Double Bass Tailpieces

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The tailpiece on a double bass can have a significant effect on the tone. The weight of the tailpiece, the flexibility of the tailpiece wire, the notes of the after-lengths, (the part of the string on the 'wrong' side of the bridge) and the fundamental frequency of the whole tailpiece assembly can mean the difference between a bass whose notes ring with fullness & depth and one that only goes 'bong.'

Replacing the tailpiece with one that is smaller and lighter is often the first step in helping a bass find its voice and reveal its full potential. We carve custom tailpieces in a variety of woods - many people choose the beauty of curly maple, a traditional tonewood used for violin family instruments, or dark stained cherry, which looks like old ebony.

The new tailpiece is then suspended on a very flexible 3/64" stainless steel cable using small adjustable clamps to allow accurate tuning of the after-lengths. We have developed a new tailpiece design that is based on the older 'Torch' shape from the 18th and 19th centuries. Its shape interacts with the lines of a bass is a little different way than my original pattern.

See photos below.

New 'Torch' tailpiece in Cherry wood with antiqued finish

'Torch' tailpiece on 19th century French bass

Curly Maple Tailpiece with Gold Mother of Pearl Bass Spa Emblem

Ultra light 111 gram tailpiece for ca.1900 Czech bass

1943 Kay M - 1 with Blonde Curly Maple Bass Spa Tailpiece

Australian Yellow Siris Tailpiece with Gold MOP Emblem

Roughed out tailpieces: wenge, maple & cherry

Chip carving underside to lower the resonant frequency

Chinese Hofner with curly maple Bass Spa tailpiece

Romanian Gliga with curly maple Bass Spa tailpiece before finishing

Yellow Siris tailpiece on Strunal

T-shaped maple 'tuning blocks' to fine tune afterlengths on original 1959 Epiphone tailpiece

Dowel sections to move loop end strings farther back to help with tuning the afterlengths

The underside of the tuned Epiphone tailpiece