HK-Chapter5

-Translated by SGP Char

Chapter 5: vibhuti sandhi (40 Padyas)

shrItaruNivallabhana paramavi

bhUtirUpava kaMDa kaMDa

lIteradi chiMtisuta manadali nODu saMbhramadi

nIta sAdhAraNa vishESha sa

jAti naijAhitavu sahaja vijAti

khaMDAkhaMDa bagegaLanaritu budhariMda..HKAS_05-01

shrItaruNivallabhana = shrIman nArAyANa - husband of the young and radiant laxmIdEvi

parama = extremely srEShTa

vibhUtirUpava = greatness or glory indicating the bhagavadrUpa-s

kaMDakaMDali = in places or things wherever we see peculiar pattern of natural process

I teradi = in the order stated below

chiMtisuta manadali = meditating in our mind as so

nODu = please see / observe

saMbhramadi = with extreme enthusiasm

nIta = indestructible vibhUti

sAdhAraNa = pervading in taru (tree) vihagAdi

vishESha = in pR^ithu, aRjuna, balarAma,

sajAti = similar vibhUti pervading in mikti yOgya manuShya, gaMdhaRva-s

naija = vibhUti pervading dEvata-s who have obtained aparOxa, pervading in rUpa-s of R^iShi-s

ahitavu = vibhUti pervading in jaDa pratima-s, pilgrimage places

sahaja = vibhUti pervading in svyaMvyakta rUpa-s

vijAti = vibhUti pervading in different types of things

khaMDa = in part

akhaMDa = as a whole

bagegaLanaritu = the above ten types of vibhUti rUpa-s

budhariMda = by understanding from knowledgeable persons

In this saMdhi JagannAtha dAsa explains the vibhUti (special presence) of the all pervading ParamAtma at different great and glorious places, people or things.

Any glorious or beautiful existence should be understood to be but a fragmental manifestation of ParamAtma's opulence, whether it be in the spiritual or material world. Anything extraordinarily opulent should be considered to represent ParamAtma's opulence.

The Universe created by ParamAtma is made up of broadly non-living and living things:-

jaDa-s

chEtana-s

The jaDa-s do not have any activity at all, whereas in the chEtana-s, humans are supreme and they have the potency of j~nAna (knowledge), ichchA (desire) and kriya shakti (ability to do tasks). Humans have the ability to think and determine which is propagated by the human brain but all these are done by His stimulation and they are in His control.

Among the jaDa-s, shAligrAma, himAlaya mountain, gaMgA river have the special presence of ParamAtma and hence they are highly significant places.

In the same way, vipravaraNa among the chatuRvaraNa-s, R^iShi Ashrama-s are significantly special places.

tuLasi plant, asvattha tree have high significance among sthAvara jIva-s.

The cow among animals, Brahma-vAyu among dEvata-s have high significance.

vibhUti is the greatness in the rUpa of thing or being under consideration. Because ParamAtma pervades in those rUpa-s, they are highly regarded things or beings.

There are ten such vibhUti-s that we need to know from this stanza.

1. nIta vibhUti

The other avatAra-s of matsya etc.. which are indeed His own rUpa fall in this category.

That can never be destroyed (adhiShThAna - laxmIdEvi).

2. sAdharaNa vibhUti

The bhagavad rUpa in brahmaNa and gR^ihsthA.

3. viShEsha vibhUti

The bhagavadrUpa Brahma (other R^iju-s) R^idra and other dEvata-s, dEva gaMdhaRva-s

The bhagavadrUpa in yati-s

The bhagavadrUpa in pR^ithu, laxmaNa, balarAma, Arjuna

4. sajAti vibhUti

This is also called samAna vibhUti

The bhagavadrUpa in mukti yOya manuShya till the blade of grass (possessing balanced knowledge)

iMdra among dEvata-s, shaMkara among EkAdashaR^idra-s

"dEvAnAmasmivAsavaH R^idraNAMshaMkarashchAsmi.." BG shloka

5. naija vibhUti

ParamAtma-s avatAra-s as ordinary person just like in rAma & KR^iShNa

ParamAtma pervading in shAligrAma to which we need not perform any invocation process or purify them as they are pure and sanctified.

6. ahita vivhUti

ParamAtma pervading in jaDa pratima-s and pilgrimage centers

PramAtma pervading in mEru crest, himAlaya mountain

"mEruH shikhariNAmahaM sthAvarANAM himAlaya" BG shlOka

7. sahaja vibhUti

vibhUti pervading svayaM vyakta rUpa-s like at ayOdhya, mathura, dvAraka

8. vijAti vibhUti

vibhUti pervading in different types of things like in chaMdra among naxatra-s (stars), ashvathaH (Banyan tree) among trees, in Lion among animals

"naxatrANAmahaM shashI...etc.." BG shlOka-s

Also His aMtaRyAmi rUpa-s in Brahma, R^idra and others

9. khaMDa vibhUti

Pervading in the smallest particles of all thing e.g. in one grain of rice

10. akhaMDa vibhUti

Pervading in entirety of the thing, for e.g a heap of rice. A single grain of rice is considered as khaMDa vibhUti whereas a heap of rice is understood to be akhaMDa vibhUti.

In the same way a mountain is the akhaMDa vibhUti whereas the stones / mud / dust are the examples of khaMDa vibhUti.

Army is an example of akhaMDa vibhUti whereas the soldiers are khaMDa vibhUti.

Forest is an example of akhaMDa vibhUti whereas the individual trees are khaMDa

SGPCHAR wrote on May 11, 2005 :

> shrItaruNivallabhana paramavi

> bhUtirUpava kaMDa kaMDa

> lIteradi chiMtisuta manadali nODu saMbhramadi

> nIta sAdhAraNa vishESha sa

> jAti naijAhitavu sahaja vijAti

> khaMDAkhaMDa bagegaLanaritu budhariMda..HKAS_05-01

What is vibhUti? It is vishishhTA bhUti = aishvarya anayA

bhUti = The power due to which, one becomes equipped

with aishvarya (richness of high order, not just

materialistic wealth). From PrameyadIpika (10th adhyAya)

dvividhaM vibhUtirUpaM | pratyaxaM tirohitaM cha |

vishhNvAdikaM pratyaxaM |

Vibhuti is of 2 kinds - Pratyaxa and tirohita.

VishNu and other forms are pratyaxa. Tirohita vibhUti

is also called "guptavibhUti".

kapilavyAsakR^ishhNAdyaM pratyaxaM vaibhavaM smR^itaM

(Kapila, Vyasa, Krishna and others are known as

Pratyaxa vaibhava.)

The ones given in the original posting is one version.

The alternate version as given in VishNurahasya is also

given below.

> nIta = indestructible vibhUti

svaabhinnatve api mUlAt pR^ithaN~nayanAt.h nItaH matsyAdiH |

Though non-different from mUlarUpa, Matsya, etc. are

known as nIta.

> sAdhAraNa = pervading in taru (tree) vihagAdi

sAdhAraNam sarvajIvajaDa sAdhAraNagam

The God's forms that normally are present in all sentient and

non-sentient beings are known as sAdhAraNa.

> vishESha = in pR^ithu, aRjuna, balarAma,

vishEShaM brahmAdigaM

The God's forms present in Brahma and the like are vishESha.

> sajAti = similar vibhUti pervading in mikti yOgya manuShya, gaMdhaRva-s

sajAtIyaM shakra, ushanA arjunaadyantarvarti

The God's forms present in Indra, shukra, Arjuna and the like

are sajAtIya.

> naija = vibhUti pervading dEvata-s who have obtained aparOxa,

> pervading in rUpa-s of R^iShi-s

naijaM shAlagrAmagaM

The God's forms present in shAlagrAma are naija.

> ahitavu = vibhUti pervading in jaDa pratima-s, pilgrimage places

AhitaM svayamvyaktaM

The God's forms present in pratimAs as svayaMvyakta (when

AvAhana is made) are Ahita (not ahita).

> sahaja = vibhUti pervading in svyaMvyakta rUpa-s

sahajaM laxmaNa balAdigaM

The God's forms present in Laxmana and Balarama are sahaja.

> vijAti = vibhUti pervading in different types of things

vijAtirUpaM shashigaM

The God's forms present in the moon are vijAti.

> khaMDa = in part

khaNDaM bAlachandragaM

The God's forms present in crescent moon are khaNDa.

> akhaMDa = as a whole

akhaNDaM senAvanAdigaM

The God's forms present in the army, forests, gardens are

akhaNDa.

Regards,

Kesava Rao

> Moudgalya

jaladharAgasadoLage charisuva

halavu jIvara niRmisihanada

roLu sajAti vijAti sAdhAraNa vishEShagaLa

tiLidu tattatsthAnadali ve

ggaLisi habbida manadi pUjisu

talavavyAptana rUpagaLa nODutale higgutiru...HKAS_05-02

jala = in water

dhara = on the Earth

agasada = in AkAsha (space)

oLage = in these (above)

charisuva = moving about

halavu = different types of

jIvara = living beings (in Water, on Earth and in Space)

niRmisihanu = He has created

adaroLu = in those created living beings

sajAti = sajAti vibhUti rUpa (King among humans)

vijAti = vijAti vibhUti rUpa (Lion among animals)

sAdhAraNa = sAdhAraNa vibhUti rUpa (guests or unexpected visitors among general class of people)

vishEShagaLa = vishESha vibhUti rUpa (yati-s)

tattatsthAnadali = in those respective positions

tiLidu = understanding so

veggaLisi = extended in those rUpa-s

habbida = pervading ParamAtma

alavavyAptana = entirely pervaded in them

manadi = in the manas

pUjisu = worship Him

rUpagaLa = bhagavad vibhUti rUpa-s

nODutale = seeing those rUpa-s

higgutiru = be happy

JagannAtha dAsa implores us to understand the opulence in the ten types of vibhUti rUpa-s explained in the previous stanza in the living beings i.e. bhUchara-s (on Earth), jalachara-s (in Water) and khEchara-s (in Space) among the chEtana-s by worshipping them and be happy.

In entire Universe of 14 lOka-s (bhUlOka, bhuvaralOka, swargalOka, mahaRlOka, janolOka, tapolOka, satyalOka, ataLa, vitaLa, sutaLa, talataLa, rasAtaLa, mahAtaLa and pAtAlA), ParamAtma does sR^iShTi of jIva-s in various yOni-s (species) and also provides them the vibhUti. We need to understand that the vibhUti rUpa exists in the species of highest rank or order in a given type of species.

sajAti vibhUti rUpa among the mukti yOgya chEtana-s understood with the knowledge of tAratamya and paMchabhEda.

manuShyOttama-s among humans

vijAti vibhUti rUpa among tamO yOgya chEtana-s not having the knowledge of tAratamya

vijAti rUpa in chaMdra among the naxatra-s in Space.

sAdhAraNa vibhUti rUpa among nitya saMsarins.

sAdhAraNa vibhUti rUpa in the birds flying in the Sky, sthAvara jIva-s (trees) on the Earth.

vishESha vibhUti rUpa in BrahmAdi dEvata-s.

JagannAtha dAsa advises us to draw satisfaction by meditating on those respective vibhUti rUpa-s in those respective places and contemplate that He completely pervades everywhere.

pratima shAligrAma gO abhyA

gatanatithi shrItuLasi pippala

yati vanastha gR^ihastha vaTu yajamAna svaparajana

pR^ithivi jala shikhi pavana tArA

patha navagraha yOga karaNa bha

tithi sitAsitapaxa saMkramaNavanadhiShThAna.....HKAS_05-03

pratima = statue /idol / sculpture

shAligrAma = self-formed bright black or brown stones with a hollowed interior having circles, well-rounded shape with impressions and wheels, found in very ancient river-beds possessing inherent energies that render them worthy of worship

gO = cow (with calf)

abhyAgata = invited bhagavad bhakta

atithi = uninvited bhagavad bhakta arriving at the time of vaishvadEva

shrItuLasi = tuLasi plant (holy basil plant)

pippala = Pipal tree (Bodhi tree) (ashvattha tree)

yati = ascetic - a sanyAsi who is uninvolved in physical pleasures, especially for religious reasons

vanastha = a brahmin in the third stage of life (who has passed through the stages of student and householder and has abandoned his family for an ascetic life in the woods)

gR^ihastha = a householder who follows proper dhaRma / kaRma

vaTu = a young brahmachAri - young disciple who keeps the vow of chastity

yajamAna = a king who maintains dhaRma

svajana = wife, son & relatives

parajana = friends and others

pR^ithivi = Earth (puNya xEtra-s enumerated in the PurANa-s)

jala = Water (holy rivers)

shikhi = agni (invocated during yaj~na-s)

pavana = the air we breathe

tArApatha = path of star movement in Space

navagraha = the nine grahas-s are sURya (ravi), chaMdra, budha, rAhu, kEtu, kavi, guru, shani & maMgala,

yOga = 27 yogas are follows:-

1)vishkuMbha 2)preeti 3)Ayushman 4)soubhagya 5)shobhana 6)atigaMdha 7)sukaRma 8)dhR^iti 9)shoola 10)gaMDa 11)vR^riddhi 12)dhruva 13)vyAghata 14)harshaNa 15)vajra 16)siddhi 17)vyatipata 18)variyana 19)parigha 20)shiva 21)siddha 22)sAdhya 23)shubha 24)shukla 25)brama 26)iMdra 27)vaidhR^iti

karaNa = 11 karaNa-s are follows:-

1) kuMstuga 2)bava 3)bAlava 4)kaulava 5)taitila 6)gara 7)vanita 8)bhadra 9)shakuni 10)chatuShpada 11)naga

bha = 27 naxatra-s as follows:-

1. ashwini 2. bharaNi 3. kR^ittikA 4. rohiNi 5. mR^igashira 6. ARdrA 7. punarvasu 8. puShya 9. AshleSha 10. mAghA 11. puRvA phalgunI 12. utttara phAlguNi

13. hasta 14. chitra 15. swAti 16. vishAkhA 17. anurAdhA 18. jyeShThA 19. mula 20. puRvAShADha 21. uttarAShaDha 22. shravaNA 23. dhaniShThA 24. shatatAraka 25.pURvA bhAdrapada 26. uttarA bhAdrapada 27. revati

tithi = 15 tithi-s pratipada etc.

sitapaxa = shukla paxa

asitapaxa = kR^iShNa paxa

saMkramaNa = mESha, vR^iShabha, mithuna, kaRka, siMha, kanyA, tulA, vR^shchika, dhanu, makara, kuMbha, mIna being 12 rAShi-s (saMkramaNa-s) and uttarayANa plus daxiNAyaNa totally 14

avana = ParamAtma

adhiShThAna = places of His presence

JagannAtha dAsa explains in detail the various vibhUti rUpa-s in various things

-- pratima --nIta vibhUti found in eight types of pratima-s (statue /idol / sculpture)

stone pratima

kAShTa (wood) pratima

paMchalOha (a combination of metals) pratima

lEpya pratima (made from special medicines / chemicals)

likhita (drawn) pratima

moNNu (made from clay/mud) pratima

mAnasika (drawn in the mind) pratima

maNimayi (gems and jewels) pratima

shAligrAma

vEda-s

chala pratima

-- shaligrAma - nIta vibhUti originating in shaligrAma found in gaMDaki river, black chakraMkita stone. Here ParamAtma is svayaMvyakta, thus they do need any invocation by tatvanyAsa & mAtR^ikAnyAsa.

-- gOvu - vishESha vibhUti in a cow with healthy features along with a calf. The vEda-s are also known as "gO". kAmadhEnu too is in this category.

--vishESha vibhUti in invited bhagavadbhakta

--vishESha vibhUti in the unexpected bhagavadbhakta who arrives at the time of performing vaishyadEva

--vishESha vibhUti in shrItuLasi which is a must for dEvara pUja.

--pippala (ashvattha) tree which has been pratiShThApana by a bhagavadbhakta.

"ashavattha saRvavR^ixANAM...." ----B Gita shloka

(ashva = horse, stha = stands, meaning it stands like a horse thus "ashvattha"

--yati - ascetic - a sanyAsi who is uninvolved in physical pleasures, especially for religious reasons, observes chatuRmAsya vrata

--vanashta - vishESha vibhUti in a person (bhagavadbhakta) who has completed his family responsibilities and takes up pilgrimages or a person who has retired to forest life eating natural foods (herbs, roots & fruits) and is involved in bhagavadbhakti alone.

-- grahastha - sAdhAraNa vibhUti in a family person (bhagavadbhakta) staying with his wife and children and following proper dhaRma / kaRma and also properly treating his guests and others while constantly meditating on 'ParamAtma nAma smaraNa'

-- vaTu - sAdhAraNa vibhUti in a brahmachAri who follows his brahmachAri dharma, aware of bhEda j~nAna, tAratamya, availing bhixa, performing agni kaRya, etc..

-- yajamAna - sAdhAraNa vibhUti in a person who is in a responsible position who enforces dhaRma

-- svajana - sAdhAraNa vibhUti in the relatives of a person i.e. wife, son and other relatives who help that person to perform his satkaRma-s

-- parajana - unrelated people or friends who support a persons satkaRma-s and facilitate the same. 'para' also means ParamAtma, thus 'parajana' also means people who are involved in meditating on ParamAtma.

