Embedded Files
PE 1
Old Taungyo Woman, Minmati
Lucian Scherman, 1911
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The Taungyo are a sub-ethnic group of the Bamar people living primarily in the Shan State and centered on Pindaya. They speak Taung-yo a Tavoyan dialect of the Burmese language similar to Arakanese.
PE 2
A Burmese Villager 500
[with tattooed body]
Philip Klier, ca 1900
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
They say that the pain of the tattooing process is less trying than the intolerable itching that follows, which lasts for several days. When boys are to be tattooed they are generally given a certain amount of opium to deaden the pain, and, during the period that follows, their friends sit in a circle round them, giving the wretched boy such advice as this: If you scratch yourself you will spoil the beautiful patterns on your legs. You wriggle too much, people will think that you are only a little boy. Remember that if you spoil the tattooing no girls will admire you. Tattooing on the legs is chiefly practised as a decoration: it is a sign of manhood; no girl recognises the fact that a youth is a man of a marriageable age until his legs can show the blue markings. Designs, added from time to time on the back or arms, charms to ward off wounds or accidents. Love-charms are tattooed on the arms or on the tip of the tongue.
PE 3
The Long, Long Burmese Day
Surgeon A.G.E. Newland, 1891
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
George Orwell, a pseudonym of Eric Arthur Blair, spent five years from 1922 to 1927 as a police officer in the Indian Imperial Police force in Burma (now Myanmar). Burmese Days was his first novel, published in 1934. It is a harsh portrayal of colonial society. Over time the book was published with countless different cover designs. This photograph was on one of them.
PE 4
Shan Princess 434
Philip Klier, ca. 1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The Princess Thiri Dipandi, Sao Nang Tep Htila, of Keng Tung (now Kyaingtong)
The Princess was born in 1871 and is the second surviving daughter of the great Sawbwa of Keng Tung. The Princess half-brother was the first Chief of Keng Tung under British rule.
In 1890 the Princess was given in marriage by her brother to the Myosa of Keng Hkam. It was stipulated in the marriage contract that there were no other wives, consequently when, three years later, the Myosa took two lesser wives, Sao Nang Tep Htila left him, and insisted on a divorce. She soon after married the Myosa of Mong Pu. After the death of her second husband in 1895 she and her elder sister, Sao Nang Wen Tip, have done much to expand the trade of Keng Tung with Siam (now Thailand) and Burma. Both ladies were very capable and energetic. Keng Tung at the time was the largest of the Shan States and bordered on Chinese, French, and Siamese territory.
PE 5
Shan Princess & Followers 433
Philip Klier, ca 1894
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
The Princess Thiri Dipandi, Sao Nang Tep Htila, of Keng Tung (now Kyaingtong)
The Princess is the second surviving daughter of the great Sawbwa of Keng Tung. The Princess half-brother was the first Chief of Keng Tung under British rule.
In 1890 the Princess was given in marriage by her brother to the Myosa of Keng Hkam. It was stipulated in the marriage contract that there were no other wives, consequently when, three years later, the Myosa took two lesser wives, Sao Nang Tep Htila left him, and insisted on a divorce. She soon after married the Myosa of Mong Pu. After the death of her second husband in 1895 she and her elder sister, Sao Nang Wen Tip, have done much to expand the trade of Keng Tung with Siam (now Thailand) and Burma. Both ladies were very capable and energetic. Keng Tung at the time was the largest of the Shan States and bordered on Chinese, French, and Siamese territory.
PE 6
Enjoying a Smoke
Johannes & Co. ca 1900
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Another of their most cherished pleasures, which might be termed a strong characteristic or habit, as it is most prevalent among all the Burmese, is their extraordinary devotion to smoking. Men, women, and even children - I have seen tiny things of not more than four or five puffing away with evident satisfaction and delight at enormous cigars. The Burmese cheroots are prodigious in size, measuring from ten to twelve inches long, and about three-quarters of an inch in diameter, but they are, I am told, very mild. The women manage their smoking with astonishing grace, and there is a coquettish charm in the way that they wield their gigantic cheroots, and a delightful pucker of their rosebud mouths as they try to grasp them with their little red lips, which adds to rather than detracts from their charms.[1]
1. Among Pagodas and Fair Ladies, 1896, by Gwendolen Trench Gascoigne pp. 36-37
PE 7
Portrait of a Young Burmese Woman
Felice Beato, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 8
Burmese Beauty with Parasol
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 9
A group of Burmese women and servants
Felice Beato, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 10
A Burmese Girl 512
Philip Klier, c. 1903
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Burmese people use Thanakha since the mid-11th century. Thanakha is a natural-based product obtained from the wood of the Thanakha or Hesperethusa Crenulata tree. Traditionally grown in small farms in Central Myanmar in the dry zone. Thanakha is a natural cosmetic that is antioxidant and protects against UV rays. Thanaka cream is made by grinding the wood of a thanaka tree with a small amount of water on a circular slate slab called kyauk pyin.
