Aural Skills I:
Global Approaches to Music
(MPATC-UE 1302)
Global Approaches to Music
(MPATC-UE 1302)
This course was designed by Sarah Louden, Kevin Laskey, and Adem Birson (2023) in collaboration with members of the NYU Steinhardt Music Theory Curriculum Committee including Ramin Arjomand, Samantha Bassler, Paul Frucht, and Youngmi Ha as part of the NYU Music Theory & History Curriculum Redesign Project. Course development support provided by the NYU Steinhardt department of Music and Performing Arts Professions.
* Instructor Note: The Instructor Companion Site includes additional resources, notes, and sample solutions for activities and discussions.
Techniques of music listening developed through musical sight-singing, dictation, and aural analysis. Topics are coordinated with the co-requisite course Theory & Practice I. Students learn techniques for critically listening to, analyzing, and notating elements of rhythmic and metric organization, instrumentation, texture, and diatonic melodic and harmonic pitch structure in a broad range of music from Western classical music, popular music and film, and non-Western music.
Upon successful completion of this course, students will be able to:
Recognize and describe differences in pitch, tuning, and tuning systems in various styles of music.
Transcribe, sight-sing, and improvise melodies using diatonic major and minor scales, modes, pentatonic collections, and non-Western scales.
Identify melodic cadences, phrase structure, differences in texture and instrumentation, and rhythmic and metric organization in classical, popular, and non-Western musical styles.
Recognize, perform, and transcribe beat patterns in simple and compound time down to 16th-note values, beat patterns in popular music, and dance rhythms that include Latin American and African rhythms.
Transcribe chord changes and outer voices in musical examples incorporating root-position I, IV, V, ii, and vi chords.
Aurally identify common pop schemas and 12-bar blues patterns in popular music.