--pR^ithivi - sahaja vibhUti the Earth - providing a place to live to all chetana-s and providing sources of food, all the pilgrimage places

-- jala - gaMga river, ponds, lakes, wells and other sacred rivers

-- shikhi - agni which has been invocated during yaj~na, 'hutavaha' - the agni puruSha dEva present in vaishvadEvahOma

-- pavana - vAyu dEvaru (air)

-- tArApatha - the Space route in which the naxatra-s travel

-- navagraha - vishESha vibhUti in the nine navagraha-s stated above. sUrya is the most shrEShTa graha and therefore akhaMDa vibhUti in him and khaMDa vibhUti in other eight navagraha-s

-- yOga - sajAti khaMDa vibhUti rUpa in 27 yOga-s listed above

-- karaNa - khaMDa vibhUti rUpa in 11 karaNa-s listed above

-- bha - akhaMDa vibhUti rUpa in 27 naxatra-s listed above. Among the naxatra-s 'chaMdra' has vijAti vibhUti rupa as stated in Bhagavad GIta "naxatrANAmahaM shashI"

-- tithi - 15 tithi-s from pratipada to pouRNimA or amAvAsya. Among these tithi-s, akhaMDa vibhUti rupa in the tithitraya i.e. dashamI-EkAdashI-dvAdashI and in pouRNima & amAvAsya

-- sita paxa - 15 tithi-s from pratipada to pouRNima known as shukla paxa when the Moon gradually shows up as full Moon on pouRnima

-- asita paxa - and again 15 tithi-s from pratipada till amAvAsya known as KR^iShNa paxa, during which time the Moon declines to a no Moon night

-- saMkramaNa - khaMDa vibhUti rupa in 12 saMkramaNa-s as listed above and akhaMDa vibhUti rUpa in uttarAyana & daxiNayana

kAda kAMchanadOLage shObhipa

AditEyAsyana teradi laku

mIdhavanu pratidinadi shAligrAmadoLagippa

aidusAvira mEle mUva

ttaidadhika ainUru rUpadi

bhUdharagaLabhimAni divijaroLippananavarata....HKAS_05-04

kAda =well heated

kAMchanadOLage = (in) Gold

shObhipa = shining

AditEyAsyana = agni (foremost position among the sons of aditi)

teradi = in that way

lakumIdhavanu = laxmIpati narAyaNa

pratidinadi = at all times

shAligrAmadoLage = in the shaligrAma

aidusAvira mEle = 5000 plus

mUvattaidadhika = 35

ainUru = 500 thus totalling to 5535 rUpa-s

rUpadi = rUpa-s

ippa = exists (shAligrAma, shA=5, li=3, grA= ga+ra=3+2=5, ma=5 and reading reverse we get 5535)

anavarata = always

bhUdhara = mEru mountain

gaLabhimAni = paRvatabhimAni dEvata-s

divijaroLuge = dEvata-s

ippanu = present with His vibhUti rUpa

Gold metal is always pure. If we heat Gold in agni it would shine more brightly. agni pervading in the Gold shines brightly. The dEvata-s accept the yaj~na kaRma-s like vaishyadEva etc via agni and he is thus "AditeyAsya" or "dEvamukha".

Just like the radiance of agni in Gold the radiant Paramatma is svayaMvyakta in shAligrAma and pervades there always with 5535 ruPa-s as -shAligrAma, shA=5, li=3, grA= ga+ra=3+2=5, ma=5 and reading reverse we get 5535 by the process of calculation ---- aN^kAnAM vAmatogatiH"[counting from right to left]. Please refer

http://dvaita.info/pipermail/dvaita-list_dvaita.info/2005-February/000366.html

for detail explanation on aN^kAnAM vAmatogatiH as this would be referred again further in this saMdhi.

This is nIta vibhUti rUp. shAligrAma-s do not need any special invocation at all. Their purity would not be tainted even by chaMDala spaRsha.

In the same way, ParamAtma pervades in the paRvatAbhimani dEvata-s thus "bhUdhara".

shrIramaNa pratimegaLoLage hadi

mUradhikavAgippa mElai

nUru rUpava dharisi ippanu ahitAchaladi

dArumathanava gaiye pAvaka

tOruvaMte pratIka suraroLu

tOrutippanu tattadAkAradali nOLparige...HKAS_05-05

shrIramaNa = laxmIpati shrImannarAyaNa

pratimegaLoLage = various types of pratima-s

hadimUradhikavAgippa = 13 more

mElainUru rUpava = above 500 i.e, 513 rUpa-s (pratima = pra=pa+ra=1+2=3, ti=1, ma=5 and by reading reverse we get 513 rUpa-s)

dharisi ippanu = takes those many rUpa-s

ahitAchaladi = in temples where the mURti sthApana has been done - pratima fixed at one place (achaladi) in the ahita vibhUti rUpa

dAru = forest wood

mathanava gaiye = when it is rubbed against each other

pAvaka = agni hidden the wood

tOruvaMte = comes to life

pratIka = jaDa pratima abhimAni dEvata-s

suraroLu = in chalapratima dEvata-s

nOLparige = those who meditate on aMtaRgata rUpa of the pratima

tattadAkAradali = in the shape of the pratima

tOrutippanu = would exhibit Himself

JagannAtha dAsa explains the ten vibhUti rUpa-s in the various types of pratima-s like:-

stone pratima

kAShTa (wood) pratima

paMchalOha (an alloy) pratima

lEpya pratima (made from special medicines / chemicals)

likhita (drawn on paper or rangoli on floor) pratima

moNNu (made from clay/mud) pratima

mAnasika (drawn in the mind) pratima

maNimayi (gems and jewels) pratima

In the above in our houses, or in the pratima-s with yati-s who have received the same by paraMpara from their seniors (either made from Gold or paMchalOha) or at temples where the pratima-s have been installed by proper procedure of 'pratiShThApana' by knowledgeable people. The wood pratima of Lord JagannAtha temple at pUri is a well known example.

He exists in 513 rUpa-s (pratima = pra=pa+ra=1+2=3, ti=1, ma=5 and by reading reverse we get 513 rUpa-s).

The pratima-s fixed at one place in temples thus 'achala' and they display ahita vibhUti thus JagannAtha dAsa refers them as "ahitAcahaladi".

In order to kindle fire during yaj~na-s we use "araNi" - the piece of wood (taken from the Ficus Religiosa) used for kindling fire by attrition. agni cannot be seen although it is hidden in this "araNi" but agni comes alive when this "araNi" is rubbed vigorously against another piece of wood.

In the same way, ParamAtma pervades in the pratimAbhimAni dEvata-s without being seen by us. Only when we meditate with our knowledge about His existence in those pratima-s, does He exhibit Himself by those rUpa-s, nAma-s, shapes and provides His daRshana to his devotees.

karaNanIyAmakanu tAnupa

karaNadoLagaivatteraDu sA

virada hadinAlkadhika shatarUpaMgaLane dharisi

irutihanu tadrUpa nAmaga

Laritu pUjisutihara pUjeya

niruta kaigoMbanu tR^iuShARtanu jalava koMbaMte......HKAS_05-06

karaNanIyAmakanu = ParamAtma the prEraka for the iMdriya-s

tAnu = Himself

upakaraNadoLuage = in the puja apparatus

aivatteraDu sAvirada = 52000

hadinAlkadhika shatarUpaMgaLane = 14 + 100 =114

dharisi = totally taking 52114 rUpa-s (upakaraNa = u=4, pa=1, ka=1, ra=2, na=5 and reading this reverse we get 52114 rUpa-s)

irutihanu = exists

tadrUpa = in those rUpa-s of those apparatus

nAmagaLa = in those names in those rUpas-

aritu = with knowledge (of those names)

pUjisutihara = those who perform the pUja

pUjeya = pUja sEva

tR^iuShARtanu = like a thirsty person

jalava koMbaMte = who drinks water

niruta =always

kaigoMbanu =accepts

One has to be extremely fortunate to obtain mAnava janma. Our dEha is known sAdhana sharIra as extolled in previous saMdhi-s. Our sharIra adorned with paMchaj~nAnEMdriya-s, paMchakaRmEMdriya-s and manas are the "upakaraNagalu" i.e. the apparatus for performing sAdhana. The kaRmEMdriya-s perform their tasks in connection with the respective j~nAnEMdriya-s.

The interconnection between j~nAnEmdriya, paMcha bhUta, tanmAtra, kaRmEMdriya, manOvR^itti, paMchakOsha, vAyu rUpa, niyAmaka can be summarized as per the following table:-

as referred in HKAS_05-09 http://dvaita.info/pipermail/dvaita-list_dvaita.info/2005-May/000809.html

shrIman nArAyaNa also know as mUlEsha also wanders about in the heart (also known by His 1000 names).

The tri-guNa-s i.e., satva, rajas, tamas guNa-s are the kalasha-s decorating for the maMTapa.

Understanding that our sharIra is the 'madhuvirOdhiya paTTaNa' JagannAtha dAsa meditates upon the Lord. Our sharIra is called sAdhana sharIra.

dhAtugaLu saptAvaraNa upa

vIthigaLe nADigaLu madagaLu

yUthapagaLu suShumnA nADiye rAjapaMthAna

I tanUruhagaLe vanaMgaLu

mAtarishvanu paMcharUpadi

pAtakagaLeMbarigaLanu saMharipa taLavAra......HKAS_05-20

dhAtugaLu = saptadhAtu-s

saptAvaraNa = seven concentric walls (prAkAra-s or AvaraNa-s)

upavIthigaLu = cross roads

nADigaLu = 72000 blood vessels

madagaLu = group of mada-s - prides

yUthapagaLu = aShTamada-s = annamada, aRthamada, prAyamada, vidyAmada, rAjyamada, kulamada, satkaRmamada & shIlamada

suShumnA nADiye = spinal chord

rAjapaMthAna = is the highway

I tanUruhagaLe = the hairs

vanaMgaLu = garden

mAtarishvanu = jIvOttama i.e. shrI mukhya prANadEvaru

paMcharUpadi = the five rUpa-s i.e. pRaNa, apAna, vyAna, udAna, samAna

pAtakagaLeMba = pApa-s

arigaLanu = enemies

saMharipa = would destroy

taLavAra = security guard

saptadhAtu-s are:- (seven of them)

No. saptadhAtu

1 tvak dhAtu

2 chaRma dhAtu

3 mAMsa dhAtu (muscle tissues)

4 rakta (formed blood cells)

5 mEdassu (fatty tissues)

6 majja dhAtu (bone marrow & nerve tissues)

7 asthi dhAtu (bone)

The saptadhAtus-s protect our sharIra, 'tvak' is the external blanket whereas the 'asthi' lies innermost and forms the shape for the body by giving support. Thus the saptadhAtu-s can be seen as a fort with seven prAkAra-s.

72000 nADi-s criss-cross our sharIra. The spinal cord (suShumna nAdi) is the main one. This has four main branches called IDA, piMgaLa, vajrikA & ARyaka. These have many sub-branches, just like a town which has smaller roads or lanes referred here as 'upavIthigaLu'.

'mada' is the manOvR^itti arising out of pride. There are eight types of mada-s called aShTamada-s (they are - annamada, aRthamada, prAyamada, vidyAmada, rAjyamada, kulamada, satkaRmamada & shIlamada). Usually an elephant exhibits 'mada' therefore these mada-s are also refered as 'gajamada'. yUthapagaLu is also understood as a chieftan. If we take the mada-s as a group, then we can see that the chieftan leads them.

'suShumnA nAdi' the spinal cord runs from the bottom of the back and connects the brain. This is brahmanADi. narasiMha ParamAtma resides here and protects the jIva. This is compared to a highway. vAyu dEvaru wanders about the spinal cord.

There are millions of hairs on our sharIra. The hairs are compared as forests and gardens just as every town has a forest and gardens surrounding it.

mukhayaprANa dEvaru is also known as 'mAtarishva'. Existing in five rUpa-s i.e. pRaNa, apAna, vyAna, udAna, samAna - he protects our sharIra. A king of any kingdom appoints people to protect the the place from enemy attack. In the same way, 'taLavAra' - who is bhagavadAj~nAdhAraka, bhagavadkARyasAdhaka, i.e. mukhyaprANa dEvaru is appointed by biMba rUpi ParamAtma to protect our 'paTTaNa' from the prEraka-s of enemies like - kAma, krOdha, lObha, mOha, mada & mAtsaRya.

ina shashAMkAdigaLe laxmI

vaniteyarasana dvArapAlaka

renisutipparu manada vR^ittigaLE padAtigaLu

anubhavipa viShayaMgaLE pa

TTaNake bappa pasAragaLu jI

vanu suvaRtaka kappagaLa kaigoMba hari tAnu ...HKAS_05-21

ina = sURya

shashAMkAdigaLe = chaMdra and others

laxmI = mahAlaxmI

vanite = superior lady

arasana = her Lord shrIman nArAyaNa

dvArapAlakarenisutipparu = are the security guards for our sharIra

manada = of manas

vR^ittigaLE = desires of the manas

padAtigaLu = feet

anubhavipa = experience through our iMdriya-s

viShayaMgaLE = experience of vishaya-s

paTTaNake = our sharIra

bappa = coming from outside (external vishaya-s)

pasAragaLu = things obtained in the shops

jIvanu = jIva

suvaRtaka = superior businessman

hari tAnu = biMba rUpi ParamAtma

kappagaLa = taxes

kaigoMba = would accept

Through our eyes, sURya & chaMdra act as guards for our sharIra paTTaNa. The paMchabhoutika sharIra is made from prakR^iti. sharIra is the residence for shrIman nArAyaNa. As per nArAyaNa-s order, sUrya & chaMdra act as security guards for this sharIra. The table below summarizes the rest.

Thus the j~nAnEMdriya-s help the kaRmEMdriya-s to recognize the tanmAtra-s existing in the paMchabhUta-s and perform tasks via the manOvR^itti-s through the respective paMchakOsha-s by the respective aMtaRgata vAyu rUpa regulated by the respective niyAmaka. This explains the process relationship of "upakaraNa".

Besides this, the apparatus used for performing dEvara pUja such as paMchapAtra, uddaraNi, nIlaMjana, halagArati, etc. are also referred as "upakaraNa" indicating that ParamAtma pervades in them with 52114 rUpa-s (upakaraNa = u=4, pa=1, ka=1, ra=2, Na=5 and reading this reverse we get 52114 rUpa-s) known by those respective names, recognized by those shapes and we must meditate on His presence in these too. ParamAtma accepts the pUja offered by those devotees who offer the same with this understanding, just as thirsty person accepts and drinks water and provides His profuse anugraha to His devotees.

However, ParamAtma is "svaramaNa" i.e. He does not expect anything from anyone. He accepts our pUja for our salvation but not for His benefit.

biMbarUpanu I teradi jaDa

poMbasura modalAda suraroLa

giMbugoMDihaneMdaridu dhaRmARthakAmagaLa

haMbalisidanudinadi vishvaku

TuMbi koTTa kaNAnna kutsita

kaMbaLiye soubhAgyaveMdavanaMghrigaLa bhajisu...HKAS_05-07

biMbarUpanu = biMbarUpi ParamAtma

I teradi = as described earlier

jaDa = in jaDa achala pratima-s

poMbasura = Brahma dEvaru (ponnu = golden, basura = womb. Meaning - 'hiraNyagaRbha' nAmaka chatuRmukha Brahma

modalAda = Brahma and others

suraroLage = in tatvAbhimani dEvata-s

iMbugoMDihaneMdu = pervades in sahaja rUpa

aridu = with this knowledge understanding

dhaRma = dhaRma for the world

aRtha = non-permanent wealth

kAmagaLa = desires

haMbaliside = without expecting them

anudinadi = everyday

vishvakuTuMbi = ParamAtma who has the world as His family

koTTa = given according to the kaRma of the jIva

kaNAnna = broken rice pieces

kutsita kaMbaLiye = very small torn woolen blanket (indication of poverty)

soubhAgyaveMdu = great fortune

avana =biMba rUpi ParamAtma

aMghrigaLa = His Lotus Feet

bhajisu = praise His Holy Name

Since biMba rUpi ParamAtma resides in the hearts of all chEtana-s, the jIva-s are the pratibiMba of shrI Hari. All the tasks performed by the sharIra are stimulated by biMba rUpi ParamAtma. He is the prEraka and the pratibiMba chEtana-s are the prERya-s.

Thus the all-prEraka pervades in the achala pratima and displays His vibhUti rUpa for those who perform pUja of the pratima-s by process of tatvannyAsa-matR^ikAnyAsa.

In the same way, biMba rUpi by His aMtaRyAmi rUpa in chatuRmukha Brahma and other dEvata-s and tatvAbhimAni dEvata-s accepts their sEva. shrImannArAyaNa while resting on the xIrasamudra (as PadmanAbha) the unusual Lotus flower shooting out from His navel had 14 radiant golden petals. Brahma dEvaru was created there. That's a reason why Brahma is also referred as 'hiraNyagaRbha' which is referred in this stanza by JagannAtha dAsa as 'poMbasura' - golden womb. This brahmAMDa is the sharIra of Brahma dEvaru. And the 14 petals indicate the 14 lOka-s (bhUlOka, bhuvaralOka, swargalOka, mahaRlOka, janolOka, tapolOka, satyalOka, ataLa, vitaLa, sutaLa, talataLa, rasAtaLa, mahAtaLa and pAtAlA).

Thus, biMba rUpi ParamAtma pervades in His eldest son (Brahma dEvaru) by the name 'aja' and performs sR^iShTi.

In the same way He pervades in His biMba rUpa in the abhimAni dEvata-s of the chaturaviMshati tatva-s (24 tatva-s) listed in -

http://dvaita.info/pipermail/dvaita-list_dvaita.info/2004-November/000224.html

and performs the tatva kARya-s and regulates them too.