Thanakha is a yellowish-white cosmetic paste made from ground bark. It is a distinctive feature of Myanmar (formerly Burma) seen commonly applied to the face and sometimes the arms of women and girls and to a lesser extent men and boys. The use of thanaka has also spread to neighboring countries including Thailand. The earliest literary reference to thanaka is in a 14th century poem written by Mon-speaking King Razadarit's consort. Mentions of thanaka also exist in the 15th century literary works of Burmese monk-poet Shin Maharatthasara (1486-1529). The wood of several trees may be used to produce thanaka cream; these trees grow abundantly in central Myanmar. They include principally Murraya spp. (thanaka), but also Limonia acidissima (theethee or wood apple). The two most popular are Shwebo thanaka from Sagaing Division and Shinmadaung thanaka from Magwe Division. A more recent contender sold as a paste is Taunggyi Maukme thanaka from southern Shan State. Thanaka trees are perennials, and a tree must be at least 35 years old before it is considered mature enough to yield good-quality cuttings. Thanaka in its natural state is sold as small logs individually or in bundles, but nowadays also available as a paste or in powder form. Thanaka cream has been used by Burmese women for over 2000 years. It has a fragrant scent somewhat similar to sandalwood. The creamy paste is applied to the face in attractive designs, the most common form being a circular patch on each cheek, sometimes made stripey with the fingers known as thanaka be gya, or patterned in the shape of a leaf, often also highlighting the bridge of the nose with it at the same time. It may be applied from head to toe (thanaka chi zoun gaung zoun). Apart from cosmetic beauty, thanaka also gives a cooling sensation and provides protection from sunburn. It is believed to help remove acne and promote smooth skin. It is also an anti-fungal.
PE 11
Rebecca at the well
Felice Beato, 1889
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Rebbecca's well was located in, what is now, Pansodan street. The well got its name from a Jewish lady named Rebecca who bought land near the vincinity. It was known by the locals as "Kadat Twin" (Kadat Well) and described in Cephas Bennett's book 'Rangoon fifty years ago, 1833' (published in Jan 1884) as follows.
For drinking water, the town [Rangoon] was dependent on wells, the best of which were outside the stockade, for within it the wells tended to become impregnated with river water. The most potable water was obtained from a well, north of the stockade, known to the Europeans as "Rebbecca's Well" because "here at all times of the day, and often at night, would be found with their earthen water pots the maidens of the town, for water and gossip - The well was famous then as now for its excellent water, and was almost the only well from which the people in the stockade had their drinking water."
PE 12
Young Burmese Woman with huge Cigar
Stereo Travel Co, 1908
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Another of their most cherished pleasures, which might be termed a strong characteristic or habit, as it is most prevalent among all the Burmese, is their extraordinary devotion to smoking. Men, women, and even children - I have seen tiny things of not more than four or five puffing away with evident satisfaction and delight at enormous cigars. The Burmese cheroots are prodigious in size, measuring from ten to twelve inches long, and about three-quarters of an inch in diameter, but they are, I am told, very mild. The women manage their smoking with astonishing grace, and there is a coquettish charm in the way that they wield their gigantic cheroots, and a delightful pucker of their rosebud mouths as they try to grasp them with their little red lips, which adds to rather than detracts from their charms.[1]
1. Among Pagodas and Fair Ladies, 1896, by Gwendolen Trench Gascoigne pp. 36-37
PE 13
A girl from the Akha Tribe
Unknown, 1920s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
AKHA ARE an indigenous hill tribe who live in small villages at higher elevations in the mountains of Myanmar, Thailand, Laos, and Yunnan Province in China. They made their way from China into Southeast Asia during the early 20th century. The historically documented existence of relations with the Shan prince of Kengtung indicates that Akha were in eastern Burma as early as the 1860s. The Akha have traditionally been semi-nomadic slash-and-burn agriculturalists. The Akha hill tribe people generally live in bamboo houses raised on low wooden stilts in hilly areas. These huts are divided by gender. One side is for women. The other side, occupied by the men, is used as a more public area.
PE 14
A Burmese Beauty 558
Philip Klier, 1903
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
A traditional Burmese umbrella is called hti and is usually made of cotton and bamboo.
In pre-colonial Burma, the hti was an indicator of social status and used exclusively by those who were granted express permission to do so. Use and possession of a white umbrella was limited exclusively to the Burmese king and his chief queen, while the highest officials (wun) and royal princes possessed golden umbrellas and lower-level officials possessed red umbrellas, if any.
The number of umbrellas in one's possession was also an indication of social status, as they were showcased during public processions and put up in prominent places at home. The king was allotted nine white umbrellas, the crown prince eight golden ones, distinguished statesmen and military generals several golden ones, and the other royal personages had numbers corresponding to achievements or the king's regard to them.
Monks and nuns use umbrellas which are painted in a reddish-brownish colour. During colonial times Burmese woman had a choice of different colors and patterns. Pathein in Lower Myanmar is renowned for its colorful cotton umbrellas, which are dubbed "Pathein umbrellas" or "Pathein parasols".
PE 15
A Young Burmese Girl
Unknown c. 1915
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 16
Girl holding a Cigar
Johannes & Co, Mandalay, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 17
Smiling Girl
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
In most old photos - those taken in the 19th century and early 20th century - people aren't smiling. There are several theories trying to explain this phenomenon.
One common explanation for the lack of smiles in old photos is that long exposure times - the time a camera needs to take a picture - made it important for the subject of a picture to stay as still as possible. That way, the picture wouldn't look blurry. But exposure times were much quicker by the 1880s, and the introduction of the Box Brownie and other portable cameras meant that, though slow by today’s digital standards, the exposure was almost instantaneous. Spontaneous smiles were relatively easy to capture by the 1890s, so we must look elsewhere for an explanation of why Victorians still hesitated to smile.
Photography took guidance from pre-existing customs in painting - an art form in which many found grins uncouth and inappropriate for portraiture. Though saints might be depicted with faint smiles, wider smiles were associated with madness, lewdness, loudness, drunkenness, all sorts of states of being that were not particularly decorous. Even Mark Twain supported this argument in one of his writings by saying: “A photograph is a most important document, and there is nothing more damning to go down to posterity than a silly, foolish smile caught and fixed forever.”
