Science and Spirituality

The Fellini Analogy

Let us for a moment say that we have all the films of Federico Fellini. And let us further suppose we have a theater in which to study them on a giant screen with excellent sound, etc. We can freeze frames, back it up, go slowly through sequences, turn up and down the volume, ask the projectionist to repeat it. Let us also say we can take all the notes we like on these films as we observe them on the screen and think about their content as much as we like. We could in fact spend a lifetime studying the works of Fellini, as they are so rich. And since there are a limited number of them, since Fellini is dead, we could also be quite thorough.

Now from our notes about these films we could create some great theories about them: what the jokes convey,

Many people feel that science is beginning to merge with spirituality. There is a feeling that science is getting closer, by degrees, to the supreme truths as expressed by the sages for millennia, and that eventually science and spirituality may unite. This idea has also been contemplated in regard to the teachings of Meher Baba in God Speaks, and in fact some consideration has been given to the idea that Baba may in fact help to promote this progress in science toward the spiritual by inspiring those in the new science, currently grappling with new discoveries, by giving them hints. However, this view misunderstands a fundamental difference between spirituality and the new science, which makes a merger of the two not just unlikely, but actually impossible.

However, we only mean to refer to the new science as it is currently practiced. It remains entirely possible that one day a new kind of science might emerge, as a result of Meher Baba’s revolutionary teachings on The Theme of Creation, that will in time come into closer tandem with genuine spirituality. But it is not the case with the current science, even when speaking of the newest of new. This is because it is simply headed in the opposite direction from spirituality, outward rather than inward, regardless of how inspiring its terminology and metaphors sound. To understand the sense in which this is true consider the following analogy.

by Chris Ott

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The Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us. . . And he put it to us in this way – marking the points with a lean forefinger – as we sat and lazily admired his earnestness over this new paradox. . .

“You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted. The geometry, for instance, they taught you at school is founded on a misconception.”

“Is not that rather a large thing to expect us to begin upon?” said Filby, an argumentative person with red hair.

“I do not mean to ask you to accept anything without reasonable ground for it. You will soon admit as much as I need from you. You know of course that a mathematical line, a line of thickness nil, has no real existence. They taught you that? Neither has a mathematical plane. These things are mere abstractions.”

Up to this point H.G. Wells shows he grasps that lines are not things, but abstractions. He has not yet made any errors.

“That is all right,” said the Psychologist.

“Nor, having only length, breadth, and thickness, can a cube have a real existence.”

“There I object,” said Filby. “Of course a solid body may exist. All real things—”

Here shows the start of the author’s confusion, put in the mouth of Filby, for he says “all real things...” The ancient Greeks, when talking about geometric shapes and solids were talking about forms, abstractions which are mental. The word “cube” in geometry does not refer to a “solid body” as Filby calls it, but a form comprising two abstract intersecting planes. For the Greeks, such shapes as we see in nature, though similar, are only representations of these more real mental forms (abstractions) in the mind.

“So most people think. But wait a moment. Can an instantaneous cube exist?”

Now the error is carried on by the Time Traveller. Assuming the Time Traveller speaks for the author, we must ask where Wells gets his idea that a form, such as a cube (strictly conceptual idea), exists somewhere? It’s not that kind of thing. It’s an idea, more like a number. The author mistakenly conflates the geometric form with a phenomenal block of ice or other body reflecting that shape. What he’s imagining is not the form itself, but shadows of the form.

“Don't follow you,” said Filby.

“Can a cube that does not last for any time at all, have a real existence?” Continuing the confusion here.

Filby became pensive. “Clearly,” the Time Traveller proceeded, “any real body must have extension in four directions: it must have Length, Breadth, Thickness, and—Duration.”

The Time Traveller is no longer talking about geometry (abstractions), but solid bodies we experience (tangibles). He seamlessly moves from abstractions to tangibles, yet goes on speaking as if talking about abstract ideas. Now when he adds time as a fourth “direction” that a “real body” must have, or it does not “exist,” he has objectified time as second kind of spatial direction, analogous to a stream. So he started with abstractions, moved to tangibles without pointing it out, like a parlor trick, and then added a new abstraction (time) conceived as a tangible direction. This is the opposite of the Greek sense he began with. Rather than seeing tangibles as representations of abstractions, as the Greeks rightly did, he is conceiving of an abstraction (time) as a tangible.

“But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time.

“There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives.”

We begin to see that Wells pictures consciousness as something that moves in one direction along time. We see that he has reified time spatially in his mind, pictured it as a spatial direction, and has even objectified consciousness as that which moves along it. The idea of objectifying time as a direction, like a river which something flows along, is irrational, for such analogues for time require duration to exist. Such thinking is thus circular. It is also interesting that Wells imagines our consciousness moving along time, as if it is time that is frozen and we that are moving. Had he understood Heraclitus, he would have seen that our consciousness remains ever in the present, while change occurs continually in the phenomenal world around us. Thus even if time is imagined as analogous to a stream, it is truer to say that the experience of change gives to the experiencer his impression of movement in time. Wells has the consciousness as the mover, and this is one of many mistakes that gives him his false idea of a time dimension.

“That,” said a very young man, making spasmodic efforts to relight his cigar over the lamp; “that ... very clear indeed.”

“Now, it is very remarkable that this is so extensively overlooked,” continued the Time Traveller, with a slight accession of cheerfulness. “Really this is what is meant by the Fourth Dimension, though some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time.”

This then is where Wells introduces for the first time into the culture the notion of the “fourth dimension” as time itself. Giving a new name to time sadly created an illusion of understanding what time was. This line of talk is no more than an abuse of analogy, never picked up on since. The tragedy, from the point of view of genuine science, is that from this point forward (helped by Einstein) this fourth dimension of time got so irreversibly reified as a discovery, when it was absolutely nothing of the kind. And this of course opened the door to ever more analogies abused in this way, including more so-called dimensions (nothing more than analogies) and even its application into pseudo-spirituality. All Wells did was conflate time with his imagined image of a downward physical stream or a special kind of space (objectifying time). Later on Wells literally says, “Time is only a kind of space.” Also, “Time is really only a fourth dimension of Space.”