We must realize the astounding fact that ParamAtma is the prime supporter for the entire chEtanAchEtana world by enmeshing Himself everywhere with proper knowledge. The chatuRvidha puruShARtha-s (dharma, aRtha, kAma & mOxa) must enable us to take the path of sAdhana but not become our roadblocks.

By following dhaRma we obtain puNya.

With aRtha (wealth) we enjoy the real worldly benefits.

kAma (our desires) must be in the direction of seeking ParamAtma and not only for sensual pleasures.

Thus JagannAtha dAsa cautions us "dhaRmARthakAmagaLa haMbalisidanudinadi". ParamAtma is the Lord of this Universe and He is the Regulator of the Universe. All chEtana-s and jaDa-s are under His control, He is thus "vishvakuTuMbi". Thus whatever He provides to the chEtana-s is the true puruShARtha. Whatever He bestows - according to the previous kaRma phala of the chEtana-s - whether it is gaMji (thin porridge / gruel of rice) or kutsita kaMbaLi (torn blanket), we should consider that as our great fortune and always praise His Holy Name at His Lotus Feet.

vAriyoLagippattanAlaku

mUreraDusAvirada mElmu

nnUra hadinELenipa rUpavu shrI tulasi daLadi

nUra aravattoMdu puShpadi

mUradhika dasha dIpadoLu nA

nUra mUru sumURtigaLu gaMdhadoLagirutihavu...HKAS_05-08

vAriyoLage = the water used for abhiShEka

ippattanAlaku = 24 rUpa-s (vAri means vA=4, ri=2 and reading reverse we get 24 rUpa-s

shrI tulasi daLadi = in tUlasi daLa

mUreraDusAvirada = 5000 (meaning 3+2=5 hence 5000)

mElmunnUra hadinELenipa = plus 317

rUpavu = totally 5317 rUpa-s (shrItulasi meaning shrI=sh+ra=5+2=7, tu=1, la=3, shi=5 reading reverse we get 5317 rUpa-s

puShpadi = flowers

nUra aravattoMdu = 161 rUpa-s (puShpa means pu=1, Sh=6, pa=1 reading reverse we get 161 rUpa-s

dIpadoLu = in the dIpa-s (lamps)

mUradhika dasha = 31 rUpa-s (dIpa means dI=3, pa=1 reading reverse we get 13 rUpa-s)

gaMdhadoLage = in gaMdha

nAnUra mUru sumURtigaLu = 403 rUpa-s (gaMdha means gaM=30, dha=4, reading reverse we get 403 rUpa-s)

irutihavu = exists so

ParamAtma pervades in the items used for pUja - such as water, shrItuLasI, flower, lamps, gaMdha etc. JagannAtha dAsa explains the number of rUpa-s we should meditate upon by the method of 'aMkAnAM vAmatogatiH' (counting from right to left) as we have seen in the several previous stanzas.

For dEvara pUja we must use pure water from a flowing river, or a lake or a well. This is referred as 'vAri' has 24 rUpa-s (vAri means vA=4, ri=2 and reading reverse we get 24 rUpa-s)

shrI tuLasi is very much essential for dEvara pUja. No pUja is complete without offering tuLasi. shrI tuLasi has totally 5317 rUpa-s (shrItulasi meaning shrI=sh+ra=5+2=7, tu=1, la=3, shi=5 reading reverse we get 5317 rUpa-s), which he refers as 'mUreraDusAvirada mElmunnUra hadinELenipa rUpavu shrI tulasi daLadi'.

The 'puShpa' (flowers) we offer have 161 rUpa-s (puShpa means pu=1, Sh=6, pa=1 reading reverse we get 161 rUpa-s) thus 'nUra aravattoMdu puShpadi'.

The 'dIpa' (lamps) have 31 rUpa-s (dIpa means dI=3, pa=1 reading reverse we get 13 rUpa-s), thus 'mUradhika dasha dIpadoLu'.

The 'gaMdha' we offer has 403 rUpa-s (gaMdha means gaM=30, dha=4, reading reverse we get 403 rUpa-s) thus 'nAnUra mUru sumURtigaLu gaMdhadoLagirutihavu'.

aShTadaLasadhR^idaya kamalA

dhiShTitanu tAnAgi saRvO

tkR^iShTamahimanu daLagaLali saMcharisutoLagiddu

duShTarige duRbuddhi kaRma vi

shiShtarige suj~nAna dhaRma saM

puShTigaisuta saMtaipa niRduShTa sukhapURNa....HKAS_05-09

saRvOtkR^iShTamahimanu

saRva = ramAdEvi, Brahma

utkR^iShTa = exceeding (their excellence)

mahimanu = ParamAtma

sat = balanced (goodness)

hR^idaya = in the heart

kamala = Lotus like heart

adhiShTitanu = mUlEsha nAmaka ParamAtma

tAnAgi = Himself resides there

aShTadaLagaLali = in eight petal

saMcharisuta = moving around (in kriya-s)

oLagiddu = residing the hearts of trividha jIva-s

duShTarige = svarUpa ayOgya-s with mithya j~nAna or mishra j~nAna

duRbuddhi = enmity in ParamAtma and His devotess

kaRma = aware that this world is real, awareness of paMcha bhEda

vishiShtarige = sacchEtana-s entitled for mukti who perform satkaRma-s

suj~nAna = balanced knowledge of paMchabhEda tAratamya

dhaRma = dhaRma buddhi according to their svarUpa yOgyata

puShTigaisuta = helps them to expand the same or understand well

saMtaipa = gives satisfaction to the manas

niRduShTa = niRdOshi (flawless)

sukhapURNa = happy and knowledgable ParamAtma

biMba rUpi ParamAtma - "mUlEsha" whose eminence is far more superior to ramA, Brahma and others pervades in eight petals in of the lotus heart of all chEtana-s.

Meditating on His rUpa-s at various directions and locations of the petals and the flower results in the respective kaRma phala listed below:-

mUlEsha i.e. biMba rUpi ParamAtma accepting the pUja-s of xarAxara-s pervades in the various locations of our heart and is the prEraka for our buddhi, does and makes us do the kaRma-s and gives:-

-to the svarUpa ayOgya-s with mithya j~nAna or mishra j~nAna gives them enmity in ParamAtma and His devotess

-to the sacchEtana-s entitled for mukti who perform satkaRma-s with the awareness that this world is real, with awareness of balanced knowledge of paMchabhEda tAratamya gives dhaRma buddhi according to their svarUpa yOgyata and helps them to expand the same or understand well and protects them, giving satisfaction to the manas.

Such is the greatness of the flawless, happy and knowledgeable ParamAtma.

aShTadaLasadhR

^idaya kamalA

dhiShTitanu tAnAgi saRvO

tkR^iShTamahimanu daLagaLali saMcharisutoLagiddu

duShTarige duRbuddhi kaRma vi

shiShtarige suj~nAna dhaRma saM

puShTigaisuta saMtaipa niRduShTa sukhapURNa....HKAS_05-09

saRvOtkR^iShTamahimanu

saRva = ramAdEvi, Brahma

utkR^iShTa = exceeding (their excellence)

mahimanu = ParamAtma

sat = balanced (goodness)

hR^idaya = in the heart

kamala = Lotus like heart

adhiShTitanu = mUlEsha nAmaka ParamAtma

tAnAgi = Himself resides there

aShTadaLagaLali = in eight petal

saMcharisuta = moving around (in kriya-s)

oLagiddu = residing the hearts of trividha jIva-s

duShTarige = svarUpa ayOgya-s with mithya j~nAna or mishra j~nAna

duRbuddhi = enmity in ParamAtma and His devotess

kaRma = aware that this world is real, awareness of paMcha bhEda

vishiShtarige = sacchEtana-s entitled for mukti who perform satkaRma-s

suj~nAna = balanced knowledge of paMchabhEda tAratamya

dhaRma = dhaRma buddhi according to their svarUpa yOgyata

puShTigaisuta = helps them to expand the same or understand well

saMtaipa = gives satisfaction to the manas

niRduShTa = niRdOshi (flawless)

sukhapURNa = happy and knowledgable ParamAtma

biMba rUpi ParamAtma - "mUlEsha" whose eminence is far more superior to ramA, Brahma and others pervades in eight petals in of the lotus heart of all chEtana-s.

Meditating on His rUpa-s at various directions and locations of the petals and the flower results in the respective kaRma phala listed below:-

Petal No. Direction daLAbhimAni kaRma phala

1 pURva (E) iMdra puNya

2 AgnEya (SE) Agni nidrA, Alasya

3 daxiNa (S) yama Give trouble to others

4 nairutya (SW) niruR^iti pApa

5 pashchima (W) varuNa krIDA buddhi

6 vAyuvya (NW) pravahavAyu Moving about

7 uttara (N) kubEra rati krIDa (love making)

8 IshAnya (NE) R^idra anna, vastra, dravya etc.. dAna buddhi

kamala center vAyu vairAgya buddhi

Filaments vishva Waken state

kaRnike (pericarp) taijasa Dream state

root prAj~na Sleep state

mUlEsha i.e. biMba rUpi ParamAtma accepting the pUja-s of xarAxara-s pervades in the various locations of our heart and is the prEraka for our buddhi, does and makes us do the kaRma-s and gives:-

-to the svarUpa ayOgya-s with mithya j~nAna or mishra j~nAna gives them enmity in ParamAtma and His devotess

-to the sacchEtana-s entitled for mukti who perform satkaRma-s with the awareness that this world is real, with awareness of balanced knowledge of paMchabhEda tAratamya gives dhaRma buddhi according to their svarUpa yOgyata and helps them to expand the same or understand well and protects them, giving satisfaction to the manas.

Such is the greatness of the flawless, happy and knowledgeable ParamAtma.

vittadEhAgAra dArA

patyamitrAdigaLoLage guNa

chittabuddhyadiMdriyagaLoLu j~nAnakaRmadoLu

tattadAhvayanAgi karesuta

satyasaMkalApanusAradi

nityadali tA mADimADipaneMdu smarisutiru.HKAS_05-10

vitta = wealth

dEha = sthUla dEha

agAra = our residence

dArA = wife

apatya = children

mitra = friends

AdigaLoLage = the above and other things

guNa = tri-guNa-s

chitta = manOvR^itti - chitta (will)

buddhi = buddhi (the power to decide)

Adi = meaning - manas, chitta, buddhi, ahaMkAra & aMtaHkaraNa

iMdriyagaLoLu = in iMdriya-s

j~nAna = the knowledge obtained through paMchajn~nAnEMdriya-s

kaRmadoLu = the kriya-s performed through the paMchakaRmEMdriya-s

tattadAhvayanAgi = known by those names

karesuta = so called

satyasaMkalApanusAradi = according to the anAdi kaRma-s of the chEtana-s and His own free will

nityadali = every moment

tA mADi = performing those tasks as His biMba kriya-s

mADipanu = makes the jIva-s perform the same through the tatvEsha-s

eMdu = understanding that the pratibiMba kriya is being carried out through biMba kriya

smarisutiru = remember so

An earnings obtained by hardwork is 'vitta'. Jewellery made from Gold, Silver and other noble metals are all termed as 'vitta', generally all luxuries could be called 'vitta'. Learning about ParamAtma from knowledgeable persons is also 'vitta'. Our sAdhana sharIra composed of paMchabhUta-s is the residence of biMba rUpi ParamAtma just as our house is our place of residence. Wife plays an important role in the sAtvic affairs of the family, children, relatives & friends, who help us in times of difficulties. 'vitta' must be utilized for dAna, dhaRma and other satkaRma-s. Our sharIra given to us by ParamAtma must be used for satsAdhana. Our house must be used for dEvara pUja, good treatment to guests. annadAna must be the centre of our activities. Therefore, wife, children, relatives and friends must also be supportive to the cause of satkARya-s.

Just as ParamAtma is the Doer of all the satva, rajas and tamas kARya-s, in the same way ParamAtma pervades in manOvR^itti-s (manas, buddhi, chitta, ahaMkAra & aMtaHkaRNa), paMchaj~nAnEMdriya-s (eyes, skin, ears, tongue & nose) and their related vishaya-s of arising out of the paMchatanmAtra-s (vision, touch, hearing, taste and smell), paMchakaRmEMdriya-s (hands, legs, tongue, genitals and anus) and the actions their related actions (giving or taking. moving about, speech, urination and excretion), calling Himself by those names in those respective places and regulates them and His wish - is final and all the vyApAra of this Universe goes as per His saMkalpa. biMba rUpi ParamAtma has no demerit like hatred and all the our characteristics are displayed as per His saMkalpa. Thus these places of residence of satya saMkalpa ParamAtma in this world are real and not an illusion.

We must meditate with the understanding that ParamAtma is the Regulator for vitta, dEha, house, wife, children, relatives, friends, triguNa-s, manovR^itti-s, j~nAnEMdriya-s, kaRmEMdriya-s, and is called by those respective names and does vyApAra-s as per His wish and pervades in them by being the biMba rUpi prEraka and via the tatvEsha-s as prERya.

bhAva dravyakriyegaLenisuva

I vidhAdvaitatrayaMgaLa

bhAvisuta sadbhaktiyali saRvatra mareyadale

tAvakanu tAneMdu pratidina

sEvisuva bhaktarige tannanu

Iva kAva kR^ipALu karivaragolida teranaMte.....HKAS_05-11

bhAvadvaita = unified meditation on the bhagavadrUpa-s in things or tasks borne out with the connection satvAdi guNa-s

dravyadvaita = unified meditation on the bhagavadrUpa-s in AtmajAya-s and aRtha-kAma etc and understanding that they are under His control

kriyadvaita = unified meditation on the bhagavadrUpa-s in the kaRma-s performed with manas, vak etc

enisuva = so called

I vidha = in this way

advaitatrayaMgaLa = the above three types of advaita kriya-s

sadbhaktiyali = with good bhakti

bhAvisuta = meditating so in our mind

saRvatra = at all places and times

mareyadale = without forgetting

tAvakanu tAneMdu = being aware that we are under His control

pratidina = everyday

sEvisuva = those who perform His sEva as enumerated above

bhaktarige = His devotees

tannanu Iva = would exhibit Himself (provide them aparOxa jn~nAna)

karivarage = to gajEMdra

olida teranaMte = came to his rescue during his troubled time

kR^ipALu = kind Lord

kAva = would protects us

In this stanza we understand the terms bhAvadvaita, dravyadvaita, kriyadvaita below.

bhAvadvaita:-

ParamAtma performs various sR^iShTi vyApara etc.. via mUla prakR^iti and the differences in the triguNa-s. Here mUla prkR^iti and the triguNa-s are kAraNa vastu and the resultant sR^iShTi is the kARya vastu. In the same way the fibres of a cloth are the kAraNa vastu and the cloth so formed is the kArya vastu. It appears as though they are the same, however they are different. The bhagavadrUpa existing in these kAraNa and kARya vastu-s are the same but their adhiShTAna is different. Meditating on the same aMtaRyAmi rUpa of the kAraNa and kARya vastu-s is called "bhAvadvaita".

dravyAdvaita:-

Meditating on the aMtaRyami rUpa of ParamAtma in our wife (or husband), children, relatives, friends who are related to us by R^iNa i.e. a bond persisting from an earlier birth. The bhagavadrUpa in us and them is indeed one and the same.

The wealth earned by us, our wife, children, relatives and friends are indeed 'dravya'. The process of unified meditation on this bhagavadrUpa and realizing that they are under His control is called "dravyAdvaita".

kriyAdvaita:-

The trikaraNa-s, i.e. manas, vAk, and sharIra are the sources for kriya-s.

The manas is involved in dhyAna.

By vAk we speak, advise or read scriptures or stotra / maMtra or give pravachana.

By sharIra through the paMchaj~nAnEMdriya-s and paMchakaRmEMdriya-s we activate our senses and do various tasks.

Thus various kriya-s go on through the trikaraNa-s.

biMba rUpi ParamAtma performs tasks various via biMba kriya-s through the respective dEvata-s, regulated by mukhya prANa dEvaru and brings it for the experience of the jIva. Thus, offering all the kriya-s we perform to the feet of the Lord is kriyAdvaita. The adhiShThAna-s which perform various kriya-s are different but meditating on the bhagavadrUpa of ParamAtma who is the same in all the adhiShThAna-s and offering the resultant kaRma-s at the feet of the Lord is a sign of kriyAdvaita. kriyadvaita is backed by the understanding that jIva, kaRma and jaDa-s are under His control.

We must therefore meditate on ParamAtma with the understanding that He is in control of bhAvadvaita, dravyAdvaita and kriyAdvaita and He is the Regulator, He does all the tasks, He is saRvataMtrasvataMtra, and all chetanAchtana-s are under His control. We must meditate on the rUpas of the all pervading ParamAtma pervades at all places, all times, and all conditions.

