Studies to paintings later executed (page 1)
Sleeve study for the Annunciation
1470-73
Pen, ink on paper, 85 x 95 mm
Christ Church Picture Gallery, Oxford
Woman's Head
1470-76
Pen, ink and white pigment on paper, 282 x 199 mm
Galleria degli Uffizi, Florence
Study of the Madonna and Child with a Cat
c. 1478
Pen and ink on paper, 281 x 199 mm
British Museum, London
Study for the Madonna with the Fruit Bowl
c. 1478
Pen and ink over silverpoint on paper, 358 x 252 mm
Musée du Louvre, Paris
Study of a woman's head
c. 1490
Silverpoint on greenish prepared paper, 180 x 168 mm
Musée du Louvre, Paris
Head of a girl
c. 1483
Silverpoint and white highlights on prepared paper, 181 x 159 mm
Biblioteca Reale, Turin
Studies for a Nativity
-
Pen and brown ink, on pink prepared paper, 193 x 162 mm
Metropolitan Museum of Art, New York
Perspectival study of the Adoration of the Magi
c. 1481
Pen and ink, traces of silverpoint and white on paper, 163 x 290 mm
Galleria degli Uffizi, Florence
Design for the Adoration of the Magi
1478-81
Pen and ink over silverpoint on paper, 285 x 215 mm
Musée du Louvre, Paris
Study for Madonna with the Yarnwinder (?)
c. 1501
Red chalk and silverpoint on rose-colored prepared paper, 257 x 203 cm
Gallerie dell'Accademia, Venice
Leda and the Swan
1503-07
Pen and ink and wash over black chalk on paper, 160 x 139 mm
Devonshire Collection, Chatsworth
Study for a kneeling Leda
1503-07
Black chalk, pen and ink on paper, 126 x 109 cm
Museum Boijmans Van Beuningen, Rotterdam
Head of Leda
1503-07
Black chalk, pen and ink on paper, 177 x 147 mm
Royal Library, Windsor
Studies of Leda and a horse
1503-07
Black chalk, brush and ink on paper
Royal Library, Windsor