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Donnerstag, 16. März 2023
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bloGspOt 3118 augsthelm polygraphicae polygraf0700polygraph dweed 1379 https://twitter.com/PeterHelm12/status/1636516361911377921 aces faces places races traces pp. PAUL PROUTÉ PARIS sales&services estampes livres peintures EXPERTISE collection PROUTÉ paris Fragonard père del. Tiré du Cabinet de Mr. DENON {Dn.F.} Da Ft. LINDEN1EXPERTISE collection HELM&HELM sammlung 0700ARTEXPERT @peterhelm B2B galeria galerie gallery HEIDELBERG antiquariato E restauro HELMvonSTOLZENECK artifex1980 eberbach1387 lindach276 0700MAXMARKET +49 6263 4299942 www.polygraphicum.de peter.helm@polygraphicum.net he1m-eberbach.com polygraphicum@polygraphicum.de helm-eberbach.net helm@polygraficum.com www.polygraficum.de Call Hot Vanity 8DIGITS 0700-76594723 0700-POLYGRAF +49 1520 4949491 Antiquar Rosenturm expert SALES&SERVICES expertise since 1980 finearts masterprints rarebooks decorative bindings ISRAEL MAYER HAUS EBERBACH AM SYNAGOGENPLATZ 1
HEIDELBERG galeria galerie gallery Bel Etage don't get me wrong https://www.youtube.com/watch?app=desktop&v=vveI8BNCCX8&fbclid=IwAR14ODfa5DzeovbNFx41P59hmRbTjfVPB9y4OCacOMSVw9FK4nY8EI0JqFw like angels do
<> now and then 1980-2023 peter august helm polygraf0700polygraph https://twitter.com/PeterHelm12/status/1614457525365272576 <> GO1DHELM ZWISCHEN KUNST UND JURA polygraf0700polygraph bvs exp kst value <> helmpolygraphicumhelm wwwPOLYGRAPHICUMde @ peter helm wwwPOLYGRAFICUMde artHELMkunst recherche research artCOMbook <> polygraficum BEGINNINGS polygraphicum 20 YEARS https://web.archive.org/web/20091213183547/http://www.polygraphicum.de/index2.html https://web.archive.org/web/20080612063853/http://www.polygraphicum.de/ https://web.archive.org/web/20080530171119/http://www.polygraphicum.de/select.html https://web.archive.org/web/20091116221400/http://www.polygraphicum.de/oaindex.html https://web.archive.org/web/20090822003911/http://www.polygraphicum.de/OA/oaanfang.html https://web.archive.org/web/20090726033754/http://www.polygraphicum.de/OA/vorindex.html https://sites.google.com/view/artcreatingvalue/home https://sites.google.com/view/artcreatingvalue/online-2000-only 0700PETERHELM <> testimone del tempo. ho settant'anni. L'età giusta per tentare un bilancio. cinquanta li ho passato girando il mondo, dietro il balcone d'arte e della tipografia. non ho da lamentarmi: il mio lavoro mi è sempre piaciuto, mi piace ancora. anche nei momenti più duri mi ha fatto compagnia https://0700polygraf.blogspot.com/.../america-go-west-usa... 0700PETERHELM sites.google.com/view/0700peterhelm @peterhelm sites.google.com/site/polygraf /./ sites.google.com/site/agevirtuel /./ sites.google.com/site/apocolocyntosis /./ sites.google.com/site/artifex1980 /./ sites.google.com/site/cfaugustus /./ sites.google.com/site/rudolfepprudolph /./ sites.google.com/site/everbeach /./ sites.google.com/site/exposalesindex /./ sites.google.com/site/forshighm /./ sites.google.com/site/he1mseo <> <> Antiquar Rosenturm https://web.archive.org/.../www.../einbaende.html Full Illustrated Catalogues Online 2000 ARTIFEX1980 EBERBACH 1387 https://sites.google.com/site/artifex1980 sites.google.com/view/eberbach1387 <> ISRAEL MAYER HAUS 1 AM SYNAGOGENPLATZ antiquariatoErestauro bloGspOt 3110 https://sites.google.com/site/peteraugusthelm augsthelm https://sites.google.com/site/cataloguespolygraphicum polygraphicae