ParamAtma would grant His aparOxa to such devotees and make them happy and protect them. Just as gajEMdra was saved from the crocodile when he prayed with all His heart by offering the lotus from the same lake, where he was entangled with difficulty, in the same way kind ParamAtma would protect His devotees always.

bAMdaLave modalAdadaroLoM

doMdarali pUjA susAdhana

veMdenisuva padARthagaLu bagebageya nUtanadi

saMdaNisikoMDihavu dhyAnake

taMdinitu chiMtisi sadA gO

viMdanaRchisi nODu nalinalidADu koMDADu.....HKAS_05-12

bAMdaLave = akAsha (Space)

modalAdadaroLu = primarily that and other paMchabhUta-s

oMdoMdaroLu = in each of them (vAyu, tEjassu, appu, & pR^ithvi

pUjA = fit for dEvara pUja

susAdhanaveMdenisuva = good resources

padARthagaLu = in the things (like tuLasi, puShpa, dIpa, dhUpa etc)

bagebageya = different kinds

nUtanadi = new types

saMdaNisikoMDihavu = are filled around

dhyAnake taMdu = thinking in the mind

initu = that ParamAtma exists in those rUpa-s, by those names, in those things

chiMtisi = thinking so

sadA = at all times, at all places and in all situations

gOviMdana = ParamAtma

aRchisi = perform pUja

nODu = see Him with this knowledge

nalinalidADu = dance with happiness

koMDADu = be happy by praising His guNa-s

The paMchabhUta-s or the five elements which are Ether or AkAsha; Earth or pR^ithvi; Water or jala; Fire or tEjas / agni; and Air or vAyu.

AkAsha tatva provides space for existence - herein refered as 'bAMdaLa' - bAnini taLa. 'bAn' meaning the space which pervades everywhere but we can see only the space at the 'taLa'-bottom which surrounds us.

The above paMchabhUta-s are the adhiShThAna-s for the five tanmAtra-s i.e. shabda (sound of words or anything else via ear), spaRsha (touch via skin), rUpa (sight via eyes), rasa (taste via tongue) & gaMdha (aroma via nose) repectively and these must be recognized as pUja sAdhana-s as under:-

shabda guNa is related AkAsha tatva. We must consider that words, sounds, names are the pUja sAdhana-s.

spaRsha guNa is related to vAyu tatva. Touching the pratima-s touched by j~nAni-s and touching them to our eyes is also a pUja sAdhana. In the same way embracing bhagavad bhakta-s fall in this category.

rUpa guNa is related to tEjasa tatva. The daRshana of idols in temples, svayaMvyakta xEtra-s and mURti-s, meeting and seeing j~nAni-s and reading Holy Scriptures are all related to tEjasa-rUpa-eyes. These are pUja sAdhana-s too.

rasa guna is related to appu tatva. Our tongue (rasEMdriya) accepts the tastes. Fruits and foods offered to ParamAtma are also considered as pUja sAdhana-s.

gaMdha guNa is related to pR^ithvi tatva. The tuLasi niRmalya, and fragrant flowers are the right fragrances for our nose. Thus these are the right sAdhana-s for pUja. Thus the relation between pR^ithvi-gaMdha-nAsika.

Since every tanmAtra is related to paMchabhUta-s is offerable to ParamAtma, they are all pUja sAdhana-s. When we contemplate so, we start perceiving new relationship between each other of those. We should therefore relentlessly offer our pUja / prayer to Him with this understanding. He would then provide his daRshana and thus the jIva becomes very joyful and dances with happiness his heart.

JagannAtha dAsa implores on us to praise the Lord by --"nalinalidADu koMDADu".

jalajAnAbhana mURti manadali

nelegoLisi nishchalabhakutiyali

chaLibisilumaLegALigaLa niMdisade nityadali

neladaliha gaMdhave sugaMdhavu

jalave rasa rUpave sudIpavu

elaru chAmara shabdavAdyagaLaRpisalu oliva.....HKAS_05-13

jalajAnAbhana mURti = PadmanAbha rUpi ParamAtma

manadali = in our manas

nelegoLisi = fixed well

nishchalabhakutiyali = clear bhakti without being influenced by external viShaya-s

chaLibisilumaLegALigaLa = winter, summer, rain & wind which can cause irritation or restlessness to our dEha

niMdisade = without accusing them

nityadali = always

neladaliha gaMdhave = pR^ithvi guNa gaMdha (odour of mud)

sugaMdhavu = is the best gaMdha

jalave = water we offer for pUja (is indeed GaMga jala)

rasa = is the extract of GaMga and other rivers and other rasa-s of fruits

rUpave sudIpavu = offering tEjas - agni rUpa is like offering various dIpa-s and maMgaLARti-s

elaru chAmara = offering wind is like offering various fans

shabdavAdyagaLaRpisalu =offering AkAsha (Space) is like offering music, stOtra-s & maMtra-s

oliva = He would be happy, protect us and provide aparOxa

'jala' - means water, 'ja' means the lotus flower. 'nAbha' - navel. Thus, that person who created the lotus flower from His navel being none other than the PadmanAbha rUpi ParamAtma. Thus 'jalajanAbha' is PadmanAbha rUpi ParamAtma. After carrying out sUxma sR^iShti, as per His saMkalpa He created a Golden Lotus flower from His navel which had 14 petals. chatuRmukha Brahma was born here. Brahma is therefore also known as hiraNyagaRbha.

JagannAtha dAsa says, by firmly fixing the image of jalanAbha, we must offer of our pUja to Him, understanding with clear devotion He is Supreme.

JagannAtha dAsa explains that according to the R^itu of the year we would experience winter, summer, monsoon or breezy weather and it may perhaps be difficult to bear these seasons. However, we must realize that the seasons appear as per the regulation of ParamAtma and that they are under His control. Therefore we should bear these seasons without condemning them and meditate upon the PadmanAbha rUpi ParamAtma thinking thus:-

-bhUmi supports the gaMdha (smell). The fragrance of flowers grown on the Earth is being offered for ParmAtma.

-apa tatva supports rasa (taste). The shaDrasa from the fruits and foods is being offered for ParamAtma.

-tEjasa supports rUpa (sight). We are able to see because of tEjasa (light). The tEjas is being offered as dIpa (lamps) for ParmAtma.

-vAyu tatva supports spaRsha (touch). The blowing wind is being offered as chAmara (fan) for ParamAtma.

-AkAsha supports shabda (hearing). The various sounds like that of thunder & lightening, waves of the sea, chirping of the birds, sounds of animals, and whatever we speak is being offered as music for ParamAtma.

We should thus offer as above to the all pervading ParamAtma.

gOLakagaLu ramAramaNana ni

jAlayagaLanudinadi saMpra

xAlaneye sammaRjanavu karaNagaLe dIpagaLu

sAlu tattadviShayagaLa sa

mmELanave pariyaMka tatsukha

dELigeye suppatti gAtmanivEdanave vasana....HKAS_05-14

gOLakagaLu = place of residence for the iMdriya-s (the visible sthUla dEha)

ramAramaNana = for laxmIpati shrIman nArAyaNa

nijAlayagaLu = is His real real residence

anudinadi = everyday

saMpraxAlaneye = the process of taking bath

sammaRjanavu = is the process of cleaning the temple

karaNagaLe = the place where the paMcha j~nAnEMdriya-s & paMcha kaRmEMdriya-s exist

dIpagaLu = are bright lights

sAlu = regulation oriented

tattadviShayagaLa = paMcha tanmAtra-s (related to j~nAnEMdriya-s) and the kriya-s performed by the paMcha kaRmEMdrya-s

sammELanave = the connecting factor between the iMdriya-s and the viShaya-s

pariyaMka = is the resting place for ParamAtma

tatsukhada = the happiness drawn from that conection

ELigeye = growth (of happiness)

suppattige = soft bedding for ParamAtma

AtmanivEdanave = AtmasamaRpaNa

vasana = clothing for ParamAtma

JagannAtha dAsa explains the process of offering offering the vishaya-s related to the iMdriya-s existing in our sthUla sharIra, rather sAdhana sharIra.

Our kaRmEMdriya-s eyes, hands etc..are in defined postions on our sharIra, thus the iMdriyas- have their defined position in our sharIra. The respective places of residence of the iMdriya-s are the real places of residence for laxmIpati shrImAn nArAyaNa. Thus our sharIra is a temple.

It is therefore very important for us to clean this temple everyday by regular bath. Thus we should think that the process of taking bath is indeed the process of cleaning the temple which is refered as 'saMpraxAlaneye'.Just as we sweep, mop and decorate the temple, we must take bath, dress ourselves well, being 'sammaRjanavu'.

The dashEMdriya-s are borne out of the tEjasa. Offering our iMdriya-s to ParamAtma is like lighting a row of lamps.

gaMdha, rUpa, rasa, spaRsha, shabda should be offered as a bed for ParamAtma to rest.

In the same way, the enjoyment of vishaya-s experienced by the iMdriya-s must be offered as a 'suppatige' - soft bed for ParamAtma. If a bed is soft one would immediately fall asleep. Offering the enjoyment of vishaya-s with one's wife, son, relatives, house, and wealth as 'suppatige' is indeed "AtmasamaRpaNa'.

Among the nine types of bhakti (shravaNam, kIRtanam, smaraNam, pAda-sEvanam, aRchanam, vaMdanam, dAsyaM, sakhyaM & Atma-nivEdanam), AtmanivEdana is the highest order of offering bhakti to ParamAtma. We must think that that 'AtmanivEdana' is the clothing being offered to ParamAtma.

pApakaRmavu pAdukegaLanu

lEpanavu satpuNya shAstrA

lApanave shrItulasi sumanOvr^ittigaLu sumana

kOpa dhUpavu bhakti bhUShaNa

vyApisida sadbuddhi Chatravu

dIpavE suj~nAna vAraRtigaLE guNakatana....HKAS_05-15

pApakaRmavu = pApa kaRma done by ignorance

pAdukegaLu = footwear

satpuNya = puNya kriya-s

anulEpanavu = gaMdha offered to ParamAtma

shAstrAlApanave = thinking, listening, discussing sachChAstra

shrItulasi = this is itself shrItuLasi

sumanOvr^ittigaLu = five manOvR^itti-s aMtaHkaraNa etc..discussed in previous chapters)

sumana = frangrant flowers

kOpa = anger

dhUpavu = dhUpARti

bhakti = bhakti (devotion)

bhUShaNa = ornaments

vyApisida = good thoughts pervading in the buddhi

sadbuddhi = excellent buddhi

Chatravu = white umbrella

suj~nAna = balanced knowledge

dIpavE = lamps (dIpa-s)

AraRtigaLE = 6 types of ARti-s

guNakatana = process of praising ParamAtma

In the previous stanza, JagannAtha dAsa explained the scheme of offering the experiences of vishaya-s from iMdriya-s to ParamAtma. In this stanza he explains the process of offering pUja by kaRma-s, and the sUxma tatva-s like manas, buddhi etc..

Sometimes the sajjana-s (good persons) also do pApakaRma-s. These may not be done by purpose but it could be due to ignorance, due to asurAvEsha, or due to a curse. All these must be offered to ParamAtma as His footwear. The footwear thumps the pApa-s and destroys them. Thus the jIva obtains the anugraha of ParamAtma. Thus 'pApakaRmavu pAdukegaLanu'.

One would obtain puNya phala by satsaMga, dAna, dhaRma etc., xEtra yAtra, listening to pravachana-s. These must be offered to ParamAtma as gaMdha for His pUja. When one applies parimaLa sugaMdha to ones sharIra, it keeps the body cool and makes a person happy. When we approach Him saying, "Oh God, You are the one who resides in me and does all these puNya kaRma-s and makes me do them. I am offering these to you." Then ParamAtma develops affection for His devotee and He multiplies that puNya phala for the benefit of the devotee blessing him with good health, long life & wealth. Thus 'lEpanavu satpuNya'.

'shAstrAlApana' means listening, learning, understanding and discussing about shrIman madhvashArta, bhAgavata pUrANa, brahma sUtra, paMcharAtragama, bhArata and offering these at the feet of ParamAtma as tuLasi. shrItulasi is the adhiShThAna for ramAdEvi. ParamAtma accepts all offerings via ramAdEvi. ParamAtma does not accept any pUja without shrI tuLasi. ramAdEvi is the abhimAni dEvata for vEda-s. Knowledge comes from vEda-s alone. Thus 'shAstrAlApana' alone is shrI tuLasi for ParamAtma.

manas understands the vishaya-s. When we direct our manas towards good thoughts then those vishaya-s are the manOvR^itti-s, these manOvR^itti-s are deemed as sumanOvR^itti-s should be offered as 'sumana' (fragrant flowers) offered to ParamAtma.

Anger is one of the arishaDvaRga-s - kAma, krOdha, lObha, mOha, mada and mAtsaRya (Anger, Lust, Greed, Infatuation, Pride and Jealousy respectively). The manas gets impure by anger. The sajjana-s must have anger for ayOgya-s, nAstika-s, and enemies of ParamAtma and detractors of ParamAtma. This is indeed their good quality and termed as anger. This anger is like fire. When we put dashAMga (a fragrance emanating powder) in agni it emanates a fragrant smoke which is offered as 'dhUpa' to ParamAtma. The above type of anger must be offered as 'dhUpa' to ParamAtma.

Our love to ParamAtma should be more than the love we display to our wife and children. Such intense love towards ParamAtma is indeed bhakti. This must be true from the heart. Only then it could be offered to ParamAtma as jewelry/ornaments.

buddhi understands the sadvishaya-s through the manas and is the topmost of the vR^itti-s. sadbuddhi must be engrossed in sadvishaya-s. That is the umbrella we must offer to ParamAtma. The umbrella protects a person from sunshine and dust. In the same way, sadbuddhi help us to obtain a balanced knowledge and it multiplies our meditation on the all pervading ParamAtma. We should offer this as the umbrella for ParamAtma.

Balanced knowledge is power. That knowledge which does not doubt about the all powerful ParamAtma is suj~nAna. This suj~nAna must be offered as dIpa to ParamAtma.

The ARti-s we offer during pUja is indeed - process of praising ParamAtma. Praising the excellent qualities of ParamAtma is 'guNakatana'. This must be offered as ARti to ParamAtma.

mana vachana kAyaka pradaxiNe

yanudinadi saRvatra vyApaka

vanaruhExaNagaRpisuta mOdisutaliru satata

anubhavake taMduko sakala sA

dhanagaLoLagide mukhya pAmara

manujarige pELidare tiLiyadu budharigalladale......HKAS_05-16

mana = manas which is engrossed in various vishaya-s

vachana = kriya-s of vAgIMdriya

kAyaka = kriya-s related to our dEha

pradaxiNe = assuming that the above three actions are pradaxiNa-s

anudinadi = every moment

saRvatra vyApaka = that He pervades at all places and all times

vanaruhExaNage = to ParamAtma

aRpisuta = offering it to Him

satata = always

mOdisutaliru = be happy

anubhavake = experience

taMduko = obtain happiness by offering the above to Him (not just by oral proclamation but truly having that feeling)

sakala = all

sAdhanagaLoLu = in the satkARya-s performed for obtain the anugraha of ParamAtma

ide mukhya = this is indeed the road to sAdhana

pAmara manujarige = to ignorant people who are attached to viShaya-s

pELidare = if we tell them this deep thought

tiLiyadu = will not understand

budharigalladale = except knowledgeable persons who desire bhagavadanugraha

manas, speech (kriya-s of vAgIMdriya) & kAyaka (tasks done to our dEha) are known as trikaraNa-s. vAgIMdriya initiates speech, advise, pravachana-s etc.. The manas accepts the vishaya-s and regulates the dashEMdriya-s. Getting engrossed in vishaya-s is the behaviour of manas and keeps changing its own direction frequently at its own will. The kriya-s performed by the manas are the mAnasic kriya-s.

The mAnasic, vAchanik & kAyaka kriya-s must be thought as the pradaxiNa for the biMba rUpi ParamAtma in our heart. The related iMdriya-s are spread over in our sharIra, and the manas roams around everywhere, thus the thought of pradaxiNa to the ParamAtma who pervades everywhere at all times and all places.

'vana' - water, 'vanaruha' - soft Lotus flower coming out from water, the eyes as large as the petals of a Lotus flower, thus ParamAtma described here as 'vanaruhExana'. He is extremely kind. Offering the mAnasic, vAchanik & kAyaka kriya-s at the feet of vanaruhExaNa, we must consider that we are performing pradaxiNa and experience the happiness in that action. Thus eulogizes JagannAtha dAsa.

When we offer the kriya-s as described above at the feet of ParamAtma, not just by oral proclamation but truly having that feeling, He would be happy and thus the pratibiMba rUpi jIva would experience happiness.

Listening to pravachana-s, understanding the same, is indeed the road to sAdhana. If we explain this deep thought to ignorant people who are attached to viShaya-s, they will not understand the same. However, knowledgeable persons would understand the same. That is why it is important for us to have the association of knowledgeable persons.

chaturavidha puruShARtha paDevare

chaturadasha lOkagaLa madhyado

LitarupAyagaLilla nODalu sakala shAstradali

satata viShayEMdriyagaLalli pravi

tatanenisi rAjisuva lakumI

patige saRva samaRpaNeyu mahapUje sadupAya...HKAS_05-17

chaturavidha = four types

puruShARtha = dhaRma, aRtha, kAma & mOxa

paDevare = must obtain

chaturadasha lOkagaLa = in 14 lOka-s

madhyadoLu = existing in them

sakala shAstradali = in all shAstra-s

nODalu = if we see

itara upAyagaLilla = there are no other ways

satata = always

viShayEMdriyagaLalli = iMdriya-s responsible (being the reason) for viShayas-s

pravitatanenisi = that He pervades

rAjisuva = thus shining there

lakumIpatige = laxmIpati shrIman nArAyaNa

saRva samaRpaNeyu = entirely offering all the kriya-s done by the iMdriya-s

mahapUje = extremely important pUja

sadupAya = excellent idea (direction)

For obtaining bhagavad anugraha, those satsAdhaka-s who are on the road to sAdhana expect chatuRvidha puruShARtha-s i.e. dhaRma, aRtha, kAma & mOxa.

