Create your Poster

Creating an effecitve poster requires planning, art, science, and attention to detail.

Planning ... before starting work on your poster, consider message and milestones ...

Define your message

You must be able to state your main point and conclusion clearly, succintly, and in plain language.

All visuals and text should relate to your main point and conlcusion.

Know how much room you have

Determine specific size requriements as defined by conference organizers.

Establish milestones

This is especially important if the poster is multi-authored.

You can't change it on the plane, like you can an oral presentation.

Allow time for the poster to "sit on the shelf" whike you think about it.

Here's an example, working backwards ...

0 week ... present your poster

-1 week ... distribute draft for peer review (round 2), make changes suggested by peers, final print

-2 weeks ... distribute draft for peer review (round 1), make changes suggested by peers

-3 weeks ... creat first draft of poster, edit your draft ruthlessly

-4 weeks ... define message, write abstract (if not already done), sketch out poster

Focus ... stay focused on your message and keep it simple ...

Simple messages are more memorable

You must be able to state your main point and conclusion clearly, succintly, and in plain language.

Details distract from the main point, and can be supplied in person as needed - you'll never know all the details different people will want.

Create a mock-up poster focused on your main message

Ask youself which details are absolutely essential for conveying your message. 

Omit anything that is not essential.

The most common problem is too much focus on methods.

Edit carefully, reduce sentence complexity, simplify verbiage.

Layout ... Use balance, white space, and a clearly defined visual grammar to move readers through your poster ...

Use a visual grammar to guide readers to the important parts of your poster.

Use a column format to make your poster easier to read in a crowd - viewers can read a column at a time, moving left to right.

Use organization cues to guide readers through your poster - headings, numbered section, break lines, etc.

Use "reader gravity" which pulls the eye from top to bottom and left to right (Wheildon 1995).

Use headings intelligently to help readers find your main points and key information.

Balance the placement of text and graphics to create visual appeal.

Use white space creatively to help define the flow of information.

Horizontal symmetry.  There are blocks of text and images that are reflected symmetrically across a line running up and down the middle of the poster.

Horizontal Symmetry

Horizontal & vertical symmetry.  There are blocks of text and images that are reflected symmetrically across two lines on the poster.  One line runs up and down the middle of the poster.  The other runs from side to side across the middle of the poster.

Horizontal & Vertical Symmetry

Diagonal symmetry.  There are blocks of text and images that are reflected symmetrically across a line running from the lower left corner of the poster to the upper right corner.

Diagonal Symmetry

No symmetry.  Blocks of text and images are arranged chaotically.

No Symmetry

Headings ... Use headings to orient readers and convey major points ... starting with your poster's title

Headings should ...

Summarize key points for hurried viewers.

Organize your poster by contributing to its visual grammar, guiding your viewers through it.

Be bold by making the strongest statements your work allows.

Don't forget author names and affiliations in the title bar - remember, posters are an advertisement of your work - you want to be found!

Graphics .... Clear graphics – graphs, illustrations, photos – should be the centerpiece of your poster ...

Use photos, drawings, maps, and diagrams to help deliver your message.



Graphs should be simple and clean.


Write explanations directly on figures, instead of referencing from elsewhere.


Ten simple tips for better figures (from PLOS Computational Biology)


Use simple 2-dimensional line graphs, bar chargs, pie charts.


Avoid 3-dimensional graphs unless you're displaying 3-dimensional data - and then proceed carefully, as many 3-D graphs are difficult to interpret.


Text on graphs must follow same guidelines as all other text so that it will be visible.


Use spot art - but not too much - to attract attention.

NO!

A line graph showing the population sizes of lynx and hare.  The graph is poorly designed with a gray background, unnecessary gridlines, overly annotated axes, and small text.

Better!!

A line graph showing the population sizes of lynx and hare.  The graph is more cleanly designed with a white background, no gridlines, simpler axes, and larger text.

Text ... should be minimized in favor of graphics, and large where used ...

Posters are a visual medium!

Minimize text - use graphics instead.

Keep text elements to 50 words or fewer.

Bulletize your text.

Use phrases rather than full sentences.

Use an active voice.

Avoid jargon (depends somewhat on audience).

Left-justify text; avoid centering and right-justifying text.

Text should be at least 24 point in text, 36 for headings.

Pay attention to text size in figures - it must also be large.

Title should be at least 5cm tall.

Helpful hint ... if you print your poster on a standard sheet of paper (8.5x11inches in the US), you should be able to read all of it – including  text in figures – comfortably.  If you can't, your text is too small.

Colors ... can attract attention and help organize & emphasize, but be cautious ... 

Use a light color background and dark color letters for contrast.

Avoid dark backgrounds with light letters - very tiring to read.

Stick to a theme of 2 or 3 colors - much more will overload and confuse viewers.

If you use multiple colors, use them in a consistent pattern - otherwise viewers will spend their time wondering what the pattern is rather than reading your poster.

Overly bright colors will attract attention - and then wear out readers' eyes.

Consider people who have problems differentiating colors, especially when designing graphics - one of the most common is an inability to tell green from red.

Strawberries as they appear to a person with full-color vision.  The red strawberries are clearly distinguishable from the green leaves.

Mock strawberries as they appear to a person with full-color vision.

Photos from Vischeck, an informational site about color deficiencies. Used with permission.

Strawberries as they appear to a person who cannot tell red from green.  The red strawberries and green leaves looks like different shades of brown and gray.  There is very little contrast between them.

Mock strawberries as they appear to a person who cannot tell red from green.  This is the most common color deficiency.  And a very common graphic scheme, where red denotes something bad and green something good.

Edit ruthlessly .... to reduce word count and focus on a results-oriented message ...

Edit all text to simplify verbiage, to reduce sentence complexity, and to delete details.

If it's not relevant to your message, remove it!

Have colleagues comment on drafts. Print a small version and circulate for comment, or hang a full-size draft with pens and invite them to critique.

Evaluate your work - try the 60 second evaluation.

Are your objective and main message obvious?

Will readers be able to contact you?