PE 18
A Burmese Child
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 19
Burmese Prince & Princess
Philip Klier, 1894
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Prince Kawlin and Princess Mainglon
Princess Mainglon was born in 1867 and was the daughter of King Mindon and Queen Thayasin. In 1894 she married her half-brother Prince Kawlin and had two children before she died in 1898 at the age of just 31. Prince Kalwin was born in 1868 and was the son of King Mindon and Queen Thanatsin Mibaya. In 1902 he remarried yet another half-sister the Princess of Taingda. Prince Kalwin died in 1923 at the age of 55.
PE 20
Burmese Girls 517
Philip Klier, ca 1901
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 21
Two Young Burmese Girls
Unknown, 1910s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 22
Two Burmese Girls
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 23
Two Karen Girls
J. Jackson, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Karen legends refer to a "river of running sand" that ancestors reputedly crossed. Many Karen believe this refers to the Gobi Desert, although they have lived in Myanmar for centuries. The Karen are an ethnolinguistic group of Sino-Tibetan language-speaking peoples. The group as a whole is heterogeneous and disparate as many Karen ethnic groups do not associate or identify with each other culturally or linguistically. These Karen groups reside primarily in Kayin State, southern and southeastern Myanmar. The Karen, approximately five million people, account for approximately seven percent of the Burmese population. During colonial times Baptist missionaries introduced Christianity to Myanmar beginning in 1830, and they were successful in converting many Karen. Christian Karens were favoured by the British colonial authorities and were given opportunities not available to the Burmese ethnic majority, including military recruitment and seats in the legislature.
PE 24
A Kachin Beauty
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The Kachin peoples are a confederation of ethnic groups who inhabit the Kachin Hills in northern Myanmar's Kachin State. American missionaries were the first to heavily interact with Kachin Peoples and they converted large tracts of the population from animism to Christianity.
PE 25
Burmese Monk and Attendant
Philip Klier, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Buddhism is practiced by nearly 90% of the population of Myanmar and is predominantly of the Theravada tradition. Myanmar is the country with the highest proportion of monks in the population and monks are venerated members of Burmese society. Between the ages of ten and sixteen, most young Burmese men and some young women become Buddhist novices and go to live in a monastery. While most young men remain at the monastery for only a short time before returning to the secular life, some become fully ordained monks.
Umbrellas are donated to monks during Buddhist religious holidays. An umbrella helps to shade the bare-shaved head of the monk who goes barefooted when he goes around the village or town under the hot morning sun to accept offerings of food.
PE 26
A Burmese nun
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
c.
PE 27
Monks
Bourne & Shepherd, c. 1875
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 28
A Burmese Man 438
Philip Klier, ca. 1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The man in the photograph is wearing a longyi or Burmese sarong. This particular longyi is called taungshay paso and is comprised of a single piece of voluminous cloth 30 ft. long. As it was unsuited to an urban working environment it was mainly used for special occasions and as ceremonial dress.
PE 29
Monks teaching Children
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The Buddhist monastic school system in Burma is an old education system with a very long history, dated back to the 11th century King Anawrahta period. The schools provided important education needs throughout Burma's history and they were the only source of education for lives ranging from royal princes to unskilled workers. The Buddhist monastic schools helped to give Burma a rate of literacy considerably above those of other East Asian countries in the early 1900s. In 1931, 56% of males over the age of five and 16.5% of females were literate - approximately four times as high as those reported for India at the same time.
PE 30
Portrait of a Young Woman in Mandalay
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 31
Burmese Woman sitting on a wicker chaise
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 32
Burmese Woman with very long Hair
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 33
Young Burmese Dancers
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 34
Burmese Dancer
Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The woman is wearing an elaborate ceremonial costume. This consists of a crown and a hta-mein (wrap-around skirt) worn beneath a richly embroidered garment made of flaring panels. It is very similar to the special ceremonial robes adorned with gold embroidery, sequins, gold, silver and gems reserved for royalty and worn in the late 19th century by members of the Burmese royal family at Mandalay. Costumes usually worn by Burmese dancers originated at the royal court and were based on royal dress.
PE 35
Burmese Dancing Girl
Philip Klier, ca. 1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The girl is wearing an elaborate ceremonial costume. This consists of a crown and a hta-mein (wrap-around skirt) worn beneath a richly embroidered garment made of flaring panels. It is very similar to the special ceremonial robes adorned with gold embroidery, sequins, gold, silver and gems reserved for royalty and worn in the late 19th century by members of the Burmese royal family at Mandalay. Costumes usually worn by Burmese dancers originated at the royal court and were based on royal dress.
PE 36
Burmese Princess
Johannes & Co., Mandalay, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The girl is wearing an elaborate ceremonial costume. This consists of a crown and a hta-mein (wrap-around skirt) worn beneath a richly embroidered garment made of flaring panels. It is very similar to the special ceremonial robes adorned with gold embroidery, sequins, gold, silver and gems reserved for royalty and worn in the late 19th century by members of the Burmese royal family at Mandalay. As the costumes usually worn by Burmese dancers originated at the royal court and were based on royal dress, it is possible that she may be a dancing girl.