Performing our duties assigned by ParamAtma as per our varNAshrama-s is the real 'dhaRma'. Only if we live according to our dhaRma, that dhaRma itself would protect us.

For doing any satsAdhana, we need enough 'aRtha' i.e. wealth. It would be impossible to perform dAna-dhaRma, offering food to guests without money. However, the money we earn must be utilized for satsAdhana only; the money must be earned by righteous methods otherwise it will not yield good results. In the AdhyAtmic world, j~nAna, bhakti, vairAgya are the key ingredients for success.

The next requirement is 'kAma' i.e desire. These must be good desires in the right direction and away from bad habits. It must also be away from the desire for name and fame in the world. That would not please ParamAtma. Our desire must normally be the desire to obtain the anugraha of ParamAtma. This is indeed 'niShkAma'. We should desire the anugraha of ParamAtma and the worldly desires.

Lastly, the sAdhaka, expects 'mOxa' meaning liberation from the cycle of birth and death. Following 'liMga bhaMga' the liMga dEha gets separated from the svarUpa dEha, only then we are released from the flow of kaRma-s. This is possible only by bhagavad anugraha. It is for this reason that we should have pure bhakti towards ParamAtma.

Thus, for obtaining chatuRvidha puruShARtha-s, there is no route other than obtaining the anugraha of ParamAtma in any of the shAstra-s or in the 14 lOka-s. In the paMchaj~nanEmdriya-s, paMchakaRmEMdriya-s and manas, and the vishaya-s related to those tanmatra-s, must always be offered to ParamAtma. That is indeed the best solution according to JagannAtha dAsa.

gOLakave kuMDAgni karaNavu

mElodagi baha viShaya samidheyu

gALi yatnavu kAma dhUmavu sannidhAnARchi

mELanave prajvAle kiDigaLu

tULidAnaMdagaLe tatta

tkAla mAtugaLella maMtrAdhyAtmayaj~navidu....HKAS_05-18

gOLakave = the places where iMdriya-s reside

kuMDa = agni kuMDa

karaNavu = iMdriya-s

agni = yaj~na agni

mElodagi baha = wave like

viShaya = viShaya-s related to iMdriya-s

samidheyu = wood

yatnavu = efforts made to obtain those viShaya-s

gALi = the air breeeze required to initiate (or support) agni

kAma = desire for viShaya-s

dhUmavu = smoke

sannidhAna = proximity to the iMdriya-s and respective viShaya-s

aRchi = flame of agni

mELanave = assembly of viShaya-s

prajvAle = big fire

tULida = overflowing

AnaMdagaLe = happiness emanating from viShaya-s

kiDigaLu = sparks of fire

tattatkAla mAtugaLella = whatever we speak during those times

maMtra = they are maMtra-s

idu = if we think so

adhyAtmayaj~na = that is indeed adhyAtma yaj~na

Our sthUla dEha is sAdhana sharIra, which is aided by the iMdriya-s and the viShaya-s related to them and the AnaMda thus experienced must be offered as yaj~na.

Eyes, ears and other iMdriya-s are located in their defined places. These locations are refered here as 'gOLaka'. During the performance of yaj~na, the place where we install agni is called 'yaj~na kuMDa'. We should think that the iMdriya gOLaka is the kuMDa.

The dashEMdriya-s are like 'agni'. We experience vishaya-s via iMdriya-s. Therefore we must imagine this to be agni.

The viShaya-s that we experience frequently like, shabda, spaRsha, rUpa, rasa, gaMdha are the tanmAtra-s related to those respective iMdriya-s. These must be considered as the 'kAShTa' - firewood for which burns in the agni.

agni is propelled by breeze/wind. The efforts we do to experience the viShaya-s must be considered as the wind.

The smoke is connected to agni. The desire to obtain 'bhOga' - experiences must be considered as the smoke.

The proximity to the iMdriya-s and respective viShaya-s must be considered as the flame of agni. The kAShTa would burn when in contact with agni. In the same way vishaya-s are kAShTa and and the iMdriya-s are agni.

Small flames join up to become a big fire. The assembly of viShaya-s becomes a big fire.

Sparks emanate from fire. In the same way happiness overflows when we are experiencing the viShaya-s. This must be considered as sparks.

When we are experiencing AnaMda, we speak words appropriate to those events. These must be considered as maMtra-s.

Thus, iMdriya gOLaka, iMdriya-s, viShaya-s, proximity of the iMdriya-s to the respective viShaya-s, resultant expectation of experiences, experience of happiness, - all together must be offered as adhyAtmayaj~na to ParamAtma.

madhuvirOdhiya paTTaNake pu

Rvada kavATagaLaxi nAsika

vadana shrOtragaLeraDu daxiNa uttaradvAra

guda upasthagaLeraDu pashchima

kadagaLenipavu ShaT sarOjave

sadana hR^idayave maMTapaMgaLu triguNagaLe kalasha....HKAS_05-19

madhuvirOdhiya = shrIman nArAyaNa who killed daitya madhu

paTTaNake = our sharIra

axi = two eyes

nAsika = two nostrils

vadana = mouth (face)

puRvada kavATagaLu = doors in the East

shrOtragaLeraDu = two ears

daxiNa uttara dvAragaLu = doors in the South and North

guda upasthagaLeraDu = the anus and the genitals

pashchima kadagaLenipavu = doors in the West

ShaT sarOjave = six petalled lotus from the navel

sadana = the residence for ParamAtma

hR^idayave = heart

maMTapaMgaLu = decorated structure for performing pUja of biMba rUpi ParamAtma

triguNagaLe = sAtvika, rAjasa & tAmasa guNa-s

kalasha = sacred vessel filled with water for worship

Our sharIra is the place of residence for the biMba rUpi ParamAtma. This has been compared to a 'paTTaNa' town.

A town would have four doors for entry. JagannAtha dAsa calls our sharIra as 'madhuvirOdhi paTTaNa'. Madhu was a brave & powerful daitya. His younger brother was kaiTabha. Both of them are known to be the ear wax (filth) of ParamAtma. At the beginning of kalpa, when Brahma was born in the Lotus flower emanating from the navel of ParamAtma, Brahma was always troubled by these two daityas. Brahma pleaded for help from ParamAtma. At that time, ParamAtma called these two daityas and said, "the stronger one between you two must fight with me." To establish superiority among themselves, they started to fight amongst themselves, but they soon realized the trick involved. They together jumped to attack ParamAtma. Then ParamAtma killed both of them. In as much as our sharIra is the residence of ParamAtma, it is also the residence for daitya-s. To get away from the troubles of daitya-s, it is important to have the anugraha of ParamAtma. Thus our sharIra is refered as 'madhuvirOdhi paTTaNa'.

For this paTTana:-

The two eyes, two nostrils and mouth are doors in the East.

The left ear is the door in the North.

The right ear is the door in the South

The excretory organs are the doors in the West.

The core below the navel is central point for all the nADi-s. The spinal cord beginning from here connects to the brain.

No. Location kamaladaLa-s vyApAra

1 tuMdi 4 ahaMkAra manOvR^itti

2 nAbhi 6 chitta vR^itti

3 hR^idaya 8 buddhi vyApara

4 urapradEsha 12 manas

5 hubbu 2 aMtaHkaraNa

6 shirassu 1000 Everything

The above six locations is the place of residence for ParamAtma.

The aShTadaLa hR^idaya (8 petalled as above) is the maMTapa for ParamAtma. The security guards (they are the dalAbhimanis-s) in the eight directions of the heart

manas, is very unsteady and various vyApAra-s would be born there. These are called as manOvR^itti-s. These manOvR^itti-s are like the soldiers who are important in an army. The soldiers are ordered to go from place to place by the chieftan. Thus the manas is like the soldier who travel in the dashEMdriya-s.

In a typical paTTaNa, there is usually a weekly bazaar commonly known as 'pasAra' or 'saMte' where temporary street shops are set up for selling items commonly required. In the same way the viShaya-s coming from outside are like the things sold in a 'pasAra'. The experiences of viShaya-s coming through the iMdriya-s of our sharIra are like the things we obtain from a pasAra. By the influence of the outside viShaya-s, the respective iMdriya-s accept those relevant viShaya-s and brings it for our experience through the manas.

The jIva within the sharIra is like the superior businessman who buys and sells things. The viShaya-s coming from outside are accepted by the jIva through the iMdriya-s and it experiences those viShaya-s borne out of manOvR^itti. The acceptance and experience of viShaya-s via manOvR^itti by the jIva is akin to a businessman's role of buying and selling things.

biMba rUpi ParamAtma is the authority for levying taxes. Just as the government authorities levy and recover taxes from people, in the same way because the jIva offers all the kaRma phala-s to ParamAtma, it is said here - 'kappagaLa kaigoMba hari tAnu'.

uruparAkramanaramanige dasha

karaNagaLu kannaDiya sAluga

LaravidUrana sadvihArake chitta maMTapavu

maraLi bIsuva shvAsagaLu chA

mara vilAsini buddhi dAmO

darage sAShtAMga praNAmagaLE sushayanagaLu..HKAS_05-22

uru = that we cannot see

parAkrama = capable Paramatma (capabilities of ParamAtma)

aramanige = lotus like heart

dasha karaNagaLu = paMchaj~nAnEMdriya-s and paMchakaRmEMdriya-s

kannaDiya sAlugaLu = line of mirrors

aravidUrana = ParamAtma who has no dOsha-s

sadvihArake = good conduct

chitta = will

maMTapavu = seat

maraLi = inhaling and exhaling process

shvAsagaLu = breath

bIsuva chAmara = is the blowing fan

vilAsini = dansuese

buddhi = intelligence (here refered as the danseuse)

sushayanagaLu = sleeping

dAmOdarage = dAmOdara ParamAtma

sAShtAMga praNAmagaLu = sAShTAMga namaskAra

In this stanza, JagannAtha dAsa explains that our sharIra is the palace for biMba rUpi ParamAtma.

ParamAtma is endowed with unheard of or unseen capabilities & strengths. He is the Regulator of all. There is none equal to Him.

Our lotus like heart is the palace for ParamAtma and He resides here by the name mUlEsha.

Pervading in the six locations explained in HKAS_05-19 refered in

http://dvaita.info/pipermail/dvaita-list_dvaita.info/2005-May/000836.html,

He does all the vyApAra-s and and makes us do the same. Naturally in a palace there are many conveniences for enjoyment.

This palace of ParamAtma's has the dashEMdriya-s as a line of mirrors decorated in a palace and also for seeing one's own reflected image in the mirror. Understanding that, ParamAtama pervades in our heart and does various vyApAra-s via the iMdriya-s and that whatever jIva does is a reflection of the same is quite appropriate.

ParamAtma possesses infinite virtuous qualities and has no demerits at all. Such ParamAtma pervades in our sharIra and hence good conduct by chitta, which is the seat of ParamAtma, is important. chitta is one among the five manOvr^itti-s. saMkalpa shakti is the sign of chitta. For this reason satya saMkalpa ParamAtma is seated in the chitta and provides the strength for making a saMkalpa.

We inhale and exhale air through our nostrils. This process itself is like providing a fan for biMba rUpi ParamAtma.

buddhi is the manOvR^itti which recognizes knowledge. A king sits on the throne of a palace hall. Many dansuese dances in front of him to please him who are known as 'vilasini' here. They please the king with their songs and actions. In the same way j~nAna is the vilasini for ParamAtma.

Our action of sleeping is itself the namaskAra for dAmOdara ParamAtma. Unable to control the truants of shrI kR^iShNa the gOpika-s of naMdagOkula, used a long rope (dAma) to tie round His waist to a large mortar, but it fell short by just a few millimeters, however kR^iShNa's waist remained thin and small. The gOpika-s were baffled and they did sAShTAMga namaskAra to Him. He then blessed them. Therefore, we must think that the process of lying down to sleep is itself namaskAra to ParamAtma.

mAramaNanaramanege sumahA

dvAravenisuva vadanakoppuva

tOraNa smashrugaLu kEshagaLe patAkegaLu

Uri naDevaMghrigaLu jaMghaga

LUru madhyOdara shiragaLA

gAradupparigegaLu kOshagaLaidu kONegaLu..HKAS_05-23

mAramaNana = laxmIpati shrIman nArAyaNa's

aramanege = palace (our sharIra)

sumahAdvAravenisuva = main door

vadanake = face (mouth)

oppuva = well decorated

smashrugaLu = mustache

tOraNa = decorative paper/leaves/flowers chain sequence

kEshagaLe = hair on the head

patAkegaLu = flags

UrinaDevA = by pressing on Earth

aMghrigaLu = our feet

jaMghagaLu = knee and below

Uru = thighs

madhya = waist

udara = stomach

shiragaLu = head

AgArada = for the house i.e. our sharIra

upparigegaLu = upper storeys

aidu kOshagaLu = the five kOsha-s explained in HKAS_04-16 i.e. annamaya, prANamaya, manOmaya, vij~nAnamaya & AnaMdamaya

kONegaLu = rooms of the palace (sharIra)

For laxmIpati ParamAtma, our sharIra is a palace as understood from the previous stanza.

Our face (mouth) is the main door for this palace.

The mustaches above the lips are like 'tOraNa' at the main door of the palace.

The hair on the head is compared to flags.

Our feet on the ground, then the knees, waist, stomach and so on upto the head are the different floors (storeys) of the palace.

We must think that the five kOsha-s explained in HKAS_04-16 i.e. annamaya, prANamaya, manOmaya, vij~nAnamaya & AnaMdamaya are the rooms of the palace of ParamAtma. Please refer

http://dvaita.info/pipermail/dvaita-list_dvaita.info/2005-April/000704.html for details

I sharIrave ratha patAka su

vAsagaLe puMDragaLu dhvaja siM

hAsanave chittavu subuddhiye kalasha sanmanave

pAsha guNa daMDatrayagaLu shu

bhAshubhadvaya kaRma chakra ma

hA samaRthAshvagaLu dashakaraNaMgaLenisuvuvu....HKAS_05-24

I sharIrave = our sthUla dEha

ratha = chariot (for biMba rUpi ParamAtma)

suvAsagaLe = the clothes we wear

patAka = flags

puMDragaLu = the dvAdasha nAma-s with gOpi chaMdana

dhvaja = flag posts

chittavu = chitta

siMhAsanavu = the throne for ParamAtma

subuddhiye = good buddhi

kalasha = the kalasha at the top of the chariot

sanmanave = the manas which meditates on good thoughts

pAsha = rope controlling the horses

guNa = tri-guNa-s

daMDatrayagaLu = the whip

shubha = puNya

ashubha = pApa

dvaya kaRma = the two kaRma-s

chakra = wheels of the chariot

mahA samaRtha = extremely strong

ashvagaLu = horses

dashakaraNaMgaLu = dashEMdriya-s

enisuvuvu = called so

In this stanza, JagannAtha dAsa compares our sAdhana sharIra to a chariot.

All activities pertaining to sAsdhana are done by the sthUla dEha. Thus our sharIra which moves about is compared to a chariot.

We cover our dEha with clothes. These are compared to the flags on the chariot.

We apply the dvAdasha nAma-s with gOpi chaMdana on our sharIra. These are compared to the flag post, which is usually decorated with colorful painting.

chitta helps us to step in the memory our past experiences. The characteristic of chitta is saMkalpa shakti. That is indeed the throne for ParamAtma.

The ability to decide on a matter with a balanced knowledge of paMchabhEda, taratamya is like the kalasha for the chariot. A kalasha is an auspicious part located at the top of the chariot apart from its decorative value. A good buddhi is the sign of a good person.

The manas is an extremely important iMdriya. The dashEMdriya-s are regulated by the manas and they carry out their tasks. manas is the main reason for all kaRma-s, that is why the manas must be engrossed with bhagavan nAma smaraNe. Such a manas is called 'sanmana'. This 'sanmana' is the rope controlling the horses

The charioteer holds s whip which is usually split into three parts at the end of the whip for effectivenees to punish the horses (rather control the horses) herein refered as 'daMDatraya'. The influence of triguNa-s bound with liMga dEha is the reason for the cycle of saMsAra. The connection between the chariot and the 'daMDatraya' is compared to the sharIra and the triguNa-s.

The wheel of puNya and pApa is like the wheels of the chariot. All the vyApAra-s of the dEha are conducted by the iMdriya-s according to our kaRma. Thus the pApa kaRma-s & puNya kaRma-s are the wheels of chariot.

The dashEMdriya-s are the horses for the chariot (dEha). The horses must be capable of pulling the chariot well. Thus the dashEMdriya-s too must be capable to pull our sharIra in the same way. The dashEMdriya-s are controlled by the manas. That is why the manas is considered as the whip here.

mAtarishvanu dEharathadoLu

sUtanAgiha saRvakAladi

shrItaruNivallabha rathikaneMdaridu nityadali

prItiyiMdali pOShisuta vA

tAtapAdigaLiMdali virata

I tanuvinoLu mamate biTTavanavane mahayOgI....HKAS_05-25

mAtarishvanu = jIvOttama vAyu dEvaru

dEharathadoLu = in our chariot like dEha

saRvakAladi = always

sUtanAgiha = as charioteer

shrItaruNivallabha = ParamAtma - the husband of ever young laxmI dEvi

rathikaneMdaridu = one who rides in the chariot

nityadali =always

vAtAtapAdigaLiMdali = Wind, Sun, and other difficulties

prItiyiMdali = with kindness to His devotees

pOShisuta = protects

avirata = tolerant

I tanuvinoLage =for this dEha

mamate biTTavanavane = one who leaves the pride

mahayOgi = famous yOga puruSha

JagannAtha dAsa further explains about biMba rUpi ParamAtma who resides in our heart.

