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Shangdu (Mandarin: [ʂɑ̂ŋ tú]), also known as Xanadu (/ˈzæ.nə.duː/; Mongolian: Šandu), was the capital of Kublai Khan's Yuan dynasty in China, before he decided to move his throne to the Jin dynasty capital of Zhōngdū (Chinese: 中都; literally: "Middle Capital"), which he renamed Khanbaliq, present-day Beijing. Shangdu then became his summer capital. Shangdu (Xanadu) was visited by the Venetian traveller Marco Polo in about 1275, and was destroyed in 1369 by the Ming army under Zhu Yuanzhang. In 1797 historical accounts of the city inspired the famous poem Kubla Khan by the English Romantic poet Samuel Taylor Coleridge.
Shangdu
Transcriptions
Shangdu was located in what is now called Inner Mongolia, 350 kilometres (220 mi) north of Beijing, about 28 kilometres (17 mi) northwest of the modern town of Duolun. The layout of the capital is roughly square shaped with sides of about 2,200 m; it consists of an "outer city", and an "inner city" in the southeast of the capital which has also roughly a square layout with sides about 1,400 m, and the palace, where Kublai Khan stayed in summer. The palace has sides of roughly 550 m, covering an area of around 40% the size of the Forbidden City in Beijing. The most visible modern-day remnants are the earthen walls though there is also a ground-level, circular brick platform in the centre of the inner enclosure.
The city, originally named Kaiping (开平, Kāipíng), was designed by Chinese architect Liu Bingzhong from 1252 to 1256,[1] and Liu implemented a "profoundly Chinese scheme for the city's architecture".[2] In 1264 it was renamed Shangdu. At its zenith, over 100,000 people lived within its walls. In 1369 Shangdu was occupied by the Ming army and put to the torch. The last reigning Khan, Toghun Temür, fled the city, which was abandoned for several hundred years.[3]
In 1872, Steven Bushell, affiliated with the British Legation in Beijing, visited the site and reported that remains of temples, blocks of marble, and tiles were still to be found there. By the 1990s, all these artifacts were completely gone, most likely collected by the inhabitants of the nearby town of Dolon Nor to construct their houses. The artwork is still seen in the walls of some Dolon Nor buildings.[3]
Today, only ruins remain, surrounded by a grassy mound that was once the city walls. Since 2002, a restoration effort has been undertaken.[3] In June 2012, Shangdu was made a World Heritage Site.[4]
The Venetian explorer Marco Polo is widely believed to have visited Shangdu in about 1275. In about 1298–99, he dictated the following account, one of the most complete descriptions of the city as it existed:
And when you have ridden three days from the city last mentioned, between north-east and north, you come to a city called Chandu, which was built by the Khan now reigning. There is at this place a very fine marble palace, the rooms of which are all gilt and painted with figures of men and beasts and birds, and with a variety of trees and flowers, all executed with such exquisite art that you regard them with delight and astonishment.
Round this Palace a wall is built, inclosing a compass of 16 miles, and inside the Park there are fountains and rivers and brooks, and beautiful meadows, with all kinds of wild animals (excluding such as are of ferocious nature), which the Emperor has procured and placed there to supply food for his gerfalcons and hawks, which he keeps there in mew. Of these there are more than 200 gerfalcons alone, without reckoning the other hawks. The Khan himself goes every week to see his birds sitting in mew, and sometimes he rides through the park with a leopard behind him on his horse's croup; and then if he sees any animal that takes his fancy, he slips his leopard at it, and the game when taken is made over to feed the hawks in mew. This he does for diversion.