“There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it.”

Actually there is a difference. The three dimensions (line, plane, and solid form) cannot be conceived except in terms of time. Therefore space is conditioned by time. The converse, however, is not true. Time is not conditioned by the three spatial dimensions of geometry. Wells has failed to recognize this in his imagination. His aim seems to be to find an argument by which to objectify time, to the extent that he appears to have blinded himself to higher order philosophical considerations, ones he either hasn’t been exposed to, such as the work of the existentialists, or that he finds too difficult to understand, which is common.

“But some foolish people have got hold of the wrong side of that idea. You have all heard what they have to say about this Fourth Dimension?” Here Wells may be referring to Friedrich Zollner, who hypothesized that spiritualistic (channeled voices) phenomena confirmed the existence of a fourth dimension.

“I have not,” said the Provincial Mayor.

“It is simply this. That Space, as our mathematicians have it, is spoken of as having three dimensions, which one may call Length, Breadth, and Thickness, and is always definable by reference to three planes, each at right angles to the others. But some philosophical people have been asking why three dimensions particularly—why not another direction at right angles to the other three?—and have even tried to construct a Four-Dimension geometry. Professor Simon Newcomb was expounding this to the New York Mathematical Society only a month or so ago. You know how on a flat surface, which has only two dimensions, we can represent a figure of a three-dimensional solid, and similarly they think that by models of three dimensions they could represent one of four—if they could master the perspective of the thing. See?”

“I think so,” murmured the Provincial Mayor; and, knitting his brows, he lapsed into an introspective state, his lips moving as one who repeats mystic words. “Yes, I think I see it now,” he said after some time, brightening in a quite transitory manner.

“Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time.”

This “geometry of four dimensions” is later what Einstein popularized. But it commits the fallacy that Wells does, thinking of time as a thing. Such imaginings, which are not in any way necessary, merely uses mental pictures of things in space to fabricate analogues for time, which is silly if not absurd. Such impressions they are using from their memories and memories to understand time are only conceivable in terms of time. The fact that they do not see this shows an over-abundance of the objectifying imagination, and while sufficient for mathematics is ill-suited for metaphysics (dealing with things such as time, perception, and Being).

“Some of my results are curious. For instance, here is a portrait of a man at eight years old, another at fifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.

“Scientific people,” proceeded the Time Traveller, after the pause required for the proper assimilation of this, “know very well that Time is only a kind of Space.

“Here is a popular scientific diagram, a weather record. This line I trace with my finger shows the movement of the barometer. Yesterday it was so high, yesterday night it fell, then this morning it rose again, and so gently upward to here. Surely the mercury did not trace this line in any of the dimensions of Space generally recognized? But certainly it traced such a line, and that line, therefore, we must conclude was along the Time-Dimension.”

Here wells could not make it more plane that he is “picturing” time using spatial analogues such as a line. This reveals how Wells is imagining time, but nothing about time itself. If I chart date of the calendar on a wooden ruler, and then proceed to use this ruler as an analogue for talking about time, I have not established anything about time –such as that it is really like the ruler – yet Wells is attempting to make this inference.

“But,” said the Medical Man, staring hard at a coal in the fire, “if Time is really only a fourth dimension of Space, why is it, and why has it always been, regarded as something different? And why cannot we move in Time as we move about in the other dimensions of Space?”

Notice what the Medical Man is asking. Having had the men buy his false reasoning that, since we can imagine moments of time in terms of an imaginary line drawn in space, it is proven that time is a kind of space (a false argument based on objectifying the analogy), The Time Traveller next has his audience asking about “moving about” on his imaginary line – i.e. time traveling. Note the con job. The Time Traveller has them talking about their mental pictures, not actually time and space anymore. So of course if time literally is like the analogue Wells paints for it, a line, then there ought to be no problem moving forward and back along it as easily as The Time Traveller’s finger can move back and forth along it in the air as he explains it. However, The Time Traveller is doing nothing but playing with imagination, and dressing up his words as metaphysics. He’s doing no metaphysics. He’s doing a parlor trick. Provocative images such as consciousness moving through time like a marble rolling down an incline establishes metaphors. It does not establish science. Wells is dealing in analogues and metaphors and reading too much into them. Once this kind of precritical thinking is conducted by scientists the game is over. You come to absurdities. This then gets reinforced when you add to the mix logicians whose method is by necessity circular. Time Travel, thus, becomes possible, and endless meaningless new dimensions. Pseudoscience born of science fiction, born of a materialistic age with no understanding. Sadly this is the condition we are in now.

The Time Traveller smiled. “Are you sure we can move freely in Space? Right and left we can go, backward and forward freely enough, and men always have done so. I admit we move freely in two dimensions. But how about up and down? Gravitation limits us there.”

“Not exactly,” said the Medical Man. “There are balloons.”

So now Wells begins to lead up to his time machine, that can move “up and down” in his spatially conceived time, a “kind of space” as he has taught us. He’s planning to build an air ship to travel through his imagined metaphors. How silly. He’s even added gravitation to his imagined time-space, a perfect example of getting lost in one’s own analogy.

“But before the balloons, save for spasmodic jumping and the inequalities of the surface, man had no freedom of vertical movement.”

“Still they could move a little up and down,” said the Medical Man.

“Easier, far easier down than up.”

“And you cannot move at all in Time, you cannot get away from the present moment.” This is actually true.

“My dear sir, that is just where you are wrong. That is just where the whole world has gone wrong. We are always getting away from the present moment.”

