Studies to paintings later executed (page 1)

Sleeve study for the Annunciation

1470-73

Pen, ink on paper, 85 x 95 mm

Christ Church Picture Gallery, Oxford

Woman's Head

1470-76

Pen, ink and white pigment on paper, 282 x 199 mm

Galleria degli Uffizi, Florence

Study of the Madonna and Child with a Cat

c. 1478

Pen and ink on paper, 281 x 199 mm 

British Museum, London

Study for the Madonna with the Fruit Bowl

c. 1478

Pen and ink over silverpoint on paper, 358 x 252 mm

Musée du Louvre, Paris

Study of a woman's head

c. 1490

Silverpoint on greenish prepared paper, 180 x 168 mm

Musée du Louvre, Paris

Head of a girl

c. 1483

Silverpoint and white highlights on prepared paper, 181 x 159 mm

Biblioteca Reale, Turin

Studies for a Nativity

-

Pen and brown ink, on pink prepared paper, 193 x 162 mm

Metropolitan Museum of Art, New York

Perspectival study of the Adoration of the Magi

c. 1481

Pen and ink, traces of silverpoint and white on paper, 163 x 290 mm

Galleria degli Uffizi, Florence

Design for the Adoration of the Magi

1478-81

Pen and ink over silverpoint on paper, 285 x 215 mm

Musée du Louvre, Paris

Study for Madonna with the Yarnwinder (?)

c. 1501

Red chalk and silverpoint on rose-colored prepared paper, 257 x 203 cm

Gallerie dell'Accademia, Venice

Leda and the Swan

1503-07

Pen and ink and wash over black chalk on paper, 160 x 139 mm

Devonshire Collection, Chatsworth

Study for a kneeling Leda

1503-07

Black chalk, pen and ink on paper, 126 x 109 cm

Museum Boijmans Van Beuningen, Rotterdam

Head of Leda

1503-07

Black chalk, pen and ink on paper, 177 x 147 mm

Royal Library, Windsor

Studies of Leda and a horse

1503-07

Black chalk, brush and ink on paper

Royal Library, Windsor