Below is progressive series of assignments I created on MusicTheory.net for use in google classroom to work on music literacy, from the very basic LINES AND SPACES only, to more complex range and accidentals such as sharps and flats, and moving into reading notes in the context of various key signatures. You are welcome to use these as well, each will prompt the student to view a report at the end of the drill (which can be retaken as many times as needed). This code can be sent to the teacher in order to assess the student's progress. Since this is a progressive series of exercises, students should work for mastery on each before moving on to the next one. Each has the option to select treble or bass clef. For band students, learning just their main clef would be the primary goal. Learning both clefs would be good for advanced students or piano players.
Below are the BEST note name reference papers I have found, as they have extended range in both directions (ledger lines) as well as a piano keyboard. I let my students use them as needed until they are comfortable with the notes of their main clef. Thanks to the great legacy site www.musictechteacher.com for these materials!
Treble Clef Note Reference Sheet
Bass Clef Note Reference Sheet
Note: if you are signed in with a google account that isn't part of our school domain, you may need to request permission to access. I will grant you permission to view the file once I get the email.
Starting from scratch, after learning the names of the lines and spaces. Or skip to #2 if you already know that much.
Note Reading 1a (lines only, basic range)
Note Reading 1b (spaces only, basic range)
Note Reading 2 (full staff range, no ledger lines or accidentals)
Note Reading 3 (note construction, full staff range, no ledger lines or accidentals)
Use after introducing ledger lines and sharps/ flats
Note Reading #4 (one ledger line above or below, plus accidentals)
Note Reading #5 (extended range, plus accidentals)
Note Reading #6 (note construction, on the staff only, plus accidentals)
Note Reading #7 (note construction, extended range, plus accidentals)
Use after introducing key signatures (up to five sharps or flats)
Note Reading #8 (key signatures up to three sharps and flats)
Note Reading #9 (key signatures of up to five sharps and flats)
Note Reading #10 (note construction, key signatures of up to three sharps or flats)
Note Reading #11 (note construction, keys up to five sharps or flats)
Music Theory Lessons (piano keyboard, intervals, key signatures)
Music Theory #1a (white keys of the piano)
Music Theory #1b (black keys of the piano)
Music Theory #1c (Piano Keys ALL)
Reverse ID- White Keys Only
Reverse ID- Sharps ONLY
Reverse ID- Flats ONLY
Reverse ID- White Key Enharmonics (B#, Cb, E#, Fb)
Music Theory #1c (keyboard reverse ID)
Music Theory #2a (Generic Intervals- Melodic)
Music Theory #2b (Generic Intervals- Harmonic)
Music Theory #2c (Generic Interval Construction)
Music Theory #3 (Key Signature ID up to three sharps and flats)
Music Theory #4 (Key Signature Construction up to three sharps and flats)
Music Theory #5a (Key Signature Construction ALL Sharp Keys)
Music Theory #5b (Key Signature Construction ALL Flat Keys)
Music Theory #6a (Key Signature Identification Flat Keys)
Music Theory #6b (Key Signature Identification Sharp Keys)
Music Theory #7 (Key Signature Identification ALL Keys)
Music Theory #8 (Key Signature Construction ALL Keys)