The Creation of Everything
2020
The Creation of Everything is done with oil, acrylic and powdered pigments. The creating process was time consuming, but it also allowed room for reflection and careful planning. The initial intention in making this piece was to empower women in history. However, thinking about the year 2020, there was an urge to include more than that. In contrast to the concept of Creation of Adam, The Creation of Everything challenges how art and history was written by a single race and gender. The two arms depicted in this piece show no sign of their sexual identity and ethnicity. The actual meaning behind this piece, however, is up to the viewers themselves to comprehend.
Broken Dreams
2020
My work explores the relationship between student identity and mindset between the coronavirus pandemic. The isolation both mentally and physically delves into the connectedness of the real and the abstract world.
With influences from personal emotions as well as outside narratives, new realizations were formed. The isolation surrounding our new reality was something that relates to everyone which was a big motivation and inspiration on the subject.
The black background with contrasting bright colors in the bubbles are an intentional detail to contrast the highs and lows but also used as a personal reflection for the viewer. The female graduating in the middle bubble was placed as a students perspective during this pandemic yet everybody can be placed into this figure.
The artwork pulled out a lot of personal experiences from the pandemic as a graduating senior. Although the pandemic can be extremely isolating and lonely, it is something that everyone is going through together creating a form of unity.
Distance
2020
It's been two months now since I last saw my friends. We've started FaceTiming for hours almost every night. Just talking about anything and everything and sometimes just sitting in silence. Sometimes it is harder to see my friends and know I can't see them than to be alone. I try to go outside but it is really easy to just stay inside and ignore everything else. I've finally started reading again which is a good thing. I've gotten through six books so far and I have two more waiting for me. I've started doing some things that I've always wanted to do (my Mom keeps saying "It doesn't get anymore 'someday' than this") like start a vegetable garden and learn how to skateboard, but none of this can completely distract from what's happening out in the world right now. I've gotten a lot better at being alone these past few weeks but I just can't wait to watch a movie with my friends again.
Silence
2020
This artwork is a view or a third person perspective of someone in a car with a police siren in the rearview mirror. No one is in the front seat nor in the passenger seat so you feel absent. Everything that you can see around this car is blurry and hard to make up. The majority of the car consists of shading created by colored pencils, charcoal, tortillon pencils and graphite while the front view mainly consists of oil pastels. I used dull tones for the inside of the car, although in some places I included the light/glare of the police siren on the seats of the car. I used oil pastels for the headlights on the car to make an unfocused effect. I went through many processes before ending up with the final image because I wasn’t sure if I wanted to reflect the coronavirus as a personal or a social sort of way. I started this project with a social timeline where it featured Kobe and Gianna Bryant, wildfires and George Floyd and other events throughout the year. After a lot of time, I felt like I wasn’t getting anywhere because I started and then I erased my drawing. I couldn’t connect to those events or I felt as there are and will be many memorials connected to them, or I felt like if I drew them a certain way to another person the artwork of their portraits wouldn’t look realistic. So I changed my focus and went back to the drawing board or I continued off of my original idea. I tried to show two themes in this artwork. My first theme was isolation or the feeling you get when you can see everything clearly but you don’t know what’s happening on the outside. You have this feeling of months going by before seeing other people. You feel helpless because you’re not in control of the vehicle or where it is going. You are at a standstill moment. My other theme that I developed later was the fear of getting pulled over (based on your race / perspective there will be different interactions). My goal was to have a clear message that people can relate to/people felt in life or even in quarantine but I think some people might walk past the artwork and just see a car. While making this artwork I learned that sometimes you don’t have to specifically show a timeline of 2020 to show how you interpret it, that’s just the process of art, seeing things from different angles. Sometimes you have to express how you see something so people might see it the same way.
The Covid Claw
2020
In response to the COVID-19 outbreak, I decided to construct a cardboard sculpture to represent how COVID-19 has permanently altered our world. Masks and hand sanitizer are one thing, but with the addition of so many other events like the Presidential Election and various social activism movements, chaos and uproar has been ingrained into our daily lives. The Covid Claw is a satirical take on how normalized living though historic events has become. By using cardboard as the primary medium, it’s sturdiness was able to hold paint, paper, and even lights to add a real-life effect. And while the goal was to make the Claw look as real as possible, the cardboard gives it a hand-made element that is reflective of my personal artistic process.
