Existentialism- Existentialism is a philosophical movement emphasising individual experience, freedom of choice, and the lack of predetermined meaning in existence, highlighting that we create our own purpose and meaning through our actions and choices.
Synchonisities - In the context of psychology, synchronicity, a concept introduced by Carl Jung, refers to meaningful coincidences that seem to have no causal connection, suggesting a deeper, perhaps spiritual, connection between events. In this instance, we are refering to how PKD predicted future issues/ events.
Dick's Theory of Time: Explain Philip K. Dick's theory of time as presented in the video. How does this theory relate to the concept of synchronicity?
Carl Jung: According to the video, what is Carl Jung's concept of synchronicity? How does it differ from a simple coincidence?
Unus Mundus: What is Unus Mundus, and how does it relate to the ideas of synchronicity and interconnectedness discussed in the video?
Allegory: Explain Plato's allegory of the cave. According to the video, how might it relate to the themes of illusion and reality explored in Philip K. Dick's work and the concept of synchronicity?
In "Do Androids Dream of Electric Sheep," a prominent consumerist theme is the emphasis placed on owning real animals as a status symbol, signifying one's humanity and social standing, where the act of acquiring a living creature becomes more important than genuine empathy or connection with the animal itself, essentially commodifying life and reflecting a society obsessed with material possessions.
Key aspects of consumerism in the novel:
Electric sheep as a symbol:
The widespread use of electric sheep as a substitute for real animals highlights the artificial nature of consumer goods and how people prioritise appearances over true substance.
Social hierarchy based on ownership:
Owning a real animal, particularly a rare or valuable breed, is seen as a sign of wealth and societal status, driving characters to seek out these animals even if they struggle financially.
Mercerism as a consumer product:
While presented as a spiritual practice, the "empathy box" used to access Mercerism is essentially a commodity that one buys to experience a sense of connection, further reflecting the commodification of even emotional experiences.
The "Kipple" concept:
Kipple, representing useless clutter and junk, criticises the consumerist tendency to accumulate unnecessary material goods.
How the novel critiques consumerism:
Dehumanisation:
By prioritising material possessions like an electric sheep over genuine empathy, the novel suggests that excessive consumerism can lead to a loss of human connection and compassion.
Questioning authenticity:
The blurred lines between real and artificial animals force readers to consider what constitutes "true" value in a consumer-driven society.
Psychological impact:
The characters' anxieties about their social standing based on their animal ownership reveal the psychological pressure exerted by consumerist ideals.
Dick presents consumerism as a defining force in his fragmented, dystopian society. The relentless desire to acquire and display one’s status through material possessions, particularly animals, illustrates how consumer culture persists even in the face of environmental and societal collapse. In the novel, owning real animals becomes the ultimate marker of prestige and humanity, reflecting the importance placed on commodities. Rick Deckard’s electric sheep epitomizes the hollowness of consumerism in this world. Although the sheep provides him with a veneer of status, Rick feels deeply ashamed of its artificiality, yearning for a real animal to validate his social worth and personal fulfillment. This desire drives his bounty-hunting efforts, as he sees his earnings as a means to purchase a genuine animal. The commodification of animals diminishes their intrinsic value, as they become status symbols rather than objects of empathy.
The novel also critiques consumer culture through the portrayal of artificial goods, such as mood-altering devices like the Penfield mood organ. These products simulate experiences that once occurred naturally, emphasizing how consumption has supplanted authentic existence. Even Mercerism, a spiritual system, exists alongside the pervasive influence of commercialism—followers need an empathy box to tune in and commune with Mercer himself and with other followers of the religion. Ultimately, Dick presents consumerism as both a coping mechanism and a source of alienation. While the pursuit of material possessions offers temporary solace in a cold and unfeeling world, the novel also suggests that the constant struggle to buy more and better items deprives life of meaning—it’s impossible, in this consumerist system, to ever feel fulfilled.
Closely tied to the theme of life vs. un-life, the idea of what is real and what is unreal is a blurred distinction in Do Androids Dream of Electric Sheep? This dichotomy is best expressed through the world of the empathy box and Mercerism. The reader at first experiences Mercerism as something that one can only experience through entering into a state of fusion with Mercer, mediated through the sights and sounds that one experiences while hooked into an empathy box.
Yet, the reader slowly discovers that the world of the empathy box has very real consequences for the other world as well and that maybe the world of Mercer is just as real as the world that Rick Deckard lives and walks around in. Towards the end of the novel, Mercer begins to make real world appearances to Rick, even after his whole religion has been proved false by Buster Friendly. In the novel's closing chapters Rick even fuses completely with Mercer. He becomes the real Mercer and the real Mercer becomes Rick. The distinctions between the real world and Mercer's world have been completely torn down and Rick is able to finish the novel with a spark of empathy that was not possible for him when the novel began.
The individual vs. the collective is another set of binary opposing principles that Dick seeks to blur and tear down in the novel. The quest for individualism is seen most clearly early in the novel in Rick's consumerist desire to own a real animal and in the Rosen Association's attempt to create an evolved android that will become indistinct from human life, thereby ensuring the company's economic survival in a capitalist economy.
Rick's selfishness causes him to have a misplaced sense of empathy. He chooses not to feel the decay of humanity and instead focuses only on his own need for a real animal in order to show his social worth. This leads him to reject any notion of empathy or care for electric animals or for androids. His job is to kill them and he does so for the money.