Moreover at a spot in the Park where there is a charming wood he has another Palace built of cane, of which I must give you a description. It is gilt all over, and most elaborately finished inside. It is stayed on gilt and lacquered columns, on each of which is a dragon all gilt, the tail of which is attached to the column whilst the head supports the architrave, and the claws likewise are stretched out right and left to support the architrave. The roof, like the rest, is formed of canes, covered with a varnish so strong and excellent that no amount of rain will rot them. These canes are a good 3 palms in girth, and from 10 to 15 paces in length. They are cut across at each knot, and then the pieces are split so as to form from each two hollow tiles, and with these the house is roofed; only every such tile of cane has to be nailed down to prevent the wind from lifting it. In short, the whole Palace is built of these canes, which I may mention serve also for a great variety of other useful purposes. The construction of the Palace is so devised that it can be taken down and put up again with great celerity; and it can all be taken to pieces and removed whithersoever the Emperor may command. When erected, it is braced against mishaps from the wind by more than 200 cords of silk.
The Khan abides at this Park of his, dwelling sometimes in the Marble Palace and sometimes in the Cane Palace for three months of the year, to wit, June, July and August; preferring this residence because it is by no means hot; in fact it is a very cool place. When the 28th day of [the Moon of] August arrives he takes his departure, and the Cane Palace is taken to pieces. But I must tell you what happens when he goes away from this Palace every year on the 28th of the August [Moon].." [5]
In 1797, according to his own account, the English poet Samuel Taylor Coleridge was reading about Shangdu in Purchas his Pilgrimes, fell asleep, and had an opium-inspired dream. The dream caused him to begin the poem known as 'Kubla Khan'. Unfortunately Coleridge's writing was interrupted by an unnamed "man from Porlock", causing him to forget much of the dream, but his images of Shangdu became one of the best-known poems in the English language.
Coleridge described how he wrote the poem in the preface to his collection of poems, Christabel, Kubla Khan, and the Pains of Sleep, published in 1816:
"In the summer of the year 1797, the Author, then in ill health, had retired to a lonely farm-house between Porlock and Linton, on the Exmoor confines of Somerset and Devonshire. In consequence of a slight indisposition, an anodyne had been prescribed, from the effects of which he fell asleep in his chair at the moment that he was reading the following sentence, or words of the same substance, in 'Purchas's Pilgrimes':
Here the Khan Kubla commanded a palace to be built, and a stately garden thereunto. And thus ten miles of fertile ground were inclosed with a wall.
The Author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved." "A person on business from Porlock" interrupted him and he was never able to recapture more than "some eight or ten scattered lines and images."[9]
Coleridge's description of Shangdu has echoes of the works of both Marco Polo and Samuel Purchas. In his description of Shangdu, Marco Polo wrote:
"...Round this Palace a wall is built, inclosing a compass of sixteen miles, and inside the Park there are fountains and rivers and brooks and beautiful meadows, with all kinds of wild animals (excluding such as are of ferocious nature)...[10]
This became, in Purchas's book Purchas his Pilgrimes:
In Xandu did Cublai Can build a stately Pallace, encompassing sixteen miles of plaine ground with a wall, wherein are fertile Meddowes, pleasant Springs, delightfull streames, and all sorts of beasts of chase and game, and in the middest thereof a sumpuous house of pleasure, which may be moved from place to place.[7]
This became, in Coleridge's poem:
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And here were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery. (lines 1–11)[11]
From Wikipedia, the free encyclopedia
Also:
https://en.wikipedia.org/wiki/Kubla_Khan
Shangdu (here spelled Ciandu, asMarco Polo spelled it) on the French map of Asia made by Sanson d'Abbeville, geographer of King Louis XIV, dated 1650. It also shows a Xandu east of Cambalu, where English maps placed it. Like some other European maps of the time, this map showsCambalu and Pequin as two different cities, but they were in fact the same city, now called Beijing. When this map was made, Shangdu had been in ruins for almost three centuries.
Even though Matteo Ricci and Bento de Góis had already proven thatCathay is simply another name for China, the English cartographer John Speed in 1626 continued the tradition of showing "Cathaya, the Chief Kingdome of Great Cam" to the northeast of China. On his map, he placed Xandu east of the "Cathayan metropolis" Cambalu
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