PIANO RUBATO: IN TOUCH WITH TIME™ HYBRID ONLINE & IN-PERSON PIANO INTENSIVE
FEB 21 - MAR 21, 2026. ZOOM & IN PERSON (NYC & CO *Note: The original March 28th has been rescheduled.
This piano intensive is a systematic study of timing in performance
through the stylistic periods of classical concert music.
Learn to justify your artistic decisions,
and find tools to refine this expressive technique that is often over simplified as "play with feeling".
4 Registration Options:
a) Participant in Live Course - Small intimate class size with live interaction and playing. Register Now
b) Drop-In Participant on single classes
c) Auditor - Come to as many real-time class sessions (including masterclass) as you want, with no homework. Upgrade this fee to "Independent Study" any time.
d) Independent Study - get the weekly homework assignments and feedback, recordings of class demo clips, with 1 private Zoom or in-person lesson starting June 2026.
Key points:
How to change local timing while maintaining the integrity of the larger framework.
How to shape distinct musical elements including melody, harmony, dynamics, and pedaling.
How to integrate spontaneous mindful listening and consistent artistic vision.
How to anchor to a musical pulse, just like our physical biological pulse.
How to think of timeposts to empower direction.
How to use flexible timing as emotional expression.
Our human relationship with the concept of time is fascinating. The richness of our human history with time perception, time management, and expressive timing provides an infinite number of psychological, physical, emotional, and even spiritual lenses. Join me in this unique offering to help you level up your playing, enjoyment, and understanding.
Altering time can emotionally connect audiences to the composer's intensions, and the right amount of nuance can create magical moments. Explore variations in three types of rubato timing, across all the musical elements, including melodic contour, harmony, and phrasing.
Effective timing demands an expanded sense of listening—tracking long arcs of direction rather than single moments of impulse, integrating multiple layers of pulses in both larger groupings and subdivisions instead of just a single uniform pulse.