.
Sound must:
have dialogue that is audible, properly levelled, and crisp.
have a buzz/background/ambiance track specific for each shooting location.
have a minimum of three layers of sound throughout the edit, with each adjusted to the appropriate level.
have some foley elements present in the edit.
contain at least one example of sound mapping (i.e. moving from right to left or left to right).
Screenplay must:
have unity of time and space.
have well-developed, believable characters with clear goals.
contain natural-sounding dialogue, including verbal hiccups.
have multiple examples of “showing not telling”.
contain directions that help the director with visual storytelling.
engage the reader emotionally.
Exemplars
Rejection - Short Film - One location - One Actor
Stranger Than Fiction (2006)
Lady Bird (2017)
Fight Club (1999)
Do The Right Thing (1989)
Night of the Hunter (1955)