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The Palgrave Encyclopedia of Global Crime Fiction
The Palgrave Encyclopedia of Global Crime Fiction
The Palgrave Encyclopedia of Global Crime Fiction will be the first major reference book in the emerging field of global/world crime fiction, and is intended as a key resource for further developing this field. The Encyclopedia is ambitious in scope, with entries on all major national crime fiction traditions in Africa, Asia, Western and Eastern Europe, Latin America, North Africa and the Middle East, North America and the Caribbean, and Oceania. It will also contain entries on significant global crime writers, global centres of crime fiction and important transnational topics. Entries will range from 500 to 10,000 words.
Potential contributors can find more information here.
Crime Fiction Studies / volume 6, number 1, 2025
Crime Fiction Studies / volume 6, number 1, 2025
Special Issue: Crime Fiction and Indigeneity
Special Issue: Crime Fiction and Indigeneity
This special issue of Crime Fiction Studies on "Crime Fiction and Indigeneity" is edited by lead CI Stewart King and contains co-authored contributions by CIs Jesper Gulddal and Carlos Uxo:
Stewart King, "Indigenous Crime Fictions: Practice and Inquiry", pp. 1-5.
Brooke Collins-Gearing and Jesper Gulddal, "‘Criminal dreaming’: Reimagining Crime and Justice in Australian Aboriginal Crime Fiction", pp. 6-23. This article is available for free download.
Fabricio Tocco and Carlos Uxo, "Subalternity, Relationality and (Trans)-Indigeneity in Latin American Crime Fiction: Re-reading The Uncomfortable Dead", pp. 72-89.
The other articles in the special issue are:
Cyanne So-lo-li Topaum, "Violence and Vigilantism in Native American Crime Fiction: Settler Criminality in the Novels of LaFavor, Rendon, and Boulley."
Laurie Camp Hatch, "Reading Tommy Orange’s There There as Crime Fiction: Identity and the Poetry of Urban Life."
Nicole Kenley, "Indigenous Justice toward Survivance in The Round House and Winter Counts."
Tara Million, "Responding to wetiko Crime: Understanding Harold Johnson’s Backtrack through the Indigenous Literary Analysis Model (ILAM)."
Katharine Wilson, "Revenge, Final Girls and Indigenous Ghosts: Generic Manipulation in Stephen Graham Jones’s My Heart is a Chainsaw."
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