from bar 5 check the parts, cresc. and dim. are missing.
A check first violinparts, older material two f sharps instead of one.
6 after A strings are too loud, change to p.
8 after A second vl. dim. and mp misprint, also second half of the bar first half of the section should go octave down.
8 before B cb arco.
8 before B I think the poco a poco meno p is mentioned too soon here.
7 before B cb last e-flat tight to next bar like vc.
5 before B cb last f tight to next bar.
B poco a poco meno p means cresc al mf in 10 after B.
2 after B vl I both parts, last a is tight with next bar.
6 after B in both vla parts, b tight to next bar.
10 after B cb after g go one octave down until pizz 4 before C.
10 after B last e flat in cb tight to f in next bar.
7 before C vl I first part last a is tight with b and c in next bar.
7 before C vla, last doublestop is tight with next c.
7 before C vc, last f is tight with g and a.
7 before C cb, last f is tight with first g.
2 before C misprint in cb, like vc and fg f and e.
2 before C hrn III no cresc, also 1 after C.
1 before C hb II, no accents, also first and second bar in C
C vl I in parts double g, instead of a, g.
6 after C take cb one octave lower from g until 4 before D e.
6 before D add trb II to hear triplets in trb I.
2 before D hrn I, add cresc.
4 before E hrn IV, mf on 3.
3 before E hb and hrns legato, hrns I and III also legato 2 before E.
2 before E vl II play also f sharp on first beat otherwise vl I too weak.
1 before E vla II and vc II cresc and trem on second half of the bar.
3 after E thema in vla I.
4 after E hear vorschlag in vl I.
5 after E fg p.
4 before F hrn IV solo.
1 before F vl I,II and vc, hear syncopation.
3 after F cb cue.
1 before G in parts is written a tempo, should be in score.
3 after G meno adagio, should be in score.
2 after G molto dim to pp in third bar for strings.
3 after G reinforce hrn IV with soft low c in cello until 7 after G.
6 before H listen to last notes in violins, never loud enough.
H vla p.
4 after H hrn IV important.
1 before I f sharp in cbII important.
3 after I change last cord in strings, vc II play c-major c g e c (IV III II I) vc I only d (II), vlaII c g d b(IV III II I), vlaI c g e b, vl II second partg d b, vlII first part g e d, vlI first and second part g d b-flat g.
5 after I hb and cl mp.
6 after I fl and fg mp and pay attention to rhytm, play like quarter triplet!
16 after I vl I and vc mf.
18 after I fl and fg f. second fg should also play here.
6 after I remark the increase of dynamic from every entrance in fl and fg from 6 after I mp, 10 after I mf, 14 after poco f and 18 after f, 3 before J ff.
4 before J check a naturel in first hb (corrected later in score).
J misprint in score, vl II, vla, vc dim instead of cresc.
10 after J vc last two notes important!
14 after J winds take mf, two bars later meno=mp.
14 before K strings p.
13 before K cresc to ff in next bar.
10 before K vl II, vla, vc mp and cresc to ff in next bar.
9 before K vl I mf and cresc to ff.
6 before K take mf in winds.
8 after K in vl I second part should be g natural.
10 after K strings missing cresc to f jn next bar.
11 after K winds mf.
14 before L strings p on second quarter, downbow and up12 before K.
1 before L trb I, cantabile.
L trb II not marcato.
L vl II check parts for first note,g not b-flat.
2 after L trI mp, trb I pp.
5 after L fg, hrns II, IV accent on low c.
7 after L trp II, III mp.
5 before M trp II, trb II, III no cresc, theme starts here and goes to trp I, trb I.
4 before M trp II, do not play second half of the bar.
3 before M trp I, trb I breath after first note.
2 before M trp I, III, trb I, III take breath after second note.
1 before M trp I, trb I take breath before M.
M trp III, trb III second half of the bar very soft, otherwise disturbs melody in trp I, trb I.
2 after M trb f is too loud for melody in horns I, III.
2 after M trp I, trb I take breath after second beat.
5 before N pk e natural!
3 before N vl I first part have b sharp instead of b, also cresc is missing.
3 before N hrns no dim and no p next bar, trps, trbs play fp on last note.
1 before N hrns too loud, change to p.
1 before N str mf.
2 after N vl I accent on first note.
2 after N trb too weak, take mf.
3 after N keep hrns down.
13 after N fl, fg cantabile, non stacc.
14 before O trps, trbs no cresc, hrn important.
