Overall features
Dynamics
Mostly mezzo forte except the chorus, which is forte
Instruments
Lead male singer (tenor) & backing vocals
Synthesizers
Lead guitar/Bass guitar
Drum kit
Other African percussions (conga, agogo bells, shakers, etc.)
Tempo & Time Signature
Tempo: Moderately fast
Time signature is 2/2 (split common time) throughout.
Rhythm
Ostinato rhythms, consisting almost totally of quavers
use of syncopation
Texture
Melody & accompaniment
Style
Pop-Rock
Songwriters: David Paich &
Jeff Porcaro
INTRODUCTION (Key of B Major)
Begins with African percussion instruments
Riff A & Riff B
RIFF A & B (features)
Syncopated rhythmic pattern Ostinato pattern using notes from
Playing 3 chords (A, G#m, C#m) E pentatonic scale (E F# G# B C#)
Diatonic harmony The melodic line is parallel and perfect 4th apart
VERSE 1 (Key of B Major)
Melody
Unusual 9 bar phrases
Riff A plays at the end of Phrases 1-3
Phrase 4 "Hurry boy she's waiting there for you" octave higher than the first phrase
Narrow singing range
Low pitch and mainly conjunct
Harmony
Harmonic rhythm - chords change once in each bar
Chords (below)
Verse 1 chords
*B/F# - second inversion of B Major *A/E - second inversion of A major
CHORUS 1&2 (Key of A Major)
Backing vocals thicken texture with every new line
The chorus has now modulated and is in A major
Melody range is narrow only using 2 notes
Melisma on the word "had"
Melody is using syncopation
VERSE 2 (Key of B Major)
Flute like instrument playing counter melody
Verse 2 is shorter
Slight melodic change in bar 33, singer leaps on "deep in"
Narrow singing range
Backing vocals present
INSTRUMENTAL (Key of B Major)
Accompanying music is the same as the verse
Vocals disappear for most of it
Consists of 2 phrases - 9 bars and 8 bars
Melody is based on RIFF B
Phrase 1 descends and then ascends
Phrase 2 has grace notes (acciaccatura)
CHORUS 3 (Key of A Major)
New electric guitar riff heard in the last bar of each phrase
“I bless the rains down in Africa” (phrase 3) - is heard five times making this section longer than before
During phrase 3, a solo vocal improvisation is heard
OUTRO (Key of B Major)
This section repeats the music stated during the introduction.
On the recording, the music repeats continually and the texture is gradually reduced each time
By the end the music is reduced to only the rhythm track heard at the beginning of the song accompanied by the bass line of Riff A.
Structure
SECTION BAR NUMBERS DURATION
Intro 1 – 4 4 bars
Verse 1 5 – 39 35 bars
Chorus 1 40 – 57 18 bars
Link 1 58 – 65 8 bars
Verse 2 14 – 39 26 bars
Chorus 2 40 – 57 18 bars
Link 2 58 – 65 8 bars
Instrumental 66 – 82 17 bars
Chorus 3 40 – 92 22 bars
Outro 93 – 96 4 bars