PE 37
The belle of Mandalay
Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 38
Burmese Lady
Beato, 1895
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 39
Burmese Mother and Child
Beato, 1895
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 40
Susannah, wife of the artist
Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 41
Bamar Woman with a large Cheroot
Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 42
An Interpreter's Wife
Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 43
A Beauty of the Village
Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 44
Portrait Burmese Silk Seller
Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 45
Portrait of a Burmese Woman
Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 46
Mango Girl
Unknown
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 47
Scripture Copying on Palm Leaves
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Palm-leaf manuscripts are manuscripts made out of dried palm leaves. Palm leaves were used as writing materials in Indian subcontinent and in Southeast Asia dating back to the 5th century BCE and possibly much earlier. Their use began in South Asia and spread elsewhere, as texts on dried and smoke treated palm leaves of the Palmyra palm. The text in palm leaf manuscripts was inscribed with a knife pen on rectangular cut and cured palm leaf sheets; colourings were then applied to the surface and wiped off, leaving the ink in the incised grooves.
PE 48
Burmese woman with Fan & Cigar
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 49
Burmese Man with Servant
Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 50
Portrait of a Burmese Lady
Watts & Skeen 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 51
Burmese Village Girl
Watts & Skeen, c1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 52
A Wuntho Beauty
Felice Beato, ca. 1891
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 53
Burmese Maiden, Moulmein
Klier, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 54
King Thibaw's Prime Minister
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 55
Burmese Woman
Watts & Skeen, c. 1895
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 56
A Burmese Lady with a Cheerot
Unknown, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 57
A Burmese Lady
Johannes & Co, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 58
A Burmese Girl & Man
Klier, c. 1900
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 59
Burmese Lady
Klier, c. 1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 60
Burmese Lady and Servant
Klier, c. 1884
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 61
Study in Tattooing
Felice Beato, 1889
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The tattoos on the thighs of the man were painted white so they would show more clearly in the photograph.
PE 62
Study in Tattooing
[Mother & Son]
Felice Beato, 1889
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
They say that the pain of the tattooing process is less trying than the intolerable itching that follows, which lasts for several days. When boys are to be tattooed they are generally given a certain amount of opium to deaden the pain, and, during the period that follows, their friends sit in a circle round them, giving the wretched boy such advice as this: If you scratch yourself you will spoil the beautiful patterns on your legs. You wriggle too much, people will think that you are only a little boy. Remember that if you spoil the tattooing no girls will admire you. Tattooing on the legs is chiefly practised as a decoration: it is a sign of manhood; no girl recognises the fact that a youth is a man of a marriageable age until his legs can show the blue markings. Designs, added from time to time on the back or arms, charms to ward off wounds or accidents. Love-charms are tattooed on the arms or on the tip of the tongue.
PE 63
Burmese Coolies in full dress
Felice Beato, 1889
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 64
Burmese Man with Tattoos
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 65
A Burmese Fisherman
Philipp Klier, c. 1902
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 66
A Shan man with elaborate Tattoos
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 67
Shan Warrior
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The Shan people, also known as the Dai or Tai Yai, are a Tai ethnic group of Southeast Asia. The Tai-Shan people are believed to have migrated from Yunnan in China. The word Shan is derived from the term Siam. The Shan are the biggest minority of Burma (Myanmar) and primarily live in the Shan State of this country, but also inhabit parts of Mandalay Region, Kachin State, and Kayin State, and in adjacent regions of China. The capital of Shan State is Taunggyi, the fifth-largest city in Myanmar with about 390,000 people. Other major cities include Thibaw (Hsipaw), Lashio, Kengtung, and Tachileik.
PE 68
Shan Girl
Felice Beato, 1889
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 69
Shan Girl
Felice Beato, 1889
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 70
Shan Chief 550
Klier, c. 1902
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Prince (or Sawbwa) of Yawnghwe (NyaungShwe)
Sir Saw Maung (Reigned from 1897-1926)
The formal and the ritual name of the Yawnghew was Kambosarattha, in short term Kanbawza. The rulers full titular style was Kambawsarahta Thiri Pawaramahawuntha Thudamaraza.
PE 71
A Shan
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The Shan people, also known as the Dai or Tai Yai, are a Tai ethnic group of Southeast Asia. The Tai-Shan people are believed to have migrated from Yunnan in China. The word Shan is derived from the term Siam. The Shan are the biggest minority of Burma (Myanmar) and primarily live in the Shan State of this country, but also inhabit parts of Mandalay Region, Kachin State, and Kayin State, and in adjacent regions of China. The capital of Shan State is Taunggyi, the fifth-largest city in Myanmar with about 390,000 people. Other major cities include Thibaw (Hsipaw), Lashio, Kengtung, and Tachileik.
PE 72
Shans
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 73
Shan Chiefs at the Delhi Durbar
Bourne & Shepherd, 1903
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Front row from left: Sawbwa of Mong Pawn, Sawbwa of Kengtung, Sawbwa of Mong Nat, Sawbwa of Yawg Hwe
Back row from left: Hsamong Ham Myoza, Sawbwa of South Hsenwi, Sawbwa of Gantarawadi
PE 74
Shan Chiefs with their wives
at the Delhi Durbar
Bourne & Shepherd, 1903
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
From left: Sawbwa and Mahadevi of Yawg Hwe, Mahadevi and Sawbwa of South Hsenwi
PE 75
Shan Princess with attendants
at the Delhi Durbar
Bourne & Shepherd, 1903
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Centre left: Mahadevi of Yawg Hwe
Centre right: Mahadevi of South Hsenwi
PE 76
Sawbwa's of Wuntho's Wife & Family
Felice Beato, ca. 1891
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 77
A Burmese Family
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 78
Burmese Family Portrait
Watts & Skeen, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 79
A Burmese Lady with Cigar
J. Jackson, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 80
A Burmese Lady with Cigar
J. Jackson, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 81
Two Burmese Women
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 82
Burmese Girl
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 83
Burmese Beauty Smoking a Cigar
Watts & Skeen, c. 1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 84
Two Burmese Women
Watts & Skeen, c. 1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 85
Burmese Woman with Fan
Unknown, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 86
Two Burmese Women
Unknown, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 87
Studio portrait of Burmese Women
J. Jackson, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 88
A Burmese girl dressing her hair
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 89
Three women grooming their hair
Johannes & Co., Mandalay, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 90
Burmese Performers
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 91
Fruit Sellers
Klier, c. 1877
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 92
Fruit Sellers
Klier, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 93
Fruit Sellers
Klier, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 94
Mango Sellers
Unknown, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 95
Durian Sellers
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 96
Two Burmese Girls with Durians
Klier, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 97
A Young Burmese Beauty
Watts & Skeen, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 98
A Burmese Lady 562
Klier, 1903
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 99
A distinguished Burmese Lady
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
The lady in the picture is Pingtha Khin Khin. Her Father was Maung Maung Pyoung the Duke of Pingtha. He was the younger brother of Maung Maung Toke, head of the Royal Guards.
