Embedded Files
Covers NAWM 7 and NAWM 8.
Note that when there are two different numbers for an entry, the first is for NAWM 7, and the second (in italics) is for NAWM 8.
NAWM7 = NAWM 7; NAWM8 = NAWM 8
Also note that the examples from NAWM 7 not in NAWM 8, and vice versa, are included.
THE RENAISSANCE
ENGLAND AND BURGUNDY IN THE FIFTEENTH CENTURY
NAWM7 33 / NAWM8 32 - Anon. - "Alleluia: A newe work"
Oxford, Bodleian Library, MS. Arch. Selden B. 26 (The Selden Carol Book).
Oxford, Bodleian Library, MS. Arch. Selden B. 26 (The Selden Carol Book), f.21v-f.22r.
NAWM7 34 / NAWM8 33 - John Dunstable - "Quam pulchra es"
Aosta, Seminario Maggiore, MS 15, “Aosta Manuscript”.
Aosta, Seminario Maggiore, MS 15, “Aosta Manuscript,” ff.188v-189.
NAWM7 35 / NAWM8 34 - Binchois - "De plus en plus"
Oxford, Bodleian Library, MS. Canon. Misc. 213.
Oxford, Bodleian Library, MS. Canon. Misc. 213, f.67v.
NAWM7 36 / NAWM8 35 - Du Fay - "Revellies vous"
Oxford, Bodleian Library, MS. Canon. Misc. 213, f.126v.
NAWM7 37 / NAWM8 36 - Du Fay - "Christe, redemptor omnium"
Vatican, Biblioteca Apostolica Vaticana, MS Cappella Sistina 15.
Vatican, Biblioteca Apostolica Vaticana, MS Cappella Sistina 15, ff.5v-6.
Das Chorwek, v.49 - Complete Dufay Hymns.
NAWM7 38a / NAWM8 37a - Du Fay - "Se la face ay pale"
Washington, Library of Congress, MS M2.1.L25 Case (Chansonnier Laborde).
Washington, Library of Congress, MS M2.1.L25 Case (Chansonnier Laborde), ff.64v-65.
NAWM7 38b / NAWM8 37b - Du Fay - "Missa Se la face ay pale"
Vatican, Biblioteca Apostolica Vaticana, MS Cappella Sistina 14.
Vatican, Biblioteca Apostolica Vaticana, MS Cappella Sistina 14, ff.27v-38.
FRANCO-FLEMISH COMPOSERS, 1450-1520
NAWM7 39 / NAWM8 38 - Busnois - "Je ne puis vivre"
New Haven, Yale University, Beinecke MS 91 ("Mellon Chansonnier").
New Haven, Yale University, Beinecke MS 91 ("Mellon Chansonnier,") ff.14v-16.
NAWM7 40 / NAWM8 39 - Ockeghem - "Missa prolationem"
Vatican, Biblioteca Apostolica Vaticana, MS Chigi C.VIII.234 (Chigi Codex) - Inventory.
Vatican, Biblioteca Apostolica Vaticana, MS Chigi C.VIII.234 (Chigi Codex).
Vatican, Biblioteca Apostolica Vaticana, MS Chigi C.VIII.234 (Chigi Codex), ff.106v-114.
NAWM8 40 - Isaac - "Puer natus est," motet (Introit setting) [not in NAWM7]
NAWM8 40 - anthology score and commentary
NAWM7 41 - Isaac - "Innsbruck, ich muss dich lassen"
Georg Forster, "Ein ausszug guter alter und newer teutscher Liedlein, 1. Teil" (Nürnberg, Petreius, 1539)
Forster Liedlein 1 - Discantus.
"Innsbruck, ich muss dich lassen," SATB from Forster print.
NAWM7 42 - Josquin - "Faulte d'argent" (a 5)
"Faulte d'argent," (a 5), SATBQ from Susato print.
NAWM7 43 - Josquin Desprez - "Mille regretz"
Cambrai, Bibliothèque municipale, MS 124 (125-128).
"Mille regret," SATB from Cambrai MS 124.
NAWM7 44 - Josquin Desprez - "Ave Maria... virgo serena"
Motetti A (Venice: Petrucci, 1502).
"Ave Maria... virgo Serena," Motetti A, 1502.
NAWM7 45 - Josquin Desprez - "Missa Pange Lingua"
Brussels, Bibliothèque royale de Belgique, MS IV 922.
Brussels, Bibliothèque royale de Belgique, MS IV 922, ff.28v-41.
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MADRIGAL AND SECULAR SONG IN THE SIXTEENTH CENTURY = NAWM8 46-57
NAWM 54 / NAWM8 46 - Juan del Encina - "Oy comamos y bebamos"
NAWM 55 - Marchetto Cara - "Mal un muta per effecto" [not in NAWM8]
NAWM7 55 - anthology score and commentary
"Frottole, Libro Septimo," (Venice: Petrucci, 1507) .
"Frottole, Libro Septimo," (Venice: Petrucci, 1507), No. 33.
