The Symphony No. 4 in A minor, Op. 63

• 4 after C,hrn III,IV play like echo.
• 4 before G, strings; every time a voice has the augmented fourth, it should be heard, like first and third beat in viola's, second beat in vl II, fourth beat in vl I.
• 3 before I, flutes, add octave b on last sixteenth of third beat.
• 1 before I, strings add cresc. on second beat.
• 3 before K,tr, trb dim missing on last note.

Attacca to Second movement.

• 3 after A, cb, correct like 6 before H.
• 7 before B, vl II,vla, vc down,up alla corda.
• D, strings legato, last note not too short.
• D, no cresc.
• 8 after E, tempochange like B.
• 14 before L, cb two downbows.
• 12 before L, vc two downbows.
• 3 before L, vla, cb last three notes; up down up.
• 8 after L, fg add three sixteenth notes at the end of the bar to reinforce cb and vla, same in next bars.
• second last bar, vl I, II short last note

Take time to begin Third movement

• 1 before B, quasi echo in cl.
• 7 before D, vl I change in pp, vl II keep p.
• 6 before D, vc poco p, usually too much.
• 3 before D, vc cresc not too much, mf.
• 1 before D, little cresc to sub.pp in second beat in D (take upbow).
• 3 after D, vla, if not strong enough reinforce with vl II. (two bars).
• 11 after D, vl I, remark eigth note at the end of the bar, also 12 after D.
• 3 after E, cl not too soft, like hb before.
• 5 after E, cb pizz legato vibrato.
• 4 before F, funny entrance in trp ? you never hear clearly and otherwise it disturbs melody.
• 5 before G, hrn I, weak entrance, later hrns should not cover fl.
• 4 before G, cl echo.
• 1 before G, fl, remark dissonance with vc on third beat.
• 2 after G, hrn I, remark dissonance with strings, therefore not too strong and legatissimo.
• 4 after G
• funny bar, dynamics ? septime important.
• 33.
• 7 after G, cl, fg have already final theme, important.
• 10 before end, hrn II, IV out.

Attacca to Fourth movement.

• 2 after B, hrns, no augmented fourth !
• 7 after B, Cl, fg,hrns very difficult bar.
• 15 after C, pk, actually no difference with trill.
• 8 after F, pk solo.
• G, hrns nat.
• 12 after G, str. legato.
• 24 before H, vl I, II accent on first note.
• 3 after H, vl I play eight note on second half of second beat, like winds.
• 8 after H, trp cue.
• I, minore? question?
• 5 after I, vla first beat should be a-flat.
• 7 after I, vla first beat should be g-flat.
• 4 before K, cl I should play sounding c, written e-flat, cl II sounding e-flat, written g-flat.
• 5 after K, cl I change to sounding e-flat, written g-flat.
• 7 after L, fl I, hb I, trill with fis-is, in order toget the augmented fourth again.
• 11 after L, fg also trills, like fl, hb.
• 11 before M, hrns have augmented fourth here (is first time wrong?)
• 11 after M, hrns again augmented fourth.
• 14 after M, vl I miss the beginning of the run in parts.
• 4 after N, str. accents.
• 5 after O, hrn III remark the octave, also later.
• 6 after P, cb very clear last eight note.
• 12 after P, trb II cue!
• 8 before R, str legatissimo.
• 3 after R, hrns also accent on eight note.
• 6 after R, trb II cue.
• 9 after R, trb III cue.
• 10 after R, cb add e-flat on last eight note and b-flat on next bar for one quarternote.
• 5 before S, trp last note very clear.
• 4 before S, gl one octave up, otherwise not heard.
• 11 after S, vl I fis-is tight with g-sharp next bar.
• 16 after S, fl, hb mp.
• 20 after S, fl, hb mf.
• 5 after T, winds poco f.
• 9 after T, winds f.
• 12 before U, cb clear in last two notes.
• 5 after W, up, down, down.
• 12 after W, fl I less then before.
• 16 before W, fl I pp and no cresc.
• last two bars, both upbow.