The Time Traveller is mistaken. We cannot get away from the present moment. We never stand in the same water twice, as Heraclitus says, and are never carried away with the river of time nor go up its stream. Why? Because consciousness is not in time at all, but witnesses the illusion of the flow of time. It is only the illusionary movement of time (change in the percept) that causes in the illusion that we are moving through it. As Nisagardatta Maharaj rightly says, “What is in the present that is never in the past or future? You.” We witness the passage of time, not in it, though admittedly it can feel like the reverse.

“Our mental existences, which are immaterial and have no dimensions, are passing along the Time-Dimension

This statement is actually logically incoherent. He is right that our mental existence is immaterial and has no dimensions. But it would follow from this that it is necessarily not subject to the conditions of those dimensions. Thus consciousness could never be a thing “passing along” in them. He switches from talking about the mental existence to talking about the corporeal body in the same sentence.

with a uniform velocity from the cradle to the grave.

Imagining time as moving at a “uniform velocity” (line 43), is confused. If time flows at a uniform velocity, against what background could one measure whether it is uniform or not? We can only rely upon our experience of time, which means relying upon the “mental existence” which is said to move along it. This would be like a man in a boat, out of sight of the land and stars, determining from appearance the velocity of the tide he is sitting in. The author fails to see where his analogy of time as a kind of space falls apart. As previously said, he’s lost in his own analogy.

“Just as we should travel down if we began our existence fifty miles above the earth's surface.”

“But the great difficulty is this,' interrupted the Psychologist. “You can move about in all directions of Space, but you cannot move about in Time.”

“That is the germ of my great discovery. But you are wrong to say that we cannot move about in Time. For instance, if I am recalling an incident very vividly I go back to the instant of its occurrence:

This is actually false. You do not actually time travel to the past when you remember what you had for breakfast. Rather your breakfast is recalled from the impressions stored in the mind, but you remain ever in the present as remember it. It’s like digging out a snapshot you’ve tucked in your wallet of some past event. Time travel plays no part in such recall.

“I become absent-minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of Time, any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?”

“Oh, this,” began Filby, “is all—”

“Why not?” said the Time Traveller.

“It's against reason,” said Filby.

“What reason?” said the Time Traveller.

“You can show black is white by argument,” said Filby, “but you will never convince me.”

“Possibly not,” said the Time Traveller. “But now you begin to see the object of my investigations into the geometry of Four Dimensions. Long ago I had a vague inkling of a machine—”

“To travel through Time!” exclaimed the Very Young Man.

“That shall travel indifferently in any direction of Space and Time, as the driver determines.”

Here’s where The Time Traveller finally expresses his thinking in its full light. We see that all his analogies are now full objectified, and he is impatient to build a machine to go explore his invented dimensions.

Filby contented himself with laughter.

The Time Machine was a successful dime science fiction book, first published as a magazine serial, then rereleased in two different printings in England and New York by July 1895. As far as I know it is the first book to equate the already used term “fourth dimension” with time, a convention later adopted by Einstein and still prevalent in the popular new science. After Einstein’s death, physicists continued creating more dimensions (some systems now have as many as ten), and these have largely served as substitutes for cogent quantifiable laws (the hallmark of classical science) to explain what appears otherwise paradoxical to science using old methods. It has to be recognized that reference to dimensions, largely metaphorical in nature, has no connection with the established empirical method and is divorced from the scientific method of hypothesis, test, and confirmation. One can obviously not test a metaphor.

Divorced from the methods of empirical science, dimensions are no more than a construct of thought, applying ideas once useful to discussing aspects of geometry, now objectified into reality as somethings. Ironically, this very loss of scientific rigor in the application of terms like ‘extra dimensions’ to analyzing experimental data, is trumpeted by proponents as a liberation of science from old fetters, and the sign that science is at least catching up to a truth closer to what was once called mysticism than materialism. But nothing could be further from the facts. If one thinks mysticism was never more than an undisciplined abuse of pleasing phrases and loose analogies, then yes, science is approaching it. But if one understands how disciplined real mysticism is, and how absolutely grounded, one sees that such a comparison between the foundationless inventions of the new science and real mysticism is an insult to mysticism.

As a result of this new-found respectability for the word ‘dimension’ in nearly any context where it can be used mysteriously, to mean anything one wants, the word ‘dimension’ now decorates nearly all new age metaphysics as well, passed around in the guise of scientific spirituality.

When Meher Baba says that a person through yoga achieves a higher plane of consciousness, he is referring to a state of mind or way of seeing. What it means to “pass into another dimension” is anyone’s guess. Such abuse of language objectifies what ought not be objectified. A planes of consciousness is not places or a goo or a wrinkle in time. So this conflation of science and religion is a regression, not a development.

Wells mentions the “time-dimension” three times in his book, and twice says that time is a “dimension of space.” We have in this simple idea (that is metaphysically incorrect) the foundation for what would come to be called the “space-time continuum.” Seeing that the roots of these seeming high ideas are in fact found in bad pulp fiction should take a feather from the cap of the new science. These advances are no more than glorified McGuffins being passed off as breakthroughs. Whether we are talking about worm holes and God particles, we are really only talking about confusions born in the last hours of a dying way of thinking effused with abundant imagination. It was no one’s fault. We had to take our old way of seeing to its limit, to see we could go no further without a turn. Thus what is the cure? God Speaks by Meher Baba.

[1] Science is necessarily and by definition empirical. That which is not empirical is outside of the scope of science. Science is not one hundred percent limited to what can be directly observed, but it is by definition grounded or founded in empirical observation, observation by the organs of sense, tested by observation, and thus limited to the scope of observation by sense experience. Areas of inquiry not grounded in sense experience include metaphysics and certain aspects of psychology.

[2] Many of the greatest achievements of science were discovered by people who had no such belief. Isaac Newton believed God was the ultimate cause of the phenomenal and that God was unknowable. In fact it was Isaac Newton’s belief that if God conceived the Universe, then the Universe ought to be as perfectly ordered as such a perfect mind as God’s would create. This faith in the perfection of God’s imagination led him to guess to seek a single simple equation for the speed of all falling objects. Experiments based on this assumption led him eventually to discover the equation for gravity.

