Book chapters - capítulos de libro

  • 2022: 'Hybrid Masculinities in D. H. Lawrence’s “The Blind Man” and Raymond Carver’s “Cathedral”. In Search of Good Men: Detoxing Masculinity. Eds. Sara Martín and Isabel Santaulària i Capdevila. London: Routledge. Forthcoming.

  • 2021: 'Queering the Maori Crypt: Community and Secrecy in Witi Ihimaera's The Uncle Story'. Community and Secrecy in Contemporary Fiction in English. Eds. María Jesús López & Pilar Villar. London: Bloomsbury. 123.38.

  • 2019: ‘Not As Strangers, As Family: Redeeming Hostile Communities in The Walking Dead’. Crystals Beneath the Surface: Selected Essays in Honour of Celia M. Wallhead. Eds. Mauricio Aguilera and Margarita González. Granada: Editorial Universidad de Granada. 141-155

  • 2018: ‘You Too?: Katherine Mansfield's Community of Women Artists’. New Perspectives on Community and the Modernist Subject: Finite, Singular, Exposed. Eds. Gerardo Rodríguez Salas et al. New York and London: Routledge. 90-107.

  • 2018: ‘Who's Afraid of the Modernist Community?’. (Co-authors: Paula Martín and María Jesús López) New Perspectives on Community and the Modernist Subject: Finite, Singular, Exposed. Eds. Gerardo Rodríguez Salas et al. New York and London: Routledge. 1-20.

  • 2017: ‘The Postmodernist Katherine Mansfield: Beyond the Self of Modernism in "The Garden Party"’. Short Story Criticism (vol. 235). Ed. Lawrence J. Trudeau. Prod. Layman Poupard. Detroit, Michigan: Gale - Cengage. 255-260.

  • 2016: 'Gender Trauma in Christopher Isherwood's A Single Man and Tom Ford's Film Adaptation'. Visions of Identity: Global Film and Media. The London Film and Media Reader 4. Ed. Phillip Drummond. London: The London Symposium and Academic Conferences London. 419-30. Link

  • 2015: ‘Paradise Regained: From Black Madonna to New Eve. Religion and Marital Abuse in Zora Neale Hurston's "Sweat"’. Experiencing Gender. International Approaches. Eds. Rocío Carrasco Carrasco et al. Newcastle upon Tyne: Cambridge Scholars Publishing. 201-210. Link

  • 7. 2013: ‘“Two Grinning Puppets Jigging Away in Nothingness”: Symbolism and the Community of Lovers in Katherine Mansfield’s Short Fiction’. Community in Twentieth-Century Fiction. Eds. Gerardo Rodríguez Salas et al. London: Palgrave. 67-83.

  • 2013: ‘When Strangers Are Never At Home: A Communitarian Study of Janet Frame’s The Carpathians’. Community in Twentieth-Century Fiction. Eds. Gerardo Rodríguez Salas et al. London: Palgrave. 159-176.

  • 2012: ‘Mediación en la narrativa corta en primera persona de Katherine Mansfield’. Many-Coated Men. Studies in Honour of Juan Antonio Díaz López and Ian McCandless. Eds. Celia Wallhead and Isabel Mª Andrés Cuevas. Granada: Universidad de Granada. 71-82.

  • 2012: ‘Revisiting Katherine Mansfield: An Interview with Margaret Scott’. Into Another’s Skin: Selected Essays in Honour of María Luisa Dañobeitia. Granada: Universidad de Granada. 167-172. Link

  • 2011: ‘“When it’s dark outside”: Secrecy, Death and the Unworking of Community in Janet Frame’s The Lagoon and Other Stories’ (co-authored with Julián Jiménez Heffernan). Chasing Butterflies: Janet Frame’s The Lagoon and Other Stories. Ed. Vanessa Guignery. París: Editions Publibook Université, 2011. 73-96. Link

  • 2011: ‘“My Insides Are All Twisted Up”: When Distortion and the Grotesque Became the Same Job in Katherine Mansfield and Virginia Woolf’ (co-authored with Isabel María Andrés Cuevas). Katherine Mansfield and Literary Modernism (Series Historicizing Modernism). Eds. Janet Wilson, Gerri Kimber and Sue Reid. London & New York: Continuum. 139-148. Link

  • 2010: ‘Djuna Barnes’s Nightwood: The Tragedy of Third Terms’. Para, por y sobre Luis Quereda. Eds. Marta Falces et al. Granada: Universidad de Granada. 673-80.