https://sites.google.com/site/0700polygraf polygraf0700polygraph dweed 1364 https://twitter.com/PeterHelm12/status/1635423974468231170 https://twitter.com/PeterHelm12/status/1635426630754619403 dweed 1365 https://twitter.com/PeterHelm12/status/1635426630754619403 dweed 1366 https://twitter.com/PeterHelm12/status/1635430693034393603 <> Abklatsch. In der Druckersprache wird der Begriff auch allgemein für ungewollte Abdrucke von noch nicht getrockneter Farbe verwendet. So entstehen zum Beispiel spiegelverkehrte Abklatsche in Tiefdruckmaschinen durch fehlendes Papier. Hierbei wird das Druckbild auf die Anpresswalze übertragen, so dass der nächste Papierbogen sowohl vom Druckzylinder als auch von der Anpresswalze bedruckt wird. <> Obere Passermarke :: Upper Register Mark <> Untere Passermarke :: Lower Register Mark <> Zani Materiali per servire allastoria dell'origine de'progressi dell'incisione in rame e in legno, e sposizione dell'interessante scoperta d'una stampe originale del celebre Maso Finiguerra fatta nel Gabinetto nazionale di Parigi, da D. Pietro Zani Fidentino. Parma 1802, pp.48-52 www.polygraficum.de RARE sites.google.com/site/rarebbooks BOOKS www.polygraphicum.de Belles Precieuses Reliures Fine Decorative Bindings Schöne Wertvolle Einbände Preziose Rilegature https://web.archive.org/.../www.../einbaende.html <> GEORGES DUPLESSIS Conservateur-Adjoint à la Bibliothèque Nationale.Paris La Gravure . Hachette Paris Imprimerie Emile Martinet 1880 p.29-35 Les nielles p.34 Maso Finiguerra, p.30 L'abbé Pietro Zani p.31 L'abbé Zani Materiali Parma 1802 p.34 Duchesne ainé Essai sur les Nielles Paris 1826 <> sites.google.com/view/0700-art-expert European Rare Books sites.google.com/site/rarebbooks & sites.google.com/site/masterpprints Masterprints sites.google.com/view/0700-kstsachverstaendigenbuero <> Very small Limited Edition Etched & Drypoint Print on handmade watermarked paper with registration marks <> S.S.Paris Printed Editions (brown tone plate) Prints with additional tone plates on vélin paper / wove paper N.T.Berlin (blue tone plate) <> In der Druckersprache wird der Begriff auch allgemein für ungewollte Abdrucke von noch nicht getrockneter Farbe verwendet. So entstehen zum Beispiel spiegelverkehrte Abklatsche in Tiefdruckmaschinen durch fehlendes Papier. Hierbei wird das Druckbild auf die Anpresswalze übertragen, so dass der nächste Papierbogen sowohl vom Druckzylinder als auch von der Anpresswalze bedruckt wird. <> 4 Miniature Portraits of Men on 1 Plate 83x111mm PL on handmade watermarked paper LF No.208 TIB121-1-No.189 <> 'Le Chevalier' Volaire (i.e. Pierre-Jacques Volaire) Joseph-Marie Vien. Peintre Portrait d'un Inconnu Chevalier Ludovico Venuti <> Limited Edition Print on watermarked handmade paper with wide margins <> dweed 1364 https://twitter.com/PeterHelm12/status/1635423974468231170 dweed 1365 https://twitter.com/PeterHelm12/status/1635426630754619403 dweed 1366 https://twitter.com/PeterHelm12/status/1635430693034393603 <> ABKLATSCH Cast High Five Poor Copy Tape Men Cinq Pale Imitation Batti il Cinque Brutta Copia <> https://0700polygraf.blogspot.com/.../in-der... <> Passermarke RegisterMark <> ZANI etching by Denon1798 IFF341 Paris 1949 LF209 Paris 1873 TIB191 N.Y. 1985 <> DUCHESNE Paris 1826 ALBERT de la FIZELIÈRE PARIS 1873 GEORGES DUPLESSIS PARIS 1880 MARCEL ROUX PARIS 1949 GISÈLE LAMBERT 2000 Print Quarterly https://www.jstor.org/journal/printquarterly <> L'abbé Pietro Zani Faisant