by Staff Writer Clara Dicks
There’s a certain problem many modern superhero movies face, and that’s accuracy to the comics. I love the comics as much as the next nerd. My good friend Aether loves them even more than I do (they have a Deadpool and Fantastic Four shrine). But that’s where many filmmakers get stuck. If you stay accurate to the comics, you risk alienating your younger audience because there are a lot of strange things happening in the comics (seriously, go look it up. You’ll be surprised at some of the wild stuff and the sheer amount of character resurrections). But if you try to stray too far from the comic material, you risk alienating your older, original audience. Or, god forbid, the modern comic geeks (like Aether, Rachel, and me). Did you know the 1994 movie The Mask was originally based on a comic series? Me neither. But that’s an extreme example. Either way, though, comic accuracy hasn’t been the top priority of filmmakers for a long time. So when Superman was announced, I was excited like the rest of the world, but didn’t think it would be comic-accurate. Then I realized this is James Gunn we’re dealing with, and that’s the man who put some of the wildest comic concepts, Ego the Living Planet and Howard the Duck, in the same movie. So when it turned out to actually be pretty comic-accurate, I wasn’t completely shocked. They got the original Superman’s full personality, costume, and powers right, showing him as a real character, not the god-mimic Zach Snyder gave us (no hate to Zack Snyder. He’s a good superhero filmmaker in his own right). He feels real in a way superheroes haven’t in a while. It’s something I’ve talked about before, the idea of the character versus the character themselves. The relationship between Clark and Lois feels real, too, in a way it hasn’t in a while. And Lex Luther is delightfully and hatefully petty and truly evil. Now, don’t get me wrong, there are inaccuracies. Ultraman, Clark’s parents' reason for sending him to Earth, and a few other details are changed from the comics, but you take what you’re given. And this is a great movie. The writing is great, and it feels real. The characters are so fun, especially Jimmy Olsen. The CGI is phenomenal, especially since there’s so much of it. I loved how Clark isn’t the only superhero in this world, but it’s just the beginning of superhero stuff, and the “Justice Gang,” as they’re called in the movie, is still getting on its feet. You don’t feel too forced into an unfamiliar world. And the fact that Superman has to fight a giant just makes me smile. It feels like something that would be in a comic or an animated superhero TV show -- just a bit of fun. The acting is also fantastic. I had really only seen David Corenswet once, and it was in a role I had forgotten existed. But I somehow get the feeling we’ll be seeing a lot more of him, and I am not complaining. He’s a great actor. I see Nicholas Hoult a lot, including in superhero movies (X-Men -- he plays Beast), and I always enjoy it. He is willing to go to lengths I don’t think we’ve seen Luther go to to win before, becoming truly menacing but also very petty. And I’ve seen Rachel Brosnahan sparingly; she’s mostly known for The Marvelous Ms. Maisel, which I haven’t seen yet. But I’ve heard she’s great in that. And she’s great here too. I love this movie, and if you haven’t seen it yet, go do yourself a favor and see it! You won’t regret it!
Movie Review: Weapons (2025)
by Staff Writer Clara Dicks
Comedy and horror are interesting. I mean, there’s a surprising amount of similarities. And I know how that sounds, believe me, I do. But think about it. Both genres rely on a build up and a release intended to get a strong reaction. Be that reaction laughter or terror. Not only that, but both genres rely on misdirection, timing, and being able to sympathize with the main characters so that the reaction is even stronger. Chaos and absurdity also pay a big role. Trust me, watching Doctor Strangelove and then It causes some extreme whiplash. It’s funny how many comedians get involved in horror. Jordan Peele, obviously, is one of the modern masters of horror. David Gordon Green, although how well that’s going is really up for debate (personally, I don’t mind the new Halloween movies. Others strongly disagree). John Krasinski is doing wonderfully with the Quiet Place movies. Weapons is also directed by a comedian turned horror legend, Zack Creggar, famous for directing Barbarian, which made waves around the internet when it came out three years ago (which you should also watch), and now Weapons. And Weapons is wild. The writing is definitely a standout. I’m extremely excited for the actual screenplay to be available to read online, because I desperately want to see that movie in Zach Cregger’s own words. The acting is exceptional. Julia Garner, famous for her role in Ozarks and more recently as the Silver Surfer in Fantastic Four. Her character, Justine Gandy, is the teacher of a class of third graders who all disappear (with the exception of one boy, Alex) in the middle of the night. The small town quickly looks for someone to blame and chooses her. Josh Brolin, who has stayed popular since The Goonies, is the dad of a boy who disappeared. He’s quick to blame Justine, same like the rest of the town. But unlike the rest of the town (and most of the police, it seems), he becomes committed to finding out the truth and finding his son. Benedict Wong is only in the movie for a short time, but he’s great. He’s the principal and understandably confused. He’s just trying his best. Although I will say, because of this movie, I will never look at him the same way again. And Cary Christopher, the kid playing Alex, the only one left from Justine’s class, is great. I really hope to see him more in the future. This is a very impressive movie that I think will go down in the history of horror and eventually because a cult classic. I highly recommend you watch this movie, which is currently on Netflix. Go in as blind as you can when it comes to the plot because so many twists and turns will make the whole experience more intense.