PE 100
On the Seashore
Unknwon, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 101
At the Pagoda
Klier, ca 1903
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 102
Burmese Servant
Lambert & Co., 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 103
Priest with Kachin Sword
Sherman, 1911
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 104
Man of the Kachin Tribe, Upper Burma
Unknown,1908
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 105
Kachin Woman in her Gala Dress
Unknown
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 106
Burmese Men, Tonghoo
J. Jackson, c 1878
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 107
Native Aristocrats, Tonghoo
J. Jackson, c 1878
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 108
Burmese Boys, Tonghoo
J. Jackson, c 1878
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 109
A Kachin Lady
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 110
Group of Kachins
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 111
Kachin Warriors
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 112
Kachin Women
Felice Beato, 1889
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 113
Kachin Woman
Watts & Skeen, ca 1900
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 114
Kachins
Watts & Skeen, ca 1900
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 115
A group of Kachin men and women
Watts & Skeen, ca 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 116
Chin Girls at Pakokku
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 117
Nagas
Unknown
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 118
Burmese Gentleman
Felice Beato, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 119
Young Burmese Princes & Princesses
Felice Beato, c1886
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 120
Burmese Children
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 121
Burmese woman holding a cigar
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 122
Burmese Princesses
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 123
Burmese Dancing Gilr
Unknown, 1920s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 124
Burmese Gentlemen & Servants
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 125
A Karen Girl
Watts & Skeen c1894
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Karen legends refer to a "river of running sand" that ancestors reputedly crossed. Many Karen believe this refers to the Gobi Desert, although they have lived in Myanmar for centuries. The Karen are an ethnolinguistic group of Sino-Tibetan language-speaking peoples. The group as a whole is heterogeneous and disparate as many Karen ethnic groups do not associate or identify with each other culturally or linguistically. These Karen groups reside primarily in Kayin State, southern and southeastern Myanmar. The Karen, approximately five million people, account for approximately seven percent of the Burmese population. During colonial times Baptist missionaries introduced Christianity to Myanmar beginning in 1830, and they were successful in converting many Karen.
PE 126
Burmese Carpenters
Watts & Skeen, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 127
Young Burmese Woman
Klier, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 128
Studio Portrait of Bhamo Women
Klier, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 129
Studio Portrait of Bhamo Women
Klier, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 130
Burmese Man and Wife
Klier, c. 1880
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 131
Group of three Burmese Dancers
Klier, c. 1877
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 132
Burmese Lady with Cigar
Klier, 1870s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 133
Burmese Women of Wealth
Klier, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 134
Dancing Girls
Klier, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 135
Shan Prince in Kengtung
Unknown, c. 1900
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 136
Studio Portrait of a Burmese Woman
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 137
Studio Portrait of a Burmese Woman
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 138
Studio Portrait of a Burmese Woman
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 139
Studio Portrait of a Burmese Woman
with Hand Fan
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 140
Studio Portrait of a Burmese Woman
J. Jackson, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 141
Studio Portrait of a Burmese Woman
with Cigar
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 142
Two Karen Ladies,
one in Burmese Dress
the other one in traditional dress.
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 143
Three Burmese Ladies from Prome (now Pyay)
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 144
A Burmese Swell & Attendants
J. Jackson, 1860s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 145
Burmese Minister in Court Dress
J. Jackson, c. 1868
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 146
Burmese Embassy in London
Unknown, 1871
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Kinwun Mingyi was Chief Minister and led two missions to Europe. The first, in March 1871, was to England and its purpose was to obtain Burma's recognition as a fully sovereign state, notwithstanding the fact that Lower Burma was already in British hands. Failing to obtain that recognition from England, King Mindon ordered Kinwun Mingyi and his party to cross over to France to enter into a commercial treaty with the Republic. This move was intended as a hint to the British government that Burma had other options. Presumably, it was a similar strategy that worked well for the Kingdom of Siam (now Thailand). It successfully played the French off against the British and as a result has never been colonized. Unfortunately, that strategy didn't work out for Burma.
Seated from left: Royal Secretary Naymyo Mindin Thurayn Maung Cheint, the Pangyet Wundauk Maha Minkyaw Raza Maung Shwe O, Chief Minister the Kinwun Mingyi, the Pandee Wundauk Maha Minhla Kyawhtin Maung Shwe Pin. Standing in the back from left: Edmund Jones, Burmese Consul at Rangoon, and Major A.R. McMahon, British Agent at Mandalay.