NAWM7 56 / NAWM8 47 - Jacques Arcadelt - "Il bianco e dolce cigno"
NAWM7 57 / NAWM8 48 - Cipriano de Rore - "De la belle contrade d'oriente"
NAWM7 58 / NAWM8 49 - Luca Marenzio - "Solo e pensoso"
NAWM7 59 / NAWM8 50 - Carlo Gesualdo - "'Io parto' e non più dissi"
NAWM7 60 / NAWM8 51 - Claudin de Sermisy - "Tant que vivray"
NAWM7 61 / NAWM8 52 - Orlande de Lassus - "La nuict froide et sombre"
NAWM8 53 - Clement Janequin - "Martin menoit son pourceau" [not in NAWM7]
NAWM8 53 - anthology score and commentary
NAWM7 62 / NAWM8 54 - Claude Le Jeune - "Revecy venir du printans"
NAWM7 63 - Thomas Morley - "My bonny lass she smileth" [not in NAWM8]
NAWM7 63 - anthology score and commentary
Thomas Morley - "The First Booke of Five Balletts to Five Voyces," (London: Este, 1595).
Tomaso Morlei - "Il primo libro delle ballette a cinque voci," (London: Este, 1595).
Thomas Morley - "The First Booke of Five Balletts," (London: Este, 1595)., No. 7 "My bonny lass," - Cantus voice.
NAWM8 55a - Giovanni Gastoldi - "A lieta vita." [not in NAWM7]
NAWM8 55b - Thomas Morley - "Sing we and chant it." [not in NAWM7]
NAWM8 55 - anthology score and commentary
NAWM7 64 / NAWM8 56 - Thomas Weelkes - "As Vesta was"
"The Triumphs of Oriana," (London: Morley, 1601).
"The Triumphs of Oriana," (London: Morley, 1601), No. 17, Weelkes "As Vesta was" - Cantus voice.
NAWM7 65 / NAWM8 57 - John Dowland - "Flow, my tears"
John Dowland - "Second Book of Songs or Ayres," (London: Eastland, 1600).
John Dowland - "Second Book of Songs or Ayres," (London: Eastland, 1600). No. 2, "Flow, my tears."
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SACRED MUSIC IN THE ERA OF THE REFORMATION = NAWM8 58-65
NAWM7 46a / NAWM8 58a - Attrib. to St. Ambrose - "Veni redemptor gentium"
NAWM7 46b / NAWM8 58b - Martin Luther - "Nun komm der Heiden Heiland"
Martin Luther [u. a.]: Eyn Enchiridion oder Handbuchlein. Erfurt, 1524.
"Nun komm der Heiden Heiland," Eyn Enchiridion, Erfurt, 1524.
NAWM7 46c / NAWM8 58c - Martin Luther - "Ein feste Burg ist under Gott"
"Ein feste Burg ist under Gott," Geistliche Lieder... Wittenberg, 1533.
NAWM7 46d / NAWM8 58d - Johann Walter - "Ein feste burg" setting for four voices
NAWM7 47a / NAWM8 59a - Loys Bourgeois - Psalm 134 "Or sus, serviteurs du Seigneur"
Les pseaumes mis en rime francoise par Clement Marot, & Theodore de Beze (Geneva, 1563).
Les pseaumes mis en rime francoise par Clement Marot, & Theodore de Beze (Geneva, 1563), p.261.
NAWM7 47b / NAWM8 59b - William Kethe - Psalm 100, "All people that on earth do dwell"
NAWM7 48 / NAWM8 60 - Thomas Tallis - "If ye love me"
NAWM7 49 / NAWM8 61 - William Byrd - "Sing joyfully unto God"
NAWM7 50 / NAWM8 62 - Nicholas Gombert - "Ave regina caelorum"
NAWM7 51 / NAWM8 63 - Palestrina - "Pope Marcellus Mass: Credo and Agnus Dei"
NAWM7 52a / NAWM8 64a - Victoria - "O magnum mysterium"
NAWM7 52b / NAWM8 64b - Victoria - "Missa O magnum mysterium: Kyrie"
NAWM7 53 / NAWM8 65 - Lassus - "Cum essem parvulus"
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THE RISE OF INSTRUMENTAL MUSIC
NAWM7 66 - Tielman Susato - Dances from "Danserye"
NAWM7 67 - Anthony Holborne - "The Night Watch" and "The Fairie-Round"
NAWM7 68 - Luis de Narvaez - "Los seys libros del Delphin"
Luis de Narváez, "Los seys libros del Delphin de música de cifras para tañer vihuela," (Vallodilid, 1538).
NAWM7 68a
NAWM7 68b
NAWM7 69 - William Byrd - "John come kiss me now"
NAWM7 70 - Giovanni Gabrieli - "Canzon settimi toni a 8"
Giovanni Gabrieli - "Sacrae Symphoniae," (Venice: Gardano, 1597), Cantus partbook.
Remaining part books for "Sacrae symphoniae."
THE SEVENTEENTH CENTURY
NEW STYLES IN THE SEVENTEENTH CENTURY
NAWM7 71 - Claudio Monteverdi - "Cruda Amarilli"
Claudio Monteverdi - "Il quinto libro dei madrigali a 5," (Venice: Amadino, 1608).
NAWM7 72 - Giulio Caccini - "Vedrò 'l mio sol"
Giulio Caccini - "Le nuove musiche," (Florence: Marescotti, 1601).
THE INVENTION OF OPERA
NAWM7 73 - Jacopo Peri - "Le musiche sopra l'Euridice"
Jacopo Peri - "Le musiche sopra l'Euridice," (Florence: Marescotti, 1600).
NAWM7 74 - Claudio Monteverdi - "L'Orfeo"
Monteverdi - "L'Orfeo, favola in musica," (Venice: Amadino, 1615).
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