六合螳螂拳是晚清山東拳術。螳螂拳一支，由魏三開始。魏三傳於林世春。一種快速凌厲，打法多變，實用價值高，技擊性極強的漢族拳術。是在六合拳的基礎上，融合了螳螂拳技法，吸收了眾多拳種的優點，經兩個世紀數代人的歷練，以其獨特的技擊風格，成為中華武林中的一朵奇葩。

作為一種漢族拳術中著名的象形拳，六合螳螂拳是在六合拳的基礎上，融合了螳螂拳技法，吸收了眾多拳種的優點，經兩個世紀數代人的歷練，以其獨特的技擊風格，成為中華武林中的一朵奇葩。 它主要流傳於山東的招遠、龍口等地漢族民間，域外的日本、美國、俄羅斯、西班牙、台灣等國家和地區也有習練者。因其武功多在民間，其習練者以強身自衛為目的，以不輕易示人、不炫耀武技為美德，且多以務農為主，文化水平不高，舊時習武“師父言傳身教，徒弟洗耳恭聽”，非有德、智、仁、孝、義者難學此藝，為師者不到萬不得已時，是不會輕易“倒貨底”的，故習練者日寡，雖近些年有所改觀，但也不容樂觀，能得六合拳真諦者依然稀少。六合螳螂拳是在螳螂拳發展傳承中，汲取漢族民間武術家眾多拳法之長，以六合（內外三合）為精髓、以纏絲旋轉為靈魂、以雞步坐山和大猿式為根基、以斧刃和展拍為主要腿法、以勾摟（螳螂勾摟連環手）磨盤（磨盤手）為母手、以三捶為母捶、而派生出一種具有獨特風格的螳螂拳法。自明末清初王郎創螳螂拳至今，三百多年來，歷經歷代宗師、拳師發展完善，已形成七星螳螂拳、梅花螳螂拳、六合螳螂拳、太極螳螂拳等諸多流派。六合螳螂拳之“六合”，即“心與意合、意與氣合、氣與力合”的內三合，和“肩與胯合、肘與膝合、手與足合”的外三合。與其他螳螂拳流派相比，六合螳螂拳自創始以來流傳並不十分廣泛，主要因其習練者素以強身自衛為目的，以不輕易示人、不炫耀武技為美德。六合螳螂拳現今主要流傳於招遠、龍口等地民間。在日本、美國等國家也有為數不多的習練者，但惟招遠一脈拳法和器械最為全面（拳法包括全部“金不換”絕技十套，器械涵蓋刀、槍、棍），技法也更為實戰，而實戰則是六合螳螂的核心和精髓。

六合螳螂拳”命名最早由黃縣（今龍口）傳人所為，六合螳螂拳傳誦已久、已基本由武林界公認了，而發源地招遠川林家、招城一帶，趙同書一脈所傳的拳法，至今仍叫“陸合拳”，少有稱“六合螳螂拳”的。趙春合老師家中原有林世春師祖所傳的拳譜，那時就叫“陸合拳”，可惜拳譜戰爭年間丟失。趙老師生前曾多次對徒弟們説：“如有人問你們學的什麼拳，就説‘陸合門、滄州陸合拳’”。至趙老師八十大壽，眾弟子為其攝影留念時，也寫有“六合螳螂”字樣時趙師起初不悦，而後也默認了。直到上世紀九十年代，招遠才順應了武林界“六合螳螂”的定名。

Liu He Tanglang Boxing is a Shan Dong boxing technique in the late Qing Dynasty. A mantis fist, started by Wei San. Wei San transmit to Yu Lin Shi Chun. A fast and fierce, changeable style of play, high practical value, and extremely strong martial arts of the Han Chinese boxing. Based on Liu He Fist, it combines the mantis boxing techniques and absorbs the advantages of many types of boxing. After two centuries of experience, with its unique combat style, it has become a wonderful flower in the Chinese martial arts.

As a well-known animal based boxing in Han Chinese boxing, Liu He Tanglang Boxing is based on Liu He Boxing, which combines the techniques of Tanglang Boxing and absorbs the advantages of many types of boxing. After two centuries and generations of experience, it is based on its unique martial arts. The style has become a wonderful flower in Chinese martial arts. It is mainly spread among the Han people in Zhao Yuan, Long Kou and other places in Shan Dong provinces. There are also practitioners in foreign countries and regions such as Japan, the United States, Russia, Spain, and Taiwan. Because most of their martial arts are in the private sector, their practitioners aim to strengthen themselves and defend themselves, their virtues are not to show others easily, not to show off their martial skills, and most of them focus on farming, and their cultural level is not high. Those who are not virtuous, wise, benevolent, filial, and righteous are difficult to learn this art. When the teacher is not a last resort, they will not easily "turn the bottom". Therefore, there are fewer practitioners. Although there have been changes in recent years, But it's not optimistic, there are still few people who can get the true meaning of Liu He Fist

Liu He Tanglang Boxing is based on the development and inheritance of Tanglang Boxing. It draws on the strengths of many Han folk martial artists. It takes Liu He (internal and external triple combination) as the essence, winding silk revolving as its soul, and is based on the chicken step sitting on the mountain and the great ape style. Taking the axe blade and the exhibition racket as the main leg techniques, using the hook (mantis hook and chain hand) as the female hand, and the three hammer as the female hammer, a unique style of mantis boxing is derived.

Since the creation of Tanglang Boxing by Wang Lang in the late Ming and early Qing Dynasty, for more than 300 years, the masters and boxers have developed and perfected through the past generations, and have formed many genres such as Qixing Tanglang Boxing, Plum Blossom Tanglang Boxing, Liuhe Tanglang Boxing, Taiji Tanglang Boxing and so on. The "Liuhe" of the Liuhe Tanglang Boxing refers to the inner triple of "Heart and Will, Will and Qi, Qi and Power", and the outer three of "Shoulder and Hip, Elbow and Knee, Hand and Foot" combine. Compared with other genres of Tanglangquan, Liuhe Tanglangquan has not been widely spread since its inception, mainly because its practitioners have always aimed at strengthening themselves and defending themselves, and have the virtues of not showing people easily and not showing off martial arts. Liuhe Tanglang Boxing is now mainly spread among the people in Zhao Yuan, Long Kou and other places. There are also a few practitioners in Japan, the United States and other countries, but Zhao Yuan’s one-line boxing method and equipment are the most comprehensive (the boxing method includes all ten sets of "golden no change" stunts, and the equipment covers knives, guns, and sticks), and the techniques are more practical. , And actual combat is the core and essence of Liuhe Mantis.

"Liu He Tanglang Fist" was first named by the descendants of Huangxian (now Longkou). Liu He Tanglang Fist has been passed down for a long time and has been basically recognized by the martial arts community. The birthplace were Zhao Yuan Chuan Lin Jia and Zhao Cheng, it was passed down by Zhao Tong Shu. The method of boxing is still called "Lu He Fist" today, and it is rarely called "Liu He Tanglang Fist." There was a fist book handed down by Master Lin Shi Chun in Zhao Chun He's home, which was called "Lu He Fist" . But was lost during the war. Teacher Zhao said many times to his students: “If someone asks you what type of boxing you learned, just say "Lu He Men, Cang Zhou Lu He Boxing'.” Until the 80th birthday of Teacher Zhao, all the disciples took pictures for him. When the memorial, when the words "Liuhe Praying Mantis" were also written, Master Zhao was unhappy at first, and then he would not accept. It was not until the 1990s that Zhao Yuan conformed to the name of "Liu He Praying Mantis" in the martial arts world.

六合螳螂拳

Liu He Tanglang Quan " Six Harmony Fist