In 1895, author H. G. Wells gave his protagonist in The Time Machine the unforgettable line that there is a “fourth dimension” that we have all missed, and that is “time.” What few today realize is that the argument Wells gave in his 1895 novel remains essentially identical to what is used today. Regardless of whether or not we take Wells to have been serious in his argument in The Time Machine, what we discover when we examine it is that it is profoundly flawed. It is possible that Wells only meant his character’s argument to stand as a McGuffin, a devise used in fiction simply to trigger a plot. The plot of The Time Machine included making a machine that could transport a person forward or back in time. Thus a time dimension might have done just the trick.

Regardless of how we interpret his motivation, the thinking Wells offers for his invention of a time dimension is worth considering, for it remains essentially the same as we have today, though it is rarely expressed as vividly as Wells did. Here then we speak of the ideas he puts into the mouth of his protagonist, who Wells refers to as The Time Traveller. Further down we include the relevant text from the novel itself. But first an overview.

In explaining to his colleagues the thinking behind the “fourth dimension” The Time Traveller conflates terms from geometry, used solely for demarcating types of conceptual shapes, with properties of phenomenal reality. It is by way of this carefully worded, but almost invisible, conflation that Wells invents his so-called fourth dimension that he claims we move about in. Geometry could be done entirely without the word “dimension.” It is just a word after all. But then it would lack the convenience of a way to distinguish single from multi-plane conceptual forms. By either not understanding what the word ‘dimension’ means in geometry, or by pretending not to for the sake of advancing his plot, by way of a clever twist of phrasing, Wells has his protagonist objectify the third dimension to his colleagues. As he explains to them the third dimension (quite wrongly), the Time Traveller converts it into concrete space, i.e. a kind of atmosphere we move through, which is frankly not the meaning in geometry at all. So by converting the third dimension of geometry into material space, by exceedingly clever subterfuge, he convinces his audience (and the reader) that they move about in a “space dimension.” It should be repeated that the idea of a space-dimension that we move about in never occurred to any Greek geometer. However, Wells’ character proceeds as if believing that the third dimension has to be describing something he calls “real,” something around us. This is simply incorrect. Next, from his established false logic by which he invented a space-dimension, he proceeds to create another “time-dimension.” And he dubs this new stuff we move through the long-sought “fourth dimension,” i.e. time. Note that he is simply objectifying what ought never be objectified. He’s turned the third dimension into physical space, and then time into another kind of space. “‘Scientific people,’ proceeded the Time Traveller, after the pause required for the proper assimilation of this, ‘know very well that Time is only a kind of Space’” (The Time Machine).

The 1895 book was almost certainly geared toward an audience of 19th century teenage science nerds, a group of people that most people don’t realize already existed then. One such science nerd in 1895 was 16 year old Albert Einstein. Ten years later, at the age of 26, Einstein published his famous paper on special relativity, introducing time as a fourth dimension. Fascinatingly, Einstein later admitted that his idea first struck him when he was 16, the same year The Time Machine came out.

Einstein did not get accepted to conventional college and instead went on to an electrical trade school, bypassing academic courses where he might have learned about more advanced ideas of time such as those by Immanuel Kant. So Einstein had a genius for mathematics but a high school boy’s idea about space and time, and would have almost certainly been influenced by accounts recounted to him from English books like The Time Machine, as these kinds of ideas were a sensation in Europe the year Einstein had his idea of a time dimension being a fourth dimension of “geometry.”

In truth this is all very innocent and common confusion of thinking. Time is a way that the mind organizes information. Space is the same thing. Time evolved in the mind prior to space, and space is conceivable only in terms of time. This is explained in my book Evolution of Perception, and its central idea of time and space as conditions of the mind applied to matter come straight from Kant.

Below is the original argument for the time-dimension or fourth dimension, from the opening pages of H. G. Wells’ 1895 science fiction book The Time Machine. I’ve added line numbers for clarity and highlighted my remarks where Wells makes reasoning errors.

  1. One dimensional referred to a straight line, which crosses two points and includes all other points along its path. A drawing of either a point or straight line is an expression of the concept called “one dimensional,” but does not exist in such a dimension, for the dimension is only a conceptual term, applying only to concepts.

  2. Two dimensional referred to those geometric shapes that can be conceived on a single plane, like triangles, squares, and circles. We usually speak of images we draw on flat surfaces as being “two dimensional,” or nearly anything flat in common speech. However there is no two dimensional world, as the term is merely for discussion of concepts.

    1. Three dimensional referred to those shapes that fall into more than one plane. So theoretical cubes and spheres are “three dimensional,” for they cannot be conceived on a single plane. In common speech we refer to most things in the physical world around us as three dimensional. However, this is not quite right. As far as Greek geometry is concerned, physical objects are mere shadows of the three dimensional solids, which are entirely conceptual. Thus there is no ‘three dimensional world.’ It is only a conceptual term, to demarcate a range of geometric concepts, not things in outward space.

One of the set-backs to human understanding has been the post-modern invention of the ‘extra dimension’ as part of our metaphysical dialogue. In God Speaks Meher Baba never uses the word dimension even once. In the 1967 Discourses the word appears three times, but only in its most ordinary traditional senses: as an aspect of a subject, the size or scope of a subject, or in its most traditional three-dimensional sense, as found in geometry.