'matarishva' is another name for mukhya prANa dEvaru, who is the charioteer for our chariot (dEha). Good buddhi is the main ingredient for clear j~nAna and buddhi is the charioteer for our dEha. Here good buddhi is infact 'chitta'.

There is a line by Saint PuraMdara dAsa - "satkaRmagaLa naDesi, suj~nAna mati ittu gati pAlisuva namma pavamAnanu", therefore for doing satkaRma we must have suj~nAna. vAyu dEvaru provides this suj~nAna. j~nAna emanating from subuddhi (chitta) is indeed suj~nAna. mukhya prANa dEvaru is the abhimAni dEvata for this chitta. He is aptly called the charioteer here.

ParamAtma rides in the chariot (dEha) in all conditions and at all times. He who rides in the chariot is the Lord. The chariot is meant for His use. Jagatbhuku ParamAtma, provides sAdhana sharIra to jIva, resides there does and makes us do all the satkaRma-s via - mukyaprANAMtaRgata -through the tatvadEvata-s. All the vyApAra-s of the dEha are inspired by biMba rUpi ParamAtma, thus He is the Lord of the chariot (our dEha).

The sAdhana sharIra (chariot) is protected by the kind ParamAtma from Sun, Rain, Wind etc. These seasons occur as per the order of ParamAtma at their respective times. kalAMtaRgata ParamAtma causes all this Himself. Even if we feel the discomfort due to vagaries of seasons, we should bear the same and be tolerant and not abuse the seasons.

Therefore the sharIra must be 'cared for' by us and protected by us with the feeling that ParamAtma resides there and not for personal gratification & pride. He who gives up the pride of his personality is indeed 'mahAyOgi'. Such a person takes care of his sharIra with a view that it is sAdhana sharIra and that he must do only satkaRma-s with this sharIra and He always utilizes his sharIra for ParamAtma nAma smaraNe. Such a suj~nAni is mahAyOgi.

bhavavenipa vanadhiyOLu kaRma

pravahadoLu saMcharisutiha dE

hava sunAveya mADi tannavariMdoDagUDi

divasa divasagaLalli lakumI

dhavanu krIDipaneMdu chiMtise

pavananayya bhavAbdhi dATisi paramasukhavIva......HKAS_05-26

bhavavenipa = saMsAra

vanadhiyOLu = samudra

pravahadoLu = force of flow

kaRma = puNya & pApa kaRma-s

saMcharisutiha = move about

dEhava = paMchabhoutika dEha

sunAveya mADi = a boat

tannavariMda = tatavAbhimAni dEvata-s

oDagUDi = with them

divasa divasagaLalli = everyday

lakumIdhavanu = laxmIpati shrIman nArAyaNa

krIDipaneMdu = would play around

chiMtise = if we think so

pavananayya = Father of vAyu dEvaru i.e. shrIman nArAyaNa

bhavAbdhi = the ocean of saMsAra

dATisi = would cross us

paramasukha = mOxa

Iva = would give

In the ocean of births and deaths - jIva, bound by liMga dEha moves about in various janma-s due to anAdi kaRma and is unable to cross this ocean. The flow of kaRma reaches the ocean of saMsAra -meaning good kaRma-s or bad kaRma-s are the reason for being in the ocean of saMsAra.

To the aprAkR^ita jIva, ParamAtma provides prAkr^ita guNa-s and ahaMkAra, mama etc.. and leaves them in the ocean of saMsAra. To cross this ocean we certainly need the kAruNya of ParamAtma. Our paMchabhoutika dEha is like a boat and ParamAtma is the Boatman, who would help us to cross this ocean of saMsAra. The sharIra comprises of 24 tatva-s. Existing in every tatva through the tatvAbhimAni dEvata-s, all kARya-s are performed via vAyu dEvaru as per His orders. Thus sitting in the boat (our dEha) through the tatvAbhimAni dEvata-s He does various kriya-s and makes us do the same. We must be conscious the laxmIramaNa shrIman nArAyaNa always exists in this boat (our dEha).

Those who think so, saMkaRShNa ParamAtma (sUtra nAmaka vAyu dEvaru was born during sUxma sR^iShTi by the grace of jayApati-saMkaRShNa) would help them to cross the ocean of saMsAra and help us in kaRma vimOchana and thus obtain mukti.

bhavavenipa vanadhiyOLu kaRma

pravahadoLu saMcharisutiha dE

hava sunAveya mADi tannavariMdoDagUDi

divasa divasagaLalli lakumI

dhavanu krIDipaneMdu chiMtise

pavananayya bhavAbdhi dATisi paramasukhavIva......HKAS_05-26

bhavavenipa = saMsAra

vanadhiyOLu = samudra

pravahadoLu = force of flow

kaRma = puNya & pApa kaRma-s

saMcharisutiha = move about

dEhava = paMchabhoutika dEha

sunAveya mADi = a boat

tannavariMda = tatavAbhimAni dEvata-s

oDagUDi = with them

divasa divasagaLalli = everyday

lakumIdhavanu = laxmIpati shrIman nArAyaNa

krIDipaneMdu = would play around

chiMtise = if we think so

pavananayya = Father of vAyu dEvaru i.e. shrIman nArAyaNa

bhavAbdhi = the ocean of saMsAra

dATisi = would cross us

paramasukha = mOxa

Iva = would give

In the ocean of births and deaths - jIva, bound by liMga dEha moves about in various janma-s due to anAdi kaRma and is unable to cross this ocean. The flow of kaRma reaches the ocean of saMsAra -meaning good kaRma-s or bad kaRma-s are the reason for being in the ocean of saMsAra.

To the aprAkR^ita jIva, ParamAtma provides prAkr^ita guNa-s and ahaMkAra, mama etc.. and leaves them in the ocean of saMsAra. To cross this ocean we certainly need the kAruNya of ParamAtma. Our paMchabhoutika dEha is like a boat and ParamAtma is the Boatman, who would help us to cross this ocean of saMsAra. The sharIra comprises of 24 tatva-s. Existing in every tatva through the tatvAbhimAni dEvata-s, all kARya-s are performed via vAyu dEvaru as per His orders. Thus sitting in the boat (our dEha) through the tatvAbhimAni dEvata-s He does various kriya-s and makes us do the same. We must be conscious the laxmIramaNa shrIman nArAyaNa always exists in this boat (our dEha).

Those who think so, saMkaRShNa ParamAtma (sUtra nAmaka vAyu dEvaru was born during sUxma sR^iShTi by the grace of jayApati-saMkaRShNa) would help them to cross the ocean of saMsAra and help us in kaRma vimOchana and thus obtain mukti.

apaNAlayagata padARthavu

stRI puruSharugaLiMdriyagaLali

dIpa pAvakaroLiDutiha tailAdi dravyagaLa

A paramagavadAnaveMdu pa

dEpadE mareyadale smarisuta

bhUpanaMdadi saMcharisu niRbhayadi saRvatra....HKAS_05-27

apaNAlayagata = things that are sold in a shop

padARthavu = those items

stRI puruSharugaLa = men as well as women

iMdriyagaLali = ornaments for the ears and nose etc..

dIpa = for the lamp

pAvakaroLiDutiha = putting into agni

tailAdi dravyagaLa = oil, ghee, firewood etc

A paramage =for ParamAtma

avadAnaveMdu = offering to yaj~na (as oblation)

padEpadE = again and again - every moment

mareyadale = without forgetting

smarisuta = remembering so

bhUpanaMdadi = like a king

saRvatra = at all places

niRbhayadi = fearlessly, without ahaM, mamate etc..

saMcharisu = go about

'apaNa' is the shop where we obtain things we require. 'Alaya' is the place where we stay. In a house we have rice, dal, and other grains. We also have beds and beddings, clothes for men, jewellry for women, oil & ghee for lighting lamps, firewood. All these items should be considered as 'havissu' for ParamAtma and they are offerings to ParamAtma. Offering everything ParamAtma is 'avadAna'.

JagannAtha dAsa proclaims that a person who does as above without forgeting - at every moment, is always fearless and moves about in the same way as a king moves about fearlessly and would not be afraid of mean persons. He who has the anugraha of Paramatma need not fear anyone. Because ParamAtma pervades in them, they have high capability. They are fearless because they remember ParamAtma every moment.

vArijabhavAMDave sumaMTapa

mErugiri siMhAsanavu bhA

gIrathiye majjanavu digvastragaLu nuDi maMtra

bhUruhaja phalapuShpa gaMdha sa

mIra shashiravi dIpa bhUShaNa

tArakegaLeMdaRpisalu kaigoMDu mannisuva....HKAS_05-28

vArijabhavAMDava = BrahmAMDa - indicating the the sharIra of Brahma dEvaru

sumaMTapa = decorated seat at the top

mErugiri = mEru mountain

siMhAsanavu = throne for biMba rUpi ParamAtma

bhAgIrathiye = gaMga river

majjanavu = pure water for abhiShEka

digvastragaLu = ten directions- E, W, N, S, NE, NW, SE, SW, top & down

nuDi = our speech

maMtra = is vEda maMtra

bhUruhaja = the fruits grown on the plants/trees wich are nourished by mother Earth

phalapuShpa = fruits and flowers

samIra = the blowing breeze

gaMdha = aroma

ravi shashi = sURya - chaMdra

dIpa = are the two lamps

tArakegaLe = the stars

bhUShaNa = are ornaments

eMdaRpisalu = if we offer them to ParamAtma meditating as above

kaigoMDu = He would accept these as pUja

mannisuva = would forgive our mistakes and protect us.

'vAri' means water, 'ja' means Lotus flower that grows in water. When PadmanAbha rUpi ParamAtma was sleeping on xIra samudra, the golden Lotus flower shooting our from His navel had 14 petals and chatuRmukha Brahma was born there. He is also called hiraNyagaRbha. Also known as 'vArijabhava'. His sharira is the brahmAMDa. This vArijabhavAMDa is the decorated seat for ParamAtma.

The golden mEru mountain has a place called 'shatakOTi'which is the place of stay for Brahma. vAsudEva nAmaka ParamAtma is in that Brahma maMdira. Thats how JagannAtha dAsa calls the mEru giri as the siMhAsana for ParamAtma.

ParamAtma who has the BrahmAMDa as maMTapa and mEru as siMhAsana has gaMga for His abhiShEka.

The ten directions are the clothes for ParamAtma.

Our speech (whatever we speak) are the maMtra-s in His praise. ParamAtma pervades in all vaRNa-s and all shabda-s. Therefore all our speech is indeed maMtra.

The plants shooting out from the mother Earth are called 'bhUruha'. The fruits and flowers grown in these trees are offerings for ParamAtma.

The breeze blowing around must be considered as fragrant aroma.

The Sun and the Moon must be considered as two lamps for ParamAtma.

The shining stars in Space must be considered as various ornaments for ParamAtma.

When we offer the above as pUja, ParamAtma acepts the same and would not only forgive all our mistakes but also provide us salvation.

bhUsurarOLippabja bhavanoLu

vAsudEvanu vAyu khagapa sa

dAshivahipEMdranu vivasvAnnAmaka sURya

bhEsha kAmamarAsya varuNA

di suraru xatriyaroLipparu

vAsavAgiha saMkaruShaNana nODi mOdiparu...HKAS_05-29

bhUsurarOLu = brAhmaNa on the Earth (refered as Godly persons)

ippa = as abhimAni

abja bhavanoLu = in chatuRmukha Brahma

vAsudEvanu = vAsudEva nAmaka ParamAtma

vAyu = vAyu dEvaru

khagapa = garUDa dEvaru

sadAshiva = R^idra dEvaru

ahipa = shESha dEvaru

iMdranu = iMdra dEvaru

vivasvAnnAmaka sURya = vivasvan nAmaka sURya

bhEsha = naxatrapati chaMdra dEvaru

kAma = manmatha

amarAsya = dEvamukha agni dEvaru

varuNa = jalAbhimAni varuNa dEvaru

Adi suraru = all the above dEvata-s and others

xatriyaroLu = in xatriya caste

ipparu = abhimAni dEvata-s are there

vAsavAgiha = reside there

saMkaruShaNana = saMkaruShaNa ParamAtma

nODi = obtaining His daRshana

mOdiparu = become happy

This stanza and the next two stanzas must be read together as they explain the four vaRNa-s of brahmaNa, xatriya, vaishya and shUdra and their abhimAi dEvata-s and how He pervades there with His bhagavadrUpa.

chaturmukha Brahma is the abhimAni dEvata for the brAhmaNa varaNa. During sUxma sR^iShTi, viriMchi was born by the grace of vAsudEva ParamAtma and mAyAdEvi (another form of laxmI dEvi). The same viriMchi is born as chatuRmukha Brahma when PadmanAbha rUpi ParamAtma was sleeping on xIra samudra, the golden Lotus flower that came out from His navel had 14 petals and chatuRmukha Brahma was born there.

vAsudEva ParamAtma is the niyAmaka for the brAhmaNa vaRNa through Brahma.

vAyu dEvaru (jIvOttama), garuDa dEvaru (paxi rAja), shESha dEvaru (saRpa srEShTa), R^idra dEvaru (manObhimAni), iMdra (abhimAni for upamanas), vivasvAn (one of the sURya among dvAdashAditya-s), naxatra-s (bhE) adhipati (Isha) i.e. chaMdra, manmatha (God of Love), agni dEvaru (amarAsya or dEvamukha - as the dEvata-s accept havissu through agni), varuNa (jalAbhimAni) , all these are the abhimAni dEvata-s for xatriya-s and saMkaruShaNa ParamAtma is the niyAmaka for them.

mInakEtanatanaya prANA

pAna vyAnOdAna mukhyai

kOna paMchAshanmarudgaNa R^idra vasugaNaru

mEnakAtmaje kuvara viShva

ksEna dhanapAdyanimiSharu sa

dAnurAgadi dhEnipudu vaishyaroLu pradyumna....HKAS-05-30

mInakEtana =manmatha who keeps matsya as his flag

tanaya =his son aniruddha

prANApAnavyAnOdAna = prANa, apAna, vyAna, udAna & samAna vAyu.

mukhai = primarily

EkOna paMchAshat = 49 (fifty minus one)

marudgaNa = marut-s

R^idra = 10 other R^idra-s apart from pARvatipati R^idra

vasu gaNaru = 7 other vasu-s apart from agni

mEnakA = himAchala patni

Atmaje = daughter pARvati dEvi

kuvara = son gaNapati

viShvaksEna = vAyu putra viShvaksEna

dhanapa = dhanAdipati kubEra

Adi = primarily these and others

animiSharu = dEvata-s

sadA = always

anurAgadi = with bhakti

vaishyaroLu = abhimAni dEvata-s for vaishya-s

pradyumna = pradyumna nAmaka ParamAtma

dhEnipudu = meditate with this knowledge

This stanza must be read in conjunction with the previous stanza.

manmatha indicates the sign of 'matsya' - fish in his flag. He is therefore known as mInakEtana. Our manas is as fickle or irresolute as a fish. The manas is always engrossed in some vishaya or the other. manmatha is son of KR^iShNa and rukmiNi and he was called pradyumna. rukmi was the brother of rukmiNi. pradyumna married rukmavati (daughter of rukmi -avatAra of rati dEvi) and obtained a son called aniruddha. This is indeed mInakEtana tanaya - aniruddha as referred here.

Apart from mukhya prANa dEvaru, there are 49 other marut-s as listed below:-

1 prANa 17 udvaha 33 kIla

2 apAna 18 vivaha 34 jita

3 vyAna 19 shaMku 35 saumya

4 udAna 20 kAla 36 kapi

5 samAna 21 shvAsa 37 jaDa

6 ahaMkArika prANa 22 nala 38 maMDUka

7 pravahAvAyu 23 anila 39 saMhR^ita

8 nAga 24 pratibha 40 siddha

9 kURma 25 kumuda 41 rakta

10 kR^ikala 26 kAMta 42 kR^iShNa

11 dEvadatta 27 shuchi 43 pika

12 dhananjaya 28 shvEta 44 shuka

13 avaha 29 ajita 45 yati

14 parAvaha 30 guru 46 bhIma

15 samvaha 31 jhuMjhu 47 hanu

16 shaMyu 32 saMvartaka 48 piMga

49 kaMpana

Among them - praNa, apAna, vyAna, udAna and samAna are very important from the point that mukhya prANa pervades in them does the paMchakOsha vyApAra refer HKAS_04-19 & 20 and provokes the tanmAtra-s related to the paMchabhUta-s as related below.

JagannAtha dAsa indicates 49 marut-s (fifty minus one) as 'EkOna paMchAshat'

R^idra gaNa consists of eleven R^idra-s including mahAR^idra who is foremost in the order.

aShTavasu-s - being eight in numbers, here agni is the abhimAni dEvata for xatriya-s,

is the foremost followed by the rest as listed here 1)agni, 2)pR^ithivi, 3)vAyu, 4)aMtarixa, 5)Aditya, 6)dyau, 7)chaMdrama, 8)naxatra

mEnaka is the mAnasa putri of dEvata-s and is she is consort of himavaMta. She was gifted with a son - mainAka and pARvati. Thus mEnakAtmaje - pARvati i.e. daughter of mEnaka. pARvati's son is gaNapati - known to be vighnahaRta, siddhidAyaka. Thus mEnakAtmaja kuvara is gaNapati.

vishvaksEna dEvata is vAyu putra.

kubEra is dhanAdipati and is the security guard at the North.

