Aleshea Harris

Playwright Bio

Aleshea Harris was born in 1981. Due to being part of a military family, she moved around a lot but was predominantly raised in the South. She received a BA in General Theatre from University of South Mississippi and an MFA in Writing for Performance from California Institute of the Arts. Harris began as a performer but moved to writing because she didn’t see herself in the work she was performing. She also has a poetry background that she often incorporates into her plays, she predominantly did spoken word poetry but also has written published poetry. Harris founded Bag of Beans Productions and co-founded Blue Scarf Collective, two organizations that focus on uplifting Black stories. With a passion for mentorship and investing in the next generation, she has taught theatre for various schools and youth programs including CalArts where she received her MFA. Harris currently splits her time between New York and Los Angeles.


Highlighted Play

What to Send Up When it Goes Down

Synopsis:

This work is described as a “play-pageant-ritual-homegoing celebration.” It was written to serve as a tool for collective mourning, celebration, and healing. It begins with a conversation with the audience about their experience with racialized violence and then moves into a more scripted, vignette style play. After a series of satirical scenes exploring tropes and stereotypes, the actors do a ritual “send up” of their grief and then return to addressing the audience. For the final moment, the audience is separated to for Black audience members and non-Black audience members to have their final reflections.

Recommended audience

16+

Key themes

  • Racialized Violence

  • Racial Stereotypes

  • Police Brutality

  • Collective Grief

  • Healing

Sample activity

  • Prior to reading the play, have the students do a Privilege Walk to open up a discussion on privilege.

  • Then, instead of reading the beginning of the play, perform it with your students. Choose a real person who has been recently killed by racialized violence that your students are likely to know and 'perform' the beginning of the play with them, getting their real reactions. Allow that to lead into a discussion of race, privilege, and their personal experience before getting into reading the more scripted portion of the play.

  • As a fun way to segue out of this heavy topic, end the session with creating a dance. Separate the students into groups to create a step routine. As a team, they will build a physical response to the play. You can begin with teaching them some preliminary moves before they go off to create.

Discussion questions

  • Have you ever attended an interactive play before? What was that experience like?

  • Initial Reactions? How did this play make you feel?

  • What do you think of the use of stage directions being spoken in third person? Why does she do this and what impact does it have?

  • Thoughts on the use of repetition? Is it effectively making a point and what is said point?

  • What is the significance of Miss not noticing Made until she kisses her in Movement 1 and 2?

  • Do you see the connection between the scripted satirical scenes and the ritual?

  • What is the significance of the use of music and step?

  • What do you think about separating the audience at the end? How does this impact the final moment?

  • How can the tools of the ritual be used to help communities? Are they universal?

  • How would you respond to Aleshea Harris' question for the non-Black audience members at the end of the play: “As a non-Black person, what is a tangible way you can disrupt the idea responsible for all of these lives needlessly taken?”


Annotated Plays

Is God Is

Photo Credit: Tristram Kenton

Royal Court Theatre 2021 Production

In the style of a Greek Myth, this play follows twin sisters on an epic journey from the Deep South to California. Their father set them and their mother on fire when they were children and one has very visible scars on her face while the other has more hidden ones. After years of not interacting with their parents, they receive word that their mother is still alive and she sends them on this excursion to kill their father. On their journey, they meet a host of characters that bring a comedic element into the play. In the end, they find their father and he is unrepentant for his crimes, so they kill him. This play incorporates many different genres including Spaghetti Western, Greek Tragedy, Hip-Hop, and Afropunk and the text itself is written like poetry incorporating very intentional typography to help tell the story. This play is a great educational resource for discussions of genre, typography, and various themes including race, misogyny, and forgiveness.

On Sugarland

Loosely inspired by Sophocles’ Philoctetes, this play follows a Black community of three mobile homes in the South. There is an unending war happening, and we see the characters through various mourning rituals to stay connected to those they’ve lost. A young girl, Sadie, who has the power of invisibility, loses her mother in combat. She decides to use her gift to “make the dead walk and talk” and help ease the pain of her community’s perpetual sense of loss. This play could be used to discuss many themes including grief, community, ritual misogynoir, and gender expression. It is also a great educational tool learn about adapting ancient works for a modern audience.


Photo Credit: Joan Marcus

New York Theatre Workshop, 2022 Production

Complete Body of Work

Published Plays

  • What to Send Up When it Goes Down

  • Is God Is


Unpublished Plays

  • On Sugarland

  • Road Kill Giant

  • Big Trick

  • Pussy Poets

  • Skin Trail

  • Babble/Babel

  • Oddlie

  • Rip.Tied

  • Faces Live: Reclamation

  • Our Fathers


Published Poetry

  • The BreakBeat Poets: New American Poetry in the Age of Hip-Hop


Voice Acting

  • Deluge


Screenwriting

  • Anatomy of Anger

  • God of the Ground

  • Is God Is (In progress)


Additional Resources

Bibliography

Webpage Compiled By Kaylah Dixon (2022)