In the gross sphere a focus of this manifestation is represented by the tri-dimensional and inert stone... (Discourses, Vol. 1, p.58)

Man is ordinarily so immersed in the objects of the gross world that the dimensions, magnitudes and quantities of the gross world unconsciously creep into his estimate of spiritual worth and pervert his evaluation. (Discourses, Vol. 1, p.165)

The Master is never anxious to expedite it, as few persons are really qualified to stand the expansion of their experience in this new dimension. (Discourses, Vol. II, p.88)

One more occurrence of the word ‘dimension’ was added to Baba’s Discourses after his death. What had in the 1967 sixth edition been:

The Sahaj Samadhi of the Siddha or God-realised person is continuous with all the prior forms of meditation and is a culmination of them, but different in kind, and belongs to an entirely different order. (Discourses, Vol. I1, p.161)

was changed 18 years after Baba dropped his body, in the 1987 edition, to:

The Nirvikalpa Samadhi of the Siddha, or God-realized being, is continuous with all the prior forms of meditation; and through the grace of a Perfect Master, it can be the culmination of them. However, it is unique and of an entirely different dimension. (Discourses, 7th Edition, p. 240)

Starting in the 1800’s, the search for how to use the phrase “the fourth dimension” in some meaningful sense became fashionable. There was no immediate agreement over how this clever phrase ought best be applied. Even the current New Age use of the phrase was not unheard of. For instance, the astrophysicist Johann Zöllner (1834-1882) hypothesized the phenomenon of spirit mediums, which had begun in the burned over district of New York in 1848 and then swept across Europe, confirmed the existence of a “fourth dimension.”

In 1906 Albert Einstein introduced the fourth dimension to science as time. But Einstein was hardly being original. The first use of the term “fourth dimension” to indicate time, appeared ten years earlier in the popular science fiction novel The Time Machine (1895), by H. G. Wells. In it Wells offers the original argument for the fourth dimension, an argument that is discussed in some depth below.

Since the turn of the 20th century the dimension has taken on an even greater role in both the new physics and New Age metaphysics. It is my intention here to discuss why I think the dimension is a mostly gratuitous concept, especially as it is bandied about metaphysically.

Since the ancient Greeks, geometry has held an important role in philosophy. Above the entrance to Plato’s Academy read, “Let no one ignorant of geometry enter.” But it should be kept firmly in mind that to the Greeks geometry was simply the study of shapes (forms), understood conceptually, with a bent toward the mathematical and conceptual formulas that underlay them. For instance, a circle can be reduced to a mathematical formula far simpler than its appearance. Its circumference can be determined from its radius. In other words it is reducible to a concept, and this interested the Greeks. They were not interested simply in physical objects in space that imitated these shapes, objects that to them were mere shadows or representations of these higher order concepts they were considering in geometry. In other words they were interested in the logical constructs that underlay these forms, not the forms themselves. To the Greeks, a form such as a perfect circle is an ideal that is only definable in geometry. It could never be perfectly expressed in material form, a world which they saw as relatively vulgar to the conceptual. The relationship between mental forms and their rough outward expressions in the material world was important to the Greeks philosophically. It implied to them that in some sense the mind preceded the world, and this explains the caption above the door to Plato’s Academy. The forms were mental, their outward expressions a mere material shadow. This fascinated the Greeks, who were seeking to understand the self as the link to understanding reality. “Know thy self,” read the sign over the Temple of Delphi.

So now, what, from the Greek perspective, are dimensions? Originally the three dimensions were simply part of a language for discussing the complex subject of different types of conceivable abstract shapes. These did not apply to the world around us, but to the concepts in geometry.

Inventing Dimensions

There is a thinking problem common to this age. It is the problem of people becoming lost in the analogy. People often forget what an analogy is. An analogy is a comparison between two things, typically on the basis of their structure, and for the purpose of explanation or clarification. When people rely on analogies to inform them of anything beyond what those analogies were meant to convey, they have misunderstood what analogies are for.

An analogy is a tool used to convey a relationship between two things to someone who is less familiar with the topic. For instance if I want to convey to someone who has not seen a particular animal how it runs, I might say it runs like a deer, an animal the person has seen. As a deer is to its gate, so is this unseen animal to its. That’s a simple analogy. But not all analogies are so simple. When conveying an abstract thought to one unfamiliar with the particular abstract topic, analogies are also sometimes used, but the chance for misunderstanding in these cases increases exponentially. A teacher of metaphysics, for instance, might convey an abstract relationship in some very subtle realm of thought by referring to a somewhat similar relationship between two physical objects. Baba does this all the time. All masters do, including Jesus in his parables. Through the use of some visual figure more familiar to the aspirants, he attempts to give them a rough idea of a like-relationship that occurs in the sphere he is talking about, a sphere otherwise entirely beyond their comprehension. It is natural then that he chooses an object or event more tangible and familiar to the aspirants from their day to day experience to convey his point by such comparison. This teaching tool is ultimately used for purposes of making a point clear that would otherwise be too subtle for the student if conveyed solely in abstract language. But it is imperative to keep in mind that the analogy drawn by the teacher is limited to the common relationship he is pointing to, and that the teacher never means to convey that other parallels can be extracted from the analogy. If I say that a man runs like a deer, I am conveying only the man’s speed and grace while running, but conveying nothing else such as that the man has hair like a deer, or that he is a deer in some metaphysical sense. Similarly if Meher Baba says that the Over-Soul is like a shoreless ocean, he means to convey by comparison with a figure that It is boundless and limitless by giving us a picture we can hold in imagination. For we can all imagine being cast at sea, unable to see a shore. But he does not mean to convey that the Over-Soul is wet, or that there really is a metaphysical ocean. This limit of the conveyance of the analogy is the sense that easily gets lost, for people are eager to apply their imaginations to other possible considerations regarding especially evocative images. This is what we mean by getting lost in the analogy.

This habit carries over into the new physics, which increasingly employs evocative analogies to convey, or even sell, its most abstract ideas to the public. And this needs to be discussed in some depth, for it is here that we find the source of yet another way in which science and spirituality are perceived to have a relationship where no such true relationship exists. One of the reasons that science appears to be getting closer to spirituality has to do with this increasing use of analogy, often carelessly explained to the public. Here I speak of things now commonly imagined as fact, such as the big bang (as a bang), or black holes (as holes), or the fabric of spacetime (as a fabric, one that literally bends like taffy). The examples would fill a book: a God particle (that’s a particle), dark matter (that’s a kind of matter, and dark), superstrings (that are strings), etc. etc.

