The Weavers
Poem by Colleen Anderson
one would think when they were young
they would have formed a band
and they did, the trio always sounding
incomplete except for rare harmonizations
the endings abrupt and so very sad
people left weeping, never to return
I
Clotho wouldn’t have stayed long anyways
off to start something from scratch
then losing interest along the way
like the sun she returns
to painting new canvases
all moon phases, its Janus faces
the seasons, a varietal palette
the blush of a first kiss
her fingers love shaping clay
yet unattended it flies apart on the wheel
and half-shaped sentinels line the studio
like some Promethean castoffs
the seeds she plants are full
of seasonal potential and mystery
waiting, she hums, then goes to watch the fawns—
or gazes at a baby’s yawning mouth
the first taste of its new world
on lazy days she and Hermes sip wine
roll dice and bet who will add another letter
to the alphabet, take a form to shape
their raucous laughter bringing scowls
from the older sisters
Clotho is drawn to wool and linen
designing bespoke clothes with ruffles
ruches and torn twists, buttons or spangles
adorning her creations, gathering dust
as they wait for completion
she is the shaper and sings of what is
for now, this century, it is enough to spin
raw fibers from her distaff to the spindle
deciding people’s strands with loving care
breathing in beginnings, she dyes the yarn
then passes it to her sister
II
Lachesis shakes her head, indulges
her sister’s inclination toward failing
to carry through, falling in and out of love
more often than it rains
her days start slow—mesmerized by minutiae
she counts her steps, her breath, her beating heart
the minutes as the clock hand moves
or the numerous grains of sand trickling
through the hourglass
if anyone misses the band, it is she
the writer, working out the sweet middle
of every song, lingering over the center
of each novel, especially romances
where complexities of lives are spun out
to relax, she watches Judge Judy
reads law texts, determining if she too can solve
the conflicts, how many ways to run afoul
in their garden Lachesis doesn’t mind
nurturing plants, pulling weeds and hoeing
it is, after all, part of the planning
once fruits and vegetables indicate sure growth
she is attracted to possibilities
at the market, she is caught up in the here and now
conversations rising like Icarus’ son
and the weighing of produce
though she often tries to balance all the scales
while Hermes and Clotho gamble
it is Lachesis who factors odds of winning
or living to ripe old age
she loves it all—the tumble of dice
moonlighting in casinos, where the wheel always turns
she’ll fan out cards, offer people to pick but one—
at crossroads she lingers, watching
which path a person is destined to choose
Lachesis wants to try architecture
planning grand palaces
simple city neighborhoods
starting with the mosaics
that would line gently curving streets
she is the disposer of lots, and sings of what will be
it is the measure of the lives she takes
feeling the texture of the yarn
weaving warp and weft
a cornucopia of colors
yet once the pattern is set
she too loses interest
III
Atropos never minds that her younger siblings
rarely finish what they start
they’ve done the hard work
all she does is reap the harvest
she rescues cakes left to burn
bathtubs overfilling, and feeds untended chickens
to her a job well done is one completed
keeper of the laws, she ensures no one
forgets what came before
once Lachesis decides one’s fate
Atropos is there to bury the bodies
do the job that no one wants
she is proud of her labors at Pompeii
not just shearing all life strands within an instant
but preserving them, a testament to their deaths—
she has attended the ending of every civilization
remembers all who went before, guiding them beyond
the sun’s departure, she witnesses
as well as the moon fleeing from the day—
of the three it is she who has travelled farthest
journeying through the galaxy to view
stars collapsing in on themselves
or meteor collisions blowing apart like dandelions
in quieter times, she enjoys reading
once she has the story’s gist, skims to the end
except when freelancing as editor
where her pen leaves a red scourge
slashing superfluous words
from printed pages
the others have tried hundreds of hobbies
but Atropos chooses carefully
thinks she’d like to sell real estate
or be a stockbroker closing on the deal
she is the inevitable and sings of what was
she finishes every textile
or garment started, adding hems
and fringes on the lives that went before
embroidering and embellishment are the final touches
that makes each piece unique
she knows that one day
she will cut all threads
the last being hers