Une Importante Decouverte 1797 GABINETTO NAZIONALE DI PARIGI 1787 Maso Finiguerra Niello 15thcentury <> https://0700polygraf.blogspot.com/.../in-der... <> GEORGES DUPLESSIS CONSERVATEUR ADJOINT LA GRAVURE Paris 1880 Imprimerie Emile Martinet Les Nielles p. 29-35 BIBLIOTHÈQUE NATIONALE PARIS <> https://web.archive.org/.../www.../einbaende.html belles reliures fine bindings schöne einbände preziose rilegature www.polygraficum.de rarebooks www.polygraphicum.de masterprints <> THE ILLUSTRATED BARTSCH 121 Part1 NEW YORK 1985 Albert de La Fizelière No.208 Paris 1873 IFF341 Paris 1949 Marcel Roux Paris 1949 Chu No.189 New York 1985 Petra Ten Doesschate Chu . New York 1985 ABARIS BOOKS General Editor Walter L. Strauss 1985 https://twitter.com/PeterHelm12/status/1635426630754619403 Denon 4 Etched Male Portraits on 1 plate, c.1780-1790 Le Chevalier Volaire Joseph-Marie Vien. Peintre Portrait d'un Inconnu Chevalier Ludovico Venuti <> testimone del tempo. ho settant'anni. L'età giusta per tentare un bilancio. cinquanta li ho passato girando il mondo, dietro il balcone d'arte e della tipografia. non ho da lamentarmi: il mio lavoro mi è sempre piaciuto, mi piace ancora. anche nei momenti più duri mi ha fatto compagnia https://0700polygraf.blogspot.com/.../america-go-west-usa... 0700PETERHELM sites.google.com/view/0700peterhelm @peterhelm sites.google.com/site/polygraf /./ sites.google.com/site/agevirtuel /./ sites.google.com/site/apocolocyntosis /./ sites.google.com/site/artifex1980 /./ sites.google.com/site/cfaugustus /./ sites.google.com/site/rudolfepprudolph /./ sites.google.com/site/everbeach /./ sites.google.com/site/exposalesindex /./ sites.google.com/site/forshighm /./ sites.google.com/site/he1mseo /./ sites.google.com/site/highdelbergerin /./ sites.google.com/site/highlbronn /./ href="https://sites.google.com/site/hvirtuel">sites.google.com/site/hvirtuel /. / sites.google.com/site/manhighm /./ sites.google.com/site/metamorphosis /./ sites.google.com/site/mygo0og /./ sites.google.com/site/polpix1st /./ sites.google.com/site/polxpert /./ sites.google.com/site/safseo /./ sites.google.com/site/semxseo /./ sites.google.com/site/semlaseo /./ sites.google.com/site/wegoogyou /./ sites.google.com/site/zem1zeo B2B FOTO.COM Google1st Gsites www.he1m-eberbach.com ARTIFEX1980 sites.google.com/site/artifex1980 www.helm-eberbach.net www.polygraficum.de www.polygraphicum.de sites.google.com/site/agevirtuel sites.google.com/site/0700polygraf web archives www.polygraphicum.de testimone del tempo. ho settant'anni. L'età giusta per tentare un bilancio. cinquanta li ho passato girando il mondo, dietro il balcone d'arte e della tipografia. non ho da lamentarmi: il mio lavoro mi è sempre piaciuto, mi piace ancora. anche nei momenti più duri mi ha fatto compagnia. DWEED 1221 13JAN2023 blogger facebook twitter linkedin xing wix yola youtube https://www.youtube.com/watch?v=Iqj5cDFlVQE thinkbeforeZ
*
Da. Ft.
*
Tiré du Cabinet de Mr. Denon
1810-16
Da Ft.
(most probably Henri(y) Dagneau, activ au XIXe siècle)
of greatest rarity
cf.
SAUR BBI 2, 823
Dagneau, Henry, painter, lithographer
*Middelburg, f. before 1829, l. 1829
- F. NL
SAUR AKL
Thieme-Becker VIII
...geb. in Middelburg, von frz. Eltern
cf.
MADV
Marie-Anne Dupuy-Vachey
cat. exp. p.88, 61. Dagneau fec. , d'après Edme BOUCHARDON
cat. exp. p.89, 62. Da. Ft , d'après Jean-Honoré FRAGONARD (L.F. 1873, 239)
Le Cabinet de M. Denon collectionneur et lithographe
musée Denon
dec.2005
cf.
