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Imitation

In counterpoint, the restatement of a theme, motif, or phrase in another part.

imperfect cadence

See half cadence.

impressionism

A stylistic period in music that coincides with the period of impressionistic painting, from the 1870s to early 1900s. Claude Debussy, Frederick Delius and Maurice Ravel were considered impressionistic composers. The music avoided traditional harmonic progressions, employing 9th, 11th and 13th chords, often doubling the melody in parallel “chord streams.”

impromptu

A short, improvisational-sounding piece.

improvisation

Spontaneous composition.

incidental music

Short musical segments that accompany or highlight dramatic moments in a play or other stage work.

instrumentation

The art of composing, orchestrating or arranging works for an instrumental ensemble.

interlude

A short piece that is used to bridge the acts of a play or the verses of a hymn.

introduction

The preparatory section, movement, or phrase of a musical work.

intermezzo

Earlier signifying a comic interlude inserted between the acts of an opera seria, the 19th century intermezzo was often either a musical interlude in a larger composition or a piece of music in itself, often for solo piano. In this second sense it is used by Schumann and later by Brahms in their piano music, while both Mendelssohn and Brahms use the word as a movement title in chamber music.

interval

The distance between two notes.

intonation

Intonation is the exactness of pitch or lack of it in playing or singing. Collective intonation is that of a group of instruments, where slight individual variations in pitch can be lost in a generally more favourable effect.

Introit

“Entrance.” A psalm (or psalm verse) sung at the beginning of the Roman Catholic Mass.

invention

A short, contrapuntal piece.

inversion

The different forms that a chord may take by changing the chord member that is the bass of the chord.

invertible counterpoint

counterpoint in which two or more voices can be interchanged.

Ionian

A medieval mode whose half- and whole-step pattern is that of playing C to C on the white keys of a piano.

Italian sixth

A type of augmented sixth chord containing a major third and an augmented sixth above the bass.