In summary, aniruddha (manmatha putra), 49 marut-s, 10 R^idra-s (mahAR^idra excluded), 7 vasu-s (agni excluded), gaNapati (pARvati putra), vishvaksEna (vAyu putra), kubEra (dhanAdipati) are the abhimAni dEvata-s in vaishya-s.

JagannAtha dAsa opines that Pradyumna ParamAtma is the niyAmaka for them for these above dEvata-s.

irutiharu nAstyadasraru

niruR^itiyu yamadhaRma yama kiM

kararu mEdini kAlamR^ityu shanaishcharAdigaLu

karesikoMbaru shUdrareMdana

varata shUdraroLipparivaroLa

garavidUraniruddhanihaneMdaritu mannipudu...HKAS_05-31

nAstyadasraru = ashvinI dEvata-s called nAsatya and dasra

irutiharu = are present

niruR^itiyu = niruR^iti as the guard in nairutya (South-West direction)

yamadhaRma = yamadhaRmarAja

yama kiMkararu = yama dUta-s

mEdini = abhimAni dEvata for bhUmi

kAlamR^ityu = mR^ityu dEvata (death at the appropriate time)

shanaishcharAdigaLu = shanaishchara dEvata and others

anavarata = always

shUdrareMdu = abhimAni dEvata for shUdra-s

shUdraroLipparu = in shUdra-s

ivaroLu = in these dEvata-s

aravidUra = dOsha vidUra (far away from dOsha-s)

aniruddhanu = aniruddha ParamAtma

ihaneMdaritu = that He (aniruddha ParamAtma) exists

mannipudu = perform pUja

In this stanza, JagannAtha dAsa explains the abhimAni dEvata-s in shUdra-s and the niyAmaka in those dEvata-s.

nAstya and dasra are the twin ashvini dEvata-s. dEvavaidya is the tatvAbhimAni dEvata for the nose (nAsikEMdra) and accepts gaMdha (aroma). ashvini dEvata-s and kubEra are at equal level. kubEra is the abhimAni dEvata for vaishya-s whereas ashvini dEvata-s are the abhimAni dEvata-s for shUdra-s.

niraR^iti is the guard in the nairutya (South-West direction) and the abhimAni dEvata for for shUdra-s. niraR^iti is a dEvata although he is a born daitya (just like prahlada, vibhIShaNa, balichakravaRti)

nyAya dEvata i.e yamadhaRmarAya is the abhimAni dEvata for shUdra-s

yama dUta-s are also the abhimAni dEvata-s for shUdra-s

mEdini (bhUdEvi) is the abhimAni dEvata for bhUtatva. shUdra-s were born from the feet of the virADrUpi puruSha nAmaka ParamAtma. bhUdEvi is the abhimAni dEvata for shUdra-s.

When life ends for a person, mR^ityu dEvata takes away our life. mR^ityu dEvata (i.e. kAlamR^ityu) is the abhimAni dEvata for shUdra-s.

shanaishchara is the abhimAni dEvata for shUdra-s.

These dEvata-s are the abhimAni dEvata-s for shUdra-s and make the shUdra-s perform tasks as per their vaRNa.

JagannAtha dAsa opines that dOsha vidUra aniruddha ParamAtma is the niyAmaka for them for these above dEvata-s. We should meditate so.

vItabhaya nArAyaNa chatu

ShpAtu tAneMdenisi tatta

jjAti dhaRma sukaRmagaLa tA mADi mADisuva

chEtanara oLahorage Ota

prOtanAgiddellarige saM

prItiyali dhaRmARthakAmadigaLa koDutihanu..HKAS_05-32

vItabhaya = fearless

nArAyaNa = nArAyaNa ParamAtma

chatuShpAtu = being niyAmaka for the four vaRNa-s (brAhmaNa, xatriya, vaishya & shUdra) just like four legs

tAneMdenisi = calls Himself so

tattajjAti = connected to those vaRNa-s

dhaRma = tasks related to those vaRNa-s

sukaRmagaLa = kaRma-s related to those vaRNa-s

tA mADi = does the respective tasks in His biMba rUpa via the abhimAni dEvata-s in those respective vaRNa-s

mADisuva = and makes them do the same

chEtanara = in those chEtana-s

oLahorage = existing as jIvAMtaryAmi and the outer sthUla dEha

Ota prOtanAgiddu =enmeshed

ellarige = to the jIva-s of the four vaRNa-s

saMprItiyali = very affectionately according to their svarUpa yOgyata

dhaRmARthakAmadigaLa = the four values like dhaRma, aRtha, kAma & moxa

koDutihanu = would give them

In this stanza, JagannAtha dAsa further explains the how the vaRNa niyAmaka - shrIman nArAyaNa pervades in His rUpa as "chatuShpAtu".

ParamAtma is fearless. saRvOttama ParamAtma is not afraid of anyone - and He causes all the fear in us to go away thus - "vItabhaya". Such ParamAtma exists in the vaRNa-s and is their Regulator.

One way of understanding 'nArAyaNa' is -

arAH = dOsha (demerits / flaws)

nArA = one who has no demerits or one who possesses infinite virtuous qualities

ayana = takes refuge or takes shelter

---meaning a Person in whom infinite virtuous qualities get shelter.

This vItabhaya mUla rUpi nArAyaNa is known as known as "chatuShpat" in shruti. chatuShpAt -meaning four legs - herein understood as the four vaRNa-s i.e. brAhmaNa, xatriya, vaishya & shUdra in which He (shrIman nArAyaNa) pervades as vAsudEva, saMkaruShaNa, pradyumna and aniruddha respectively and He is the prEraka (Stimulator) and niyAmaka (Regulator). Thus 'chatuShpAtu'.

PuruShasUkta says "pAdOsyavishvAbhUtAni.." - PuruSha nAmaka virADrUpi ParamAtma pervades in this world with the size of about His one feet. His other three feet being His svarUpAMsha.

Known as 'chatuShpAtu', mUla rUpi shrIman nArAyaNa does and makes them do various tasks - dhaRma-s and sukaRma-s - by pervading in the four vaRNa-s. BrahmaNa is supposed to study vEda-s, xatriya is supposed to guard the country; vaishya is supposed to trade and shUdra to provide service. These are their dhaRma-s. He acts as the prEraka for these actions by doing the biMba kriya in those respective bhagvadrUpa-s and acting as the Initiator through the respective tatvAbhimAni dEvata-s as detailed in HKAS_05-29, 30 & 31 via the jIva-s.

shrIman nArAyaNa enmeshes Himself as jIvAMtaryAmi in the chEtana-s and the sthUla dEha and does and makes the various vaRNa-s do their respective jobs and bestows the four values like dhaRma, aRtha, kAma & moxa for obtaining salvation.

dhaRma refers to dhaRma buddhi of those respective vaRNa-s

aRtha refers to wealth earned from that dhaRma buddhi

kAma refers to desires borne out of that dhaRma buddhi

mOxa refers to salvation arising out of the above

The kind Lord with immense affection would give His anugraha to all the vaRNa-s and protect them.

nidhanadhanada vidhAta vigatA

bhyadhika samAsamavaRti sAmaga

tridashagaNa saMpujya trikakuddhAma shubhanAma

madhumathana bhR^igurAma ghOTaka

vadana saRvapadARthadoLu tudi

modalu tuMbihaneMdu chiMtisu biMbarupadali......HKAS_05-33

nidhana = saMkaRShaNa rUpi ParamAtma who causes destruction (praLaya)

dhanada = provides support to the sR^iShti that He has created and provides appropriate means (wealth and other things) to the jIva-s for obtaining sAdhana - thus dhanada

vidhAta = as sR^iShTi karta in Brahma dEvaru

vigata abhyadhika sama = He is saRvOttama i.e. none greater than Him or equal to Him

samavaRti = equally provokes all chEtana-s i.e. according to their svarUpa yOgyata

sAmaga = sAma vEda pratipAdya

tridasha = Brahma and other dEvata-s

gaNa = group

saMpujya = praised by them

trikakubdhAma = the three extremely important places, vakuMTha, shvEtadvIpa, anaMtAsana.

shubhanAma = maMgaLa nAma

madhumathana = He who killed the daitya madhu

bhR^igurAma = parashurAma dEvaru

ghOTaka vadana = shri hayagrIva dEvaru (horse faced)

saRvapadARthadoLu = in all things

tudi modalu = end to end

tuMbihaneMdu = pervades fully

biMbarupadali = in His biMba rUpa

chiMtisu = meditate so

In this stanza, JagannAtha dAsa tells us the way in which we should meditate upon the all pervading ParamAtma.

During mahApraLaya, the entire world is destroyed by saMkarShaNa ParamAtma and it is kept in His belly. He is called 'nidhana'.

In the same way, He protects the world that He has created (sR^iShTi) in His form as viShNu ParamAtma. He provides appropriate means like wealth for the jIva. He also bestows j~nAna, bhakti & vairAgya to sajjana-s. Thus He is 'dhanada'.

Pervading in Brahma as 'aja', He performs sR^iSti just by His icChA - free will. He is thus known as 'vidhAta'.

There is none equal to ParamAtma or greater than Him. He is saRvOttama. Therefore He is 'vigatAbhyadhika' or 'samAbhyadhikashUnya'.

This 'vigatAbhyadhika' pervades in all jIva-s without prejudice or favouritism, without displaying friendship, sombreness or enmity and remaining unattached and according to the yOgyata-s and kaRma-s of the jIva-s, He does vyApAra in them. Thus called 'samavaRti'. 'sama' meaning equal and 'vaRti' does various krIDa-s. Another meaning for 'vaRti' - wick of a lamp. Just as a wick of the lamp takes up oil as per potentiality of the oil, the same is the yOgyata and kaRma of the jIva and ParamAtma is the 'vaRti'.

He is known in sAma vEda. Thus His vibhUti rUpa is known to be in sAma vEda. Hence called 'sAmaga' - also saMgIta priya.

He is worshipped by 'tridasha' - Brahma and other dEvata-s as a group -thus called 'tridashagaNa saMpujya'.

ParamAtma exists in the three muktidhAma-s - those are vakuMTha, shvEtadvIpa & anaMtAsana. 'kukut' means 'the shoulder of a bull' which is the highest location of it's body. The above three dhAma-s are places of the highest order.

The holy names of ParamAtma is a powerful tool to destroy all our sins. Thus 'shubhanAma'.

Since He killed daitya madhu, He is known as 'madhumathana'.

Since He was born in the bhR^igu kula as ParashurAma, He is known as bhR^igurAma.

ParamAtma takes the hayagrIva rUpa indicating knowledge. Thus called ghOTaka vadana (horse faced)

Thus, ParamAtma known as, madhusUdana, ParashurAma, hayagrIva and other holy names entirely pervades inside and outside the brahmAMDa from end to end (tudi modalu tuMbihanu) in His biMba rUpa.

This is how JagannAtha dAsa tells us the way in which we should meditate upon the all pervading ParamAtma.

kannaDiya kaiviDidu nODalu

tanniravu savyApasavyadi

kaNNigoppuva teradi anirudhdhanige I jagavu

bhinna bhinnava tOruttipudu

janyavAdudariMda prati biM

bannamayagAneMdaridu pujisalu kaikoMba...HKAS_05-34

kannaDiya = mirror

kaiviDidu = holding in hand

nODalu = when seen

tanniravu = image (pratibiMba)

savyApasavyadi = we see a mirrored image (our left hand as right hand and vice versa etc..)

kaNNigoppuva teradi = our eyes see so

anirudhdhanige = aniruddha ParamAtma (sUxma sR^iShTi kAraNa rUpa)

I jagavu = the jIva-s in this world

bhinna bhinnava = different

tOruttipudu = would appear (different)

janyavAdudariMda = various jIva-s getting into His belly during praLaya and getting out from His belly during sR^iShTi by the grace of ParamAtma.

pratibiMba = pratibiMba jIva

annamayage = annamaya ParamAtma

AneMdu = I, me

aridu = knowing so

pujisalu = if worshipped with knowledge

kaikoMba = would accept that pUja

JagannAtha dAsa explains with the example of the properties of a mirror as to how ParamAtma is biMba and all other chEtana-s are pratibiMba.

A mirror reflects our image. The image (pratibiMba) does whatever we (biMba) do and is exactly like us (naturally!) except that the our right hand is reflected as the left and so on - mirror image (pARshvapallaTa) - and would appear savyApsavya i.e. our sacred worn on the left shoulder would look as we it is worn on the right shoulder.

In that way the sarvataMtra svataMtra ParamAtma is the biMba and all the chEtana-s are pratibiMba.

Our svarUpa dEha is like the mirror. The mirror has the pratibiMba. When the object (biMba) is in front of the mirror, only then we can see the image (pratibiMba).

However, biMba rUpi ParamAtma, pratibiMba chEtana-s and the svarUpa dEha are all anAdinitya. If we see this as the basis, then, the the form and rUpa of anAdinitya pratibiMba jIva is the biMba rUpa of ParamAtma. This biMba-pratibiMba relationship is anAdi nitya. aniruddha ParamAtma is responsible for sUxma sR^iShTi. This world is created by such ParamAtma. Since the biMba rUpa rests in the form and rUpa of chEtana-s, all the vyApAra-s are done via the chEtana-s through biMba kriya. He is the Regulator and the jIva-s are the regulated. ParamAtma is saRvataMtra svataMtra and the pratibiMba jIva-s are controlled by Him. Therefore all the jaDa-s and chEtana-s are entirely different from the biMba rUpi ParamAtma. This difference of the jaDEsha and jIvEsha being anAdi nitya, and because aniruddha ParamAtma created this world there is the difference as 'savyApsavya'.

aniruddha is annamaya kOshAbhimAni and pervades as anna nAmaka in this world.

Realizing that 'aniruddha ParamAtma is biMba and I am His pratibiMba. If we worship ParamAtma with the feeling of Isha-dAsa i.e. biMba ParamAtma is extremely different from me and this difference is anAdi nitya', then He would accept those services with pleasure and bless us. However, if we worship Him as if we are His equal, He would give us only sadness like in aMdhaHtamas.

biMbareniparu svOttamaru prati

biMbareniparu svAvararu prati

biMbabiMbagaLoLage kEvala biMba hariyeMdu

saMbhramadi pADutali nODuta

luMbuDuvu diDuvudu koDuvude

llaMbujAMbakanaMghri pujegaLeMdu nalidADu...HKAS_05-35

svOttamaru = higher jIva-s in the tAratamya order

biMbareniparu = would be known as biMba-s by the chEtana-s in their lower order

svAvararu = lower jIva-s in the tAratamya order

pratibiMbareniparu = would be known as pratibiMba-s of the chEtana-s in the higher order (svOttamaru)

pratibiMba biMbagaLoLage = svOttama-s being biMba and the svAvara-s being pratibiMba

kEvala biMba = He is the primary biMba for all chEtana-s

hariyeMdu = knowing that ParamAtma (is the primary biMba)

saMbhramadi = with extreme happiness

pADutali = when we sing His praise

nODuta = seeing thus (for the un-aparOxi, meditating on His rUpa is itself His daRshana)

uMbuvudu = process of eating (consuming food)

uDuvudu = wearing (as clothes)

iDuvudu = decorate ourselves (as ornaments)

koDuvudu = give as gift (as dAna)

ella = all these krIya-s

aMbujAMbakana = biMba rUpi ParamAtma with Lotus Eyes

aMghri pujegaLeMdu = understanding that this is the pUja being offered at His Lotus Feet

nalidADu = dance with happiness

There is hierachy in tAratamya. One who is at a higher level than us is called 'svOttama' and the one at a level lower than us is called 'avararu'. The svOttama-s are commonly recognized as the biMba-s of the avara jIva-s. For example, vAyu dEvaru is the biMba for garUda, shESha and R^idra. avara jIva-s are the pratibiMba-s of the svOttama-s. R^idra dEvaru is the biMba for iMdra, kAma and others. Thus higher level jIva is the

biMba for the lower level jIva. Thus there is a chain of biMba-pratibiMba in the svOttama-avara relation ship. However, ParamAtma is the ultimate biMba for all.

Understanding the above we should be praising virtues of the Lord and see Him in the food we eat, the clothes we wear, ornaments we wear and whatever we give as dAna to others and thus worship Him in every action we do and be happy.

nadiya jala nadigereva teradaM

dadali bhagavaddatta kaRmaga

LudadhishayananigaRpisuta vyAvaRta nInAgi

vidhiniShEdhAdigaLigoLagA

gadale mADuta daRviyaMdadi

padumanAbhana sakala kaRmagaLalli nenevutiru....HKAS_05-36

nadiya jala = river water

nadigereva teradaMdadali = offering as aRghya to the river itself

bhagavaddatta = whatever is given by ParamAtma

kaRmagaLu = kaRma-s performed through our iMdriya-s in our dEha

udadhishayananige = ParamAtma lying on the xIra samudra (PadmanAbha ParamAtma)

aRpisuta = offering it to Him

vyAvaRtanAgi = forgetting (ahaM,mama..) that all kaRma-s have been done by you

nI = you

vidhi = kaRma-s one is supposed to do or perform as per shAstra-s

niShEdha = kaRma-s not supposed to be done

AdigaLige = and the net of other kaRma-s

oLagAgadale = without getting trapped

daRviyaMdadi = remaining unattached like a spoon

mADuta = performing with a feeling that you are dependent on Him

padumanAbhana = PadmanAbha ParamAtma

sakala kaRmagaLalli = that all kaRma-s are done by ParamAtma and makes the jIva do the same

nenevutiru = meditate so

JagannAtha dAsa explains about saRva kaRma samaRpaNe with two beautiful examples.