Science has a way of making its ideas sound important, surprising, and true. And much of science is in fact important, surprising, and true. But the new science, starting with the 20th century, has frankly suffered many problems that it could only attempt to resolve by resorting to analogies, and this new development in science, which is not necessarily a good development, has caused a very serious problem for people’s thinking about the universe and even spirituality.

As theoretical science attempts to convey subtler and subtler ideas to the public, it more and more often gives figures from people’s ordinary experience to convey these simply, or to gain more public or private interest. This makes the science more interesting and more understandable to some extent. But it should be understood that this use of analogy to sell new ideas by appealing to imagination, to make those ideas exciting and evocative to people who are not scientists, is new to science. We could speculate as to the causes of this trend, but what is important is that it has occurred. The problem comes when people who are not scientists begin to contemplate these new analogies deeply, wanting to engage in the new science on some level. As they do they begin to reify or objectify these figures in their imaginations. In other words they actually picture something, and often come to think there is yet more hidden in the terms and images these analogies invoke. In time such people come to think the analogy is saying more than it is, which is to say nothing of the fact that the figure being contemplated only conveys a theory to explain data, not the data. And in contemplating the analogy, as opposed to the actual data that the theory attempts to account for by way of an analogy, data that is often not even understood by the scientists themselves, people frankly become preoccupied in considerations of the analogy, thinking they are penetrating the truth.

To see this problem more vividly, let us consider a hypothetical example of an analogy I might use to convey a theory of mine regarding some data. Let us say that the data is some inexplicable radiation in the cosmos that might possibly come from Novas. Now let us suppose that I as a scientist propose that new Novas somehow form from this excess radiation and that this radiation comes from other Novas. To communicate my idea, I might offer an analogy of cell division. So word goes out that I have a theory that Novas divide like cells. I made this up for illustration purposes only. No one thinks Novas divide like cells. It is merely to convey the problem. Well, this image of cells dividing would certainly give people a picture of what I wanted to convey, that one Nova splits off from another at some point and becomes two. Realize that the radiation I am describing in my analogy is only measured mathematically, with scientific instruments. It has no visual component. Such an analogy is fine as far as it goes, to convey to the public imagination a new theory.

But imagine if people, thinking about this for some time, come to ponder what other things Novas might have in common with cells, since they are ‘analogous’ to cells now. Some might wonder if anything else could be guessed about Novas by studying living cells. Note that nothing can be learned about Novas by studying cells. To think so is to become waylaid by the analogy itself. In fact it should be noted that in this hypothetical example the analogy was only created to convey a single theory, where others might still be forthcoming. It does not convey a fact at all, but only an overly provocative distorted picture of a guess. These are just some of the dangers that getting lost in the scientific analogies currently being promoted by the new science can create. Searching for meaning in analogies mistakenly reifies the analogy itself, and misses what a small role analogies actually play. They are just tools for conveying ideas, nothing more. When people don’t grasp this, analogies becomes as important, if not more important, than the ideas they are meant to convey. In a vivid enough imagination, the analogy can even replace the subject matter altogether.

Now we come to the subject of science and spirituality. This confusion over metaphor, exacerbated by the overuse of metaphor in the new science, has a drastic effect on understanding. Religion has always had metaphors. And in religion, as with the new science, people are apt to idealize the metaphor rather than grasp what its intended significance is. However, there is big difference between metaphors in religion and these in science. In religion the absorption in the metaphor, even when the referent is not fully understood, tends to have its own value. For there is usually hidden truth veiled in religious symbols, and these hidden realities can be increasingly revealed as the aspirant matures. For example, the parables of Jesus are not spurious communications of theories, but in fact hold deeper hidden meaning that can be revealed.

So it is important at this point to see how the now vogue overuse of analogy in the new science has had an effect on people’s spiritual thinking. For they equate these scientific analogies with spiritual ones, for the language is often similarly evocative. It is precisely because metaphor is used in religion, and that in certain of these there is hidden truth, that the new use of analogy in science has been conflated by many people with a kind of new spiritual language. And this is largely what is giving people their false idea that the new science is approaching real spiritual understanding. People are thus taking the dubious analogies of science and searching into these for real divine inspiration. This is a gigantic mistake. For these are only theories, and the analogies science uses to convey them are often spurious and exaggerated, to make what is describable only in mathematical syntax more comprehensible to the public, or literally to sell books and lectures to a public eager for something spiritual from science to replace what it feels it has robbed.

So this misunderstanding about analogy, made worse by the overuse and even abuse of analogy in the new physics to sell its ideas, has a had a bad effect on people’s understanding of spirituality as well. And in fact there occurs in all of this a gradual blurring of the lines between science and religion, due to a similarity in language. But this similarity is coincidental, and not a sign of a genuine link. It is also entirely possible that some overzealous scientists recognize this blurring and exploit it, in order to make science appear to take the place of religion as a new quasi mysticism and sell books. Whether it is intentional or unintentional matters little; the effect is unfortunate for souls that are sincerely seeking answers to deeper questions than usual, and are drawn from the true sources of mysticism provided by the genuine masters, and waylaid by the new science.

Why has science resorted to the use of so much analogy? This is an interesting topic in itself. It is my belief that science is in the final stages of an aging and decaying paradigm of materialism, that no longer relates to the problems it now attempts to solve. To cope with late breaking data, that seems intractable by way of its methods, for which it has no clear explanation, science has begun to rely on devising analogies instead. Ironically, then, the apparent startling nature of many of these analogies, that are increasingly taken as the sign that science is at a point of breakthrough, are in fact signs of its decline. Conditioned as we have become by our culture and times to imagine these new analogies science concocts as remarkable discoveries, imagined by many as genuine objects and events, we are mislead to believe that a new science with special new understanding is at last catching up with the contemplations of the ancient mystics, whose words have frankly seemed equally exotic to us before we understand them. But I believe this comparison is an illusion. And I believe it is one that waylays souls by causing them to muse over words that have the ring of mysticism, but not its character. Science cannot possibly link with the spiritual so long as it searches the screen, to use the Fellini analogy, rather than considering the projector, the Soul.