PE 147
Burmese Embassy in London
Unknown, 1871
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 148
Burmese Minister in Court Dress
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 149
Hlay Thin Atwin Wun
(Secretary of Navy)
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 150
Kin Wun Mingyee, ex-Prime Minister
Johannes & Co. 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Kinwun Mingyi U Kaung (3 Feb 1822 – 30 Jun 1908), Duke of Lekaing was a Burmese chief minister during the reigns of King Mindon and Thibaw and later a colonial civil servant. In 1871, he led the first Burmese diplomatic group to Europe to assert Burmese sovereignty. In preparation for the trip, he rose to the rank of Wungyi, the chief minister.
PE 151
Studio Portrait of a Minister in Court Dress
J. Jackson, c 1868
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 152
Studio Portrait of a Minister in Court Dress
J. Jackson, c 1868
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 153
Prime Minister Officer
of the royal Burmese army.
J. Jackson, c 1868
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 154
A Burmese Lady of Rank at Home
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 155
Chinese Merchant & Wife [in Burma]
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 156
A couple of Burmese young ladies
Hooper, 1885
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 157
Burmese Family
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 158
Burmese Girl
Felice Beato, 1895
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
George Orwell, a pseudonym of Eric Arthur Blair, spent five years from 1922 to 1927 as a police officer in the Indian Imperial Police Force in Burma (now Myanmar). Burmese Days was his first novel, published in 1934. It is a harsh portrayal of colonial society. Over time the book was published with countless different cover designs. This photograph was on one of them.
PE 159
King Theebaw, Queen Soopy-a-lat
and her sister
Unknown, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 160
King Theebaw
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 161
King Theebaw &
Queen Soopy-a-lat
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 162
Queen Soopy-a-lat
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 163
Group of Women
Felice Beato, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 164
Cigar rolling
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 165
A Cigar Shop in B Road
Hooper, 1885
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 166
A Lamp Shop
Unknown, 1902
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Note the Cadbury Chocolate sign on the top left and the Dawson's Boots & Shoes sign on the right side.
PE 167
Burmese Board Game
Unknown, 1902
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
The board game is original from India and called Pachisi. The Burmese call it Kyway Pyit literally meaning shell throw. Six cowrie shells are used as dices. How the shells land, either facing up or down, determines the number of spaces the player may move. The player who moves his or her token around the perimeter of the board and back to their home square first wins.
PE 168
A Karen Girl
Unknown, 1902
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
Karen legends refer to a "river of running sand" that ancestors reputedly crossed. Many Karen believe this refers to the Gobi Desert, although they have lived in Myanmar for centuries. The Karen are an ethnolinguistic group of Sino-Tibetan language-speaking peoples. The group as a whole is heterogeneous and disparate as many Karen ethnic groups do not associate or identify with each other culturally or linguistically. These Karen groups reside primarily in Kayin State, southern and southeastern Myanmar. The Karen, approximately five million people, account for approximately seven percent of the Burmese population. During colonial times Baptist missionaries introduced Christianity to Myanmar beginning in 1830, and they were successful in converting many Karen.
PE 169
Mother with Twins
Ferrars, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 170
Mother and Baby in Rattan Cradle
Ferrars, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 171
Mother with Child in Wooden Cradle
Ferrars, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 172
Fire Balloons at Thadindyut
Ferrars, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 173
Market Stall with Umbrella
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 174
Fishmongers
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 175
Lacquerware Manufacture
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 176
Karen Liquor Still
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 177
Belle at her Toilet
Ferrars, 1890s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 178
Karen woman weaving
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 179
Old Sandal Maker
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 180
Preparing Offerings
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 181
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Sittuyin (စစ်တုရင်), also known as Burmese chess, is a strategy board game created in Burma. It is a direct offspring of the Indian game of chaturanga, which arrived in Myanmar in the 8th century thus it is part of the same family of games such as chess, and shogi. Sit is the modern Burmese word for army or war ; the word sittuyin can be translated as representation of the four characteristics of army—chariot, elephant, cavalry and infantry. Pieces are commonly made of wood, and sometimes of ivory. The height of the pieces varies by class. The official colors of the pieces are red and black.
PE 182
Carrying the Panther
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 183
Chinlon Game
Ferrars, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Chinlone, also known as cane ball, is the traditional, national sport of Burma. It is non-competitive, with typically six people playing together as one team. The ball used is normally made from handwoven rattan
PE 184
Klier, 1870s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Silk manufacturing is one of the principal industries of Upper Burmah, and nearly every house in a village has some member of the family who works the loom, in some houses there being as many as 3 or 4 looms.
Boys often work on the loom, men but seldom. The silk generally is made in strips, varying in length according as to whether they are required for men or women’s garments.
The richer classes are alone able to afford native silks, the poorer either wear the same style of garment, made in native cloth, or silk obtained from Europe, copied from Burmese patterns.
All are fond of bright colours. The commonest colours are green, yellow, orange, different shades of red, and light blue; black and dark blue being only in favour among the Shans.
The lower garment worn by the women, about 34 x 24 inches, takes from 20 days to a month to make.
The silk is made in intricate patterns, in a variety of colours, and this is often embroidered upon in loose silk and silver thread.
The weaving machine is somewhat like the old handloom, occasionally seen in out of the way parts of England.
The operators are chiefly young girls, who, while at their work, love to discuss village gossip, or talk to admiring swains.
The better description of silk thread is brought from China, and not grown in Burmah.
