Artisic reseach in the field of acting training, voice, singing and movement

Post date: Nov 11, 2012 4:51:13 PM

Gabriele is talking on Tuesday 13th November at the Conference "Artisic reseach in the field of acting training, voice, singing and movement" organized by the Oslo National Academy of the Arts - Norway.

Teaterhøgskolen inviterer til to dagers symposium med gjesteforelesere 13. og 14. november

Temaet er:" Artisic reseach in the field of acting training, voice, singing and movement". Mange interessante forelesere kommer.

Det blir foredrag ved: Dr.Rose Whyman, Dr.Sharon Carnicke, Dr.Gabriele Sofia, Ivan Midderigh, Martin Landzettel og Ole Rasmus Møller.

Sted: Auditoriet, Kunsthøgskolen i Oslo

Tid: tirsdag 13.november og onsdag 14.november kl.09.00 - kl.16.30

For hvem: Symposiet er åpent for alle studenter og lærere ved Kunsthøgskolen i Oslo, og studenter og lærere fra andre kunstskoler i Norge. Gratis adgang.

Program:

tirsdag 13..november:"Presenting diverse researches that link acting training to science"

9.00 to 11:00 Dr Rose Whyman - Her current research is into actor training and Russian theatre history. Her book entitled ‘The Stanislavsky System of Acting; Legacy and Influence in Modern Performance’ was published by Cambridge University Press in 2008. It discusses the development and scientific basis of the actor training methods of Stanislavsky and compares the system with the methods of Meyerhold and Mikhail Chekhov.

She reads Russian fluently and make regular visits to Moscow to undertake archival research.

11:00 to 11:30 Coffee break

11:30 to 13:30 Dr. Sharon Carnicke is the author of The Theatrical Instinct and Stanislavsky In Focus, as well as numerous articles on Stanislavsky and Russian theatre. She has translated several works and directed in New York, Los Angeles and Moscow. She received an American College Theatre Festival Award for her translation of The Seagull, a 2003 USC Associates Award for Excellence in Teaching, and a fellowship from the American Society for Theatre Research. She previously taught at New York University and the Moscow Art Theatre-Studio School. Dr. Carnicke is a Distinguished Fellow of the USC Center for Excellence in Teaching and teaches courses in Theatre History, Stage and Film Acting Theory, and Literature. Carnicke's fields of expertise include Acting Theory and Stanislavsky; Acting on Film; Russian/Comparative Dramatic Literature; Russian Ballet; Performance Studies; World Theatre History; and Literary/Dramatic Theory.

13:30 to 14:30 Lunch break

14:30 to 16:30 Dr. Gabriele Sofia has a joint P.h.d. between the university of La Sapienza of Rome and the University of Paris 8 Vincennes – Saint-Denis with the theses: "The actor-spectator relationship History, hypotheses and experiments towards the study of the neuro-biological level". He has written numerous articles about theater and neuroscience especially around the problem actor-spectator and cognitive science.

Onsdag 14.november: "Presenting diverse and relevant artistic research on voice and singing training"

9.00 to 11:00 Ivan Midderigh In 1971 while still working in London as a professional portrait photographer became a member of the Roy Hart Theatre, whose pioneering work with the human voice had received world wide recognition. He moved with the company to the Chateau de Malerargues in the south of France in 1974 and taught voice workshops throughout Europe and the United States, and also performed in many of the theatre’s major productions, before training in Active Communicating, a theatre-based methodology designed specifically for the corporate world.

11:00 to 11:30 Coffee break

11:30 to 13:30 Martin Landzettel is an accomplished violinist Employee at the Lichtenberg Institute for Applied Physiology of the voice since it was founded in 1982. Since 2002 he acts as Director of the Lichtenberg Institut. The Lichtenberg® Institute was founded in 1982 as the Lichtenberg Institute for Functional Voice

Training by the singer and teacher Gisela Rohmert and her husband Professor Walter Rohmert. The aim was to find ways of applying in practice recent results of research into singing and the playing of musical instruments. He is an Active member in a scientific research project at the University of Technology, Darmstadt. He is also well known for concerts, workshops, trainings, lectures Development of a method for instrumental play based on the research of the human voice.

13:30 to 14:30 Lunch break

14:30 to 16:30 Ole Rasmus Møller is educated at drama schools in London and Copenhagen. In 2008 he graduated as a Singing Coach from Complete Vocal Institute. CVT is short for ‘Complete Vocal Technique’, a singing technique method developed by Cathrine Sadolin.

She writes: "Singing is not that difficult and everybody can learn to sing. I have divided the singing techniques into four main subjects as listed below. By combining elements of these four subjects you can produce precisely the sounds you want."