This individual selfishness is seen on a macro level in the Rosen Association's desire to economically survive. A corporation such as the the Rosen Association, Dick says, will do anything for their own survival, including life or cheat and, even, encourage the injury or death of the bounty hunters that seek to destroy their androids. This is Dick's critique of an economic system that abandons all value for human life except for the value that creates the most economic gain.
These themes are contrasted with the idea of the collective. It is the collective of humanity that must band together in order to survive the decay of the world around them. Mercerism offers a vehicle for this process. Through the spiritual fusion with Mercer and with other people, the collective humanity is able to ensure their own survival with a sharing of each other's empathy. These themes can be understood as Dick's critique of capitalism and belief in a socialist form of economy that promotes a collective sense of value.
Do Androids Dream of Electric Sheep? suggests that empathy is humanity’s defining trait, contrasting it against the emotional detachment of androids. In the novel, empathy is closely tied to the concept of Mercerism, a shared religious experience that allows people to unite and experience mutual suffering. By fusing with Mercer, the religion’s messianic figurehead, people feel others’ pain. The fact that having this opportunity to experience empathy is the entire point of Mercerism speaks to what the novel suggests is a normal human desire for empathy. This contrasts starkly with androids, who lack the capacity for genuine empathy and often engage in cruel, detached behaviors, such as Pris’s mutilation of a spider in front of John Isidore. Indeed, the tests designed to identify androids specifically aim to show that an android does not have empathy, initially setting up a clear distinction between empathetic humans and detached androids.
However, Rick Deckard’s internal conflict highlights the fragility of this distinction. As a bounty hunter tasked with “retiring” Nexus-6 androids, Rick struggles with feelings of guilt and confusion, particularly after his interactions with the androids Rachael Rosen and Luba Luft. Luba’s love for art and Rachael’s sexuality blur the line between android and human, forcing Rick to question whether empathy can exist in artificial beings and whether his own emotional detachment diminishes his humanity. Conversely, John Isidore, a “special” ostracized by society, displays profound empathy, even for the androids exploiting him. His kindness, coupled with his attachment to the mutilated spider, elevates him as a moral counterpoint to Rick, illustrating that even those deemed “lesser” by societal standards can embody humanity’s core trait. Ultimately, the novel suggests that while the capacity to feel empathy defines humanity, it also makes it clear that the capacity to feel empathy doesn’t guarantee that a person will be empathetic.
Empathy is the main theme of the novel and is the crux on which Dick's metaphysical reflection on the meaning of life hangs. Each character in the novel must deal with what it means to be empathetic and whether that allows someone to be valued as a living thing. Rick hates his electric sheep precisely because he believes it cannot feel any love for him, even though he cares for it. This feeling allows Rick to perform his work as a bounty hunter because he believes that androids, like his sheep, are incapable of true human emotion and therefore not worthy of life in a society in which life is the highest ideal. Rick notes early on that herbivores or omnivores are the only creatures with the empathetic impulse and that empathy is what allows humanity to survive.
Yet, Rick soon learns that androids may be capable of empathy and humans may be able to be devoid of empathy; this in turn causes a extreme shift in Rick's understanding of himself. Suddenly, Rick finds that the lines between what one can call living or what one can call not-living are blurred. Androids find their empathetic abilities with each other just as humans find the ability to be empathetic in a collective group. Humans, also, are capable of a loss of empathy. This is demonstrated through the character of Phil Resch who, Rick finds, enjoys killing simply for killing's sake.
Dick creates a world that is in a state of decay because of the dust of nuclear fallout that envelopes the entire landscape. Kipple is the metaphysical representation of this decay; stuff that has been destroyed or left behind by those that left a decaying world. Kipple, or decay, simply manifests itself where other Kipple is located indicating that decay is a constant evolving process in the world.
Yet, Dick suggests that the world has a way of surviving and regenerating itself through the decay. This is represented by the animals that appear at the end of the novel - John Isidore's spider which represents the ability of new life to find a way to survive and Rick Deckard's mechanical toad which represents the ability of all kinds of life to find a way to exist in a decaying world.
Mind Control is alluded to throughout Do Androids Dream of Electric Sheep?. The government of Rick's decaying world has also decayed to the point where they have started to lose control and are encouraging people to move to Mars where a new American colony has been started. Throughout the novel, the authorities of government and civic duty have a way of steering people's minds towards creating binary oppositions in the world: what is real vs. what is unreal, what is life vs. what is not living.
This is most clearly seen in the character of Buster Friendly. Buster's mind control comes from his ability to create a sub-reality through the use of mass media. Characters such as John Isidore have become so caught up in the world that Buster Friendly spins that they often have a hard time reconciling his views on something like Mercer with the feelings and emotions that they have towards Mercer. Likewise, the androids of the novel are also caught up in Buster's propaganda, sure that his expose on Mercer's false religion will destroy the already shaken faith of humanity and will allow androids to live as humans. This, however, does not happen as evidenced by Rick and John's continued faith in the principles of Mercerism, even in they are no longer strict adherents to the false religion.
Can artificial beings experience “authentic” emotions? Use examples from the novel (e.g., Rachael Rosen’s actions, Roy Batty’s final monologue).
Heidegger’s philosophy of technology - discuss whether androids represent “enframing” or independent agency.