PE 185
Burmese Weavers
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 186
Burmese Weavers
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 187
Burmese Football (Chinlon)
Watts & Skeen, c. 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 188
Tattooing
Watts & Skeen, c. 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 189
Snake charmers [in Burma]
Watts & Skeen, c. 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 190
Burmese Ladies from Shwebo
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 191
Burmese Women with offering bowls
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 192
Hairy Family from Mandalay
Unknown, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
A Burmese family with congenital hypertrichosis lanuginosa, sometimes referred to as werewolf syndrome, had an eventful history in the nineteenth century. The earlier members of this family were employed at the court of Ava, but the later ones spent their lives in show business, being widely exhibited for money in the 1880s. Their extraordinary hairiness attracted much curiosity, and they were photographed several times.
Congenital Hypertrichsis Lanuginosa is transmitted as an autosomal dominant and consequently, there is a 50% chance that the children of those affected will be as hairy as their parent. The hair covers the entire body except the feet and palms. Associated anomalies are a shortage of teeth and, occasionally, mental retardation. The condition is extremely rare, only about 50 cases worldwide have been recorded
The first western records of the hairy Burmese family were written by John Crawfurd who, in 1826, led a mission of the Governor-General of India, to visit the court of the King of Ava. He described meeting a 30-year-old hairy man named Shwe Maung. At the age of 5, he had been given to the King by the local chief of his district and, since then, had lived within the palace as a curiosity and court entertainer. Shwe Maung stated that his parents were perfectly normal and that none of his tribesmen was hairy. When he was 22, having attained puberty only 2 years previously, a wife was chosen for him by the King from the beautiful women in his retinue. There were four children, all girls, of this union. Two of them died at an early age, and a third was the very image of her mother. Only one child was abnormal, a girl named Ma Phon.
In 1855, a second mission visited Ava, this time reported by Captain Henry Yule, who described Ma Phon, now 31 years of age, married to a normal Burmese and mother of two boys. Her father had been murdered by robbers some years previously, and she had been brought up in the King's household. The story told of her marriage arranged by the King who had offered a reward to any man who was willing to marry her. Finally, an individual who was bold or avaricious enough ventured forth.
In 1885, the British army annexed Upper Burma. King Theebaw and his family were exiled. The hairy family managed to escape into a forest. An Italian officer, Captain Paperno, who had been a military advisor to the Burmese court, was sent out to rescue them. When the Italian found them, he was astounded by their extraordinary appearance. He suggested that the hairy Burmese should make a tour of Europe, being exhibited for money. Together with a fellow countryman, Mr Farini, the Captain, who was himself without employment after the gutting of the Burmese court, decided to act as their impresario. Before the hairy Burmese left for Europe, Maphoon’s daughter Ma Me died at the age of 25.
During the summer of 1886, the family appeared at the Egyptian Hall, Piccadilly, where they were seen by Mr J J Weirs. He described Ma Phon as a blind old woman, lively and full of fun, and an inveterate chewer of betel despite her few teeth.
From London the Burmese went on to Paris, where they appeared at the Folies-Bergere. The hairy Burmese even went to the USA during their world tour. In 1887 the Barnum circus advertised them as The Sacred Hairy Family of Burma under the slogan ‘Touch them for luck!’
Ma Phon died in Washington in 1888 at the age of 64. We don’t know what happened to Maung Po Set he might have stayed on in America or returned to Burma and died in obscurity.
PE 193
Hairy Family from Mandalay
Bourne & Shepherd, 1874
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
In 1875 this photograph appeared in an article in the French journal La Nature; the hairy family was discussed before the Anthropological Society of Paris in the same year. Care seems to have been taken to pose all three so that the hands can be seen, perhaps to demonstrate that the hands and feet were the only areas of the body free from long hair.
PE 194
Hairy Family from Mandalay
Johannes & Co, c. 1885
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 195
Hairy Family from Mandalay
Clement Williams, 1861
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
This is the first known photograph of the Hairy Family. It was taken by Clement Williams around 1861. Williams was an Assistant Surgeon who served with 68th Regiment in Burma. In 1860 he went on leave to Mandalay and acquired some influence at court after completing several cataract operations.
PE 196
Burmese Priest
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 197
Burmese Monk
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 198
Young Burmese Monk
J. Jackson, 1870s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 199
A Group of Monks
Hooper, 1885
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Buddhism is practiced by nearly 90% of the population of Myanmar and is predominantly of the Theravada tradition. Myanmar is the country with the highest proportion of monks in the population and monks are venerated members of Burmese society. Between the ages of ten and sixteen, most young Burmese men and some young women become Buddhist novices and go to live in a monastery. While most young men remain at the monastery for only a short time before returning to the secular life, some become fully ordained monks.
PE 200
Burmese Monks collecting Alms 530
Klier, c1900
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 201
Burmese Priests 412
Klier, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 202
Monks with Mendicant Pots
Hooper, 1885
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 203
Monks returning from
begging their daily food
Felice Beato, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 204
A novice requesting admittance
to the priesthood
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 205
A Monk preaching
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 206
Burmese Bhuddist Priests 413
Klier, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 207
Group of Burmese Men
J. Jackson, 1868
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 208
Burmese Fortune Teller
Philipp Klier, c. 1890
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Although Myanmar is majorly Buddhist, many people believe in fortune-telling. Buddha preached that each individual’s destiny is shaped by the good and bad deeds they did in their previous lives. In this context, many Buddhists try to understand what lies ahead in the future with the help of fortune tellers. They are highly respected in Myanmar. being consulted daily by many people about their lives, naming a baby, buying and selling real estate, choosing a subject in university, and many more. They are even respected by the government and military leaders to the point where the Military Dictator General Ne Win would switch the traffic from driving on the left side to driving on the right side overnight and introduce 45 Kyats and 90 Kyats banknotes in Myanmar, from the advice of the fortune tellers. Former Senior General Than Shwe also constructed a new capital city, Naypyitaw on the exact time and date in 2005 based on the advice of his astrologer.