  • 2009: ‘When Charisma Breeds a Monster: Dangerous Liaisons in Carmel Bird’s Mandala Trilogy’ (co-authored with Margarita Carretero González). The Role of the Monster: Myths and Metaphors of Enduring Evil. Ed. Niall Scott. Oxford, United Kingdom: Inter-Disciplinary Press. 37-46. Link

  • 2008: ‘Femininity and Vampirism as a Close Circuit: “The Lady of the House of Love” by Angela Carter’. Estudios de Mujeres: Sites of Female Terror. En torno a la mujer y el terror (Volumen VI). Eds. Ana Antón-Pacheco et al. Navarra: Editorial Aranzadi. 121-128. Link

  • 2008: ‘Introducing Temporal Relations Through Novel and Film: Michael Cunningham’s The Hours and Its Film Adaptation’ (co-authored with Mª Elena Rodríguez Martín). Studies in Honour of Neil McLaren: A Man for All Seasons. Eds. Ángeles Linde López, Juan Santana Lario y Celia Wallhead Salway. Granada: Universidad de Granada. 339-349.

  • 2008: ‘New Zealand and Its Shadow in Katherine Mansfield: An Interview with Lydia Wevers’. Voices from New Zealand. Ed. Juan José Varela Tembra. Santiago de Compostela: Tórculo Ediciones. 131-143.

  • 2007: ‘“Doy vida a mis personajes”: Maternidad agridulce y reescritura del cuerpo femenino en Katherine Mansfield’. Cuerpos de mujeres: miradas, representaciones e identidades. Eds. Carmen Gregorio Gil, Ana María Muñoz Muñoz y Adelina Sánchez Espinosa. Colección Feminae nº 24. Granada: Universidad de Granada. 367-380.

  • 2007: ‘The Margin in Katherine Mansfield: An Interview with Gillian Boddy-Greer’. Estudios en honor de Rafael Fente Gómez. Eds. Luis Miguel A. Martínez-Cabeza, Quereda Rodríguez-Navarro y Neil McLaren. Granada: Servicio de Publicaciones de la Universidad de Granada. 431-440.

  • 2007: ‘“The beginning of this was a woman”: Gender vs. race in Zora Neale Hurston’s Their Eyes Were Watching God’. Entre la creación y el aula. Estudios en homenaje a Manuel Villar Raso. Eds. Rosa Morillas Sánchez, Mauricio D. Aguilera Linde y Pilar Villar Argáiz. Granada: Servicio de Publicaciones de la Universidad de Granada. 107-116.

  • 2006: ‘“As Old as the Hills”: La New Woman en la narrativa de Katherine Mansfield’. De habitaciones propias y otros espacios conquistados. Estudios sobre mujeres y literatura en lengua inglesa en homenaje a Blanca López Román. Eds. Margarita Carretero González, Mª Elena Rodríguez Martín y Gerardo Rodríguez Salas. Granada: Servicio de Publicaciones de la Universidad de Granada. 75-87.

  • 2006: ‘“The Daughters of the Late Colonel”: Feminine Temporality in Katherine Mansfield’s Short Fiction’. The Short Story in English: Crossing Boundaries. Eds. Gema Soledad Castillo García et al. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá. 786-798.

  • 2005: ‘“Carnation”: La lealtad secreta de Katherine Mansfield hacia la tradición literaria femenina’. Estudios de mujeres: Discursos e identidades (Volumen V). Eds. Ana Antón-Pacheco et al. Madrid: C.E.R.S.A.. 205-211. Link

  • 2005: ‘Diálogos para una voz: la narrativa experimental de Katherine Mansfield’. Towards an Understanding of the English Language: Past, Present and Future. Studies in Honour of Fernando Serrano Valverde. Eds. Luis Quereda, Neil McLaren, José Luis Dueñas Espejo y Carmen Pérez Basanta. Granada: Editorial Universidad de Granada. 347-60.

  • 2004: ‘Demystifying the wickedness of women: the femme fatale in Katherine Mansfield’. Considering Evil and Human Wickedness (At the Interface Series, Volume 3). Eds. Daniel E. Keen y Pamela Rossi Keen. Oxford, Reino Unido: Inter-Disciplinary Press. 211-222. Link

  • 2002: ‘E.G.E. Bulwer-Lytton’s Covert Anti-Feminism in The Coming Race’. A Life in Words: A Miscellany Celebrating Twenty-Five Years of Association Between the English Department of Granada University and Mervyn Smale (1977-2002). Eds. Margarita Carretero González et al. Granada: Editorial Universidad de Granada. 143-156.

  • 2002: 'Sandra Cisneros y su nueva definición de los estereotipos chicanos de género en Woman Hollering Creek'. Aztlán: Ensayos sobre literatura chicana. Eds. F. Eguíluz, A. Ibarraran, M. F.López Piquete y D. Río. Vitoria, País Vasco: Servicio editorial Universidad del País Vasco. 235-45. Link