Those who pick up the vocabulary of the new physics as a way to divine truth either of the universe or the spirit, pick up a vocabulary that in the end divines neither, and, in my opinion, wind up traveling down closed byways, looking for things they will not find, sated for a time perhaps by interesting but ultimately empty entanglements. Better to pick up God Speaks by Meher Baba, or any divine book. Or the works of some other divine fully enlightened master. Why pick up the Tao of Physics, when you can pick up the Tao.

Further Entanglements

Lost in the Analogy

Is it possible that one day a new kind of science, one that is truly new, not just new in terms of its analogies but its focus, could in fact begin to parallel (or come into accord with) some of what Baba says? If science came to recognize that its current fundamental approach, focussed as it is solely toward the screen of the film, is no longer suitable or sufficient to address the deeper issues of causation, then there could in fact be an unparalleled revolution in scientific thinking. What we mean by ‘scientific’ is not merely those beliefs tied to a particular paradigm or approach, but to the level of rigor applied to its analysis of experience in pursuit of answers about the origin and nature of the universe.

There are two ways that things could go for the future of science and spirituality. In one scenario, science refuses to adapt, continues to expand in complexity as the result of an outmoded and dying paradigm, applying metaphors and theoretical entities to band aid over problems no longer within the reach of its methods. Don’t be fooled by talk of photons that think, extra dimensions, and multiple universes. Such speculations are the absurd byproducts of a spent system. If science chooses this route, it will continue down its current path toward what science journalist John Horgan refers to in The End of Science as “ironic science”. By such a course, theoretical physics will fade into irrelevancy, and in its place the old science of real mysticism, renewed once again by the revelations of Meher Baba, will usurp the place of material science. In other words, if science refuses to adapt, mysticism will take its place as the only relevant science anyone pays any attention to.

But if science recognizes it is fated to continue to amass confusions if it does not come to grips with its now dying paradigm, one that has outstripped its usefulness in a new world, then science has a chance to redeem itself, and be rejuvenated. And in such a scenario both mysticism and a new science could easily commingle and share secrets.

But for this happy second scenario to happen, such a truly new science would require a radical new way of looking at the universe and how it interprets phenomena, no less than a complete metaphysical about-face in fundamental perception. Rather than man looking endlessly outside himself for causes, a recipe for infinite regress, man would need to begin with perceived effects and back up toward causes, knowing from Meher Baba that he himself is the fundamental cause of all he observes and tests, and that ultimately that self is One, i.e. God. Such a shocking paradigm shift would give rise to an entirely new model of causation, and around such a model would naturally arise new and previously inconceivable methods of research, based upon different assumptions, and different aims. In such a consciocentric science, one internally rather than externally pointed, it is even possible that physics and psychology could find themselves as pieces of a far vaster continuum. Such a world would see itself not as fundamentally composed of flecks of matter, compelled into motion and order by theoretical (and largely metaphorical) forces, but the natural and ordered emanations of the Self seeking itself. Matter, which is by definition inert, would be redefined as the result of the phenomenon of world-perceiving, rather than its cause as it is today.

If such an aggressive change as this could actually occur, it would mark the start of a science and spirituality that were genuinely in step. For the spiritual mystic, the aim will always be his own mind’s emancipation from Maya and realization of Self. Yet in such a world science might find a niche of its own, fruitful, though not quite as lofty as that of the mystic, of theoretically investigating the vast mechanics by which the evolving mind causes all phenomena. A science of sanskaras, odd as the phrase may sound to us now, would indeed be a science on course with truth, and a friend of mysticism. No longer would science stand in contest with spirituality, with the mystic, with the sage, but might even become a kind of mysticism in its own right, or if nothing more the happy ally and companion of the mystic.

the subtleties of the stories, we could break down the characters, look for ways to describe or explain the relationship between these characters and the tone and theme of the films and so forth, essentially ad infinitum. We could even psychoanalyze the filmmaker, whether or not we knew who he was, and conceive around him a theory about his motivations, why he made them in the order he did, on and on, etc. etc.. In other words we could sit in a theater and study the films of Federico Fellini and learn an awful lot about them, and even guess more about them just by watching them.

But no matter how many times we watched Fellini's movies on a movie screen and no matter how much we studied them, even if we sat on the front row with perfect acoustics and were very attentive and intelligent, we could never discover in them the secret of film emulsion and its chemistry that is causing us to see them. We could never ever be able, simply by studying the show on the movie screen, to guess one single thing about the difference between reversal and negative Kodak raw stocks, the chemical properties of the coatings applied to celluloid that effectively create these visual effects we are observing. For this information is not in any of Fellini's films. It's just not part of the subject matter of his films. So we couldn’t possibly learn it there. We wouldn’t even guess these effects from a lifelong study of the scenes we watched, the colorful costumes, interesting editing, long cinematic camera-takes. It simply isn't on the screen to find there.

Rather, the chemistry of the emulsion of the raw stock of the film is part of the trick that made that picture on the screen possible. In a sense we’re looking in the wrong direction. For the source is not in front of us, but behind us, in the sound-proof projection booth over our heads and behind us.

So, now, what are we saying about science and spirituality with this analogy? We are saying that science is studying the screen, the movie, representing in the analogy the world we perceive.[1] But what Baba is talking about in God Speaks is not most importantly the picture on the screen at all, but is about the trick that the sanskaras (an entirely psychological event) play upon the soul to produce that picture in front of its senses. This soul and these sanskaras are not in the phenomenal world. Thus they can't ever be found there, no matter how hard we look for them. In fact they can never even be guessed by watching the movie screen, the world of appearances, just as the chemicals of the emulsion and other properties of various types of film used to make motion pictures can never be guessed by studying the movies themselves.

