In Visual art a figure is a full image of a human body.
Sculpture is three-or more-dimensional works of art that can be viewed/experienced from multiple points of view.
Day 1:
Simplified Skeleton Poses
Day 2:
Building our armature
Day 2/3:
Designing our active figure
Day 3 pt 1:
Posing our figure on the base
Day 3 Pt 2:
Plaster the lower half
Day 4:
Plaster the top of the figure
Day 5:
Paint the Figure
Day 6:
Reflect and Take Home
Degas was not a trained sculptor. His figurative sculpture, “Little Dancer, Aged Fourteen” was not well received while he lived. Embarrassed by the poor reviews, Degas kept his other sculptures hidden in his studio for the rest of his life.
Professional Artists who create work centered around the human figure, often use nude models in order to correctly understand the shape and details of the human body.
Nude is when a person has no clothing and is unashamed.
Naked is when a person has no clothing and is ashamed.
We are about to view a few of Edgar Degas small nude sculptures of dancers, with the intent to see how he uses contrapposto. Contrapposto describes how humans naturally balance their weight by shifting from one side to another.
What did you discover while you were posing?
What did you discover while drawing?
What would you change about how you drew or posed?
What did you like about drawing or posing today?
Any questions about our next steps?
We are moving onto creating sculptures with organic forms or forms that mimic the shapes we see in living things. Today we will take a few familiar materials to make the armature of Human Figure.
We will use Aluminum foil to create the armature.
Remember: and armature is the understructure of a sculpture that helps it maintain its shape.
Please watch the video below
Sculptors transform simple objects into engaging works of art.
We must take our time and do our best while we create our designs.
We will choose a pose to finalize for our sculpture.
Please watch the video below
As we build our figurative sculpture we need to think of how we pose it in order to make our sculpture unique. Our sculpture will follow a similar structure as our own human bodies, with the skeletal armature holding things together as our own skeleton holds us together.
When building our sculpture it is important to make our bases heavy first before we begin to plaster the whole body.
Watch the video below, follow the directions, and allow the base and lower half of the body to harden for 24 hours before plastering the next phase of your sculpture.
Please watch the video below
Sculptors use a variety of media to make the outer surface of their works strong enough to last.
Plaster is a powder made of ground gypsum that goes through several changes in the curing process.
Plaster gets wet, gets sticky, gets warm, as it hardens it gets cold and is no longer sticky. It stays cold for 24 hours. After 24 hours the plastered object can receive additional plaster, glue and other materials.
Human Armature on its Base
Plaster Gauze
Scissors
Water
Please watch the video below
Sculptors use a variety of media to make the outer surface of their works strong enough to last.
Plaster is a powder made of ground gypsum that goes through several changes in the curing process.
Plaster gets wet, gets sticky, gets warm, as it hardens it gets cold and is no longer sticky. It stays cold for 24 hours. After 24 hours the plastered object can receive additional plaster, glue and other materials.
Please watch the video below
The fun thing about painting a sculpture that is covered in plaster is that you can rotate the sculpture as much as you please without worrying about it breaking if you apply too much pressure or dropping it.
We are painting our figurative sculptures
Look at your design. Draw lines to separate your hair, skin, clothing and base.
Paint your sculpture in this order
Skin
Clothing
Hair
Base
Please watch the video below