PE 209
Fortune Teller
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 210
Fortune Teller
Godfrey Dickson Tanner, c.1910
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 211
Commander in Chief of the
Burmese Army in Court Dress
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 212
King Theebaw's Prime Minister
with his Family
Klier, 1870s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 213
Burmese in Festival Dress 432
Klier, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 214
A group of Kachins
Hooper, 1885
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 215
Group of Shans
Hooper, 1885
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 216
Women rolling Cigars
Unknown, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 217
A party of Burmese, from Sagaing
Felice Beato, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 218
A Burmese Family
Felice Beato, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 219
Woman Carrying Water
Felice Beato, 1880s
Photo: 8.25" x 11 (21 x 27.5 cm)
Frame: 14" x 16.5" (36 x 42 cm)
Framed: USD 50
Unframed: USD 20
PE 220
Burmese women bathing in the
Irrawaddy near Ava
Felice Beato, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 221
Wood Carvers
Unknown,1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 222
The Way We Learnt Burmese
Surgeon A.G.E. Newland, 1891
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 223
Four Generations
Felice Beato, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 224
Women grooming their hair
Felice Beato, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 225
Burmese Pway danced before
H.R.H. Prince Albert Victor
Felice Beato, 1889
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 226
Burmese Pway danced before
H.R.H. Prince Albert Victor
Felice Beato, 1889
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 227
Burmese Pway danced before
H.R.H. Prince Albert Victor at Mandalay
Felice Beato, 1889
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 228
A Zat Pwe
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 229
Burmese village Poay 447
Klier, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 230
View of a Pwe in progress
Klier, 1877
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 231
View of a Pwe
Klier, 1877
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 232
Burmese Zat Poay
Klier, 1880s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
A poay or pwe is a form of traditional Burmese performance combining music, dance and drama which was staged during pagoda festivals and by travelling troupes in rural villages.
This is a view of dancers and musicians posed in a clearing. The musicians play a variety of percussion and wind instruments which typically make up an outdoor ensemble. The circular frames in which two musicians sit are drum and gong instruments.
PE 233
Hsaing, Burmese musicians
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 234
Burmese musicians
at the Shwe Dagon Pagoda
Klier, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 235
Burmese musicians
Bourne & Shepherd, 1874
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Burmese musical instruments include the Hne (a kind of oboe), the Pat Waing (the big drum circle), and the Kyi Waing, (the small gong circle). These instruments are played on a musical scale consisting of seven tones, each associated with an animal that is said to be the producer of the tone. Each tone can be raised, lowered, or played naturally, resulting in twenty-one combinations. For example, the pat waing drum circle consists of twenty-one drums, one tuned to each tone in each possible combination. Similarly, the Kyi Waing, a twenty-one-gong instrument is struck with a knobbed stick placed alongside the pat waing.
PE 236
Burmese musicians
Johannes & Co., 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
The Burmese pattala (xylophone), consists of 24 bamboo slats suspended over a boat-shaped resonating chamber. It is played with two padded mallets. The pattala is tuned similarly to the diatonic scale.
The Burmese saung (harp) is central to the musical traditions of Myanmar, with a history that dates back 1,300 years. This harp form was probably introduced from the southern coast of India sometime before the sixth century. In ancient sculpture, it is often connected with the Buddha, who appears as a harpist in certain of his incarnations, and the instrument’s neck is meant to resemble the leaf of the Bodhi tree under which the Buddha is said to have been sitting when he attained enlightenment. During the time of the Burmese monarchs, harp music was extremely popular at court.
The Bu
PE 237
Burmese musicians at a Puppet Show
Klier, 1877
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
part human part PE 238
A Burmese Puppet Show 531
Klier, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
Burmese puppet shows (yokthe pwe) were a popular entertainment under the Burmese monarchy and possibly date back to the Pagan kingdom of the 11th century. Historical sources show that puppet plays have certainly been performed since the early 15th century, and rapidly grew in prestige and popularity in the 17th century. By the 18th century, puppet shows were common in ordinary Burmese circles and were seen as a means of educating people in history, religion, culture, and everyday life.
The string puppets used in Burma (Myanmar) are made of wood, ideally Yamane wood which is light and soft. The standard repertoire involves a troupe of 28 puppets of characters comprising a nat (deva), sakka (ruler of the Tavatimsa heaven), zawgyi (alchemist), a king and queen, four ministers, a prince and princess, a hermit, a pageboy, punna (brahmin), bhilu (ogre), nat kadaw (spirit medium), two prince regents, a handmaiden, and animals including tiger, horse, elephant, monkey, parrot, garuda (mythical bird, in Burmese galon), naga (serpent), kinnara and kinnari (part human part bird). Each puppet has its own style of dancing, with accompanying song and music.
The marionette stage in the photo is built of bamboo. A group of some thirty people are seated on bamboo mats spread on the bare ground, watching the performance. The puppets are arranged on the stage, and in front is the saing (puppet troupe orchestra). At one side of the stage is a throne, and puppets such as the king and queen, the prince and princess, the hermit, the minister, the page boy, and the elephant can be seen on the stage. The hermit puppet is depicted as a religious image and is treated with respect by puppeteers. The scene being performed is set at the royal court and involves the king, queen, and the minister.
PE 239
Burmese actors, 'Yamah pwe'
Watts & Skeen, 1895
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
PE 240
A Burmese Audience
Felice Beato, 1890s
Photo: 11" x 8.25" (27.5 x 21 cm)
Frame: 16.5" x 14" (42 x 36 cm)
Framed: USD 50
Unframed: USD 20
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