Chapter 7 - Music and the Renaissance

Fig. 7.1 - Donatello - David (bronze), Florence, 1430s.

Michelangelo - David (marble), Florence, 1501-1504.

Fig. 7.2 - Lorenzetti - The Allegory of Good and Bad Government (cycle of six frescoes), Sienna, 1338-1339.

Frescoes of the Good and Bad Government (WGA).

Fig. 7.3 - School of Piero della Francesca, "Idealized View of the City" Urbino, ca. 1480.

Fig. 7.4 - Masaccio, "Holy Trinity with the Virgin, St. John and Donors," Santa Maria Novella, Florence, ca. 1425-28 (fresco).

Fig. 7.5 - Jean Le Tavernier, "Philip the Good, Duke of Burgundy, at Mass," Brussels, Bibliotheque Royale, MS 9092, f. 9. (ca. 1457-1467) .

Jean Le Tavernier, "Presentation by Jean Mielot to Philip the Good, Duke of Burgundy, of his translation of the 'Traite sur l'oraison dominicale'," Brussels, Bibliotheque Royale, MS 9092, f. 1.

Chapter 7, p. 155: Johannes Tinctoris, "Liber de arte contrapuncti," (1470s): Original Latin text, and Modern English translation.

Tinctoris - "Liber de Arte Contrapuncti," - Introduction

Chapter 7, p. 156 - Pietro Aaron "Toscanello in Musica," (Venice, 1523: 3rd ed. Venice, 1539).

Fig. 7.7 - Ottaviano Petrucci "Harmonice Musices Odhecaton A," (Venice: Petrucci, 1501).

Fig. 7.8 - Pierre Attaignant "Liber decimus : Passiones dominice in ramis palmarum veneris sancte" Superius Partbook.

Fig. 7.9 - Sylvestro Ganassi, "Opera intitulata Fontegara," (Venice, 1535).

Chapter 8 - England and Burgundy in the Fifteenth Century

p. 166, Martin Le Franc - "Le Champion des Dames."

Paris, Bibliothèque nationale de France, Département des manuscrits, Français 12148.

Fig. 8.1 - "Old Hall Manuscript"

London, British Library, Add. MS 57950 (Old Hall Manuscript).

John Dunstable - Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita, ff.55v-56r.

Fig. 8.4, p. 174

Anon. - Garden of Love at the Court of Philip the Good, Duke of Burgundy (Chateau de Versailles).

Fig. 8.5 Illumination showing Binchois and Du Fay

Paris, Bibliothèque nationale de France, Département des manuscrits, Français 12148, f. 98r.

Fig. 8.6, p. 177

Funeral Monument of Guillaume Du Fay (Palais Beaux-Arts, Lille).

Fig. 8.7, p. 180, Cathedral of Santa Maria del Fiore, Florence

Il Grande Museo del Duomo, Florence.

Fig. 8.8, p.183, Ockeghem - Missa Caput

Vatican, Biblioteca Apostolica Vaticana, MS Chig.C.VIII.234.

Vatican, Biblioteca Apostolica Vaticana, MS Chig.C.VIII.234, f. 64v.

Fig. 8.9, p. 184 - "Shroud of Turin"

The Holy Shroud 2015 - website.

Turin Shroud (April 2015).

Chapter 9 - Franco-Flemish Composers, 1450-1520

Fig. 9.2, p. 191

Paris, Bibliothèque nationale de France, Département des manuscrits, Français 1537.

Paris, Bibliothèque nationale de France, Département des manuscrits, Français 1537, f. 58v.

(Manuscript illumination showing Ockeghem and other singers from the French Royal Chapel, singing from a manuscript on a lectern).

Fig. 9.3, p. 196 - Portrait of Jacob Obrecht

Portrait of Jacob Obrecht (Kimball Art Museum).

Fig. 9.4, p. 201 - Petrus Opmeer - "Opus chronographicum," (Antwerp, 1611)

Petrus Opmeer - "Opus chronographicum," (Antwerp, 1611).

Petrus Opmeer - "Opus chronographicum," (Antwerp, 1611), Vol. 1, p. 440 (woodcut portrait of Josquin Desprez).