Now why is this necessarily so? Haven't the latest physicists begun to guess some things like Baba says about the sanskaras? Absolutely not. The scientists are not guessing anything even remotely close, no matter how “spiritual” their words may sound at times. Such wording is misleading, and to point out the subtle difference is the objective here.

The sanskara is an exceedingly simple concept. The manner in which it produces the world is so simple, in fact, that there is very little a person can say about it once they grasp the mechanic of it. But it is purely a psychological process, a mental one. Baba is discussing the psychology producing the images and sounds we experience, while science is studying those images and sounds and then hypothesizing theoretical objects analogous to them, in erroneous belief they are getting at their cause. So science necessarily moves in a little loop, much like the person watching nothing but Fellini movies is moving in a loop if, in attempting to find the root cause of the whole show he is watching, he hypothesizes something analogous to the things he sees in those movies.

Making matters even worse, with every new so-called development in contemporary theoretical science—every new theoretical entity or theoretical event that science postulates as yet another way to explain the show—science takes a little step further from the truth. For the theoretical scientist is inventing even yet more things that he now has to explain, and so he is not moving toward the source of his experience, but away from it. The contemporary theoretical scientist clings to a faith that the ultimate answer, the primal cause of the universe, will eventually be discovered in the front of the theater on the screen that encompasses his experience. It is because of this stubborn faith that he will never, by such thinking, guess that the true source is in the back of the room (in our analogy, analogous to the sanskaras), having lost himself so thoroughly now in the show of illusion.

So what is the analogy saying? The source of what the scientist sees is in fact his own mind, his own sanskaras, and not God particles, dark matter, worm holes, superstrings, multiverses, probabilities, and all that malarkey he has conceived. Scientists are going away from Ultimate Truth, not toward it, as we speak. And this is significant, and obviously can’t be kept up forever. Eventually science will have to begin to realize this simple fact.

Misleading Metaphors

There is an an increasing use of metaphorical language in what is called the new science, a use which is liberal and inexact, and this abundant and somewhat carefree use of metaphor in the language is part of what has contributed to the sensation that more is being said in science than is. It isn’t difficult to couch the wording of a theory in language that can make it sound like it is saying the same thing as Meher Baba or the Vedas, or at least moving in the same direction. But this impression is an illusion. Not only are the focuses and methods of science and spirituality in opposition, but scientist and the mystic aren’t even talking about the same subject matter. This is critical to understand.

For example, when scientists speak about a big bang event, it is not in any sense parallel to what Baba is talking about in God Speaks when he speaks of Creation. Whether or not big bangs occur in Creation is immaterial to what Baba is describing. In God Speaks Baba is speaking about the unfolding of consciousness, and says that the universe "gradually appeared..." (GS, p. 9) when describing how the appearance of this phenomenal world came about in experience. Shocking as it sounds, Baba is not describing the creation of a world, but the appearance of one from the point of view of the atma. In the Intelligence Notebooks, it is explained that this expansion of the illusion of a world emerges subjectively (apparently, but not actually) from the perspective of what is there compared to the pupil of an eye, and this point of perspective (source of subjective experience) is what comes to be referred to as the "Om Point" or "Creation Point."

Stop and consider just how different this conception is from the idea within science of an explosion of matter, imagined as an event viewed from its outside. What Baba is describing is an expansion of what is seen, due to ever increasing sanskaras impressing themselves on the mind. Thus Baba is not reiterating what scientists imagine, that an actual world came out of a point located in space at some nanosecond in time, which is really an absurd circular distortion in reasoning if you stop to ponder it. For a point in space and time have no meaning without some prior point of comparison. Scientists are picturing a ‘world’ exploding into a ‘world,’ without realizing they are doing it, repeating the age old mistake of reading effects into causes. Baba is describing how the movie is made in the mind. The scientists, even the very new ones, are imagining novel new Fellini movies in the terms of watched Fellini movies.

Take another example. Consider the contemporary notion of a "God particle." The God particle is a theoretical particle that some speculate may have caused the big bang. It was featured as the star of the recent film Angels and Demons. This God particle is exactly the kind of invention that science has been forced to resort to, due to the limits of its method. A scientist uses his world-conditioned mind to concoct a new entity, a foundational but entirely theoretical particle, subconsciously based on an analogy with particles the scientist finds in his experience. This is because he has committed the fallacy of reading the effects of a proposed process back into the process itself, perpetuating an endless regress of generating new problems that in turn demand yet newer theories.

The feeling that science is going to continue on this course and eventually converge with Baba's teaching as presented in God Speaks is certainly well-intended and shows love for Baba. But in reality, such a beginning of convergence will only be possible if science recognizes the impasse of its current direction of focus, and in consideration of what Baba has said and affords itself to an entire turn around in fundamental perception, from object as cause to subject as cause, that science will finally begin to speak in a language Baba will be able to touch them in in 700 years.

Baba's explanation is extremely different from anything being proposed by mathematicians, physicists, chemists or astronomers. Particle accelerators will never crack open another particle and find the sanskara. There is only one principle in Baba’s cosmology, Maya, the principle of productive ignorance. And the working part of Maya is the sanskara. Sanskaras create and sustain the world we see.

If you studied all Fellini's movies for a million years, one would be no closer to unlocking the miracle of movies. For the chemistry of film is not a theme of Fellini's films. It isn't there. Not even a clue to it can be found in that content. To grasp the cause of reality, one must turn around, just as the person in the movie theater would need to turn around to see the projector. Plato spoke of the cave, and the emanationists developed his idea further of a world that emanates (coming out of, but not physically, analogous to light) from a core that is not analogous to what it causes, what they called "The Hen." But the "new science" is as far from these ancient mysticisms as day and night.

A Future Science in Line with Spirituality