Fifth International Conference Dialogues between Theatre and Neuroscience

Post date: May 12, 2013 8:42:27 AM

Fifth International Conference

Dialogues between Theatre and Neuroscience

promoted by Clelia Falletti, Luciano Mariti and Giovanni Mirabella

organised by Gabriele Sofia and Victor Jacono

6-7 June 2013

Ex Vetrerie Sciarra, via dei Volsci 122 (San Lorenzo), Rome

FREE ENTRANCE

For the fifth consecutive year, the Sapienza University of Rome will host artists, performers, directors, scholars and neuroscientists, coming from various European and American centres of research for the International Conference Dialogues between theatre and neuroscience.

Fields range from theatre anthropology to neuroaesthetics, from studies on empathy to research into intersubjectivity, via investigations into the motor basis of cognition, into memory, emotion, mirror neurons and into alternative forms of therapy. In which ways can disciplines change through interdisciplinary encounter? In which ways can knowledge from theatre influence studies in neuroscience? In which ways can information and paradigms from neuroscience modify theatre cultures at both the performative and academic levels? These topics will be the focus of two days of dialogue, debate and contaminations, enriched by an evening performance/presentation, which will be held at the Piccolo Eliseo Patroni Griffi theatre on Thursday, 6 June.

Please note that translation from Italian to English will be provided.

www.dass.uniroma1.it

Programme

Thursday, 6 June 2013

09.00

Sala “Levi” ex Vetrerie Sciarra (via dei Volsci 122)

- Introductory speech by Roberto Nicolai, Dean of the Faculty of Arts and Humanities, and Marina Righetti, Director of the Department of Art History and Performing Arts

- Maria Alessandra Umiltà – neuroscientist, Università di Parma

Arti visive e attivazione sensori-motoria

- John Lutterbie – theatre scholar, Stony Brook University, New York, USA

Dynamic Systems and Time-Based Aesthetics

- Anna D’Errico – neuroscientist, Max Planck Institute of Biophysics Frankfurt am Main, Germania

Il naso in scena. Percezioni olfattive e dimensione teatrale

- Jana Michalcakova – Ph.D. candidate in History of Art, Sapienza Università di Roma

Prospettive delle applicazioni di ricerca delle neuroscienze nell’ambito della storia dell’arte medievale

Moderator Clelia Falletti

Lunch break

- Rhonda Blair – theatre scholar, Southern Methodist University, Dallas, USA

Bodies and Images: Some Applications of Cognitive Science in Studio and Classroom

- Giorgia Committeri – neuroscientist, Università di Chieti

La tua presenza influenza la percezione del mio spazio

- Fabiola Camuti – Ph.D. candidate in Theatre Studies, Sapienza Università di Roma

La mente meditativa: come le pratiche di meditazione nutrono il sistema di conoscenza dell'attore

- Vanille Roche-Fogli – Ph.D. candidate in Theatre Studies, Université de Paris 3-Sorbonne Nouvelle, Francia

L’expérience d’un praticien du théâtre en dialogue avec les neurosciences: L’attention et la théâtralité d’un corps qui pense selon Yves Marc

- Roberto Cuppone – theatre scholar, Università di Genova

Imito ergo sum

Moderator Giovanni Mirabella

19.30

Piccolo Eliseo Patroni Griffi Theatre (via Nazionale 183)

Book launch by Gabriele Sofia

Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno (Bulzoni, 2013)

With interventions by:

Ferdinando Taviani, Università dell’Aquila; Franco Ruffini, Università di Roma Tre;

Giovanni Mirabella, Clelia Falletti, Gabriele Sofia, Sapienza Università di Roma

Followed by a performance/demonstration by Teatro Ridotto di Bologna:

L’albero secco e l’acqua fresca

La danza alla rovescia degli elementi teatrali, appunti per un viaggio lungo 31 anni

with: Lina Della Rocca

dramaturgy: Renzo Filippetti and Clelia Falletti

director: Renzo Filippetti

Friday, 7 June 2013

09.30

Sala “Levi” ex Vetrerie Sciarra (via dei Volsci 122)

- Nicola Shaughnessy – theatre scholar, University of Kent, Canterbury, Inghilterra

Inside Out: Autism, Performance Art and a neurodivergent aesthetic

- Alessio Avenanti – neuroscientist, Università di Bologna

Risuonare con gli altri: i meccanismi neurofisiologici dell'empatia

- Fabrizio Deriu – theatre scholar, Università di Teramo

Abilità mimetiche e cultura mimica

- Sara Iaconelli – neuroscientist, Sapienza Università di Roma

Interazione tra emozione e azione: l'elaborazione della paura e della felicità in pazienti con epilessia del lobo temporale

Moderator Clelia Falletti

Lunch break

- John Schranz – theatre scholar, University of Malta

“What a piece of work is Man!” (Shakespeare, Hamlet, Act II, Scene 2)

- Giovanni Mirabella – neuroscientist, Sapienza Università di Roma

Movimento e linguaggio incarnato

- Luciano Mariti – theatre scholar, Sapienza Università di Roma

Lo spettatore e l’ospite. La percezione in movimento tra attesa e sorpresa

- Silvia Spadacenta – Ph.D. candidate in Neuroscience, Sapienza Università di Roma

Memoria e linguaggio d'azione: esiste una "memoria incarnata”?

- Pierre Philippe-Meden – ethnoscenologist, Maison des Sciences de l’Homme – Paris Nord, Francia

Aspects de l’hébertisme et réflexe de but: balises pour l’histoire de la formation de l’acteur, en France, au XXe siècle

- Victor Jacono – theatre scholar, Sapienza Università di Roma

Le neuroscienze e la pedagogia dell’attore

Moderator Gabriele Sofia