BM LONDON
Dagneau Lithographer
https://www.britishmuseum.org/collection/object/P_1900-1231-5441
https://www.britishmuseum.org/collection/object/P_1856-0209-946
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Mittwoch, 15. März 2023
Mittwoch, 15. März 2023
bloGspOt 3117 augsthelm polygraphicae polygraf0700polygraph dweed 1377 https://twitter.com/PeterHelm12/status/1636119946370400257 aces faces places races traces don't get me wrong https://www.youtube.com/watch?app=desktop&v=vveI8BNCCX8&fbclid=IwAR14ODfa5DzeovbNFx41P59hmRbTjfVPB9y4OCacOMSVw9FK4nY8EI0JqFw like angels do PERRIN STEIN Curator, Drawings & Prints . The Metropolitan Museum of Art A Tale of Two Sultans Part I : Fragonard's Real & Fake METROPOLITAN MUSEUM JOURNAL Vol.44 (2009) pp. 121-129 (9 pages) Published by the University of Chicago Press [jstor / stable / 25699108] p.124 fig.3 After Jean-Honoré Fragonard . The Sultan , ca. 1816-26 Lithograph 14 1/2 x 11 in. (37x26cm) PROUTÉ COLLECTION . PARIS https://www.jstor.org/stable/25699108?read-now=1&seq=1#page_scan_tab_contents cf. Exemplaire collection HELM&HELM sammlung {368x283mm TC / resp. 386x283mm avec la lettre / papier 470x330mm }
Fragonard père del. Tiré du Cabinet de Mr. Denon {Dn.F.} Da Ft. 368x283mm TC / [386x283mm avec la lettre / Papier Dimensions 470x330mm
Essai au Crayon à la Plume et à l'Estompe fait à la lithographie (Senefelder) de munich le 15 (Septembre) 9re 1809 Denon
A. Pütterich k.k. Hofvergolder MÜNCHEN Löwengrube Nr.17
<> Exemplaire de haute Curiosité. Notes by Perrin Stein Curator, Drawings&Prints The Metropolitan Museum of Art A Tale of Two Sultans Part I : Fragonard's Real & Fake Metropolitan Museum Journal 44, pp 121-129 ( 9 pages) New York 2009 p.121 ...indeed Rosenberg Paris 1987/88 New York supplied an important piece of evidence illuminating the work of the forger: a photograph of a rare lithograph showing Fragonard's composition in reverse (Fig.3) The lithograph had its origins in an ambitious publishing project undertaken in 1816 by Dominique-Vivant Denon who was a collector as well as an artist and curator and wished toward the end of his life to immortalize his collection through a set of prints [1816/307 lithographs). The resulting four-volume Monuments des Arts du Dessin chez les Peuples tant anciens que modernes, recueillies par le Baron Vivant Denon which included 307 plates, saw the light of day only in 1829 four years after Denon's death (6). Although the lithograph after Fragonard's Sultan drawing does not appear in the published volumes , it survives in a few loose examples, suggesting at that some point the intention was to include it (7). The lithograph itself need not have been seen in the Monuments des Arts du Dessin, however, for the names of the maker and the collector of the drawing to have been known: the lettering on the print identifies both the artist 'Fragonard père del.' [Fragonard the elder](8), and the collection: 'Tiré du Cabinet de Mr. Denon' ( From the Collection of Monsieur Denon). Presumably using this lithograph as a model - for the dimensions of the motifs are identical - the forger cleverly created his drawing in reverse direction, perhaps with the aid of transmitted light (9) and added at the lower right a stamp (Fig.4) imitating Lugt 779 Denon (Fig.5) Note 7 p.128 In the Catalogue of the Denon Sale 1826, lot 729 - Fragonard's Sultan drawing was marked with an asterix, indicating that the sheet had been lithographed. Note 17 The catalogue of the Desmarets 'Cassation de Commerce' Sale, Paris, March 17, 1797 and days following (Lugt 5555) lists a framed drawing by Fragonard as lot 85 'Un Turc assis, dessin lavé au bistre, sur papier blanc - hauteur 14 pouces, largeur 10 pouces 1/1' which seems likely to be the drawing that entered Denon's Collection. I thank Carole Blumenfeld for bringing this citation to my attention. Perrin Stein. Bibliography p.129 Geraldine Norman Investigative Sale Room Correspondent for The Times.London 1978a 'More than 30 *Fragonard* Deawings Maybe Fakes' and 'Fragonard Charm Inspired Copyists for 200 Years' Times (London) March 8, pp.1, 5. 1978b 'When a Fragonard Copy looks Fast too Good to be True Times (London) March 9, p.12 <> {368x283mm TC / resp. 386x283mm avec la lettre / papier 470x330mm } Lithographie en revers du Dessin originale de Fragonard vendu 1797 à Paris Pas Publié aux Monuments des Arts du Dessin. Existent seulement quelques exemplaires singulaires. En conséquent De la plus grande Rareté collection HELM&HELM sammlung <>
