Below you will find some free writing, writing exercises, or just my thoughts. Enjoy!
April 09, 2018 – 8:20pm
Music for Writing – None (Being super quiet with a sleeping baby)
Forward: I was gifted the James Patterson Master Class on Writing for my birthday by my beautiful wife. I will be using this section of my website to update on my progress, give my thoughts, and post my assignments where possible. If you have any feedback, questions, or comments you can reach me at mattpage@frontpageinc.net.
The main takeaway from this lesson is that because of the ease of access of data and information, an author no longer has any excuse not to have thoroughly researched every part of their narrative, settings, or characters. JP stresses that getting the details right is important because it not only builds a solid foundation for your story but also avoids having readers be pulled out of the action because the details aren’t believable or accurate, thus casting doubt on all of the piece.
I did appreciate him mentioning that having done your due diligence is not a justification for a fact dump into your fiction. Just because you know something as an author doesn’t mean that your character would, or that that detail adds to the plot. Your descriptions shouldn’t be essays, the details should act as the glue that lends credence and authenticity to the story you are crafting.
Again, much more of a lesson with some meat on the bone and concepts to digest than the early lesson, which has me excited to keep trucking along.
The main assignment for this lesson is to write a short description of a parking garage. Hopefully I capture the feeling and setting below.
Assignment – Describe a Parking Garage
Lindsay’s fingertips glided lightly over the pock marks of the concrete walls that lined the parking garage, as she slipped through the shadows of a corner untouched by the humming fluorescent lights. A car door slammed shut, the sound echoing through the man-made cavern, and Lindsay instinctively ducked by the front bumper of an old, grey Mercedes, her left foot edging the brightly painted yellow line that marked the car’s current address. She peered around the Mercedes’ headlight to see if she had been spotted but her angle only allowed her to see an off-white delivery truck that must have barely scraped its way into the building’s depths, a car, covered by a black plastic tarp, that was resting on four flat tires, and two bicycles chained to the nearest pillar – one looking oft used and the other seized from rust.
The coast clear, she exhaled, and that was when she felt the barrel of a gun thrust between her shoulder blades…
April 08, 2018 – 7:00am
Music for Writing – To Be With You – Mr. Big Playlist on Spotify PS4
Forward: I was gifted the James Patterson Master Class on Writing for my birthday by my beautiful wife. I will be using this section of my website to update on my progress, give my thoughts, and post my assignments where possible. If you have any feedback, questions, or comments you can reach me at mattpage@frontpageinc.net.
So a year between assignments is reasonable, right? Wow, can’t believe that it has been that long. A lot has changed and forced writing to the side for a bit but I’m back, baby! (For instance, I'm writing this update at 7am with an infant on my lap. Wiggling children make typing on a laptop more of a circus act than a cathartic one.)
Lesson four was finally what I was looking for out of this Master Class series. Much meatier than its predecessors, James delves into what makes a narrative a plot rather than simply a story. I loved his example of the Great Gatsby (full disclosure, I have not read GG), where he explains the plot in only a couple of sentences yet it resonates so clearly and emotionally.
The keys to plot, according to JP, are to first have a condensed plot from which to build your story. This nucleus should only contain the most key elements and take less than 10-15 minutes to explain. The key components to your plot must contain clearly defined and escalating stakes, conflict, a worthy adversary or puzzle for the protagonist to overcome, and surprises or changes that capture the reader’s attention.
Overall, this was the type of lesson I had been hoping to see. It was not complicated, and the points were glossed over in about ten minutes, but the topics were poignant, and this is the direction I’m hoping the following lessons will replicate.
The assignment for Lesson 4 is to take one of the Raw Ideas from Lesson 3 and write a 3-5 sentence plot for it. The hope is that the person/people that you share your plot with will ask to “know more”.
Assignment – The Plot
Raw Idea #1 - Three assassins with otherworldly powers are hired by The Corporation to combat mythological creatures that are terrorizing major cities. It will soon become apparent that The Corporation is involved in the spread of these creatures and, hanging in the balance, is a child known as the Conjuror.
The Plot – The Corporation, lead by the President, has permeated all time and place. Shadowy, mythological creatures are appearing and attacking Corporation strongholds, commanded by a mysterious figure known as The Conjuror. The President hires the Four Horsemen, a legendary team of assassins with otherworldly powers, to combat these creatures and protect the Corporation but they will soon discover that the life of a child hangs in the balance, and the decision to complete the contract or protect the life of the innocent threatens to tear the team apart.
Does that have you asking for more?
April 23, 2017 – 4:02pm
Music for Update – Rock from the 2000s Playlist
Just received some exciting news! I will be a featured author on the "No Extra Words" Podcast! My unpublished story "Uncovered Tracks" is scheduled for release on September 1, 2017.
"No Extra Words" is a podcast dedicated to flash fiction, and features short stories from authors all over the world. The Podcast is created by Kris Baker Dersch.
To learn more about the podcast, visit https://noextrawords.wordpress.com.
April 10, 2017 – 9:30pm
Music for Writing – Foxy Shazam on Spotify Web Player
Forward: I was gifted the James Patterson Master Class on Writing for my birthday by my beautiful wife. I will be using this section of my website to update on my progress, give my thoughts, and post my assignments where possible. If you have any feedback, questions, or comments you can reach me at mattpage@frontpageinc.net.