Welcome to the Anime Hellverse
2020
Welcome to the Anime Hellverse captures the all-encompassing nature of my anime infatuation during the first part of quarantine. I sought to escape the reality of our world by entering the world of anime, which my friends and I call “big cope”: the things that you obsessively do to get over or forget something bad. This piece was my first time animating. I struggled to learn how to apply my technical drawing skills to conveying motion and life, but after overcoming the many learning curves, I came to realize animation was the next logical step for my art, as I have always sought to create movement in my previous work and convey meaning through sound. I was inspired by the anime Welcome to the NHK, where the main character struggles with his self-induced isolation, like quarantine. The song and character featured originate from that series. Much like in NHK, the real world is scary, bleak, and bitter, but the virtual world is beautiful, colorful, enticing, and safe. But a lot of the time, the virtual world is just as dangerous as the real one.
Social Distancing Photography
2020
Like many families, the Corona Virus has taken my family on an emotional rollercoaster. Some days we just want to hide in our house and simply sleep or stress eat. Other days we feel on top of the world, with a deep gratitude for the people and things we still have in our lives. The uncertainty gets to most people, as many of us don't embrace change willingly unless the future looks clear. However, like a window, it is not always clear and the conditions are always changing with both the expected and unexpected.
Entropy
2020
This painting is about the feeling of chaos that came from those months in quarantine. I incorporated a painting from the artist Umberto Boccioni, who’s cityscape painting in the futurism style gave me the type of loud chaos that I wanted to express. There is a lone figure in the bottom middle of the painting who sits in the fetal position. They sit with their hands over their ears and eyes closed, waiting for the storm to pass. My experience with the world during coronavirus was one that overwhelmed my consciousness and confused my senses.
Hide Inside
2020
The fantasy and pain of self-induced isolation is the driving force behind this piece. I based the final image on the denial of truth and immersive caution of turning inward on yourself during tough times. Everything found within this box has heavy symbolism attached to it. From the colors of the floor and the ceiling, to the plants chosen for this project. They all have meaning. Let's first start with the outside of the box that sadly isn't shown within these two pictures. I painted the outside of the box a gold color to represent the outside of myself. It's the color of a metal to show being gilded/jaded to the outside world. I chose to make the floor yellow and the walls blue to represent the outside world, but this time in reverse. I wanted to create an unsettling atmosphere within the small space I created to represent the inside of my mind. I will now list out components of my final piece and their meanings.
The destroyed self portrait- The frame of which this canvas is stretched is small and creates a claustrophobic effect. I chose that specifically because it symbolizes the way I see myself and how my dysphoria has destroyed my frame of reference.
The bunny with the third eye- The bunny shown here is in the position I normally sleep in myself. It symbolises the forced ignorance of what's going outside but the third eye indicates the awareness of what's really happening.
Paper butterflies- These butterflies represent the flying away of my childhood, and the coming of adulthood for me.
The large bunny in the corner- This bunny represents the corruption of innocence to the outside world, hence the black that seems to be slowly cracking through it's body.
Boundaries Series
2020
Untitled
2020
So many things happened in 2020, that many events received less attention than they would have otherwise. One of these issues was the opening of the Arctic Wildlife Refuge for oil drilling by the Trump Administration. Oil drilling will destroy the environment and the habitat of the polar bears. Polar bears have already been suffering a lot due to global climate change and I wanted to capture that. So, I tried to emphasize the vulnerability of the polar bears and how they’re running out of time. I used Posca markers and colored pencils for the piece. This issue means a lot to me because as a kid, I’ve always wanted to help stop global warming and environmental damage.
In Spite of COVID
2020
Changes
2020
Glittering
2020
Fight For What You Care About
2020
This is a piece I created in memory of Ruth Bader Ginsburg. She fought for so many people’s rights all the way until the end of her life so I thought it was important to represent her message and keep it going. I saw a poster of her wearing a boxing glove and knew one of her most famous quotes was “fight for what you care about” so I used those two things in my painting as well as making it look like she is handing the viewer the glove to carry on her fight. I used a reference photo of RBG and a reference photo of a boxing glove, sketched them out and then painted them with watercolor paint. A lot of bad and scary things happened in 2020 and when Ginsburg died it caused a lot of people to feel a huge loss of hope. I made this to symbolize that that hope isn’t lost and anybody can fight for peoples freedoms like she did.