After Jean-Honoré Fragonard . The Sultan , ca. 1816-26 Lithograph 14 1/2 x 11 in. (37x26cm) PROUTÉ COLLECTION . PARIS
Indeed Rosenberg supplied an important piece of evidence illuminating the work of the forger : a photograph of a rare lithograph showing Fragonard's composition in reverse.(Fig.3) <> PERRIN STEIN Frago Sultans JSTOR https://www.jstor.org/stable/25699108?read-now=1&seq=1#page_scan_tab_contents NOTES & BIBLIOGRAPHY
<> MANHIGHM Full House MANNHEIM 2003 <> blogger augsthelm polygraphicae polygraf0700polygraph <> Fragonard père del. Tiré du Cabinet de Mr. Denon {Dn.F.} Da Ft. De Haute Curiosité ::: RRR <> <> <> AGEVIRTUEL sites.google.com/site/agevirtuel MaltaSEO https://web.archive.org/web/20201012195419/https://sites.google.com/site/maltaseo/lithographie NewYorkSEO sites.google.com/site/neuyorkseo LondonSEO sites.google.com/site/londraseo ParisSEO sites.google.com/site/0700polygraf Google1st sites.google.com/site/arthelmkunst/recherche-research artHELMkunst recherche::research https://0700polygraf.blogspot.com/2021/05/httpweb.html SALES&SERVICES https://sites.google.com/site/manhighm MANHIGHM Full House https://www.fotocommunity.de/photo/faces-coloured-art-heidelberg-ihk-1-ma-peter-a-helm/7821415 MÜNCHEN IHK AKADEMIE sites.google.com/site/0700monacodibaviera November 2002 Monaco di Baviera MANNHEIM Chambre de Commerce https://sites.google.com/site/manhighm/now-then Mai 2003 https://0700polygraf.blogspot.com/2023/03/perrin-stein-frago-sultans-jstor.html blogger augsthelm polygraphicae polygraf0700polygraph Fragonard père del. Tiré du Cabinet de Mr. Denon Dn.F. De Haute Curiosité ::: RRR Exemplaire de haute Curiosité. Notes by Perrin Stein Curator, Drawings&Prints The Metropolitan Museum of Art A Tale of Two Sultans Part I : Fragonard's Real & Fake Metropolitan Museum Journal 44, pp 121-129 ( 9 pages) New York 2009 p.121 ...indeed Rosenberg Paris 1987/88 New York supplied an important piece of evidence illuminating the work of the forger: a photograph of a rare lithograph showing Fragonard's composition in reverse (Fig.3) The lithograph had its origins in an ambitious publishing project undertaken in 1816 by Dominique-Vivant Denon who was a collector as well as an artist and curator and wished toward the end of his life to immortalize his collection through a set of prints [1816/307 lithographs). The resulting four-volume Monuments des Arts du Dessin chez les Peuples tant anciens que modernes, recueillies par le Baron Vivant Denon which included 307 plates, saw the light of day only in 1829 four years after Denon's death (6). Although the lithograph after Fragonard's Sultan drawing does not appear in the published volumes , it survives in a few loose examples, suggesting at that some point the intention was to include it (7). The lithograph itself need not have been seen in the Monuments des Arts du Dessin, however, for the names of the maker and the collector of the drawing to have been known: the lettering on the print identifies both the artist 'Fragonard père del.' [Fragonard the elder](8), {8}and the collection: 'Tiré du Cabinet de Mr. Denon' ( From the Collection of Monsieur Denon). Presumably using this lithograph as a model - for the dimensions of the motifs are identical - the forger cleverly created his drawing in reverse direction, perhaps with the aid of transmitted light (9) and added at the lower right a stamp (Fig.4) imitating Lugt 779 Denon (Fig.5) Note 7 p.128 In the Catalogue of the Denon Sale 1826, lot 729 - Fragonard's Sultan drawing was marked with an asterix, indicating that the sheet had been lithographed. Note 17 The catalogue of the Desmarets 'Cassation de Commerce' Sale, Paris, March 17, 1797 and days following (Lugt 5555) lists a framed drawing by Fragonard as lot 85 'Un Turc assis, dessin lavé au bistre, sur papier blanc - hauteur 14 pouces, largeur 10 pouces 1/1' which seems likely to be the drawing that entered Denon's Collection. I thank Carole Blumenfeld for bringing this citation to my attention. Perrin Stein. Bibliography p.129 Geraldine Norman Investigative Sale Room Correspondent for The Times.London 1978a 'More than 30 *Fragonard* Deawings Maybe Fakes' and 'Fragonard Charm Inspired Copyists for 200 Years' Times (London) March 8, pp.1, 5. 1978b 'When a Fragonard Copy looks Fast too Good to be True Times (London) March 9, p.12 <> {368x283mm TC / resp. 386x283mm avec la lettre / papier 470x330mm } Lithographie en revers du Dessin originale de Fragonard vendu 1797 à Paris Pas Publié aux Monuments des Arts du Dessin. Existent seulement quelques exemp
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