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Brainstorming ideas
Writing scripts (Plot)
Writing screenplay and creating storyboards
Scouting for locations (Setting)
Gathering casts & crew (Characters)
Planning for equipment use
The plot of a story is made up of the problem, important events and the resolution.
A storyboard is a graphic representation of how your video will unfold, shot by shot.
It's made up of a number of squares with illustrations or pictures representing each shot, with notes about what's going on in the scene and what's being said in the script during that shot.
Setting includes the time and geographic location in which a story takes place. It sets the main backdrop and mood for a story.
Time of day
Time of year
Time in History
Scenery
Weather
Location
The characters are the people, animals or things that take part in the action of the story.
A story may have more than eight characters, but all characters (including groups of people or the story’s setting) can serve a particular role.
Protagonist – the character responsible for handling the main problem and the one most in need of change, emotionally.
Antagonist – the primary bad guy. The character that opposes the protagonist outright on all counts, physically and emotionally.
Mentor – the protagonist’s conscience and the prevailing side to the thematic argument. The mentor voices or represents the lesson that must be learned by the protagonist in order to change for the better and achieve the goal. (Note: Be mindful of creating a mentor who is as perfect and principled as humans can be, for doing so will make the character seem inhuman. Instead, let the mentor be flawed, like all us humans.)
Tempter – the right-hand to the antagonist. The tempter doesn’t need to know the antagonist, but they both stand for the same thing: stopping the protagonist from achieving the protagonist’s goal. The tempter tries to manipulate and convince the protagonist to join the “dark side”. However, in the end, the tempter can change his/her mind and realize the benefit of joining the good guys.
Sidekick – the protagonist’s unconditionally loving friend. This character can get frustrated with the protagonist and have doubts, but will always stand by the protagonist in the end. Typically, the sidekick embodies the theme without even realizing it. (The mentor can explain the theme, while the sidekick just does it without thinking and can’t explain it – they just do it).
Skeptic – the lone objector. The skeptic does not believe in the theme nor in the importance of achieving the protagonist’s goal. Without loyalties, the skeptic is on his/her own path. The skeptic may like the protagonist and want the protagonist to succeed but not at the cost of the skeptic’s goals. However, the skeptic may have a change of heart by the end of the story.
Emotional – this character acts according to their gut and lets motions fuel decisions. Impulsive. Reactive. Sometimes the emotional character is right and succeeds in ways that a thinking person would never have even tried, but sometimes the character finds trouble by not thinking before jumping.
Logical – the rational thinker who plans things out, shoots for logical solutions and gives reasonable, matter-of-fact answers to questions. However, sometimes the head needs to listen to the heart to work at its best.
Source: https://timstout.wordpress.com/graphic-novel-writing/eight-character-roles/
Screenplay is the script of a film, including acting instructions, audio and camera framing.
Screenplays: Crash Course Film Production
How to write a film with no dialogue
The Asylum Groove