11 before O str bowing; down,down up down, upbeat vl in next bar again down.
9 before O no dim in str.
O take little break before.
9 after O fl, hb stacc on second quarter.
2 after P fl f, low and should be heard.
7 after P fl, hb cresc continues in next bar.
9 after P cl one bow over the next two bars.
11 after P fl have mistake in parts, correct as in vl.
11 after P vl mf.
11 after P check vla parts for wrong notes, bad notation.
14 after P vc, cb up on last e tight with next g (missing in cb, but should play), stacc on next two eight notes.
14 after P wind last tight with first of next bar.
14 after P poco f on first beat for fl, vl I, II, vla.
12 before Q str pp, cl important.
8 before Q fl, acc in fl II melody, not in fl I, also 6 before Q.
8 before Q str mf.
6 before Q hb II also acc.
5 before Q wind dim, no acc, last note should have a dot.
3 before Q hrns no dim and no p next bar, trps, trbs play fp on last note.
Q listen vl I first part f ! start up for pizz.
Q pk muta in des-dur.
2 after Q hrns p last note.
6 after Q trb mp.
7 after Q vl I mf without acc but with dim on next whole bar.
8 after Q dolce e poco a poco, means dim untill 5 before R (dim over 6 bars).
5 before R listen to harmony in vc, cb pizz (vibr!).
5 before R vla second part not too strong, you kneed to hear the c-sharp in the first part, same in the following bars.
7 after R pk muta in es-dur.
8 before S cb vibr.
4 before S vl I, vc mf.
4 before S vl I,vc start down, next bar last note has a dot.
S str up,up down(for 3 quarters)up down,next bar, up up down.(eight notes no dots).
5 after S vl connect last quaver to the first in next bar.
7 after S vl start up and down in the dim.(don't change together).
6 before T vla mf, melody.
6 before T fg play c sharp on first beat like vla ( same register, but without appogiatura), no p, but mf.
3 before T dim signs are missing in vl I parts, also cresc is missing.
1 before T vl two down bows, one up.
T vl I take up on last quarter and connect with first in next bar, 3 after T up. 7 after T mf, start up and down not together for dim.
5 after T hb pp.
6 after T cl dots on eights notes.
9 after T cb pizz vibr.
9 before U vl I, cl already dim in second half of the bar.
8 before U vc mf.
4 before U vc, up eight notes tight to next bar, same for cl.
2 before U fl connect eight notes to next bar.
U Winds, connect to first note in next bar.
U vl I, vc, cb( b-flat missing in second bar) up on last quarter connect to first of next bar. 3 bar up, last quarter down.
4 after U str p on second note, punta d'arco.
9 after U str mf.
9 after U fl II has acc, not fl I.
11 after U add acc to hb II.
12 after U winds no acc, but dim, last note should have a dot.
12 after U str molto cresc on second half.
14 after U pk still tr.
13 before V cl funny key, but sounds allright.
11 before V vl up, 10 before vc up, every time.(no cresc)
6 after V vl I, II mp.
5 before W vc solo should be soli.(earlier days small orchestra).
4 before W trbs cue.
3 before W winds mf.( no p in cl)
1 before W winds cresc.
W vl up and next bar down.
2 after W fl I second note f.
6 after W str take back after ff, to make cresc in second half.
10 after W str punta d'arco and think 2x3.
9 after W until 4 before X is a small cresc, only to mp, all other markings are wrong.
3 before X everybody mp.
3 after X cb no poco f, gradual cresc.
4 after X trp II no acc, also no acc 6 after.
4 after X vl I, II mf.
5 after X trb I cresc missing in part, no acc.
5 after X vla, vc no f, gradual cresc!
7 before Y fg c loud.
6 before Y trb I mf, double with trb II.
4 before Y trp I take care high a, soft.
2 before Y hrn II, IV listen to vorschlag.
1 before Y hrn II, IV, play legato to first note of next bar, do'nt disturb melody with rythm.
1 before Z everybody plays dotted quarternote, subdivide last beat.
Z vl I second div play same as vl I first div, with vorschlag.
Z vl II second div play dotted half note, then again one quarter e.
Z all strings play first note down and then 3 seperate strokes, also next bar separate strokes.
2 after Z str mf.
5 after Z vl I second div, vl II second div, play half note, then one quarter c again, all seperate strokes.
10 after Z vl I first div again f-sharp.
6 before end pk should play d.
4 before end hrn I play like vl, then you can hear theme.