Freeze Frame
2020
Cracks in the Stars
2020
Hannah Lorenza
2020
Untitled
2020
Human Contact
2020
For this triptych, I wanted to present more of a representation of a feeling, rather than just an outright message. With quarantine preventing the majority of human contact, I wanted to create a piece that captured how the loss of such contact feels. I wanted the hands to have such a striking contrast to the rest of the images, as to draw the viewer’s attention to them. For the two images with faces, I wanted one to show hands gently caressing one’s face, while the other opposed that and showed more of a deterioration of the faces, with the hands creating a “ripping” or “pulling” effect. The center image is supposed to be a literal representation of how human contact is such a valuable thing, especially in darker times like these.
The Hill We Climb
2021
Reflections
2020
The Corner
2020
Hold On
2020
You!
2020
Blood On Their Hands
2020
The Hill We Climb
2021
Blinders
2020
My piece, titled “Blinders,” is a 9”x12” drawing on tinted paper made using colored pencil and ink. I layered the colored pencil over the ink in certain areas in order to achieve richer colors. It features a man standing in front of a store called Willful Ignorance & Son. This store displays both sunglasses and canes. This is meant to be a statement about the current political climate of the United States. The man, equipped with bias, is actively seeking blinders that prevent him from seeing the viewpoints of others, even if they are factually based. People often choose a pleasant lie over a difficult truth, putting on blinders to avoid facing the pressing issues in our society.
Expressive Portrait
2020
My World 2020
2020
As the Covid-19 Pandemic continues, the people will continue to stay at home. As the days pass, the people's lives get more and more depressing unless you aree those non-law-abiding citizens who roam the streets freely with out a mask and not keeping the 6' apart rule in mind. For those who do stay at home, their life is at its lowest point. The reason for this is the boredom gained from staying home. They are itching to go outside and get in touch with friends but they aren't able to due to the restrictions. So what do they do instead? Play video games, watch tv, sit somewhere as time passes by the more depressed they become. And lastly, they do tons of homework they receive from school.
Doldrums
2020
Reflection Piece
2020
Disease
2020
My reflection artwork was based off of the coronavirus and previous plagues that ravaged our world. I used primarily gouache and watercolor colored pencils to create each panel of each plague. In order on four panels I displayed, the bubonic plague (1720), Cholera (1820), the Spanish Flu (1920), and the coronavirus (2020). The main idea behind the panels in their entirety was that each plague occurred basically 100 years after each other, it was only fitting to display them in order with a symbolic figure on each. The goals of this artwork were to make the panels clean and neat, I didn’t want them to be too busy as to where the viewer would struggle with the meaning of each. I also wanted to use a color scheme that was different on each panel, yet somehow the colors on each panel all tied in together to make them cohesive. Overall, I thought this artwork was successful, I completed my goals and I am happy with my work and how they turned out. I think that when the panels are displayed on a wall it will really come together as one.
20online20
2020
This piece: “20nline20 '' is my reflection on my experiences, and important aspects of 2020 because as everyone is so vocal in saying this was a WEIRD year. There is a sharp contrast between the colored and more stylized and cartoonish rush of information pouring from the phone and the grey and more realistic outside world. Using a combination of colored pencil and graphite drawing pencil, I wanted to illustrate how this year we experienced so much online. Large portions of the world have come together online to collectively share incomprehensible amounts of information, becoming emotionally close to people we have never met or can no longer meet, in real life. The figure sitting in front of her phone and reaching, reflects how many people, especially teenagers, felt this year wanting to go out and do more, help more, but ultimately only able to experience powerful world shaping events like the election and the numerous protests without being able to do anything. Sitting alone in a room that doesn't quite look right the figure is juxtaposed between the almost headache inducing colors coming from her phone. The stream of information is more stylized like a cartoon escape from real life; it is a vaguely chronological reference to weird events that happened this year, that feels so unique because for the first time our own lives were significantly less interesting than literally anything else.
Just The Beginning
2020
In my piece, I show a painting of my mom and me for the first time in the grocery store. This was a few days after being told we had to wear a mask. At this point into quarantine, my family didn’t have masks yet so, we were forced to wear bandanas. This was a pivotal part of my life. Little did I know that point was just the beginning of a long reign of terror. For the next 4 months, my favorite time of the week was Saturday morning when I got to go to the grocery store with my mom.
Overwhelmed
2020
I produced my artwork with the intention of creating a feeling of being overwhelmed. The hunched figure seems like it is almost hiding from the outside world. The yarn creates a ‘busy’ look which helps further the feeling of being overwhelmed. I did this intentionally because if 2020 was one emotion, it would be overwhelmed.