Moving on to Lesson Three – Raw Ideas. The gist of this lesson is that aspiring writers need to be consistently studying the physical, artistic, and theoretical world around them in order to build a foundation of ideas on which to foster narratives. From what I can only assume is an old rocking chair, JP talks about how young people only know about movies, video games, and beer, and, as such, they don’t have enough information to draw upon when it comes to developing story. In his mind, an author needs much more material for inspiration than the young person’s holy trinity.
His reasoning behind having a broad foundation is that there really are no new ideas. Instead, ideas for successful books (or music, or any type of art for that matter) are found in taking established ideas and using them in new, and unfamiliar settings. He uses the example of Rapping about Chinese Pottery as a demonstration of combining two non-related concepts to create something new. The key though, for Patterson, is knowing enough about each element to create something of substance.
The assignment for this chapter is to come up with three “Raw Ideas” for novels. Oh, and we’re going to be using these in future chapters, so no pressure! A raw idea is described as a sentence or two that is supposed to inspire a reader to ask for more. Seems easy enough until you watch the video where James reviews student submissions and essentially tears them apart, mercilessly. Would have been nice if he critiqued one that he liked, so that we at least had one good example to review! Oh well, lesson number one in becoming an author is dealing with rejection, so he’s definitely helping with that! Bonus is that you know he’s honest.
Alright, time for the assignment. I would be happy to hear if you think any of these inspire you to ask for more.
Assignment – Three Raw Ideas
#1 - Three assassins with otherworldly powers are hired by The Corporation to combat mythological creatures that are terrorizing major cities. It will soon become apparent that The Corporation is involved in the spread of these creatures and, hanging in the balance, is a child known as the Conjuror.
#2 - A young genius moves to a new school and opens up Curtis Cluesleuth’s Super Detective Agency under a large oak tree during recesses. His cases, brought to him by students and faculty, take him on amazing adventures in mystery solving, with the presence of a formidable fiend, Master M, always looming. (Okay, kind of cheating but it is building off of a short story I’ve written, so I’m counting it)
#3 – Cyborgs, or Humanity Perfected, have the last woman imprisoned awaiting her public death, which will finally rid the world of the imperfection that is man. What is meant to be a celebration is threatened as the woman, using art and literature, inspires her guard, a robot, to join the Robotic Rebellion, which aims to bring down the Golden Age of Humanity Perfected.
TAGS: James Patterson, Master Class, Writing, Assignment, Review, Fiction, Short Story, Ottawa
April 6, 2017 – 8:30pm
Music for Writing – Eminem on Spotify Web Player
Forward: I was gifted the James Patterson Master Class on Writing for my birthday by my beautiful wife. I will be using this section of my website to update on my progress, give my thoughts, and post my assignments when possible. If you have any feedback, questions, or comments you can reach me at mattpage@frontpageinc.net.
An interesting start to the class to say the least. James’ passion for writing is made very apparent from the first word, and it sounds like he possesses a drive that would be near impossible to replicate. Perhaps I’m one of those he mentions that likes writing rather than loves it? I guess we will soon find out!
This lesson is more of a second intro rather than an actual lesson on writing. The biggest message I pulled from the ten or so minutes of lecturing was that writer’s need to be disciplined and, in being disciplined, that writing will become more of a ritual of passion than a forced activity. You can’t give yourself the option not to write. It has to be something that you do, every day.
It was encouraging to learn that James wasn’t an immediate success. His first novel was turned down by over thirty publishers before being picked up and eventually winning an award. He also talked about a number of his short stories being rejected; it’s nice to know that even such prolific authors have had to take their lumps on the path to success in writing.
In order to give being a fiction novelist a go it looks like I’m going to have to jump in feet first! Our first assignment is to write 500 words everyday within a set schedule. Of course picking a set schedule is difficult with day-to-day responsibilities but if I’m going to make a real run at this, then scheduled writing will need to be a priority. Luckily for you, you’ll be able to see how well I do, since I plan on posting all of this here, in case that was something that interested you.
Alright, I need to hit at least 500 words and I’m a little over 100 away from that right now, so how about a quick story?
Eggs in One Basket
Pascal’s basket has only six plastic eggs in it. His older brother, J.P., is having a hard time keeping his basket from overflowing. Everything about being a little brother is exaggerated at Easter. Pascal’s arms are just that much shorter, on his tip-toes he can’t match J.P.’s height, and he’s always one step behind on the hunt.
It is the same story every year. Thirty plastic eggs stuffed full of candy hidden all over the house; J.P. capturing the vast majority of them.
“Pascal,” J.P. shouts while frantically tossing the couch cushion aside, “how many do you have?”
“Six,” Pascal replies.
“Ha! I have twenty-three; there is only one left!” J.P. exclaims, as he pokes his head in the fireplace. “Bet you all your eggs I find it!”
Pascal’s immediate reaction is to say no. Six eggs is his best haul of any year – he is pretty happy with himself and doesn’t want to risk it – but then he sees it. The egg is Easter bunny pink; it’s baby-girl pink; it’s rosy cheeks pink. It’s beautiful.
“You’re on,” Pascal hears himself say.
J.P. halts his search, surprised, and turns to Pascal with a bewildered look on his face. It lasts only a moment, and then he follows Pascal’s gaze and sees what Pascal sees. The prize is wedged in the branches of their mother’s money-tree. The leaves obscured it for most of the hunt but now that it has been found it couldn’t be more obvious.
The two boys look at one another, eyes wide and hearts pounding. The race is on.
TAGS: James Patterson, Master Class, Writing, Assignment, Review, Fiction, Short Story, Ottawa