Biblioteca

Artículos

Carozzi, María Julia (s.f.) "Definiciones de la new age desde las ciencias sociales."  Boletín de Ciencias Sociales y Económicas.  UCA, FCSE, año 2, n.5

Castillo González, Francisco (2012) "El new age y su presencia en Guadalajara"  Paakat.  Revista de Tecnología y Sociedad, número especial Tecnocultura, gamers, comics y ciencia ficción.  Año 2, n.2, marzo-agosto 2012.

Cruces, Francisco (2004) "Música y ciudad:  Definiciones, procesos y prospectivas."  Trans. Revista transcultural de música, 8.

Marti, Josep (2004) "Transculturación, globalización y músicas de hoy."  Trans. Revista transcultural de música, 8.

Ochoa, Ana María (2002) "El desplazamiento de los discursos de autenticidad.  Una mirada desde la música".  Trans.  Revista transcultural de música, 6.

Rosabal Soto, Guillermo (2006) "Desarrollo vocal significativo por medio de calentamientos corales"  Revista Sonograma, http://webdemusica.sonograma.org

Libros

Abuelo, Paco Domínguez (el. 2012. La historia de los rebeldes del Rock. Grupo editorial Tomo SA de CV.

Attali, Jacques. 1985. Noise: The Political Economy of Music. Univ Of Minnesota Press.

Augoyard, Jean-Francois, and Henri Torgue. 2006. Sonic Experience: A Guide to Everyday Sounds. McGill-Queen's University Press.

Blesser, Barry, and Linda-Ruth Salter. 2009. Spaces Speak, Are You Listening? Experiencing Aural Architecture. The MIT Press.

Cage, John. 1961. Silence: Lectures and Writings. Wesleyan.

Campbell, Patricia. 2010. Songs in Their Heads: Music and its Meaning in Children's Lives, Second Edition. Oxford University Press, USA.

Chanan, Michael. 1997. Repeated Takes: A Short History of Recording and Its Effects on Music. Verso.

Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings in Modern Music. Continuum.

Erlmann, Veit. 2010. Reason and Resonance: A History of Modern Aurality. Zone Books.

Gallagher, Mitch. 2006. Acoustic Design for the Home Studio. Artistpro.

Gilbert, Jeremy, Ewan Pearson, and Jose M. Esteve. 2003. Cultura y Politicas de la musica dance/ Discographies. Paidos Iberica Ediciones S a.

Heidegger, Martin. 2010. Los himnos de Holderlin Germania y el Rin. Biblos.

Hewitt, Michael. 2008. Music Theory for Computer Musicians Bk/Cd. Course Technology PTR.

Hewitt, Michael. 2009. Composition for Computer Musicians. Artistpro.

Hewitt, Michael. 2010. Harmony for Computer Musicians. Alfred Publishing.

Izhaki, Roey. 2011. Mixing Audio, Second Edition: Concepts, Practices and Tools. Focal Press.

Katz, Bob. 2007. Mastering Audio, Second Edition: The Art and the Science. Focal Press.

Katz, Mark. 2010. Capturing Sound: How Technology Has Changed Music, Revised Edition. University of California Press.

LaBelle, Brandon. 2010. Acoustic Territories: Sound Culture and Everyday Life. Continuum.

Levitin, Daniel J. 2007. This Is Your Brain on Music: The Science of a Human Obsession. Plume/Penguin.

Morton, David L. 2006. Sound Recording: The Life Story of a Technology. The Johns Hopkins University Press.

Muecke, Mikesch W. 2011. Resonance: Essays On The Intersection Of Music And Architecture. lulu.com.

Najera-Ramirez, Olga, Norma E. Cantu, and Brenda M. Romero. 2009. Dancing across Borders: Danzas y Bailes Mexicanos. University of Illinois Press.

Owsinski, Bobby. 2009. The Recording Engineer's Handbook. Alfred Publishing.

Owsinski, Bobby. 2009. The Recording Engineer's Handbook. Course Technology PTR.

Pinch, Trevor, and Karin Bijsterveld. 2011. The Oxford Handbook of Sound Studies. Oxford University Press, USA.

Ross, Alex. 2008. The Rest Is Noise: Listening to the Twentieth Century. Picador.

Sacks, Oliver. 2008. Musicophilia: Tales of Music and the Brain, Revised and Expanded Edition. Vintage.

Schafer, R. Murray. 1993. The Soundscape. Destiny Books.

Schloss, Joseph G. 2009. Foundation: B-boys, B-girls and Hip-Hop Culture in New York. Oxford University Press, USA.

Senior, Mike. 2011. Mixing Secrets for the Small Studio. Focal Press.

Shelemay, Kay Kaufman. 2006. Soundscapes: Exploring Music in a Changing World. W. W. Norton & Company.

Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Wesleyan.

Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Duke University Press Books.

Sterne, Jonathan. 2012. MP3: The Meaning of a Format. Duke University Press Books.

Thompson, Emily. 2004. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. The MIT Press.

Turino, Thomas. 2008. Music as Social Life: The Politics of Participation. University Of Chicago Press.

Washabaugh, William. 2005. Flamenco: Pasion, politica y cultura popular / Passion, Politics and Popular Culture. Paidos Iberica Ediciones S a.

Welch, Walter L., and Leah Brodbeck Stenzel Burt. 1994. From Tinfoil to Stereo: The Acoustic Years of the Recording Industry, 1877-1929. University Press of Florida.