Example-1

When we visit the river side, we offer aRghya to sURyAMtaRyAmi tEjO rUpi ParamAtma by cupping our two palms using the river water itself and giving it back to the river and we obtain the puNya phala of performing the anhIka.

Saint PuraMdara dAsa says,

kereya nIranu kerege chelli varava paDedavaMte kaNirO |

hariya karuNadoLada bhAgyava hari samaRpaNemADi badukirO ||

All the bhOga and bhAgya are under His control and is given to us by Him. We offer the same to Him.

"tEna taktEna bhuMjItA" says IshAvAsyOpanishad.

The dhaRma-s or tasks that we perform everyday according to our vaRNa and Ashrama are all initiated by ParamAtma. Thus all the kaRma-s (sukaRma-s and dushkaRma-s) being performed by the iMdriya-s of our sthUla dEha are performed by the initiation of ParamAtma according to our anAdi kaRma and as per our yOgyata.

ParamAtma causes all the dhaRma and kaRma to happen. He is the Inititiator and Stimulator. Here the river water is the example of his kindness. The kindness showered by Him on us is being offered at His Lotus Feet meaning saRva kaRma samaRpaNe.

By pervading in the jIva-s, ParamAtma performs the puNya kaRma-s through tatvAbhimAni dEvata-s and the duShkaRma-s through daitya-s via vAyu dEvaru in the iMdriya-s makes us perform the same and He bestows the puNya phala or pApa phala arising out of this to the jIva.

Example-2

While performing yaj~na-s we use a wooden spoon called 'daRvi' to offer oblation to agni dEvata. In the same way, we use a large spoon for preparing and serving food. These spoons act according to the direction of the user by the job is done by the spoon. The 'daRvi' does not recognize the taste of the food that is why it remains unattached.

In the same, ParamAtma provides the power of ichChA, j~nAna and kriya to the jIva which are the svarUpa laxaNa-s. But the jIva is not independent. jIva has not obtained the power of ichChA, j~nAna and kriya on its own. Only if they are stimulated by ParamAtma do they get activated. But the jIva is different from jaDa. jaDa-s do not have power of ichChA, j~nAna and kriya.

However, jIva is parAdhIna kaRta. 'jIvOpikaRta', the pratibiMba does as stimulated by biMba rUpi ParamAtma. If we forget that we are the kaRta-s (doers) of all kaRma-s and believe that He is the Initiator of all kaRma-s, then the pApa or puNya phala borne out of those actions do not affect the jIva.

'vidhi' meaning certain kaRma-s we ought to perform as per shAstra and 'niShEdha' not doing certain forbidden kaRma-s. puNya is obtained by the performance of 'vidhi' and papa is accumulated by the performance of 'niShEdha'.

However, if the jIva does every kaRma with the knowledge that the xIra samudra shAyi PadmanAbha rUpi ParamAtma is the Initiator for all kaRma-s then the jIva is truly 'daRviyaMtiru'.

ariyadiRdaru emmoLiddana

varata viShayagaLuMba j~nAnO

ttaradi tanagaRpisalu chitsukhavittu saMtaipa

saritu kAlapravahagaLu kaM

Dareyu sari kANadire parivuvu

maraLi majjana pAna kaRmagaLiMda sukhavihavu..HKAS_05-37

ariyadiRdaru = even if we do not understand

emmoLiddu = being within us

anavarata = always - every moment

viShayagaLa = svAkhya svarUpa of viShaya-s

uMba = accepting them in His mUla rUpa

j~nAnOttaradi = after we start understanding

tanage = to biMba rUpi ParamAtma

aRpisalu = offered to Him - saying kR^iShNARpaNa

chitsukhavittu = gives svarUpa sukha i.e. mukti

saMtaipa = protects

saritu kAla = during monsoon

pravahagaLu = force of flow of the river

kaMDareyu sari = whether the people see

kANadire = or do not see

parivuvu = would flow on their own

maraLi = after seing that flow

majjana = taking a bath for purifying our body

pAna = drinking water for quenching the thirst

kaRmagaLiMda = and other kaRma-s

sukhavihavu = give happiness

Extending the example of offering the water from the river as 'aRghya' from the previous stanza, JagannAtha dAsa explains the anugraha bestowed by ParamAtma as the 'force of flow of the river'.

During monsoon season usually the river swells and there is flood all around. Whether anyboby sees or not, the river just flows. After realizing that the river has swelled, people take a bath in the river and purify their body and minds. We need to take bath in order to purify the dEha which is indeed dEva maMdira and drink the water to quench the thirst.

Just like the flow of the river, ParamAtma pervades in our sthUla dEha, in our iMdriya-s, in the iMdriyAbhimAni dEvata-s and their niyAmaka mukhya prANa dEvaru and does all kaRma-s and makes the jIva do the same and gives the puNya-pApa phala-s according to their anAdi kaRma.

Pervading in gaMdha, rasa, rUpa, spaRsha & shabda and accepting the svAkhya rasa from those and brings it to the experience of the jIva and stimulates their ichChA, j~nAna and kriya. Whether the jIva realizes about His saRvakaRtR^itva or not biMba rUpi ParamAtma pervades in the dEha and performs and makes us perform all the kriya-s (just as the flow of the river). After realizing this fact, the jIva starts offering all the dhaRma-kaRma to ParamAtma, and then achieves svarUpAnaMda mukti and crosses the ocean of birth and death and protects them.

Just as we purify our body and minds by taking bath in a river and quench our thirst, in the same way the affectionate anugraha of the kind Lord is like the force of river flow.

ariyadiRdaru emmoLiddana

varata viShayagaLuMba j~nAnO

ttaradi tanagaRpisalu chitsukhavittu saMtaipa

saritu kAlapravahagaLu kaM

Dareyu sari kANadire parivuvu

maraLi majjana pAna kaRmagaLiMda sukhavihavu..HKAS_05-37

ariyadiRdaru = even if we do not understand

emmoLiddu = being within us

anavarata = always - every moment

viShayagaLa = svAkhya svarUpa of viShaya-s

uMba = accepting them in His mUla rUpa

j~nAnOttaradi = after we start understanding

tanage = to biMba rUpi ParamAtma

aRpisalu = offered to Him - saying kR^iShNARpaNa

chitsukhavittu = gives svarUpa sukha i.e. mukti

saMtaipa = protects

saritu kAla = during monsoon

pravahagaLu = force of flow of the river

kaMDareyu sari = whether the people see

kANadire = or do not see

parivuvu = would flow on their own

maraLi = after seing that flow

majjana = taking a bath for purifying our body

pAna = drinking water for quenching the thirst

kaRmagaLiMda = and other kaRma-s

sukhavihavu = give happiness

Extending the example of offering the water from the river as 'aRghya' from the previous stanza, JagannAtha dAsa explains the anugraha bestowed by ParamAtma as the 'force of flow of the river'.

During monsoon season usually the river swells and there is flood all around. Whether anyboby sees or not, the river just flows. After realizing that the river has swelled, people take a bath in the river and purify their body and minds. We need to take bath in order to purify the dEha which is indeed dEva maMdira and drink the water to quench the thirst.

Just like the flow of the river, ParamAtma pervades in our sthUla dEha, in our iMdriya-s, in the iMdriyAbhimAni dEvata-s and their niyAmaka mukhya prANa dEvaru and does all kaRma-s and makes the jIva do the same and gives the puNya-pApa phala-s according to their anAdi kaRma.

Pervading in gaMdha, rasa, rUpa, spaRsha & shabda and accepting the svAkhya rasa from those and brings it to the experience of the jIva and stimulates their ichChA, j~nAna and kriya. Whether the jIva realizes about His saRvakaRtR^itva or not biMba rUpi ParamAtma pervades in the dEha and performs and makes us perform all the kriya-s (just as the flow of the river). After realizing this fact, the jIva starts offering all the dhaRma-kaRma to ParamAtma, and then achieves svarUpAnaMda mukti and crosses the ocean of birth and death and protects them.

Just as we purify our body and minds by taking bath in a river and quench our thirst, in the same way the affectionate anugraha of the kind Lord is like the force of river flow.

Enu mADuva kaRmagaLu laku

mI nivAsanigaRpisanusaM

dhAna puRvakadiMda saMdEhisade dinadinadi

mAnanidhi kaikoMDu sukha vi

ttAnatara saMtaipa tR^iNajala

dhEnu tAnuMDanavarata pAlgereva tEranaMte...HKAS_05-38

Enu mADuva = whatever we do

kaRmagaLu = all the kaRma-s performed by the iMdriya-s within our dEha

lakumI nivAsanige = to biMba rUpi ParamAtma

aRpisu = offer to Him

anusaMdhAna puRvakadiMda = that He is the Stimulator and kaRtR^i for all the kaRma-s

saMdEhisade = without an iota of doubt

dinadinadi = every moment

mAnanidhi = He who has immense excellence (mAna - kalyANa guNa-s, nidhi - abode) or (mAna - worthy of respect, nidhi - kaRma dravya)

kaikoMDu = He accepts them

sukha vittu = provides bhOga & bhAgya in this world and moxa in the nether world

anatara = to those devotees who seek His protection

dhEnu = cow

tR^iNa = grass

jala =water

tAnuMDu = eating and drinking

anavarata = always

pAlgereva = gives milk

tEranaMte = in the same way

saMtaipa = protects by giving happiness

JagannAtha dAsa explains the process saRvasamaRpaNe in this stanza with the example of a cow.

jIva-s have power of ichChA, j~nAna and kriya which is built-in svarUpa dhaRma. If these are not there then the jiva would have indeed been classified as jaDa. The jaDa-s do not have self drive like the jIva-s. chEtana-s have power of ichChA, j~nAna and kriya but the jIva cannot exercise these powers on His own. That is why the jIva is dependent, which is the characteristics of all chEtana-s. The act of initiating these powers is under the control of biMba rUpi ParamAtma. This is the parAdhIna kaRtR^itva.

Here 'para' refers to saRvOttama ParamAtma, who is the biMba for all chEtana-s. The kaRtR^itva shakti lies in control of that ParamAtma. The pratibiMba jIva acts according to the actions of biMba rUpi ParamAtma. Thus all the kaRma-s (puNya or pApa), emanating from the jIva are under His control. Understanding this position very well, if the jIva offers all the kaRma-s i.e. mAnasika, vAchanika and kAyaka (refer HKAS_05-16 for details on this), be they puNya kaRma-s or pApa kaRma-s - that these are going on according to the yOgyata and anAdi kaRma by the grace of biMba kriya, we must offer them to Paramatma.

biMba rUpi ParamAtma pervades in the eight petalled lotus flower of the heart as explained in HKAS_05-19. This lotus flower is understood to be laxmI abhimAni thus refered here as 'lakumI nivAsanige'. All our kaRma-s must be offered to 'lakumI nivAsanige' without an iota of doubt that He is the Stimulator for all the pUnya or pApa kaRma-s. By this action, He would burn the pApa kaRma-s and would accept the puNya kaRma-s and increase the proportion of puNya kaRma-s and bestow that phala to the jIva. Thus all the kaRma-s that we do every moment must be offered to ParamAtma.

mAnanidhi is He who has immense excellence (mAna - kalyANa guNa-s, nidhi - abode) or (mAna - worthy of respect, nidhi - kaRma dravya). This mAnanidhi accepts all the kaRma-s, increases the phala for the shubha kaRma-s and provides them worldly pleasures in this world and mOxAnaMda in the nether world.

JagannAtha dAsa gives an example here. We ususally give grass and water to the cow as food. These are very cheap and easily available. In return the cow gives good milk. ParamAtma is similar to the cow and the kaRma-s we offer is like the grass and water and the phala we get is like the milk we get from the cow.

pUrva daxiNa pashchimOttara

paRvatI patiyagnivAyu su

shARvarIkara digvalayadoLu haMsanAmakanu

saRvakAladi saRvaruLu sura

sARvabhoumanu svEchCheyali ma

ttORvarige gOcharisadavyaktAtma neMdenisi.......HKAS_05-39

pUrva daxiNa pashchimOttara = in East, South, West, North directions the abhimAni dEvata-s are iMdra, yama, varuNa and kubEra respectively (hr^idayagata directions of the 8 petalled lotus flower)

paRvatIpati = R^idra (for North-East)

agni = agni (for South-East)

vAyu = pravahavAyu (for North-West)

sushARvarIkara = niruR^iti(for South-West) - abhimAni for the rAxasa-s roaming at night

digvalayadoLu = in the eight directions as above

haMsanAmakanu = haMsanAmaka ParamAtma

saRvakAladi = at all times

saRvaruLu = in the hearts of all

sura sARvabhoumanu = haMsa nAmaka mUlEsha who is the King of all dEvata-s

svEchChEyali = according to His wishes (satyasaMkalpAnusara)

mattORvarige = someone else

gOcharisada = cannot be seen by the eye

avyaktAtmaneMdenisi = laxmI dEvi is the abhimAni for avyakta tatva and ParamAtma is the Lord of laxmI dEvi - thus called avyaktAtma

In this stanza, JagannAtha dAsa explains the dikpAlaka-s in the eight directions of our eight petalled lotus heart and the related upAsya mURti, which is summarised in the table below:-

The dikpAlaka-s meditate on their respective upAsya mURti-s. bImba rUpi ParamAtma moves about in the heart and initiates the respective manOvR^itti-s through the related dikpAlaka-s and brings it to the experience of the jIva. JagannAtha dAsa has indeed brought out here that we must meditate on the four directions of N, E, S, W and then on NE, SE, SW & SE in a clock wise direction, although the last two do not match here for poetic reasons.

haMsa rUpa refers to pure knowledge and is also referred as the destroyer of enemies. This haMsa rUpi ParamAtma moves about the eight petalled lotus heart at all times (waken state, dream state & deep sleep state) - according to His free will - satysasaMkalpanusAra. haMsa ParamAtma is the chakravaRti for ramA, brahma and other dEvata-s. He cannot be seen by anyone and remains avyakta (obscure). Thus JagannAtha dAsa refers to Him as 'avyaktAtma'.

One of names in ViShNusahasra nAma also says 'avyaktaH'

vishva-mURtiR_mahA-mURtiR_dIpta-mURtiR_a-mURtimAn |

aneka-mURtiR-a-vyaktaH shata-mRtis-shatAnanaH || VS nAma - 77

'avayaktaH' - He Who is not manifest; He Who cannot be easily realized. vyaktaM means "manifest". vyaktaM is anything that can be perceived through the sense-organs. Since ParamAtma is beyond the sense organs, He is avyaktaH.

pari iDAvatsaranu saMva

tsaradoLaniruddhAdi rupava

dharisi bARhasvatya sourabha chaMdramanu enisi

irutiha jagannAtha vitThala

smarisuvavarana saMtaipaneM

duruparAkramavuchita sAdhana yOgyateyanaritu..HKAS_05-40

pari = parivatsara

iDA = iDAvatsara

vatsara = vatsara name

anusaMvatsaradoLu = anuvatsara & saMvatsara

aniruddhAdi = aniruddha and other rUpas-s

rupava = rUpa-s

dharisi = taking those forms

bARhasvatya = as 'bARhasvatya'

soura = as 'souramAna'

bha = naxatramAna

chaMdramanu = chaMdramAna

enisi = called by those names

irutiha = exits in the above stated five Times

jagannAtha viTThala = biMba rUpi ParamAtma

smarisuvavarana = those devotees who remember Him as enumerated above

uruparAkrama = extremely brave ParamAtma

uchita sAdhana yOgyate = sAdhana according to their yOgyata

aritu = knowing

saMtaipa = protects

Measure of time (rather year) is understood in five different ways:

parivatsara

iDAvatsara

vatsara

anuvatsara

saMvatsara

parivatsara (bARhaspatyamAna) - is the time taken for bR^ihaspati (guru) move about from one rAshi to another in the 12 rAshi-s i.e. mESha, vR^iShabha, mithuna, kaRka, siMha, kanyA, tulA, vR^shchika, dhanu, makara, kuMbha, mIna being 12 rAShi-s

iDAvatsara (naxatramAna)- is the time taken to complete 12 cylces of 27 naxatra-s (1. ashwini

2. bharaNi 3. kR^ittikA 4. rohiNi 5. mR^igashira 6. ARdrA 7. punarvasu 8. puShya

9. AshleSha 10. mAghA 11. puRvA phalgunI 12. utttara phAlguNi 13. hasta 14. chitra 15. swAti 16. vishAkhA 17. anurAdhA 18. jyeShThA 19. mula 20. puRvAShADha

21. uttarAShaDha 22. shravaNA 23. dhaniShThA 24. shatatAraka 25.pURvA bhAdrapada 26. uttarA bhAdrapada 27. revati)

vatsara (souryamAna)- the time taken to complete 360 days.

anuvatsara (chaMdramAna) - the time taken to complete 12 months where each month comprises of tithi-s from pratipada to pourNima and pratipada to amAvAsya

saMvatsara - the measure of time elapsed between saMkramaNa to saMkramaNa

The summary table below helps:-

1

2

3

4

5

Those devotees who remember that ParamAtma pervades as summarized in the above table, the brave ParamAtma bestows appropriate sAdhana-s on them in accordance to their yOgyata and protects them.

This ends the vibhUti saMdhi.