This week's assignment focuses on designing & fabricating cool glasses for personal use. Inspired by my love for the sun, moon, stars & sky in general, I decided to create glasses in the shape of sun & moon.
This design not only reflects my personal passion but also adds a playful & artistic touch to the project, making it unique and aligned with my interests.
For this assignment, I started by designing both the front frame & side arms of my glasses using Fusion 360.
Once the design for the front frame was completed, I exported it to LaserCAD to prepare the cut & Scan lines for fabrication, Then a laser cutter will be used to create the frame from 3mm plywood.
For the side arms, I finalized the 3D design in Fusion 360 & imported it into Ultimaker Cura for slicing and making final adjustments to the settings. This step was crucial to ensure optimal orientation and minimal material usage. I'll use a 3D printer with black PLA filament to fabricate the arms.
The design process began with research where I first searched for the real dimensions of adult glasses to ensure my design would be the correct size for practical use. Once I gathered the dimensions, I applied them to my design in Fusion 360 to create a well-fitting front frame.
For the sun side, I sketched a small triangle and a larger triangle, then used the Circular Pattern feature to distribute the triangles evenly around a circle. After completing the pattern, I trimmed a portion of it to give the sun its final appearance.
For the moon side, I started by creating the lens and added a smaller circle inside it to represent the waning crescent moon. I then trimmed the overlapping part of the circle to achieve the desired shape. Two holes were added to the design, one on each side, for M3 screws to attach the side arms. The completed sketch was extruded into a 2.5D model and exported as a DXF file for laser cutting.
The part joining the two glasses sides (the middle piece) was created using the Spline tool to smoothly connect the sun and moon sides. This gave the frame a more fluid, artistic look, aligning with my vision for the design.
The side arms started with a 2D sketch of only one side , which was then extruded to form the basic shape. For the curvature at the end of the arms, I used the Spline tool again to define a smooth curve that would comfortably fit behind the ears. The arms were then designed as 3D models, incorporating features like fillets and an L-shaped extension for attachment. After I finished the whole arm I made a copy of it & then rotated it to fit the other side of the ear. These models were exported as STL files and prepared in Ultimaker Cura. In Cura, I adjusted the orientation and fine-tuned slicing settings to ensure efficient material usage and adherence to time constraints.
These steps ensured the front frame and side arms were accurately prepared for fabrication using the laser cutter and 3D printer, resulting in a functional and aesthetically pleasing final product.
After completing the design for the front frame in Fusion 360, I exported the file as a DXF format.
The DXF file was then imported into LaserCAD to configure the cutting and scanning settings.
I specified different black color for cut lines and blue color for scan areas. I configured the Malky laser cutter with the following settings:
Cutting: Speed = 40, Power = 55
Speed cutting: Speed = 300, Power = 15
Power and speed settings were fine-tuned to suit the chosen material (wood).
The material (a 3 mm plywood sheet) was securely placed on the laser cutter’s bed and aligned using the machine’s coordinate system.
A test cut was performed on a small section of the material to confirm the settings. Once validated, the full cutting process was initiated.
The laser cutter precisely executed the design, cutting out the frame shape and scanning details, including the holes for attaching the arms. Afterward, the finished part was carefully removed and any leftover wood residue was cleaned off.
The side arm designs were exported as STL files from Fusion 360 and imported into Ultimaker Cura for slicing.
In Cura, I adjusted the orientation of the arms to minimize the use of supports, ensuring smooth curves and optimal strength.
Slicing parameters were set, including a layer height of 0.2 mm, 20% infill for durability, and a print speed of 60 mm/s.
The final sliced file estimated the printing time and material usage.
The PLA filament was loaded into the 3D printer and the nozzle and bed were preheated to the appropriate temperatures 215°C .
The arms were printed layer by layer, with the printer creating smooth curves, including the spline-designed ends and the attachment points for the screws.
Once the printing was complete, the arms were carefully removed from the build plate, and minor clean-up was done to remove any excess filament or support material.
To enhance the aesthetic appeal and emphasize the sun-and-moon theme, I colored the glasses:
The black PLA filament used for the side arms naturally represented the dark sky.
I painted half of the moon and half of the sun black, along with the spline that connects them, to symbolize the night sky.
This contrast made the design more visually striking and clearly defined, bringing the celestial theme to life.
With both the front frame and side arms fabricated, I assembled the parts using M3 screws and nuts.
The holes in the frame and the arms were perfectly aligned, allowing for a secure connection.
The final result was a pair of creative and functional glasses that seamlessly combined the sun and moon theme, with added coloring for definition and fabricated through an efficient and detailed implementation process.
During the assignment, I actively sought feedback and support to refine my design and overcome challenges I faced, particularly in the arms' design and the moon's representation.
Feedback on the Glasses Design
I initially struggled with designing the side arms. Feeling stuck, I asked my sister Nouran for help. Her insights and guidance simplified the process, and with her support, I was able to complete the design.
Nouran also played a significant role in improving the moon design. Initially, I had modeled it as a full moon, but it lacked clarity as a moon. She suggested transforming it into a waning crescent moon by overlapping and trimming circles, which made the design more recognizable and aligned with my celestial theme
2. How My Peers Helped Me
A peer suggested using black filament to represent the night sky, which inspired me to extend the coloring to the spline connecting the sun and moon for a cohesive look.
When I encountered difficulties, I primarily turned to my sister Nouran for support. Her guidance was invaluable, especially when I struggled with the design of the side arms. She also helped refine the crescent moon design, which was a key part of my glasses' aesthetic.
I also sought feedback from my husband, who provided constructive insights on the overall design and aesthetic balance of the glasses. His perspective helped me fine-tune some details.
Research and Pausing Points:
Before moving forward with the arms' design, I took a step back to research the standard dimensions of adult glasses to ensure the proportions were accurate. This research was crucial to making the glasses both functional and visually appealing.
Mistakes and Pitfalls to Avoid:
Thin Spline Issue: One mistake I made was designing the spline (the connecting piece between the sun and moon) too thin initially. This caused structural weaknesses and made the connection less visually distinct. I had to go back and make it thicker to enhance both the design's durability and clarity.
The skills and knowledge I acquired this week will be instrumental in my final project. Here are a few ways I plan to apply them:
Proficiency in Fusion 360:
Designing the glasses gave me deeper insights into using features like circular patterns, splines, and trimming tools. These skills will allow me to create complex and detailed 2D and 3D designs efficiently in my final project.
My ability to integrate real-world dimensions into designs ensures the final product is both functional and aesthetically appealing.
Preparing Files for Fabrication:
I gained hands-on experience in exporting designs from Fusion 360 and preparing them for specific machines using software like LaserCAD and Ultimaker Cura. This knowledge ensures my designs will be production-ready for laser cutting and 3D printing in the final project.
Material and Machine Understanding:
Understanding how to optimize laser cutting for wood and fine-tune 3D printer settings for PLA filament (e.g., orientation, support usage, and material efficiency) will save time and resources in future implementations.
Coloring the fabricated parts to enhance the design’s appearance has also inspired me to explore more creative finishing techniques for my final project.
The coolest thing I learned this week was how to combine laser cutting and 3D printing into a single cohesive project. I applied this knowledge by creating a robot bookmark, where the head was 3D printed, and the body was laser cut. This taught me how to integrate different fabrication techniques and materials into one design seamlessly.
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