HIST396: Special Topics in Public History is a class designed not only to give students an understanding of the field of public history, but hands on experience working in the field. Over the spring semester, the class worked together to construct an exhibit based on the 250th anniversary of the signing of the Declaration of Independence. While this was the overall foundation of the exhibit, as a class we were tasked to collaboratively decide on a theme, subjects for panels, what artifacts to focus on, the title, poster design, and exhibit summary.
For the exhibit theme, title, poster design, and exhibit summary, each student gave a pitch of what they thought would work best for the project. After pitches were done, the class discussed their favorite ideas and chose one to represent us best. After all of those factors were chosen, the class was split into three groups to make up a plan for the exhibit panels, including choosing what type of artifacts to focus on (people, objects, or documents). Each group proposed a plan of what path to go on, and eventually the class worked together to decide to base the exhibit off of objects.
Either solo or in pairs, the class then chose artifacts, and wrote the text for each exhibit panel. This ended us with eleven panels, and twenty two artifacts making up the exhibit. The exhibit, titled ""Delenda Est Norfolk" went on display at Old Dominion University's Perry Library.
For the final exhibit, I worked with a partner to write the panel "The 18th-century "Stanley": A Hidden Rebellion in Clay", which focuses on the illegal pottery industry that existed in Virginia in the 1730s, highlighting that rebellious activity was happening in the colonies long before the Revolutionary War. Both my partner and I also had to choose two artifacts to highlight in our panel. I chose a document, which was a letter that the Virginia colonial governor, William Gooch, sent to the Board of Trade in London, assuring them that there was no widespread pottery business in Virginia. Along with collaboratively writing my panel and researching an artifact, I helped edit the panels of two other classmates, working on a total of three panels for the final exhibit.
As someone who wishes to one day work in the field of public history and community outreach and education, this project gave me a taste of what the process of exhibit construction is like. It showed me how collaborative the process often is, and how many things must be considered. It isn't just about presenting good information to the public, but also how to make it appealing, accessible, and engaging to the widest audience of people.