I separate the Crinoline period from the others for my own sanity. In reality, the crinoline time frame could also be counted along with the hoop period, because the shapes are very similar.
There are noticeable (to me at least!) changes in the shape of the bodices, the fashions in sleeves, the placement of waistlines, and the general effect of the skirts, so I don't. The term "crinoline" actually refers to a type of very stiff horsehair braid, which gave its name to a type of stiff skirt supporting petticoat. After awhile, women wore so many of these stiff petticoats to effect an ever-increasing fashionable skirt diameter, that they began to be well and truly encumbered. Shortly thereafter, some quick thinking person created steel-banded hoopskirts, which changed the profile of not the general shape of fashion. Crinoline skirts, supported only with petticoats and not with steel, give a much fuller, unmoving, and bell-shaped profile. Hoopskirts widen the silhouette, but also change the way the wearer moves in it.
I have one crinoline-era gown, which I made for the Columbia Diggins living history event, recreating approximately 1849. You can see a distinct post-Romantic influence in the gown because the sleeves are still very full, even if they're no longer pleated to flatten and lower the line of the shoulder.
See it here.